This was the year of Christopher Nolan’s Oppenheimer. The film based on the life of Robert Oppenheimer clashed with Greta Gerwig’s Barbie and created mayhem at the box office with humongous box office numbers. It not only broke previous records but also set the stage for a super successful year at the cinema, as it managed to get audiences to the theatres.&nbsp;

As the year draws to a close, Christopher Nolan, the director behind the film Oppenheimer,&nbsp;reflected on the effect his film had on cinema lovers. The film beat major Hollywood tent[poles like Indiana Jones and the Dial of Destiny and every superhero movie that released in 2023 to maintain a rock-solid stand at the box office.&nbsp;

Speaking about the phenomena that his latest film was, Nolan said, “I’ve just made a three-hour film about Robert Oppenheimer which is R-rated and half in black-and-white – and it made a billion dollars. Of course, I think films are doing great.”

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He added, “The crazy thing is that it’s literally the most successful film I’ve ever made. I’ve been doing this for 20 years and in the United Kingdom it’s my highest-grossing film. So I feel great about the state of the movie business, based on my own experience. But also based on seeing other movies break out, seeing audiences come back. The audience’s desire to be surprised, to see something new, to see something they did not know they wanted, that’s always been the most powerful force in theatrical film. So it was wonderful to see that this year.”

Christopher Nolan experienced Oppenheimer’s power over moviegoers firsthand by sneaking into screenings of the movie on opening weekend.

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He said, “Emma [Thomas, Nolan’s producer and wife] and I went into the back of Lincoln Square, which has a giant IMAX screen where you can still play 70mm film. And there were two screens – one five-perf 70mm, one 15-perf – and we went from one to the other. When we walked into the back of the IMAX screen, it was just as the Trinity test was coming to its conclusion. It was absolutely packed; every seat was filled. To be in the back of that theatre in that moment of silence, before the sound washes over the audience… you could hear a pin drop. It was a really remarkable experience. Quite overwhelming, really.”

Oppenheimer is now available to rent or buy on VOD and digital platforms.

This was the year of Christopher Nolan’s Oppenheimer. The film based on the life of Robert Oppenheimer clashed with Greta Gerwig’s Barbie and created mayhem at the box office with humongous box office numbers.

This was the year of Christopher Nolan’s Oppenheimer. The film based on the life of Robert Oppenheimer clashed with Greta Gerwig’s Barbie and created mayhem at the box office with humongous box office numbers. It not only broke previous records but also set the stage for a super successful year at the cinema, as it managed to get audiences to the theatres. As the year draws to a close, Christopher Nolan, the director behind the film Oppenheimer, reflected on the effect his film had on cinema lovers. The film beat major Hollywood tent[poles like Indiana Jones and the Dial of Destiny and every superhero movie that released in 2023 to maintain a rock-solid stand at the box office. Speaking about the phenomena that his latest film was, Nolan said, “I’ve just made a three-hour film about Robert Oppenheimer which is R-rated and half in black-and-white – and it made a billion dollars. Of course, I think films are doing great.” Also read: The Hunger Games: The Ballad of Songbirds and Snakes to get digital premiere soon He added, “The crazy thing is that it’s literally the most successful film I’ve ever made. I’ve been doing this for 20 years and in the United Kingdom it’s my highest-grossing film. So I feel great about the state of the movie business, based on my own experience. But also based on seeing other movies break out, seeing audiences come back. The audience’s desire to be surprised, to see something new, to see something they did not know they wanted, that’s always been the most powerful force in theatrical film. So it was wonderful to see that this year.” Christopher Nolan experienced Oppenheimer’s power over moviegoers firsthand by sneaking into screenings of the movie on opening weekend. Also read: Céline Dion’s sister says singer doesn’t have control over her muscles He said, “Emma [Thomas, Nolan’s producer and wife] and I went into the back of Lincoln Square, which has a giant IMAX screen where you can still play 70mm film. And there were two screens – one five-perf 70mm, one 15-perf – and we went from one to the other. When we walked into the back of the IMAX screen, it was just as the Trinity test was coming to its conclusion. It was absolutely packed; every seat was filled. To be in the back of that theatre in that moment of silence, before the sound washes over the audience… you could hear a pin drop. It was a really remarkable experience. Quite overwhelming, really.” Oppenheimer is now available to rent or buy on VOD and digital platforms.

Christopher Nolan: I feel great about the state of movie business

Barbenheimer was one of the biggest cinematic moment of 2023. And it dominated the nomination list on Monday as the Hollywood Foreign Press Association announced the nominees of the Golden Globe Awards 2024. Oppenheimer and Barbie dominated the technical as well as acting nominations. Both Christopher Nolan and Greta Gerwig were nominated in the Best Director category while their films Oppenheimer and Barbie got nods in Best Drama and Best Musical or Comedy category.&nbsp; 
 
The leads of the film too fetched acting nominations. While Cillian Murphy was nominated in Best Actor, Drama category, Margot Robbie's Barbie act fetched her Best Actress, Musical or Comedy nomination.&nbsp; 
 
This year’s nominees were announced by Cedric the Entertainer and That ‘70s Show actor Wilmer Valderrama, one year after a huge membership shake-up that saw the ceremony’s voting body, the Hollywood Foreign Press Association (HFPA), improve diversity among its members.

<h2>Here's the full list of nominees for Golden Globes 2024</h2>

 
Best Motion Picture, Drama

Oppenheimer&nbsp; 
Killers of the Flower Moon 
Maestro 
Past Lives 
The Zone of Interest 
Anatomy of a Fall

Best Picture, Musical or Comedy

Barbie 
Poor Things 
American Fiction 
The Holdovers 
May December 
Air

Best Director, Motion Picture

 
Bradley Cooper — Maestro 
Greta Gerwig — Barbie 
Yorgos Lanthimos — Poor Things 
Christopher Nolan — Oppenheimer 
Martin Scorsese — Killers of the Flower Moon 
Celine Song —Past Lives

Best Screenplay, Motion Picture&nbsp; 
 
Barbie — Greta Gerwig, Noah Baumbach 
Poor Things — Tony McNamara 
Oppenheimer — Christopher Nolan 
Killers of the Flower Moon — Eric Roth, Martin Scorsese 
Past Lives — Celine Song 
Anatomy of a Fall — Justine Triet, Arthur Harari

Best Performance by an Actor in a Motion Picture, Drama&nbsp; 
 
Bradley Cooper - Maestro 
Leonardo Dicaprio - &nbsp;Killers Of The Flower Moon 
Colman Domingo - Rustin 
Barry Keoghan - Saltburn 
Cillian Murphy - Oppenheimer 
Andrew Scott - &nbsp;All Of Us Strangers

 
Best Performance by an Actress in a Motion Picture, Drama&nbsp; 
 
Lily Gladstone — Killers of the Flower Moon 
Carey Mulligan – Maestro 
Sandra Hüller – Anatomy of a Fall 
Annette Bening — Nyad 
Greta Lee — Past Lives 
Cailee Spaeny — Priscilla

Best Performance by an Actress in a Motion Picture, Musical or Comedy&nbsp; 
 
Fantasia Barrino – The Color Purple 
Jennifer Lawrence – No Hard Feelings 
Natalie Portman – May December 
Alma Pöysti – Fallen Leaves 
Margot Robbie – Barbie 
Emma Stone – Poor Things

Best Performance by an Actor in a Motion Picture, Musical or Comedy&nbsp; 
Nicolas Cage — Dream Scenario 
Timothée Chalamet — Wonka 
Matt Damon — Air 
Paul Giamatti — The Holdovers 
Joaquin Phoenix — Beau Is Afraid 
Jeffrey Wright — American Fiction

Best Supporting Actor – Motion Picture&nbsp;

Willem Dafoe — Poor Things 
Robert DeNiro — Killers of the Flower Moon 
Robert Downey Jr. — Oppenheimer 
Ryan Gosling — Barbie 
Charles Melton — May December 
Mark Ruffalo — Poor Things

Best Supporting Actress, Motion Picture&nbsp; 
 
Emily Blunt — Oppenheimer 
Danielle Brooks — The Color Purple 
Jodie Foster — Nyad 
Julianne Moore — May December 
Rosamund Pike — Saltburn 
Da’Vine Joy Randolph — The Holdovers

Best Television Series, Drama&nbsp;

1923 
The Crown 
The Diplomat 
The Last of Us 
The Morning Show 
Succession

Best Television Series, Musical or Comedy&nbsp;

The Bear 
Ted Lasso 
Abbott Elementary 
Jury Duty 
Only Murders in the Building 
Barry

 
Best Performance by an Actor in a Television Series, Drama&nbsp;

Pedro Pascal — The Last of Us 
Kieran Culkin — Succession 
Jeremy Strong — Succession 
Brian Cox — Succession 
Gary Oldman — Slow Horses 
Dominic West — The Crown

Best Performance by an Actress in a Television Series, Drama&nbsp;

Helen Mirren — 1923 
Bella Ramsey — The Last of Us 
Keri Russell —&nbsp;The Diplomat 
Sarah Snook — Succession 
Imelda Staunton — The Crown 
Emma Stone — The Curse

Best Actress in a TV Series, Musical or Comedy&nbsp;

Ayo Edebiri — The Bear 
Natasha Lyonne — Poker Face 
Quinta Brunson — Abbott Elementary 
Rachel Brosnahan — The Marvelous Mrs. Maisel 
Selena Gomez — Only Murders in the Building 
Elle Fanning – The Great

Best Actor in a TV Series, Musical or Comedy&nbsp;

Bill Hader — Barry 
Steve Martin — Only Murders in the Building 
Martin Short — Only Murders in the Building 
Jason Segel —&nbsp;Shrinking 
Jason Sudeikis — Ted Lasso 
Jeremy Allen White — The Bear

Best Supporting Actor, Television&nbsp;

Billy Crudup — The Morning Show 
Matthew Macfadyen — Succession 
James Marsden — Jury Duty 
Ebon Moss-Bachrach — The Bear 
Alan Ruck — Succession 
Alexander Skarsgård — “Succession 
&nbsp;

Best Supporting Actress, Television&nbsp;

Elizabeth Debicki — The Crown 
Abby Elliott — The Bear 
Christina Ricci — Yellowjackets 
J. Smith-Cameron — Succession 
Meryl Streep — Only Murders in the Building 
Hannah Waddingham — Ted Lasso

Best Limited Series, Anthology Series or a Motion Picture Made for Television&nbsp;

Beef 
Lessons in Chemistry 
Daisy Jones &amp; the Six 
All the Light We Cannot See 
Fellow Travelers 
Fargo

Best Performance by an Actor, Limited Series, Anthology Series or Motion Picture Made for Television&nbsp;

Matt Bomer —Fellow Travelers 
Sam Claflin — Daisy Jones &amp; the Six 
Jon Hamm — Fargo 
Woody Harrelson — White House Plumbers 
David Oyelowo — Lawmen: Bass Reeves 
Steven Yeun —&nbsp;Beef

Best Performance by an Actress, Limited Series, Anthology Series or a Motion Picture Made for Television&nbsp;

Riley Keough — Daisy Jones &amp; the Six 
Brie Larson — Lessons in Chemistry 
Elizabeth Olsen — Love and Death 
Juno Temple — Fargo 
Rachel Weisz — Dead Ringers 
Ali Wong — Beef

Best Performance by an Actress in Supporting Role, Limited Series, Anthology Series or a Motion Picture Made for Television&nbsp;

Harriet Sloane — Lessons in Chemistry 
Patti Yasutake — Beef 
Suki Waterhouse — Daisy Jones &amp; the Six 
Chloe Bailey — Swarm 
Allison Williams — Fellow Travelers 
Carla Gugino — Fall of the House of Usher

Best Performance by an Actor in Supporting Role, Limited Series, Anthology Series or a Motion Picture Made for Television&nbsp;

Matt Bomer — Fellow Travelers 
Sam Claflin — Daisy Jones &amp; the Six 
Jon Hamm — Fargo 
Woody Harrelson — White House Plumbers 
David Oyelowo — Lawmen: Bass Reeves 
Steven Yeun —&nbsp;Beef

Best Original Score, Motion Picture&nbsp;

Ludwig Göransson — Oppenheimer 
Jerskin Fendrix — Poor Things 
Robbie Robertson — Killers of the Flower Moon 
Mica Levi — The Zone of Interest 
Daniel Pemberton — Spider-Man: Across the Spider-Verse 
Joe Hisaishi — The Boy and the Heron

Best Picture, Non-English Language&nbsp;

Anatomy of a Fall&nbsp;— France 
Fallen Leaves — Finland 
Io Capitano” — Italy 
Past Lives&nbsp;&nbsp;— United States 
Society of the Snow&nbsp;— Spain 
The Zone of Interest&nbsp;— United Kingdom

Best Original Song, Motion Picture&nbsp;

Barbie&nbsp;— “What Was I Made For?” by Billie Eilish and Finneas 
Barbie&nbsp;— “Dance the Night” by Caroline Ailin, Dua Lipa, Mark Ronson and Andrew Wyatt 
She Came to Me&nbsp;— “Addicted to Romance” by Bruce Springsteen and Patti Scialfa 
The Super Mario Bros. Movie&nbsp;— “Peaches” by Jack Black, Aaron Horvath, Michael Jelenic, Eric Osmond, and John Spiker 
Barbie&nbsp;— “I’m Just Ken” by Mark Ronson, Andrew Wyatt 
Rustin — “Road to Freedom” by Lenny Kravitz

Best Motion Picture, Animated&nbsp;

The Boy and the Heron 
Elemental 
Spider-Man: Across the Spider-Verse 
The Super Mario Bros. Movie 
Suzume 
Wish

The Golden Globes 2024 ceremony will be broadcast in India on January 8 on Lionsgate Play.

Barbenheimer was one of the biggest cinematic moment of 2023. And it dominated the nomination list on Monday as the Hollywood Foreign Press Association announced the nominees of the Golden Globe Awards 2024.

Barbenheimer was one of the biggest cinematic moment of 2023. And it dominated the nomination list on Monday as the Hollywood Foreign Press Association announced the nominees of the Golden Globe Awards 2024. Oppenheimer and Barbie dominated the technical as well as acting nominations. Both Christopher Nolan and Greta Gerwig were nominated in the Best Director category while their films Oppenheimer and Barbie got nods in Best Drama and Best Musical or Comedy category. The leads of the film too fetched acting nominations. While Cillian Murphy was nominated in Best Actor, Drama category, Margot Robbie's Barbie act fetched her Best Actress, Musical or Comedy nomination. This year’s nominees were announced by Cedric the Entertainer and That ‘70s Show actor Wilmer Valderrama, one year after a huge membership shake-up that saw the ceremony’s voting body, the Hollywood Foreign Press Association (HFPA), improve diversity among its members. Here's the full list of nominees for Golden Globes 2024 Best Motion Picture, Drama Oppenheimer Killers of the Flower Moon Maestro Past Lives The Zone of Interest Anatomy of a Fall Best Picture, Musical or Comedy Barbie Poor Things American Fiction The Holdovers May December Air Best Director, Motion Picture Bradley Cooper — Maestro Greta Gerwig — Barbie Yorgos Lanthimos — Poor Things Christopher Nolan — Oppenheimer Martin Scorsese — Killers of the Flower Moon Celine Song —Past Lives Best Screenplay, Motion Picture Barbie — Greta Gerwig, Noah Baumbach Poor Things — Tony McNamara Oppenheimer — Christopher Nolan Killers of the Flower Moon — Eric Roth, Martin Scorsese Past Lives — Celine Song Anatomy of a Fall — Justine Triet, Arthur Harari Best Performance by an Actor in a Motion Picture, Drama Bradley Cooper - Maestro Leonardo Dicaprio - Killers Of The Flower Moon Colman Domingo - Rustin Barry Keoghan - Saltburn Cillian Murphy - Oppenheimer Andrew Scott - All Of Us Strangers Best Performance by an Actress in a Motion Picture, Drama Lily Gladstone — Killers of the Flower Moon Carey Mulligan – Maestro Sandra Hüller – Anatomy of a Fall Annette Bening — Nyad Greta Lee — Past Lives Cailee Spaeny — Priscilla Best Performance by an Actress in a Motion Picture, Musical or Comedy Fantasia Barrino – The Color Purple Jennifer Lawrence – No Hard Feelings Natalie Portman – May December Alma Pöysti – Fallen Leaves Margot Robbie – Barbie Emma Stone – Poor Things Best Performance by an Actor in a Motion Picture, Musical or Comedy Nicolas Cage — Dream Scenario Timothée Chalamet — Wonka Matt Damon — Air Paul Giamatti — The Holdovers Joaquin Phoenix — Beau Is Afraid Jeffrey Wright — American Fiction Best Supporting Actor – Motion Picture Willem Dafoe — Poor Things Robert DeNiro — Killers of the Flower Moon Robert Downey Jr. — Oppenheimer Ryan Gosling — Barbie Charles Melton — May December Mark Ruffalo — Poor Things Best Supporting Actress, Motion Picture Emily Blunt — Oppenheimer Danielle Brooks — The Color Purple Jodie Foster — Nyad Julianne Moore — May December Rosamund Pike — Saltburn Da’Vine Joy Randolph — The Holdovers Best Television Series, Drama 1923 The Crown The Diplomat The Last of Us The Morning Show Succession Best Television Series, Musical or Comedy The Bear Ted Lasso Abbott Elementary Jury Duty Only Murders in the Building Barry Best Performance by an Actor in a Television Series, Drama Pedro Pascal — The Last of Us Kieran Culkin — Succession Jeremy Strong — Succession Brian Cox — Succession Gary Oldman — Slow Horses Dominic West — The Crown Best Performance by an Actress in a Television Series, Drama Helen Mirren — 1923 Bella Ramsey — The Last of Us Keri Russell — The Diplomat Sarah Snook — Succession Imelda Staunton — The Crown Emma Stone — The Curse Best Actress in a TV Series, Musical or Comedy Ayo Edebiri — The Bear Natasha Lyonne — Poker Face Quinta Brunson — Abbott Elementary Rachel Brosnahan — The Marvelous Mrs. Maisel Selena Gomez — Only Murders in the Building Elle Fanning – The Great Best Actor in a TV Series, Musical or Comedy Bill Hader — Barry Steve Martin — Only Murders in the Building Martin Short — Only Murders in the Building Jason Segel — Shrinking Jason Sudeikis — Ted Lasso Jeremy Allen White — The Bear Best Supporting Actor, Television Billy Crudup — The Morning Show Matthew Macfadyen — Succession James Marsden — Jury Duty Ebon Moss-Bachrach — The Bear Alan Ruck — Succession Alexander Skarsgård — “Succession Best Supporting Actress, Television Elizabeth Debicki — The Crown Abby Elliott — The Bear Christina Ricci — Yellowjackets J. Smith-Cameron — Succession Meryl Streep — Only Murders in the Building Hannah Waddingham — Ted Lasso Best Limited Series, Anthology Series or a Motion Picture Made for Television Beef Lessons in Chemistry Daisy Jones & the Six All the Light We Cannot See Fellow Travelers Fargo Best Performance by an Actor, Limited Series, Anthology Series or Motion Picture Made for Television Matt Bomer —Fellow Travelers Sam Claflin — Daisy Jones & the Six Jon Hamm — Fargo Woody Harrelson — White House Plumbers David Oyelowo — Lawmen: Bass Reeves Steven Yeun — Beef Best Performance by an Actress, Limited Series, Anthology Series or a Motion Picture Made for Television Riley Keough — Daisy Jones & the Six Brie Larson — Lessons in Chemistry Elizabeth Olsen — Love and Death Juno Temple — Fargo Rachel Weisz — Dead Ringers Ali Wong — Beef Best Performance by an Actress in Supporting Role, Limited Series, Anthology Series or a Motion Picture Made for Television Harriet Sloane — Lessons in Chemistry Patti Yasutake — Beef Suki Waterhouse — Daisy Jones & the Six Chloe Bailey — Swarm Allison Williams — Fellow Travelers Carla Gugino — Fall of the House of Usher Best Performance by an Actor in Supporting Role, Limited Series, Anthology Series or a Motion Picture Made for Television Matt Bomer — Fellow Travelers Sam Claflin — Daisy Jones & the Six Jon Hamm — Fargo Woody Harrelson — White House Plumbers David Oyelowo — Lawmen: Bass Reeves Steven Yeun — Beef Best Original Score, Motion Picture Ludwig Göransson — Oppenheimer Jerskin Fendrix — Poor Things Robbie Robertson — Killers of the Flower Moon Mica Levi — The Zone of Interest Daniel Pemberton — Spider-Man: Across the Spider-Verse Joe Hisaishi — The Boy and the Heron Best Picture, Non-English Language Anatomy of a Fall — France Fallen Leaves — Finland Io Capitano” — Italy Past Lives — United States Society of the Snow — Spain The Zone of Interest — United Kingdom Best Original Song, Motion Picture Barbie — “What Was I Made For?” by Billie Eilish and Finneas Barbie — “Dance the Night” by Caroline Ailin, Dua Lipa, Mark Ronson and Andrew Wyatt She Came to Me — “Addicted to Romance” by Bruce Springsteen and Patti Scialfa The Super Mario Bros. Movie — “Peaches” by Jack Black, Aaron Horvath, Michael Jelenic, Eric Osmond, and John Spiker Barbie — “I’m Just Ken” by Mark Ronson, Andrew Wyatt Rustin — “Road to Freedom” by Lenny Kravitz Best Motion Picture, Animated The Boy and the Heron Elemental Spider-Man: Across the Spider-Verse The Super Mario Bros. Movie Suzume Wish The Golden Globes 2024 ceremony will be broadcast in India on January 8 on Lionsgate Play.

Golden Globe nominations 2024 full list: Barbenheimer, Succession get multiple nods

After several controversies Christopher Nolan's Oppenheimer will finally release in Japan. A local distributor announced that the movie will release in Japan next year.

Japan to screen 'Oppenheimer' in 2024; Why is the movie controversial in Japan?

Japanese distributor Bitters End has officially announced the upcoming theatrical release of Christopher Nolan's biopic Oppenheimer in Japan, as per The Hollywood Reporter. No specific release date has been provided.

In a statement, Bitters End revealed that the choice to bring Oppenheimer to Japanese cinemas was made after months of thoughtful dialogue, acknowledging the particular sensitivity of the subject matter. The distributor emphasised the unique cinematic experience created by Nolan, urging audiences to witness it on the big screen.

Also Read |&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-oppenheimer-review-nolans-visually-stunning-epic-fuses-genius-and-guilt-618110">Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt</a>

The film starring Cillian Murphy, Emily Blunt, Matt Damon, Robert Downey Jr, and Florence Pugh, &nbsp;delves into the life of American theoretical physicist J Robert Oppenheimer, the renowned figure behind the development of the atomic bomb during the Manhattan Project.

Oppenheimer has achieved both critical acclaim and commercial success, grossing over $950 million worldwide. Despite its success, the film has been surrounded by controversy in Japan due to its portrayal of Oppenheimer's involvement in the development of the atomic bomb.

Earlier this summer, Warner Bros Japan issued an apology after a social media incident involving memes that many interpreted as making light of the atomic bombings of Hiroshima and Nagasaki. The hashtag #NoBarbenheimer trended in response.&nbsp;

Nolan has, meanwhile, defended his artistic choices, explaining that the film is told subjectively from Oppenheimer's point of view, who, like the rest of the world, learned about the bombings through the radio.

Japanese distributor Bitters End has officially announced the upcoming theatrical release of Christopher Nolan's biopic Oppenheimer in Japan, as per The Hollywood Reporter.

Japanese distributor Bitters End has officially announced the upcoming theatrical release of Christopher Nolan's biopic Oppenheimer in Japan, as per The Hollywood Reporter. No specific release date has been provided. In a statement, Bitters End revealed that the choice to bring Oppenheimer to Japanese cinemas was made after months of thoughtful dialogue, acknowledging the particular sensitivity of the subject matter. The distributor emphasised the unique cinematic experience created by Nolan, urging audiences to witness it on the big screen. Also Read | Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt The film starring Cillian Murphy, Emily Blunt, Matt Damon, Robert Downey Jr, and Florence Pugh, delves into the life of American theoretical physicist J Robert Oppenheimer, the renowned figure behind the development of the atomic bomb during the Manhattan Project. Oppenheimer has achieved both critical acclaim and commercial success, grossing over $950 million worldwide. Despite its success, the film has been surrounded by controversy in Japan due to its portrayal of Oppenheimer's involvement in the development of the atomic bomb. Earlier this summer, Warner Bros Japan issued an apology after a social media incident involving memes that many interpreted as making light of the atomic bombings of Hiroshima and Nagasaki. The hashtag #NoBarbenheimer trended in response. Nolan has, meanwhile, defended his artistic choices, explaining that the film is told subjectively from Oppenheimer's point of view, who, like the rest of the world, learned about the bombings through the radio.

Christopher Nolan's Oppenheimer confirmed for theatrical release in Japan amid controversy

You never know how things take a turn in the world of films but if there was something that Margot Robbie of Barbie was sure of, it was her faith in her film. Margot recently revealed that she was once engaged in an interaction with a producer who was backing Oppenheimer and that he told her that they should move their film, Barbie, to another date to avoid a clash with Christopher Nolan's directorial.&nbsp;

This revelation was made by Margot Robbie to Oppenheimer actor Cillian Murphy during a Variety’s ‘Actors on Actors,’ conversation presented by AIR. She revealed that she once got a call from Oppenheimer producer Charles Roven in which he asked her to change the Barbie release date so that it avoids a clash with Oppenheimer. She said, “One of your producers, Chuck Roven, called me because we worked together on some other projects. And he was like, ‘I think you guys should move your date.’ And I was like, ‘We’re not moving our date. If you’re scared to be up against us, then you move your date.’ And he’s like, ‘We’re not moving our date. I just think it’d be better for you to move.’ And I was like, ‘We’re not moving!'”

Also read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-angelina-jolie-is-planning-to-leave-los-angeles-hollywood-is-not-a-healthy-place-666739">Angelina Jolie is planning to leave Los Angeles: Hollywood is not a healthy place</a>

Both Greta Gerwig’s Barbie and Christopher Nolan’s Oppenheimer opened on the same day worldwide.&nbsp;

Margot Robbie also added in the chat that she thought that Oppenheimer and Barbie were a “really great pairing,” which is why she didn’t want to delay her film’s release date.

“It’s a perfect double billing…Clearly, the world agreed. Thank God,” Robbie added. “The fact that people were going and being like, ‘Oh, watch “Oppenheimer” first, then “Barbie.”‘ I was like, ‘See? People like everything.’ People are weird…I think they were also really excited by the filmmakers. People were itching for the next Chris Nolan film and itching for the next Greta Gerwig film. To get them at the same time was exciting.”

As the films were released together, they became a huge deal at the box office. So much so that people started calling it the 'Barbenheimer'&nbsp;as it opened up the theatres in the post-pandemic world like never before.&nbsp;

You never know how things take a turn in the world of films but if there was something that Margot Robbie of Barbie was sure of, it was her faith in her film. Margot recently revealed that she was once engaged in an interaction with a producer who was backing Oppenheimer and that he told her that they should move their film, Barbie, to another date to avoid a clash with Christopher Nolan's directorial.

You never know how things take a turn in the world of films but if there was something that Margot Robbie of Barbie was sure of, it was her faith in her film. Margot recently revealed that she was once engaged in an interaction with a producer who was backing Oppenheimer and that he told her that they should move their film, Barbie, to another date to avoid a clash with Christopher Nolan's directorial. This revelation was made by Margot Robbie to Oppenheimer actor Cillian Murphy during a Variety’s ‘Actors on Actors,’ conversation presented by AIR. She revealed that she once got a call from Oppenheimer producer Charles Roven in which he asked her to change the Barbie release date so that it avoids a clash with Oppenheimer. She said, “One of your producers, Chuck Roven, called me because we worked together on some other projects. And he was like, ‘I think you guys should move your date.’ And I was like, ‘We’re not moving our date. If you’re scared to be up against us, then you move your date.’ And he’s like, ‘We’re not moving our date. I just think it’d be better for you to move.’ And I was like, ‘We’re not moving!'” Also read: Angelina Jolie is planning to leave Los Angeles: Hollywood is not a healthy place Both Greta Gerwig’s Barbie and Christopher Nolan’s Oppenheimer opened on the same day worldwide. Margot Robbie also added in the chat that she thought that Oppenheimer and Barbie were a “really great pairing,” which is why she didn’t want to delay her film’s release date. “It’s a perfect double billing…Clearly, the world agreed. Thank God,” Robbie added. “The fact that people were going and being like, ‘Oh, watch “Oppenheimer” first, then “Barbie.”‘ I was like, ‘See? People like everything.’ People are weird…I think they were also really excited by the filmmakers. People were itching for the next Chris Nolan film and itching for the next Greta Gerwig film. To get them at the same time was exciting.” As the films were released together, they became a huge deal at the box office. So much so that people started calling it the 'Barbenheimer' as it opened up the theatres in the post-pandemic world like never before.

When Margot Robbie asked Oppenheimer producer to move his film if he was scared of box office clash

In India, a curious phenomenon is unfolding as the clash of the titans, Barbie vs Oppenheimer, captivates audiences. With their strikingly different genres, the showdown at the box office has intrigued moviegoers. Many of them are 14 to 22 year old young boys who line up for tickets to watch Oppenheimer.

'Barbenheimer': An actual movie that marries plots of both films

Barbenheimer is not just a term to hype two big releases that took place earlier this year but is now the title of an upcoming film. Many would recall that the term was coined in July this year when big-ticket films Barbie and Oppenheimer were released on the same day worldwide. The term was a marketing gimmick to promote both films and encourage viewers to watch both films.&nbsp; 
 
Now a report in The Hollywood Reporter states that B-movie icon Charles Band is making a movie on the same title with dolls and bombs beings the key plot points.&nbsp; 
 
What is Barbenheimer the film about? 
 
Charles Band has detailed the plot of Barbenheimer, in which a scientist doll called Dr Bambi J Barbenheimer, living in the doll town Dolltopia, is bothered by how humans treat the dolls. So she goes on a mission to destroy the real world with a giant nuclear bomb. The synopsis of Barbenheimer states, “They got great looks and a super attitude! Oh, and now they’ve got the bomb.” 
 
Charles, while speaking to the publication, admitted that he was cashing in on the Barbie-Oppenheimer clash and the numerous memes and social media chatter that followed.&nbsp; 
 
“But it’s also an opportunity to have fun with the bizarre coupling of these two movies and the combination of Barbie’s vibe and the darkness of Oppenheimer. You mix that together and you have such an opportunity for dark humour,” Charles said. “It seems like every other feature is dark and depressing, and it’s like, God, we need a little humour going into 2024,” he added.

Charles Band is best known for his 1985 cult classic Re-Animator.

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Barbenheimer clash&nbsp; 
 
Two strikingly different films clashed at the box office in July 2023. Greta Gerwig's Barbie is based on the iconic doll and Christopher Nolan's Oppenheimer is based on American scientist Robert Oppenheimer. Barbie went on to earn $1 billion at the global office. Oppenheimer fared decently at the box office. Both films earned critical acclaim.&nbsp;

Also read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-oppenheimer-review-nolans-visually-stunning-epic-fuses-genius-and-guilt-618110">Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt</a>

Barbenheimer is not just a term to hype two big releases that took place earlier this year but is now the title of an upcoming film. Many would recall that the term was coined in July this year when big-ticket films Barbie and Oppenheimer were released on the same day worldwide.

Barbenheimer is not just a term to hype two big releases that took place earlier this year but is now the title of an upcoming film. Many would recall that the term was coined in July this year when big-ticket films Barbie and Oppenheimer were released on the same day worldwide. The term was a marketing gimmick to promote both films and encourage viewers to watch both films. Now a report in The Hollywood Reporter states that B-movie icon Charles Band is making a movie on the same title with dolls and bombs beings the key plot points. What is Barbenheimer the film about? Charles Band has detailed the plot of Barbenheimer, in which a scientist doll called Dr Bambi J Barbenheimer, living in the doll town Dolltopia, is bothered by how humans treat the dolls. So she goes on a mission to destroy the real world with a giant nuclear bomb. The synopsis of Barbenheimer states, “They got great looks and a super attitude! Oh, and now they’ve got the bomb.” Charles, while speaking to the publication, admitted that he was cashing in on the Barbie-Oppenheimer clash and the numerous memes and social media chatter that followed. “But it’s also an opportunity to have fun with the bizarre coupling of these two movies and the combination of Barbie’s vibe and the darkness of Oppenheimer. You mix that together and you have such an opportunity for dark humour,” Charles said. “It seems like every other feature is dark and depressing, and it’s like, God, we need a little humour going into 2024,” he added. Charles Band is best known for his 1985 cult classic Re-Animator. Barbenheimer clash Two strikingly different films clashed at the box office in July 2023. Greta Gerwig's Barbie is based on the iconic doll and Christopher Nolan's Oppenheimer is based on American scientist Robert Oppenheimer. Barbie went on to earn $1 billion at the global office. Oppenheimer fared decently at the box office. Both films earned critical acclaim. Also read: Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt

Barbenheimer movie is in the works, plot involves dolls and nuclear bombs

Christopher Nolan’s Oppenheimer saw a massively successful run at the box office and is now set to return to Imax screens for one week. The historical drama that peeks into the life of scientist Oppenheimer as he feels guilty after inventing the nuclear bomb.&nbsp;

The film will be back on the big screen in the United States and other countries from this Friday, including six Imax 70mm film locations: AMC CityWalk Stadium 19 in Hollywood, Calif.; AMC Irvine Spectrum in Irvine, Calif.; AMC Lincoln Square in New York City; AMC Metreon 16 in San Francisco; BFI London in the United Kingdom; and Melbourne Museum in Australia. These premium screens were the first to sell out during the film’s initial box office run.

The re-release coincides with no other major release in the upcoming weekend. Another film that could act as a dampener is The Marvels that will open in theatres on November 10.

Oppenheimer stars Cillian Murphy as the so-called “father of the atomic bomb”. &nbsp;The film is the third-highest grossing movie of the year, as well as the second-highest grossing R-rated film in history.

Christopher Nolan’s Oppenheimer saw a massively successful run at the box office and is now set to return to Imax screens for one week. The historical drama that peeks into the life of scientist Oppenheimer as he feels guilty after inventing the nuclear bomb.

Christopher Nolan’s Oppenheimer saw a massively successful run at the box office and is now set to return to Imax screens for one week. The historical drama that peeks into the life of scientist Oppenheimer as he feels guilty after inventing the nuclear bomb. The film will be back on the big screen in the United States and other countries from this Friday, including six Imax 70mm film locations: AMC CityWalk Stadium 19 in Hollywood, Calif.; AMC Irvine Spectrum in Irvine, Calif.; AMC Lincoln Square in New York City; AMC Metreon 16 in San Francisco; BFI London in the United Kingdom; and Melbourne Museum in Australia. These premium screens were the first to sell out during the film’s initial box office run. The re-release coincides with no other major release in the upcoming weekend. Another film that could act as a dampener is The Marvels that will open in theatres on November 10. Oppenheimer stars Cillian Murphy as the so-called “father of the atomic bomb”. The film is the third-highest grossing movie of the year, as well as the second-highest grossing R-rated film in history.

Christopher Nolan’s ‘Oppenheimer’ set for Imax re-release

Emily Blunt is apologising for a 2012 episode when she called a waiter “enormous”. Unhappy with herself, A Quiet Place actress is “appalled” at how she appeared on the UK’s Jonathan Ross Show and called a person “enormous”. This was when she was promoting her role in Rian Johnson’s Looper.&nbsp;

The actress stumbled upon a video from the show which is now circulating on social media. She has now issued a statement to People in which she apologised for her language. The video has Emily Blunt say, “If you go to Chili’s you can see why so many of our American friends are enormous. Well the girl who was serving me was enormous.”

In her statement, Emily said, “I just need to address this head-on as my jaw was on the floor watching this clip from 12 years ago. I’m appalled that I would say something so insensitive, hurtful, and unrelated to whatever story I was trying to tell on a talk show.”

Also read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-britney-spears-reveals-in-memoir-she-thought-her-family-was-trying-to-kill-her-650167">I thought my family was trying to kill me, says Britney Spears in memoir</a>

Blunt continued, “I’ve always considered myself someone who wouldn’t dream of upsetting anyone so whatever possessed me to say anything like this in that moment is unrecognizable to me or anything I stand for. And yet it happened, and I said it and I’m so sorry for any hurt caused. I was absolutely old enough to know better.”

In 2012 when she commented on the weight of the anonymous waiter, Emily Blunt was about to appear in Looper opposite headliners Joseph Gordon-Levitt and Bruce Willis.&nbsp;

Emily Blunt was last seen in Christopher Nolan’s Oppenheimer. She played&nbsp;Oppenheimer's wife, with the titular character being played by Cillian Murphy.&nbsp;

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Emily Blunt is apologising for a 2012 episode when she called a waiter “enormous”. Unhappy with herself, A Quiet Place actress is “appalled” at how she appeared on the UK’s Jonathan Ross Show and called a person “enormous”.

Emily Blunt is apologising for a 2012 episode when she called a waiter “enormous”. Unhappy with herself, A Quiet Place actress is “appalled” at how she appeared on the UK’s Jonathan Ross Show and called a person “enormous”. This was when she was promoting her role in Rian Johnson’s Looper. The actress stumbled upon a video from the show which is now circulating on social media. She has now issued a statement to People in which she apologised for her language. The video has Emily Blunt say, “If you go to Chili’s you can see why so many of our American friends are enormous. Well the girl who was serving me was enormous.” In her statement, Emily said, “I just need to address this head-on as my jaw was on the floor watching this clip from 12 years ago. I’m appalled that I would say something so insensitive, hurtful, and unrelated to whatever story I was trying to tell on a talk show.” Also read: I thought my family was trying to kill me, says Britney Spears in memoir Blunt continued, “I’ve always considered myself someone who wouldn’t dream of upsetting anyone so whatever possessed me to say anything like this in that moment is unrecognizable to me or anything I stand for. And yet it happened, and I said it and I’m so sorry for any hurt caused. I was absolutely old enough to know better.” In 2012 when she commented on the weight of the anonymous waiter, Emily Blunt was about to appear in Looper opposite headliners Joseph Gordon-Levitt and Bruce Willis. Emily Blunt was last seen in Christopher Nolan’s Oppenheimer. She played Oppenheimer's wife, with the titular character being played by Cillian Murphy. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Emily Blunt apologises for a hurtful statement she made in 2012

Spike Lee has praised Christopher Nolan's Oppenheimer but also wished that the film had shown the impact of nuclear bombs on Japan and its people during World War II. Lee spoke candidly in a recent interview and praised Nolan's latest film which has emerged as one of the biggest-grossing films of the year.&nbsp; 
 
Oppenheimer was fronted by Cillian Murphy and was a three-hour-long biographical drama on American theoretical physicist J Robert Oppenheimer. The film was released worldwide on July 21 and earned rave reviews from critics.&nbsp; 
 
While speaking to The Washington Post, Lee stated that his remark on the film was “not criticism”, but a comment.

 
“Chris Nolan with Oppenheimer, he’s a massive filmmaker. Great film… and this is not a criticism. It’s a comment. If (‘Oppenheimer’) is three hours, I would like to add some more minutes about what happened to the Japanese people. 
 
“People got vaporized. Many years later, people are radioactive. It’s not like he didn’t have power. He tells studios what to do. I would have loved to have the end of the film maybe show what it did, dropping those two nuclear bombs on Japan,” the Oscar winner told the publication. 
 
Spike Lee also shared he showed Christopher Nolan’s World War II epic Dunkirk in his New York University film class. 
 
“Understand, this is all love. And I bet (Nolan) could tell me some things he would change about Do the Right Thing and Malcolm X,” he added. 
 
Apart from Cillian Murphy, Oppenheimer also starred Emily Blunt, Robert Downey Jr and Matt Damon in key roles.&nbsp; 
 
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Spike Lee has praised Christopher Nolan's Oppenheimer but also wished that the film had shown the impact of nuclear bombs on Japan and its people during World War II.

Spike Lee has praised Christopher Nolan's Oppenheimer but also wished that the film had shown the impact of nuclear bombs on Japan and its people during World War II. Lee spoke candidly in a recent interview and praised Nolan's latest film which has emerged as one of the biggest-grossing films of the year. Oppenheimer was fronted by Cillian Murphy and was a three-hour-long biographical drama on American theoretical physicist J Robert Oppenheimer. The film was released worldwide on July 21 and earned rave reviews from critics. While speaking to The Washington Post, Lee stated that his remark on the film was “not criticism”, but a comment. “Chris Nolan with Oppenheimer, he’s a massive filmmaker. Great film… and this is not a criticism. It’s a comment. If (‘Oppenheimer’) is three hours, I would like to add some more minutes about what happened to the Japanese people. “People got vaporized. Many years later, people are radioactive. It’s not like he didn’t have power. He tells studios what to do. I would have loved to have the end of the film maybe show what it did, dropping those two nuclear bombs on Japan,” the Oscar winner told the publication. Spike Lee also shared he showed Christopher Nolan’s World War II epic Dunkirk in his New York University film class. “Understand, this is all love. And I bet (Nolan) could tell me some things he would change about Do the Right Thing and Malcolm X,” he added. Apart from Cillian Murphy, Oppenheimer also starred Emily Blunt, Robert Downey Jr and Matt Damon in key roles.

Spike Lee feels Nolan's Oppenheimer should have shown nuclear bomb's impact on Japan

Renowned filmmaker Spike Lee recently shared his thoughts on Christopher Nolan's blockbuster movie Oppenheimer, expressing a desire for the film to encompass the perspective of the Japanese people affected by the atomic bombings during World War II.

Lee, known for his impactful films addressing critical issues like racism, spoke with the Washington Post about Oppenheimer, acknowledging it as a "great film." However, he highlighted what he viewed as a crucial omission in the narrative. The film primarily focuses on the life of J Robert Oppenheimer, the physicist who played a pivotal role in developing the atomic bomb. Cillian Murphy plays the titular character.

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What Lee noted was the absence of a depiction of the Japanese perspective in Oppenheimer. While the film delves into the life and moral dilemmas of Oppenheimer, it does not explore the devastating aftermath of the atomic bombings in Hiroshima and Nagasaki, which resulted in the deaths of hundreds of thousands of Japanese civilians and left many more suffering from radiation exposure.

Also Read |&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-oppenheimer-review-nolans-visually-stunning-epic-fuses-genius-and-guilt-618110">Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt</a>

“[Nolan] is a massive filmmaker… and this is not a criticism. It’s a comment. If [‘Oppenheimer’] is three hours, I would like to add some more minutes about what happened to the Japanese people. People got vaporised. Many years later, people are radioactive. It’s not like he didn’t have power. He tells studios what to do. I would have loved to have the end of the film maybe show what it did, dropping those two nuclear bombs on Japan," said Lee while speaking to The Washington Post

Oppenheimer has been a notable success, grossing over $930 million globally and becoming Christopher Nolan's third-highest-grossing movie. However, it has yet to secure a release date in Japan.&nbsp;

<h2>Oppenheimer review</h2>

WION's review of Oppenheimer read, "Nolan's signature style, with its non-linear narrative, transcends mere storytelling, guiding the audience through a labyrinth of time and memory. Seamlessly transitioning between Oppenheimer's past and present, Nolan skillfully explores the fluidity of memory, perception, and remorse. His directorial prowess, matched with the stunning artistry of Hoyte van Hoytema, turns Oppenheimer into an exquisite visual epic, with many memorable visual images. The Trinity Test, which proved to the US government that this weapon indeed was as destructive as the scientists claimed, is depicted as an event of Biblical proportions. A moment of celebration comes a little later, but at first everyone is shaken by the enormity of the thing."

WATCH WION LIVE HERE

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Renowned filmmaker Spike Lee recently shared his thoughts on Christopher Nolan's blockbuster movie Oppenheimer, expressing a desire for the film to encompass the perspective of the Japanese people affected by the atomic bombings during World War II.

Renowned filmmaker Spike Lee recently shared his thoughts on Christopher Nolan's blockbuster movie Oppenheimer, expressing a desire for the film to encompass the perspective of the Japanese people affected by the atomic bombings during World War II. Lee, known for his impactful films addressing critical issues like racism, spoke with the Washington Post about Oppenheimer, acknowledging it as a "great film." However, he highlighted what he viewed as a crucial omission in the narrative. The film primarily focuses on the life of J Robert Oppenheimer, the physicist who played a pivotal role in developing the atomic bomb. Cillian Murphy plays the titular character. What Lee noted was the absence of a depiction of the Japanese perspective in Oppenheimer. While the film delves into the life and moral dilemmas of Oppenheimer, it does not explore the devastating aftermath of the atomic bombings in Hiroshima and Nagasaki, which resulted in the deaths of hundreds of thousands of Japanese civilians and left many more suffering from radiation exposure. Also Read | Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt “[Nolan] is a massive filmmaker… and this is not a criticism. It’s a comment. If [‘Oppenheimer’] is three hours, I would like to add some more minutes about what happened to the Japanese people. People got vaporised. Many years later, people are radioactive. It’s not like he didn’t have power. He tells studios what to do. I would have loved to have the end of the film maybe show what it did, dropping those two nuclear bombs on Japan," said Lee while speaking to The Washington Post Oppenheimer has been a notable success, grossing over $930 million globally and becoming Christopher Nolan's third-highest-grossing movie. However, it has yet to secure a release date in Japan. Oppenheimer review WION's review of Oppenheimer read, "Nolan's signature style, with its non-linear narrative, transcends mere storytelling, guiding the audience through a labyrinth of time and memory. Seamlessly transitioning between Oppenheimer's past and present, Nolan skillfully explores the fluidity of memory, perception, and remorse. His directorial prowess, matched with the stunning artistry of Hoyte van Hoytema, turns Oppenheimer into an exquisite visual epic, with many memorable visual images. The Trinity Test, which proved to the US government that this weapon indeed was as destructive as the scientists claimed, is depicted as an event of Biblical proportions. A moment of celebration comes a little later, but at first everyone is shaken by the enormity of the thing." WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Spike Lee praises 'great' Oppenheimer but urges inclusion of Japanese perspective: People got vapourised

In the world of weather phenomena, there are moments that leave us in sheer awe of nature's power and beauty. One such moment unfolded in Norman, in the US state of Oklahoma when a stunning hailstorm structure that resembled something out of a science fiction movie was seen in the skies.

The city experienced an unusual storm structure that left residents astonished. Footage of this extraordinary cloud formation was shared online. It was a mushroom-shaped cloud hovering over the city of Norman on Saturday (September 23).

The cloud&nbsp;graced the city's skyline and captured the attention of residents.&nbsp;The visuals bore a striking resemblance to scenes from Christopher Nolan's cinematic masterpiece, "Oppenheimer". It added an extra layer of intrigue to the event.

The breathtaking storm scenes can easily transport anyone back to the movie.

The entire sky seemed to be kissed by shades of orange.&nbsp;Videos and images of Norman's skies flooded the internet.&nbsp;

Also Read |&nbsp;<a href="https://www.wionews.com/science/alien-life-search-gets-easier-as-scientists-develop-this-new-and-simple-test-639698">Alien life search gets easier as scientists develop this new and simple test</a>

The further juxtaposition of this natural beauty and Oppenheimer's cinematic resemblance must have made this particular storm structure an unforgettable and mesmerising experience for all who witnessed it.

<h2>Hailstones larger than baseballs?&nbsp;</h2>

According to WeatherNation, a US-based weather forecasting service, the same storm system unleashed hailstones larger than baseballs in nearby Seminole County.&nbsp;

In Seminole's Bowlegs area, residents captured footage of the billowing orange clouds.&nbsp;

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Stunning storm structure seen from Norman, OK yesterday! This same cell produced larger than baseball size hail in Seminole county!<a href="https://twitter.com/hashtag/okwx?src=hash&amp;ref_src=twsrc%5Etfw">#okwx</a> <a href="https://t.co/VhYPkLxrEM">pic.twitter.com/VhYPkLxrEM</a>
— WeatherNation (@WeatherNation) <a href="https://twitter.com/WeatherNation/status/1706035775576457623?ref_src=twsrc%5Etfw">September 24, 2023</a></blockquote>
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WeatherNation took to X, formerly known as Twitter, to share a video of the stunning storm structure seen in Norman, OK, stating, "Stunning storm structure seen from Norman, OK yesterday! This same cell produced larger than baseball size hail in Seminole county!"

Also Read |&nbsp;<a href="https://www.wionews.com/science/atlas-show-hundreds-of-mysterious-fairy-circles-spread-across-continents-639655">Over 250 mysterious fairy circles spotted from space spread across 3 continents</a>

Similar severe weather conditions were observed further south in central Texas on the same day.

Large hailstones pounded parked cars in Round Rock, a city near the Texas state capital, Austin. Residents reported damage to windshields and house windows.

Watch |&nbsp;<a href="https://www.wionews.com/videos/us-president-joe-biden-establishes-formal-diplomatic-ties-with-cook-islands-and-niue-639691">US President Joe Biden establishes formal diplomatic ties with Cook islands and Niue</a>

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The severe weather, which included lightning and strong winds, led to a delay in the Major League Soccer (MLS) game between Austin FC and LA Galaxy.

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In the world of weather phenomena, there are moments that leave us in sheer awe of nature's power and beauty. One such moment unfolded in Norman, in the US state of Oklahoma when a stunning hailstorm structure that resembled something out of a science fiction movie was seen in the skies.

In the world of weather phenomena, there are moments that leave us in sheer awe of nature's power and beauty. One such moment unfolded in Norman, in the US state of Oklahoma when a stunning hailstorm structure that resembled something out of a science fiction movie was seen in the skies. The city experienced an unusual storm structure that left residents astonished. Footage of this extraordinary cloud formation was shared online. It was a mushroom-shaped cloud hovering over the city of Norman on Saturday (September 23). The cloud graced the city's skyline and captured the attention of residents. The visuals bore a striking resemblance to scenes from Christopher Nolan's cinematic masterpiece, "Oppenheimer". It added an extra layer of intrigue to the event. The breathtaking storm scenes can easily transport anyone back to the movie. The entire sky seemed to be kissed by shades of orange. Videos and images of Norman's skies flooded the internet. Also Read | Alien life search gets easier as scientists develop this new and simple test The further juxtaposition of this natural beauty and Oppenheimer's cinematic resemblance must have made this particular storm structure an unforgettable and mesmerising experience for all who witnessed it. Hailstones larger than baseballs? According to WeatherNation, a US-based weather forecasting service, the same storm system unleashed hailstones larger than baseballs in nearby Seminole County. In Seminole's Bowlegs area, residents captured footage of the billowing orange clouds. Stunning storm structure seen from Norman, OK yesterday! This same cell produced larger than baseball size hail in Seminole county!#okwx pic.twitter.com/VhYPkLxrEM — WeatherNation (@WeatherNation) September 24, 2023 × WeatherNation took to X, formerly known as Twitter, to share a video of the stunning storm structure seen in Norman, OK, stating, "Stunning storm structure seen from Norman, OK yesterday! This same cell produced larger than baseball size hail in Seminole county!" Also Read | Over 250 mysterious fairy circles spotted from space spread across 3 continents Similar severe weather conditions were observed further south in central Texas on the same day. Large hailstones pounded parked cars in Round Rock, a city near the Texas state capital, Austin. Residents reported damage to windshields and house windows. Watch | US President Joe Biden establishes formal diplomatic ties with Cook islands and Niue × The severe weather, which included lightning and strong winds, led to a delay in the Major League Soccer (MLS) game between Austin FC and LA Galaxy. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here. ×

Watch | Cloud akin to 'nuclear' blast seen over Oklahoma skies following 'mushroom' hailstorm

Christopher Nolan's highly anticipated biopic, Oppenheimer, which delves into the life of American theoretical physicist J&nbsp;Robert Oppenheimer, the renowned figure behind the development of the atomic bomb during the Manhattan Project, has reached another milestone. As of the latest update, the film has surpassed $850 million in global box office earnings, which is nothing short of astounding. Not just because the film's production budget is around $100 million, but also because it is an R-rated three-hour biopic involving, for the most part, a lot of conversation — not exactly the characteristics of a crowd-pleaser.

It even held its ground against the star-studded, visually captivating, and clearly more commercial Barbie, directed by Greta Gerwig, in what became known as the Barbenheimer phenomenon. While Barbie may have ultimately triumphed in this cinematic showdown, Oppenheimer has maintained consistent performance and captured the attention of audiences worldwide.

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The film's star-studded cast, led by Cillian Murphy, included notable names such as Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek, and Kenneth Branagh, all contributing to the movie's success. Oppenheimer is adapted from the acclaimed book American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer. At the heart of the film lies the historic Trinity test, a pivotal event that marked the successful testing of the first atomic weapon.

<h2>Oppenheimer review</h2>

Also Read |&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-oppenheimer-review-nolans-visually-stunning-epic-fuses-genius-and-guilt-618110">Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt</a>

WION's review of Oppenheimer read, "Nolan's signature style, with its non-linear narrative, transcends mere storytelling, guiding the audience through a labyrinth of time and memory. Seamlessly transitioning between Oppenheimer's past and present, Nolan skillfully explores the fluidity of memory, perception, and remorse. His directorial prowess, matched with the stunning artistry of Hoyte van Hoytema, turns Oppenheimer into an exquisite visual epic, with many memorable visual images. The Trinity Test, which proved to the US government that this weapon indeed was as destructive as the scientists claimed, is depicted as an event of Biblical proportions. A moment of celebration comes a little later, but at first everyone is shaken by the enormity of the thing."

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Christopher Nolan's highly anticipated biopic, Oppenheimer, which delves into the life of American theoretical physicist J Robert Oppenheimer, the renowned figure behind the development of the atomic bomb during the Manhattan Project, has reached another milestone.

Christopher Nolan's highly anticipated biopic, Oppenheimer, which delves into the life of American theoretical physicist J Robert Oppenheimer, the renowned figure behind the development of the atomic bomb during the Manhattan Project, has reached another milestone. As of the latest update, the film has surpassed $850 million in global box office earnings, which is nothing short of astounding. Not just because the film's production budget is around $100 million, but also because it is an R-rated three-hour biopic involving, for the most part, a lot of conversation — not exactly the characteristics of a crowd-pleaser. It even held its ground against the star-studded, visually captivating, and clearly more commercial Barbie, directed by Greta Gerwig, in what became known as the Barbenheimer phenomenon. While Barbie may have ultimately triumphed in this cinematic showdown, Oppenheimer has maintained consistent performance and captured the attention of audiences worldwide. The film's star-studded cast, led by Cillian Murphy, included notable names such as Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek, and Kenneth Branagh, all contributing to the movie's success. Oppenheimer is adapted from the acclaimed book American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer. At the heart of the film lies the historic Trinity test, a pivotal event that marked the successful testing of the first atomic weapon. Oppenheimer review Also Read | Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt WION's review of Oppenheimer read, "Nolan's signature style, with its non-linear narrative, transcends mere storytelling, guiding the audience through a labyrinth of time and memory. Seamlessly transitioning between Oppenheimer's past and present, Nolan skillfully explores the fluidity of memory, perception, and remorse. His directorial prowess, matched with the stunning artistry of Hoyte van Hoytema, turns Oppenheimer into an exquisite visual epic, with many memorable visual images. The Trinity Test, which proved to the US government that this weapon indeed was as destructive as the scientists claimed, is depicted as an event of Biblical proportions. A moment of celebration comes a little later, but at first everyone is shaken by the enormity of the thing." WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Oppenheimer soars past $850mn at global box office. $1bn on the cards?

Barbie vs Oppenheimer: The ultimate box-office clash This week witnessed the release of two of the most-awaited Hollywood films, 'Barbie' and 'Oppenheimer'. The clash of the titans at the box office left cinephiles deeply invested, but another phenomenon called 'Barbenheimer' gained momentum on social media.

WION E-Club: Barbie vs Oppenheimer: The ultimate box-office clash

Sony's sports action film Gran Turismo&nbsp;didn't exactly roar to the front of the North American box office, but did make it there on a slow late-August weekend, beating a still-turbo-powered Barbie.

Based on a popular video game, Gran Turismo&nbsp;took in an estimated $17.3 million for the Friday-through-Sunday period, industry watcher Exhibitor Relations reported Sunday.

"This is a lukewarm opening for an action film based on a video game," particularly compared to previous game-based films like Warcraft&nbsp;($439 million in worldwide ticket sales) and Rampage&nbsp;($428 million), analyst David A. Gross said.&nbsp;

Also read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-the-spiderwick-chronicles-series-adaptation-to-no-longer-stream-on-disney-629847">The Spiderwick Chronicles series adaptation to no longer stream on Disney+</a>

The movie stars David Harbour and Orlando Bloom in a story about a racing academy that recruits skilled video gamers to train them as real race-car drivers.

Warner Bros.' Barbie,&nbsp;meantime, has remained a steady seat-filler, with its $17.1 million take in its sixth week out propelling it to a $594 million domestic total.

The Greta Gerwig film recently overtook The Super Mario Bros. Movie&nbsp;($574 million) as the year's domestic box office champ. Add to that the $745 million Barbie&nbsp;has earned overseas.

Also read:&nbsp;<a href="https://www.wionews.com/entertainment/bollywood/news-shoojit-sircar-feels-vicky-kaushal-deserved-to-win-best-actor-national-award-for-sadar-udham-629838">Shoojit Sircar feels Vicky Kaushal deserved to win Best Actor National Award for Sadar Udham</a>

Analysts said Sony's accounting of ticket sales for Gran Turismo&nbsp;was a bit wonky (including millions in pre-sales) and predicted Barbie&nbsp;might, in the final tally, be the weekend's Number One -- as she is Ken's.

Last weekend's leader, the superhero flick Blue Beetle&nbsp;from DC Studios and Warner Bros., dipped to third, at $12.8 million, a nearly 50 per cent drop from the previous weekend. Xolo Mariduena, as the Beetle, became the first live-action Latino protagonist.

In fourth was Universal's Oppenheimer,&nbsp;earning an estimated $9 million. The atom bomb origin story has now surpassed $300 million in domestic earnings, with an additional $477 million overseas.

And in fifth place was Paramount's animated Teenage Mutant Ninja Turtles: Mutant Mayhem,&nbsp;the latest chapter in the heroes-in-a-half-shell saga, at $6.1 million.&nbsp;

Rounding out the top 10 were:

Meg 2: The Trench&nbsp;($5.1 million)

Strays&nbsp;($4.7 million)

Retribution ($3.5 million)

The Hill&nbsp;($2.5 million)

Haunted Mansion&nbsp;($2.1 million)

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Sony's sports action film Gran Turismo didn't exactly roar to the front of the North American box office, but did make it there on a slow late-August weekend, beating a still-turbo-powered Barbie.

Sony's sports action film Gran Turismo didn't exactly roar to the front of the North American box office, but did make it there on a slow late-August weekend, beating a still-turbo-powered Barbie. Based on a popular video game, Gran Turismo took in an estimated $17.3 million for the Friday-through-Sunday period, industry watcher Exhibitor Relations reported Sunday. "This is a lukewarm opening for an action film based on a video game," particularly compared to previous game-based films like Warcraft ($439 million in worldwide ticket sales) and Rampage ($428 million), analyst David A. Gross said. Also read: The Spiderwick Chronicles series adaptation to no longer stream on Disney+ The movie stars David Harbour and Orlando Bloom in a story about a racing academy that recruits skilled video gamers to train them as real race-car drivers. Warner Bros.' Barbie, meantime, has remained a steady seat-filler, with its $17.1 million take in its sixth week out propelling it to a $594 million domestic total. The Greta Gerwig film recently overtook The Super Mario Bros. Movie ($574 million) as the year's domestic box office champ. Add to that the $745 million Barbie has earned overseas. Also read: Shoojit Sircar feels Vicky Kaushal deserved to win Best Actor National Award for Sadar Udham Analysts said Sony's accounting of ticket sales for Gran Turismo was a bit wonky (including millions in pre-sales) and predicted Barbie might, in the final tally, be the weekend's Number One -- as she is Ken's. Last weekend's leader, the superhero flick Blue Beetle from DC Studios and Warner Bros., dipped to third, at $12.8 million, a nearly 50 per cent drop from the previous weekend. Xolo Mariduena, as the Beetle, became the first live-action Latino protagonist. In fourth was Universal's Oppenheimer, earning an estimated $9 million. The atom bomb origin story has now surpassed $300 million in domestic earnings, with an additional $477 million overseas. And in fifth place was Paramount's animated Teenage Mutant Ninja Turtles: Mutant Mayhem, the latest chapter in the heroes-in-a-half-shell saga, at $6.1 million. Rounding out the top 10 were: Meg 2: The Trench ($5.1 million) Strays ($4.7 million) Retribution ($3.5 million) The Hill ($2.5 million) Haunted Mansion ($2.1 million) WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Gran Turismo barely outraces Barbie in North America theatres

Florence Pugh might have had very limited screen time in Christopher Nolan's Oppenheimer, but she managed to stand out with her brilliant performance. In Nolan's atomic bomb thriller, Pugh played the role of Jean Tatlock, a psychiatrist and Robert Oppenheimer’s (Cillian Murphy) girlfriend. Pugh, 27, recently talked about her limited screen time and went on to reveal that Nolan actually apologised to her for her short screen time.

During her interview with MTV UK, the Don't Worry Darling&nbsp;star recalled the time when Nolan approached her for the role.

“I didn’t really know what was going on or what it was that was being made. Except I knew that Chris really, really wanted me to know that it wasn’t a very big role and he understands if I don’t want to come near it. And I was like, ‘Doesn’t matter. Even if I’m a coffee maker at a cafe in the back of the room, let’s do it,'" Florence said.

Further talking, Pugh said that Christopher went on and apologised for the size of her role: ''I remember he apologised for the size of the role. I was like, “Please don’t apologise.”&nbsp;

"And then he said, 'We’ll send you the script, and honestly, you just read it and decide if it’s like… I completely understand the sizing thing.' And I remember that evening when I got the script being like, 'I don’t need to… I know I’m going to do it',''&nbsp;Florence shared. 
&nbsp; 
Despite her limited screen time, Florence's role in the film became the talk of the world and all thanks goes to her fascinating relationship and a sex scene between Dr. J. Robert Oppenheimer.

The sex scene made the atomic bomb thriller Nolan's first R-rated film.

The biographical drama revolves around Oppenheimer, who is also known as the Father of the Atomic bomb. The three-hour-long film follows the physicist's involvement with the Manhattan Project during World War II, his love life and extramarital romantic relationships. For the unversed, Oppenheimer had multiple affairs before and during his marriage to Oppenheimer (played by Emily Blunt).

Oppenheimer box office

Christopher Nolan's historical epic has raked in whooping numbers at the worldwide box office. The film has surpassed $700 million worldwide. With this milestone, the film has become the highest-grossing World War II movie and the fifth-highest-grossing IMAX&nbsp;movie. The other films on the list are James Cameron's Avatar, its sequel The Way of Water, along with Star Wars: The Force Awakens and Avengers: Endgame.&nbsp;

Oppenheimer review 
 
WION's review of Oppenheimer read, "Nolan's signature style, with its non-linear narrative, transcends mere storytelling, guiding the audience through a labyrinth of time and memory. Seamlessly transitioning between Oppenheimer's past and present, Nolan skillfully explores the fluidity of memory, perception, and remorse. His directorial prowess, matched with the stunning artistry of Hoyte van Hoytema, turns Oppenheimer into an exquisite visual epic, with many memorable visual images. The Trinity Test, which proved to the US government that this weapon indeed was as destructive as the scientists claimed, is depicted as an event of Biblical proportions. A moment of celebration comes a little later, but at first everyone is shaken by the enormity of the thing."

Florence Pugh might have had very limited screen time in Christopher Nolan's Oppenheimer, but she managed to stand out with her brilliant performance. In Nolan's atomic bomb thriller, Pugh played the role of Jean Tatlock, a psychiatrist and Robert Oppenheimer’s (Cillian Murphy) girlfriend.

Florence Pugh might have had very limited screen time in Christopher Nolan's Oppenheimer, but she managed to stand out with her brilliant performance. In Nolan's atomic bomb thriller, Pugh played the role of Jean Tatlock, a psychiatrist and Robert Oppenheimer’s (Cillian Murphy) girlfriend. Pugh, 27, recently talked about her limited screen time and went on to reveal that Nolan actually apologised to her for her short screen time. During her interview with MTV UK, the Don't Worry Darling star recalled the time when Nolan approached her for the role. “I didn’t really know what was going on or what it was that was being made. Except I knew that Chris really, really wanted me to know that it wasn’t a very big role and he understands if I don’t want to come near it. And I was like, ‘Doesn’t matter. Even if I’m a coffee maker at a cafe in the back of the room, let’s do it,'" Florence said. Further talking, Pugh said that Christopher went on and apologised for the size of her role: ''I remember he apologised for the size of the role. I was like, “Please don’t apologise.” "And then he said, 'We’ll send you the script, and honestly, you just read it and decide if it’s like… I completely understand the sizing thing.' And I remember that evening when I got the script being like, 'I don’t need to… I know I’m going to do it','' Florence shared. Despite her limited screen time, Florence's role in the film became the talk of the world and all thanks goes to her fascinating relationship and a sex scene between Dr. J. Robert Oppenheimer. The sex scene made the atomic bomb thriller Nolan's first R-rated film. The biographical drama revolves around Oppenheimer, who is also known as the Father of the Atomic bomb. The three-hour-long film follows the physicist's involvement with the Manhattan Project during World War II, his love life and extramarital romantic relationships. For the unversed, Oppenheimer had multiple affairs before and during his marriage to Oppenheimer (played by Emily Blunt). Oppenheimer box office Christopher Nolan's historical epic has raked in whooping numbers at the worldwide box office. The film has surpassed $700 million worldwide. With this milestone, the film has become the highest-grossing World War II movie and the fifth-highest-grossing IMAX movie. The other films on the list are James Cameron's Avatar, its sequel The Way of Water, along with Star Wars: The Force Awakens and Avengers: Endgame. Oppenheimer review WION's review of Oppenheimer read, "Nolan's signature style, with its non-linear narrative, transcends mere storytelling, guiding the audience through a labyrinth of time and memory. Seamlessly transitioning between Oppenheimer's past and present, Nolan skillfully explores the fluidity of memory, perception, and remorse. His directorial prowess, matched with the stunning artistry of Hoyte van Hoytema, turns Oppenheimer into an exquisite visual epic, with many memorable visual images. The Trinity Test, which proved to the US government that this weapon indeed was as destructive as the scientists claimed, is depicted as an event of Biblical proportions. A moment of celebration comes a little later, but at first everyone is shaken by the enormity of the thing."

Here's why Christopher Nolan apologised to Florence Pugh for her role in Oppenheimer

This Sunday, movie enthusiasts across the United States are in for a treat as theatres gear up for the second annual National Cinema Day. In an exciting announcement made on Monday, theatre owners revealed that on August 27, audiences will be able to catch their favourite films, including the blockbuster hits Barbie, directed by Greta Gerwig,&nbsp;and Oppenheimer, directed by Christopher Nolan, both of which relased on July 21, for a mere $4 per ticket at participating cinemas throughout the country, reported news agency Associated Press. Last year's inaugural National Cinema Day, orchestrated by the Cinema Foundation, an affiliate of the National Association of Theater Owners (NATO), saw a resounding success as per AP. The event brought in an impressive 8.1 million moviegoers who indulged in the thrill of the silver screen for just $3 a ticket. For context, the average movie ticket in 2022 stood at $10.53.

Also Read | <a href="https://www.wionews.com/entertainment/hollywood/news-oppenheimer-review-nolans-visually-stunning-epic-fuses-genius-and-guilt-618110">Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt</a>

The success of this year's August box office can be attributed to the enduring popularity of Barbie, starring Margot Robbie, and Oppenheimer, starring Cillian Murphy, which have caused the industry to experience a resurgence.

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A double feature of both movies, dubbed Barbenheimer, was promoted initially by fans who were amused by the vast differences between the tone of the two films. While Barbie was a fantasy comedy and all about pink, Oppenheimer was a serious biopic about the invention of the atomic bomb and was painted in muted colours.&nbsp;

Also Read |&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-barbie-review-margot-robbie-ryan-goslings-film-smart-funny-and-very-woke-618109">Barbie review: Margot Robbie, Ryan Gosling's film is smart, funny and very woke</a>

Data firm Comscore reports that the summer box office has surged to an impressive $3.8 billion in ticket sales, marking a significant 16.6 per cent increase compared to the same period in 2022.

So mark your calendars for August 27, and prepare for a day of cinematic delight without breaking the bank. With more than 3,000 theatres participating, including major chains like AMC and Regal, National Cinema Day is an opportunity to catch up on the latest films at an unbeatable price.&nbsp;

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You can now write for wionews.com and be a part of the community. Share your stories and opinions with us <a href="https://www.wionews.com/content-contribution-registration-form">here</a>.

This Sunday, movie enthusiasts across the United States are in for a treat as theatres gear up for the second annual National Cinema Day. In an exciting announcement made on Monday, theatre owners revealed that on August 27, audiences will be able to catch their favourite films, including the blockbuster hits Barbie, directed by Greta Gerwig, and Oppenheimer, directed by Christopher Nolan, both of which relased on July 21, for a mere $4 per ticket at participating cinemas throughout the country, reported news agency Associated Press.

This Sunday, movie enthusiasts across the United States are in for a treat as theatres gear up for the second annual National Cinema Day. In an exciting announcement made on Monday, theatre owners revealed that on August 27, audiences will be able to catch their favourite films, including the blockbuster hits Barbie, directed by Greta Gerwig, and Oppenheimer, directed by Christopher Nolan, both of which relased on July 21, for a mere $4 per ticket at participating cinemas throughout the country, reported news agency Associated Press. Last year's inaugural National Cinema Day, orchestrated by the Cinema Foundation, an affiliate of the National Association of Theater Owners (NATO), saw a resounding success as per AP. The event brought in an impressive 8.1 million moviegoers who indulged in the thrill of the silver screen for just $3 a ticket. For context, the average movie ticket in 2022 stood at $10.53. Also Read | Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt The success of this year's August box office can be attributed to the enduring popularity of Barbie, starring Margot Robbie, and Oppenheimer, starring Cillian Murphy, which have caused the industry to experience a resurgence. A double feature of both movies, dubbed Barbenheimer, was promoted initially by fans who were amused by the vast differences between the tone of the two films. While Barbie was a fantasy comedy and all about pink, Oppenheimer was a serious biopic about the invention of the atomic bomb and was painted in muted colours. Also Read | Barbie review: Margot Robbie, Ryan Gosling's film is smart, funny and very woke Data firm Comscore reports that the summer box office has surged to an impressive $3.8 billion in ticket sales, marking a significant 16.6 per cent increase compared to the same period in 2022. So mark your calendars for August 27, and prepare for a day of cinematic delight without breaking the bank. With more than 3,000 theatres participating, including major chains like AMC and Regal, National Cinema Day is an opportunity to catch up on the latest films at an unbeatable price. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

National Cinema Day: Watch Barbie, Oppenheimer for just $4 in the US

More than a month after its release, director Christopher Nolan's Oppenheimer has surged past the $700 million mark at the box office. This triumph was accompanied by another impressive accomplishment, as the Cillian Murphy-led film about the titular theoretical physicist, Manhattan Project, and the genesis of the atomic bomb soared into the top five all-time IMAX movies in terms of total earnings within the premium large screen format. The other films on the list are James Cameron's Avatar, its sequel The Way of Water, along with Star Wars: The Force Awakens and Avengers: Endgame. Oppenheimer amassed an astounding $146.4 million solely from IMAX screenings, an impressive 20 per cent contribution to the film's overall global revenue.&nbsp;

Remarkably, a significant portion of this sum, exceeding $17 million, emanated from a mere 30 screens. These select theatres showcased Oppenheimer on the 70mm print, a format Nolan himself heralded as the best way to watch the movie.

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Oppenheimer is based on Kai Bird and Martin J Sherwin's biography of J Robert Oppenheimer, American Prometheus, the subject of the film. Emily Blunt, Matt Damon, Robert Downey Jr, Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek, and Kenneth Branagh are also in the cast.

<h2>Oppenheimer review</h2>

WION's review of Oppenheimer read, "Nolan's signature style, with its non-linear narrative, transcends mere storytelling, guiding the audience through a labyrinth of time and memory. Seamlessly transitioning between Oppenheimer's past and present, Nolan skillfully explores the fluidity of memory, perception, and remorse. His directorial prowess, matched with the stunning artistry of Hoyte van Hoytema, turns Oppenheimer into an exquisite visual epic, with many memorable visual images. The Trinity Test, which proved to the US government that this weapon indeed was as destructive as the scientists claimed, is depicted as an event of Biblical proportions. A moment of celebration comes a little later, but at first everyone is shaken by the enormity of the thing."

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More than a month after its release, director Christopher Nolan's Oppenheimer has surged past the $700 million mark at the box office. This triumph was accompanied by another impressive accomplishment, as the Cillian Murphy-led film about the titular theoretical physicist, Manhattan Project, and the genesis of the atomic bomb soared into the top five all-time IMAX movies in terms of total earnings within the premium large screen format.

More than a month after its release, director Christopher Nolan's Oppenheimer has surged past the $700 million mark at the box office. This triumph was accompanied by another impressive accomplishment, as the Cillian Murphy-led film about the titular theoretical physicist, Manhattan Project, and the genesis of the atomic bomb soared into the top five all-time IMAX movies in terms of total earnings within the premium large screen format. The other films on the list are James Cameron's Avatar, its sequel The Way of Water, along with Star Wars: The Force Awakens and Avengers: Endgame. Oppenheimer amassed an astounding $146.4 million solely from IMAX screenings, an impressive 20 per cent contribution to the film's overall global revenue. Remarkably, a significant portion of this sum, exceeding $17 million, emanated from a mere 30 screens. These select theatres showcased Oppenheimer on the 70mm print, a format Nolan himself heralded as the best way to watch the movie. Oppenheimer is based on Kai Bird and Martin J Sherwin's biography of J Robert Oppenheimer, American Prometheus, the subject of the film. Emily Blunt, Matt Damon, Robert Downey Jr, Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek, and Kenneth Branagh are also in the cast. Oppenheimer review WION's review of Oppenheimer read, "Nolan's signature style, with its non-linear narrative, transcends mere storytelling, guiding the audience through a labyrinth of time and memory. Seamlessly transitioning between Oppenheimer's past and present, Nolan skillfully explores the fluidity of memory, perception, and remorse. His directorial prowess, matched with the stunning artistry of Hoyte van Hoytema, turns Oppenheimer into an exquisite visual epic, with many memorable visual images. The Trinity Test, which proved to the US government that this weapon indeed was as destructive as the scientists claimed, is depicted as an event of Biblical proportions. A moment of celebration comes a little later, but at first everyone is shaken by the enormity of the thing." WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Christopher Nolan's Oppenheimer becomes top 5 IMAX movie of all time, joins Avengers Endgame, Avatar

Cillian Murphy has revealed that he wished to be a part of Christopher Nolan's Interstellar. Cillian has been a regular feature in several of Nolan's movies since the days of Batman Begins in 2005. He has been part of The Dark Knight, Inception, The Dark Knight Rises, and Dunkirk - all directed by Nolan. He was cast in the titular character of Robert J Oppenheimer in the film Oppenheimer which was released in July this year.&nbsp; 
 
In an interview to The Independent, Cillian was asked if there was a Nolan film he wishes he could have been a part of. The actor pointed out the 2014 sci-fi Interstellar and stated that it had left him impressed.&nbsp; 
 
"I adore Interstellar just because I find it so emotional. I remember seeing it in the cinema when I had little kids. It just had a big impact on me. It broke my heart. I love watching his films when I’m not in them because you don’t have to freak out about the size of your ears, or whatever,” the actor said. 
 
Asked to pick another film of Christopher as the double bill with Oppenheimer, Cillian said he would again choose Interstellar and if someone prefers a shorter movie, then the 2017 war drama Dunkirk. 
 
"You could go Interstellar, which is very… explores similar scientific, psychic themes. Or you could watch Dunkirk, which is also set in World War II. Dunkirk is shorter, so that might be a good match ‘cause it’s like an hour-and-a-half, and then you can go into (Oppenheimer),” he added.

About Oppenheimer 
 
Oppenheimer is based on the theoretical physicist J Robert Oppenheimer. Apart from Cillian, the film also stars Emily Blunt, Matt Damon, Robert Downey Jr and Florence Pugh among others.

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Cillian Murphy has revealed that he wished to be a part of Christopher Nolan's Interstellar. Cillian has been a regular feature in several of Nolan's movies since the days of Batman Begins in 2005.

Cillian Murphy has revealed that he wished to be a part of Christopher Nolan's Interstellar. Cillian has been a regular feature in several of Nolan's movies since the days of Batman Begins in 2005. He has been part of The Dark Knight, Inception, The Dark Knight Rises, and Dunkirk - all directed by Nolan. He was cast in the titular character of Robert J Oppenheimer in the film Oppenheimer which was released in July this year. In an interview to The Independent, Cillian was asked if there was a Nolan film he wishes he could have been a part of. The actor pointed out the 2014 sci-fi Interstellar and stated that it had left him impressed. "I adore Interstellar just because I find it so emotional. I remember seeing it in the cinema when I had little kids. It just had a big impact on me. It broke my heart. I love watching his films when I’m not in them because you don’t have to freak out about the size of your ears, or whatever,” the actor said. Asked to pick another film of Christopher as the double bill with Oppenheimer, Cillian said he would again choose Interstellar and if someone prefers a shorter movie, then the 2017 war drama Dunkirk. "You could go Interstellar, which is very… explores similar scientific, psychic themes. Or you could watch Dunkirk, which is also set in World War II. Dunkirk is shorter, so that might be a good match ‘cause it’s like an hour-and-a-half, and then you can go into (Oppenheimer),” he added. About Oppenheimer Oppenheimer is based on the theoretical physicist J Robert Oppenheimer. Apart from Cillian, the film also stars Emily Blunt, Matt Damon, Robert Downey Jr and Florence Pugh among others.

Cillian Murphy wanted to be part of this Christopher Nolan film

Oppenheimer, the triumphant historical biopic crafted by the acclaimed Christopher Nolan, will soon etch&nbsp;a remarkable new chapter in box office history. The film has attained a remarkable — and a little dubious — milestone. It is poised to outshine even the 2016 hit Sing, as it positions itself to claim the title of the highest-grossing domestic movie ever to have never secured the top spot at the box office. One might posit that the success of Oppenheimer owes a debt of gratitude to the concurrent presence of the Barbenheimer phenomenon, a dynamic that played an undeniable role in propelling the film to its current status.&nbsp;

Regardless, this cinematic marvel has struck gold, amassing an impressive haul of over $270 million domestically within the span of four weeks since its premiere.

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In the preceding era, Sing had enjoyed robust commercial triumphs during its release, yet its path was dogged by a dual challenge. First, it found itself pitted against the juggernaut Rogue One: A Star Wars Story, an endeavour that ultimately garnered a domestic collection of $534.9 million, indisputably securing the top-tier slot and sidelining Sing.&nbsp;

Subsequently, as the film showcased its endurance, it was once more denied the top rank by the sleeper sensation Hidden Figures, a cinematic tribute to the mathematicians underpinning the historic moon landing. However, let not Sing be overshadowed, for it claimed its own victory with a global box office sum of $634.2 million, a figure that Oppenheimer is most likely to&nbsp;eclipse.

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-oppenheimer-review-nolans-visually-stunning-epic-fuses-genius-and-guilt-618110">Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt</a>

<h2>Oppenheimer review</h2>

WION's review of Oppenheimer read, "As Oppenheimer unfolds, Nolan presents us with a kaleidoscope of ethical dilemmas that transcend time. The film's resonance lies not only in its historical accuracy but also in its exploration of the human condition, the pursuit of knowledge, and the choices that shape our destinies. Oppenheimer is an unmissable cinematic event. I am not quite sure if it is indeed Nolan's best work as many have said, but it definitely comes close."

WATCH WION LIVE HERE

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Oppenheimer, the triumphant historical biopic crafted by the acclaimed Christopher Nolan, will soon etch a remarkable new chapter in box office history. The film has attained a remarkable — and a little dubious — milestone.

Oppenheimer, the triumphant historical biopic crafted by the acclaimed Christopher Nolan, will soon etch a remarkable new chapter in box office history. The film has attained a remarkable — and a little dubious — milestone. It is poised to outshine even the 2016 hit Sing, as it positions itself to claim the title of the highest-grossing domestic movie ever to have never secured the top spot at the box office. One might posit that the success of Oppenheimer owes a debt of gratitude to the concurrent presence of the Barbenheimer phenomenon, a dynamic that played an undeniable role in propelling the film to its current status. Regardless, this cinematic marvel has struck gold, amassing an impressive haul of over $270 million domestically within the span of four weeks since its premiere. In the preceding era, Sing had enjoyed robust commercial triumphs during its release, yet its path was dogged by a dual challenge. First, it found itself pitted against the juggernaut Rogue One: A Star Wars Story, an endeavour that ultimately garnered a domestic collection of $534.9 million, indisputably securing the top-tier slot and sidelining Sing. Subsequently, as the film showcased its endurance, it was once more denied the top rank by the sleeper sensation Hidden Figures, a cinematic tribute to the mathematicians underpinning the historic moon landing. However, let not Sing be overshadowed, for it claimed its own victory with a global box office sum of $634.2 million, a figure that Oppenheimer is most likely to eclipse. Also Read: Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt Oppenheimer review WION's review of Oppenheimer read, "As Oppenheimer unfolds, Nolan presents us with a kaleidoscope of ethical dilemmas that transcend time. The film's resonance lies not only in its historical accuracy but also in its exploration of the human condition, the pursuit of knowledge, and the choices that shape our destinies. Oppenheimer is an unmissable cinematic event. I am not quite sure if it is indeed Nolan's best work as many have said, but it definitely comes close." WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Nolan's Oppenheimer about to rewrite box office history with this record

The world of cinema, much like any other realm of artistic expression, is constantly evolving. For a decade and a half, superheroes reigned supreme at the box office, drawing in massive crowds and reaping substantial profits for studios. However, in recent times, a new phenomenon has emerged that challenges the long-standing dominance of the superhero genre. With the release of Barbie and Oppenheimer in what has been dubbed the Barbenheimer double feature and the subsequent success of both movies, it has become increasingly apparent that the allure of superheroes is no longer as potent as it once was. Both DC and Marvel are at a critical juncture. While Marve Studios' foray into television has been disastrous, DC is developing a whole new universe called DCU that spans film, TV, animation, and gaming.

<h2>The Barbenheimer phenomenon: A glimpse of changing tides</h2>

In a curious turn of events last month, millions of moviegoers opted for a unique cinematic experience by embracing the Barbenheimer trend, wherein they indulged in a double feature of the films Barbie and Oppenheimer. This began as a joke, I am certain, but soon evolved into something huge. Both films were directed by auteurs who have distinctive voices, and it appears audiences had been waiting for films like that. A recent survey conducted by film tracking service The Quorum highlighted the significant impact of Barbie on revitalising theatre attendance. 11 per cent of the surveyed audience admitted to having difficulty recalling their last theatre experience prior to Barbie. Equally intriguing, another 11 per cent revealed that Barbie marked their maiden return to a theatre since the onset of the pandemic in 2020.&nbsp;

All this signifies a shift in audience preferences, suggesting a growing appetite for variety and depth in storytelling. No longer content with the conventional superhero formula, audiences are seeking films that resonate on a personal and emotional level, something most recent superhero films have not been able to do.

<div class="videoWrapper trancodeVideo"><iframe allowfullscreen="" autoplay="1" class="includeVideo" frameborder="0" height="350" src="https://www.wionews.com/videos/critically-speaking-margot-robbies-barbie-is-funny-and-clever-618237/embed" style="width:100%;max-width:560px;" width="560"></iframe></div>

<h2>Decoding the success of Barbie</h2>

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-barbie-review-margot-robbie-ryan-goslings-film-smart-funny-and-very-woke-618109">Barbie review: Margot Robbie, Ryan Gosling's film is smart, funny and very woke</a>

Directed by the talented Greta Gerwig, Barbie offers a fresh take on a beloved toy franchise, propelling the titular character, played by Margot Robbie, on a journey of self-discovery. The character's realisation of imperfections in her previously idealised appearance triggers a transformation that resonates with viewers of all ages. With themes of empowerment, societal standards, and self-acceptance, Barbie&nbsp;strikes a chord in today's world, where discussions about body positivity and individuality are at the forefront of cultural conversations.

What truly sets Barbie apart is its ability to transcend the confines of a single genre. By blending elements of adventure, drama, and self-discovery, the film caters to a diverse audience, encompassing individuals who seek narratives that challenge conventions and reflect the complexities of real-life experiences. The star-studded cast, including Margot Robbie, Ryan Gosling, and an ensemble of renowned actors, further adds to the film's allure, proving that the era of relying solely on superheroes for box office success is giving way to a more nuanced cinematic landscape.

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-oppenheimer-review-nolans-visually-stunning-epic-fuses-genius-and-guilt-618110">Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt</a>

<h2>The enigma of Oppenheimer</h2>

In contrast to the high-octane action and dazzling visuals commonly associated with blockbuster films, Nolan's Oppenheimer offers a dialogue-driven exploration of the life of J Robert Oppenheimer, played by Cillian Murphy. The film's source material, American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer, by Kai Bird and Martin J Sherwin, provides a rich backdrop for this historical biopic.

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-oppenheimer-india-box-office-christopher-nolan-film-achieves-a-significant-milestone-626681">Oppenheimer India box office: Christopher Nolan film achieves a significant milestone</a>

Nolan's reputation as a director who turns his movie releases into big events played a pivotal role in the film's success. He also has the ability to craft immersive visual and aural experiences on the silver screen and has garnered a loyal fan base that eagerly anticipates his every project. no matter what it is about. The fact that audiences embraced a 3-hour, dialogue-centric film attests to their growing appetite for fairly inaccessible films if they are made well and offer a grand experience. The star-studded ensemble, featuring Emily Blunt, Matt Damon, Robert Downey Jr, and more, further bolstered the film's appeal, underlining the demand for stories that transcend the traditional superhero mould.

<div class="videoWrapper trancodeVideo"><iframe allowfullscreen="" autoplay="1" class="includeVideo" frameborder="0" height="350" src="https://www.wionews.com/videos/the-mind-of-oppenheimer-father-of-atomic-bomb-who-turned-pacifist-614786/embed" style="width:100%;max-width:560px;" width="560"></iframe></div>

<h2>Superhero fatigue</h2>

The decline in the box office performance of recent superhero films, exemplified by the massive box office bomb that was The Flash (Disclaimer: I liked it), underscores a growing sentiment of superhero fatigue. Once the undisputed kings of the box office, superheroes now find themselves facing a critical juncture. The oversaturation of the genre across various media platforms, coupled with formulaic stories, has diminished the novelty and excitement that were once synonymous with superhero films. I noted the other day in my review of DC's latest Blue Beetle that the problem with the superhero genre is not of quantity as much it is of quality. "Too many superhero movies were made earlier too (say, around 2014), but back then, these concepts were fresh and not done to death. Now, nearly every movie is about saving the world or the universe (or even the multiverse these days)," I wrote.

(Incidentally, I loved Blue Beetle, but as optimistic as I am, I am well aware that barring a miracle the movie is doomed at the box office. The reason is not just superhero fatigue, but also because it was not promoted as well since actors' union in Hollywood, SAG-AFTRA, is on strike and the stars of the movie could not attend events like premieres.)&nbsp;

Anyway, the audiences, now more discerning than ever, are seeking something other than spandex-clad superheroes shooting waves of crackling light or some such bad guys. The success of Barbie and Oppenheimer highlights a collective desire for stories that challenge conventions. The superhero genre, while still relevant and beloved, must evolve to meet these changing demands.

<h2>A paradigm shift in cinema</h2>

As Barbie and Oppenheimer rake in impressive box office earnings, the cinematic landscape is undergoing a profound, and frankly much-needed, transformation. I grew up on a steady diet of DC and Marvel and I love superhero movies. For me, a well-made flick on Batman or Spider-Man is like reliving the best of my childhood. But the era of superhero dominance may be waning, replaced by a thirst for films that are fresher, more thought-provoking, more emotionally resonant, and more artistically daring. The Barbenheimer phenomenon is not merely a double feature; it's a manifestation of evolving audience preferences.

WATCH WION LIVE HERE

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You can now write for wionews.com and be a part of the community. Share your stories and opinions with us <a href="https://www.wionews.com/content-contribution-registration-form">here</a>.

The world of cinema, much like any other realm of artistic expression, is constantly evolving. For a decade and a half, superheroes reigned supreme at the box office, drawing in massive crowds and reaping substantial profits for studios.

The world of cinema, much like any other realm of artistic expression, is constantly evolving. For a decade and a half, superheroes reigned supreme at the box office, drawing in massive crowds and reaping substantial profits for studios. However, in recent times, a new phenomenon has emerged that challenges the long-standing dominance of the superhero genre. With the release of Barbie and Oppenheimer in what has been dubbed the Barbenheimer double feature and the subsequent success of both movies, it has become increasingly apparent that the allure of superheroes is no longer as potent as it once was. Both DC and Marvel are at a critical juncture. While Marve Studios' foray into television has been disastrous, DC is developing a whole new universe called DCU that spans film, TV, animation, and gaming. The Barbenheimer phenomenon: A glimpse of changing tides In a curious turn of events last month, millions of moviegoers opted for a unique cinematic experience by embracing the Barbenheimer trend, wherein they indulged in a double feature of the films Barbie and Oppenheimer. This began as a joke, I am certain, but soon evolved into something huge. Both films were directed by auteurs who have distinctive voices, and it appears audiences had been waiting for films like that. A recent survey conducted by film tracking service The Quorum highlighted the significant impact of Barbie on revitalising theatre attendance. 11 per cent of the surveyed audience admitted to having difficulty recalling their last theatre experience prior to Barbie. Equally intriguing, another 11 per cent revealed that Barbie marked their maiden return to a theatre since the onset of the pandemic in 2020. All this signifies a shift in audience preferences, suggesting a growing appetite for variety and depth in storytelling. No longer content with the conventional superhero formula, audiences are seeking films that resonate on a personal and emotional level, something most recent superhero films have not been able to do. Decoding the success of Barbie Also Read: Barbie review: Margot Robbie, Ryan Gosling's film is smart, funny and very woke Directed by the talented Greta Gerwig, Barbie offers a fresh take on a beloved toy franchise, propelling the titular character, played by Margot Robbie, on a journey of self-discovery. The character's realisation of imperfections in her previously idealised appearance triggers a transformation that resonates with viewers of all ages. With themes of empowerment, societal standards, and self-acceptance, Barbie strikes a chord in today's world, where discussions about body positivity and individuality are at the forefront of cultural conversations. What truly sets Barbie apart is its ability to transcend the confines of a single genre. By blending elements of adventure, drama, and self-discovery, the film caters to a diverse audience, encompassing individuals who seek narratives that challenge conventions and reflect the complexities of real-life experiences. The star-studded cast, including Margot Robbie, Ryan Gosling, and an ensemble of renowned actors, further adds to the film's allure, proving that the era of relying solely on superheroes for box office success is giving way to a more nuanced cinematic landscape. Also Read: Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt The enigma of Oppenheimer In contrast to the high-octane action and dazzling visuals commonly associated with blockbuster films, Nolan's Oppenheimer offers a dialogue-driven exploration of the life of J Robert Oppenheimer, played by Cillian Murphy. The film's source material, American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer, by Kai Bird and Martin J Sherwin, provides a rich backdrop for this historical biopic. Also Read: Oppenheimer India box office: Christopher Nolan film achieves a significant milestone Nolan's reputation as a director who turns his movie releases into big events played a pivotal role in the film's success. He also has the ability to craft immersive visual and aural experiences on the silver screen and has garnered a loyal fan base that eagerly anticipates his every project. no matter what it is about. The fact that audiences embraced a 3-hour, dialogue-centric film attests to their growing appetite for fairly inaccessible films if they are made well and offer a grand experience. The star-studded ensemble, featuring Emily Blunt, Matt Damon, Robert Downey Jr, and more, further bolstered the film's appeal, underlining the demand for stories that transcend the traditional superhero mould. Superhero fatigue The decline in the box office performance of recent superhero films, exemplified by the massive box office bomb that was The Flash (Disclaimer: I liked it), underscores a growing sentiment of superhero fatigue. Once the undisputed kings of the box office, superheroes now find themselves facing a critical juncture. The oversaturation of the genre across various media platforms, coupled with formulaic stories, has diminished the novelty and excitement that were once synonymous with superhero films. I noted the other day in my review of DC's latest Blue Beetle that the problem with the superhero genre is not of quantity as much it is of quality. "Too many superhero movies were made earlier too (say, around 2014), but back then, these concepts were fresh and not done to death. Now, nearly every movie is about saving the world or the universe (or even the multiverse these days)," I wrote. (Incidentally, I loved Blue Beetle, but as optimistic as I am, I am well aware that barring a miracle the movie is doomed at the box office. The reason is not just superhero fatigue, but also because it was not promoted as well since actors' union in Hollywood, SAG-AFTRA, is on strike and the stars of the movie could not attend events like premieres.) Anyway, the audiences, now more discerning than ever, are seeking something other than spandex-clad superheroes shooting waves of crackling light or some such bad guys. The success of Barbie and Oppenheimer highlights a collective desire for stories that challenge conventions. The superhero genre, while still relevant and beloved, must evolve to meet these changing demands. A paradigm shift in cinema As Barbie and Oppenheimer rake in impressive box office earnings, the cinematic landscape is undergoing a profound, and frankly much-needed, transformation. I grew up on a steady diet of DC and Marvel and I love superhero movies. For me, a well-made flick on Batman or Spider-Man is like reliving the best of my childhood. But the era of superhero dominance may be waning, replaced by a thirst for films that are fresher, more thought-provoking, more emotionally resonant, and more artistically daring. The Barbenheimer phenomenon is not merely a double feature; it's a manifestation of evolving audience preferences. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Explained | Does Barbenheimer's success signal the decline of superhero cinema?

Oppenheimer, Christopher Nolan's 3-hour biopic about American theoretical physicist J Robert Oppenheimer who is remembered as the father of the atomic bomb for heading the Manhattan Project, has surpassed the Rs 150 crore (around $18 million) mark in India. At the time of writing this, the film has collected $657.3 million dollars at the box office&nbsp;globally. Not bad for a production budget of around $100 million. The film is not a slouch even in the domestic market, grossing $272.58 million. The film even held its own against Greta Gerwig's equally star-studded and glossy Barbie, arguably more appealing to the general public, with which it was pitted in the so-called Barbenheimer phenomenon. While Barbie may have won the battle, Oppenheimer has also been a consistent performer.&nbsp;

<div class="videoWrapper trancodeVideo"><iframe allowfullscreen="" autoplay="1" class="includeVideo" frameborder="0" height="350" src="https://www.wionews.com/videos/the-mind-of-oppenheimer-father-of-atomic-bomb-who-turned-pacifist-614786/embed" style="width:100%;max-width:560px;" width="560"></iframe></div>

Starring Cillian Murphy in the lead, Oppenheimer also features names like Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek, and Kenneth Branagh in its cast. &nbsp;The film is adapted from the book American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer.&nbsp;

The event at the centre of the movie is the Trinity test, in which the first atomic weapon was successfully tested. &nbsp;

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-oppenheimer-review-nolans-visually-stunning-epic-fuses-genius-and-guilt-618110">Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt</a>

<h2>Oppenheimer review</h2>

WION's review of Oppenheimer read, "Nolan's signature style, with its non-linear narrative, transcends mere storytelling, guiding the audience through a labyrinth of time and memory. Seamlessly transitioning between Oppenheimer's past and present, Nolan skillfully explores the fluidity of memory, perception, and remorse. His directorial prowess, matched with the stunning artistry of Hoyte van Hoytema, turns Oppenheimer into an exquisite visual epic, with many memorable visual images. The Trinity Test, which proved to the US government that this weapon indeed was as destructive as the scientists claimed, is depicted as an event of Biblical proportions. A moment of celebration comes a little later, but at first everyone is shaken by the enormity of the thing."

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You can now write for wionews.com and be a part of the community. Share your stories and opinions with us <a href="https://www.wionews.com/content-contribution-registration-form">here</a>.

Oppenheimer, Christopher Nolan's 3-hour biopic about American theoretical physicist J Robert Oppenheimer who is remembered as the father of the atomic bomb for heading the Manhattan Project, has surpassed the Rs 150 crore (around $18 million) mark in India.

Oppenheimer, Christopher Nolan's 3-hour biopic about American theoretical physicist J Robert Oppenheimer who is remembered as the father of the atomic bomb for heading the Manhattan Project, has surpassed the Rs 150 crore (around $18 million) mark in India. At the time of writing this, the film has collected $657.3 million dollars at the box office globally. Not bad for a production budget of around $100 million. The film is not a slouch even in the domestic market, grossing $272.58 million. The film even held its own against Greta Gerwig's equally star-studded and glossy Barbie, arguably more appealing to the general public, with which it was pitted in the so-called Barbenheimer phenomenon. While Barbie may have won the battle, Oppenheimer has also been a consistent performer. Starring Cillian Murphy in the lead, Oppenheimer also features names like Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek, and Kenneth Branagh in its cast. The film is adapted from the book American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer. The event at the centre of the movie is the Trinity test, in which the first atomic weapon was successfully tested. Also Read: Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt Oppenheimer review WION's review of Oppenheimer read, "Nolan's signature style, with its non-linear narrative, transcends mere storytelling, guiding the audience through a labyrinth of time and memory. Seamlessly transitioning between Oppenheimer's past and present, Nolan skillfully explores the fluidity of memory, perception, and remorse. His directorial prowess, matched with the stunning artistry of Hoyte van Hoytema, turns Oppenheimer into an exquisite visual epic, with many memorable visual images. The Trinity Test, which proved to the US government that this weapon indeed was as destructive as the scientists claimed, is depicted as an event of Biblical proportions. A moment of celebration comes a little later, but at first everyone is shaken by the enormity of the thing." WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Oppenheimer India box office: Christopher Nolan film achieves a significant milestone

Warner Bros.' hit Barbie&nbsp;dominated North American box offices for a fourth consecutive week, industry estimates showed Sunday, as director Greta Gerwig continues to bust industry records.

Gerwig, who with Barbie&nbsp;had already become the first solo woman director to rake in more than $1 billion at the global box office, this week became the highest-grossing woman director of all time in the domestic market, according to The Hollywood Reporter.

Also read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-outlander-showrunner-responds-to-criticism-over-jamie-and-claire-having-less-screen-time-in-new-season-625258">Outlander showrunner responds to criticism over Jamie and Claire having less screen time in new season</a>

Industry watcher Exhibitor Relations estimated this weekend's haul for Barbie&nbsp;at $33.7 million, bringing its domestic total to $526 million.

Gerwig is currently vying against Jennifer Lee, who co-directed the animated sequel to Disney's Frozen&nbsp;with Chris Buck, to be the highest-grossing woman director of all time at the global box office.

<a href="https://www.wionews.com/entertainment/hollywood/news-barbie-review-margot-robbie-ryan-goslings-film-smart-funny-and-very-woke-618109">Barbie review: Margot Robbie, Ryan Gosling's film is smart, funny and very woke</a>

Starring Margot Robbie as the iconic doll and Ryan Gosling as boyfriend Ken, "Barbie" has earned a whopping $1.2 billion worldwide.

Also read:&nbsp;<a href="https://www.wionews.com/entertainment/lionel-richie-slammed-for-cancelling-concert-one-hour-after-its-scheduled-time-625214">Lionel Richie slammed for cancelling concert one hour after its scheduled time</a>

Universal's Oppenheimer,&nbsp;a historical drama about the development of the atomic bomb, regained its second-place position, with the other half of the Barbenheimer&nbsp;phenomenon taking in an estimated $18.8 million over the weekend.

Last week Oppenheimer&nbsp;had been beaten by the Warner Bros. monster flick Meg 2: The Trench,&nbsp;which fell to fourth this week with an estimated $12.7 million.

The success of Barbie&nbsp;and Oppenheimer&nbsp;has come amid a backdrop of turmoil in Hollywood, as a historic double strike by writers and actors has brought productions to a halt.

Both unions are renegotiating their collective contracts with studios to demand better pay, guarantees to limit the use of artificial intelligence and other working conditions.

While on strike, union rules prohibit actors from promoting their films, imperilling the marketing events for upcoming releases as talks show no end in sight.

Third place this weekend went to Paramount's animated Teenage Mutant Ninja Turtles: Mutant Mayhem,&nbsp;up one spot from the week before with $15.8 million.

In its debut weekend, Universal's vampire film The Last Voyage of the Demeter&nbsp;took a frighteningly distant fifth place, at just $6.5 million.

<div class="videoWrapper trancodeVideo"><iframe allowfullscreen="" autoplay="1" class="includeVideo" frameborder="0" height="350" src="https://www.wionews.com/videos/critically-speaking-margot-robbies-barbie-is-funny-and-clever-618237/embed" style="width:100%;max-width:560px;" width="560"></iframe></div>

Based on Bram Stoker's classic Dracula,&nbsp;the period film takes place on a doomed ship transporting the blood-sucker from his Eastern Europe home to England.

"This is a weak opening for a horror film based on a chapter of the legendary Dracula story," said analyst David A. Gross.

With poor reviews and an estimated budget of $45 million, the film is a "difficult sell under any conditions," he added.

Rounding out the top 10 were:

Haunted Mansion ($5.6 million)

Talk to Me&nbsp;($5.1 million)

Sound of Freedom&nbsp;($4.8 million)

Mission: Impossible - Dead Reckoning Part One&nbsp;($4.7 million)

Indiana Jones and the Dial of Destiny&nbsp;($900,000)

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Warner Bros.' hit Barbie dominated North American box offices for a fourth consecutive week, industry estimates showed Sunday, as director Greta Gerwig continues to bust industry records.

Warner Bros.' hit Barbie dominated North American box offices for a fourth consecutive week, industry estimates showed Sunday, as director Greta Gerwig continues to bust industry records. Gerwig, who with Barbie had already become the first solo woman director to rake in more than $1 billion at the global box office, this week became the highest-grossing woman director of all time in the domestic market, according to The Hollywood Reporter. Also read: Outlander showrunner responds to criticism over Jamie and Claire having less screen time in new season Industry watcher Exhibitor Relations estimated this weekend's haul for Barbie at $33.7 million, bringing its domestic total to $526 million. Gerwig is currently vying against Jennifer Lee, who co-directed the animated sequel to Disney's Frozen with Chris Buck, to be the highest-grossing woman director of all time at the global box office. Barbie review: Margot Robbie, Ryan Gosling's film is smart, funny and very woke Starring Margot Robbie as the iconic doll and Ryan Gosling as boyfriend Ken, "Barbie" has earned a whopping $1.2 billion worldwide. Also read: Lionel Richie slammed for cancelling concert one hour after its scheduled time Universal's Oppenheimer, a historical drama about the development of the atomic bomb, regained its second-place position, with the other half of the Barbenheimer phenomenon taking in an estimated $18.8 million over the weekend. Last week Oppenheimer had been beaten by the Warner Bros. monster flick Meg 2: The Trench, which fell to fourth this week with an estimated $12.7 million. The success of Barbie and Oppenheimer has come amid a backdrop of turmoil in Hollywood, as a historic double strike by writers and actors has brought productions to a halt. Both unions are renegotiating their collective contracts with studios to demand better pay, guarantees to limit the use of artificial intelligence and other working conditions. While on strike, union rules prohibit actors from promoting their films, imperilling the marketing events for upcoming releases as talks show no end in sight. Third place this weekend went to Paramount's animated Teenage Mutant Ninja Turtles: Mutant Mayhem, up one spot from the week before with $15.8 million. In its debut weekend, Universal's vampire film The Last Voyage of the Demeter took a frighteningly distant fifth place, at just $6.5 million. Based on Bram Stoker's classic Dracula, the period film takes place on a doomed ship transporting the blood-sucker from his Eastern Europe home to England. "This is a weak opening for a horror film based on a chapter of the legendary Dracula story," said analyst David A. Gross. With poor reviews and an estimated budget of $45 million, the film is a "difficult sell under any conditions," he added. Rounding out the top 10 were: Haunted Mansion ($5.6 million) Talk to Me ($5.1 million) Sound of Freedom ($4.8 million) Mission: Impossible - Dead Reckoning Part One ($4.7 million) Indiana Jones and the Dial of Destiny ($900,000) WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Barbie retains top spot at North American box office for fourth week

78 years have passed since the atomic bombings of Hiroshima and Nagasaki. Listen to the horrific tales of the survivors of these two cities. What exactly happened in 1945 in Japan? Revisit the nuclear age with Oppenheimer -The father of the atomic bomb. Has the world learned any lessons? The risk of nuclear annihilation continues to haunt the world. Watch WION Wideangle.

What exactly happened in 1945 in Japan? | Revisit the nuclear age with Oppenheimer

Christopher Nolan’s Oppenheimer is now extending its 70mm run at Imax theatres in the US through the end of August because of popular demand. Earlier, the end date for Imax was August 17 but owing to a huge demand for it, the sale of these cinema tickets has been extended through August 31.&nbsp;

Prior to the release of his film, Christopher Nolan had announced that his film Oppenheimer will be best viewed in Imax 70mm format. He said it offers the “best possible experience” to see “Oppenheimer” because “the sharpness and the clarity and the depth of the image is unparalleled.” Only 19 theatres in the US (and 30 worldwide) have the capability to play films in Imax 70mm, including the AMC Universal CityWalk in Los Angeles and the AMC Lincoln Square in New York.

<h2>An Imax 70mm experience is best for films like Oppenheimer</h2>

For the unversed, making a film in 70mm and the experience of it is cumbersome. It takes three days to make an Imax film print, and each one is crafted directly from Nolan’s film negative. In the case of Oppenheimer,&nbsp;which clocks in at three hours, physical reels are 11 miles long and weigh 600 pounds.

Christopher Nolan’s Oppenheimer stars Cillian Murphy as the “father of the atomic bomb” J. Robert Oppenheimer. The film has so far earned over $550 million at the global box office.&nbsp;

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Christopher Nolan’s Oppenheimer is now extending its 70mm run at Imax theatres in the US through the end of August because of popular demand. Earlier, the end date for Imax was August 17 but owing to a huge demand for it, the sale of these cinema tickets has been extended through August 31.

Christopher Nolan’s Oppenheimer is now extending its 70mm run at Imax theatres in the US through the end of August because of popular demand. Earlier, the end date for Imax was August 17 but owing to a huge demand for it, the sale of these cinema tickets has been extended through August 31. Prior to the release of his film, Christopher Nolan had announced that his film Oppenheimer will be best viewed in Imax 70mm format. He said it offers the “best possible experience” to see “Oppenheimer” because “the sharpness and the clarity and the depth of the image is unparalleled.” Only 19 theatres in the US (and 30 worldwide) have the capability to play films in Imax 70mm, including the AMC Universal CityWalk in Los Angeles and the AMC Lincoln Square in New York. An Imax 70mm experience is best for films like Oppenheimer For the unversed, making a film in 70mm and the experience of it is cumbersome. It takes three days to make an Imax film print, and each one is crafted directly from Nolan’s film negative. In the case of Oppenheimer, which clocks in at three hours, physical reels are 11 miles long and weigh 600 pounds. Christopher Nolan’s Oppenheimer stars Cillian Murphy as the “father of the atomic bomb” J. Robert Oppenheimer. The film has so far earned over $550 million at the global box office. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Nolan's Oppenheimer extends Imax 70mm run due to popular demand

Cillian Murphy, known for his role as Tommy Shelby in the TV show Peaky Blinders, is currently being showered with praise for his performance in Christopher Nolan's Oppenheimer. He essays the titular role of J Robert Oppenheimer, an American nuclear physicist who headed the Manhattan Project during World War II and helped design the first atomic bomb. It also features names like Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek, and Kenneth Branagh in its cast. The film is adapted from the book American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer. The film has been a box office powerhouse, luring in hundreds of thousands of moviegoers despite a fairly niche subject.

Meanwhile, Murphy has also received plaudits from the makers of Peaky Blinders. Twitter handle of the show shared a photo of Murphy from the show. The caption read, "Huge congratulations from PEAKY BLINDERS to the mighty OPPENHEIMER on its global success. Cillian, from the moment you donned Tommy’s cap it was clear that you are at the top of your craft. Your performance as Oppenheimer is magnificent."

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-oppenheimer-review-nolans-visually-stunning-epic-fuses-genius-and-guilt-618110">Oppenheimer&nbsp;review: Nolan's visually stunning epic fuses genius and guilt</a>

<h2>What is Peaky Blinders all about?</h2>

Peaky Blinders, a British historical crime drama TV series created by Steven Knight, unfolds in post-World War I Birmingham, England. It revolves around the Shelby crime family, led by the charismatic and cunning Tommy Shelby, portrayed by Cillian Murphy. The Shelbys are a formidable gang known for their distinctive style, donning flat caps with razor blades hidden in the brims, earning them the moniker "Peaky Blinders." Engaging in a variety of criminal enterprises, such as illegal betting and protection rackets, they strive to establish dominance and expand their control in the city's underground world.

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Tommy Shelby, the enigmatic head of the Peaky Blinders, stands at the core of the narrative. Dealing with the trauma of war and grappling with the ethical implications of his criminal endeavours, Tommy is a multi-dimensional character. Despite his ruthless nature, he adheres to a personal code of honour and remains fiercely loyal to his family.

As the series progresses, viewers witness the Shelby family's rise through the ranks and their struggles with adversaries and internal conflicts. Peaky Blinders received widespread acclaim for its compelling plot, stellar performances, stylish cinematography, and a unique blend of historical context and fictional storytelling.

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-cillian-murphys-top-five-performances-including-oppenheimer-620521">Cillian Murphy's top five performances, including&nbsp;Oppenheimer</a>

<h2>Cillian Murphy optimistic about Peaky Blinders movie spinoff</h2>

Recently, Murphy, in an interview with the Happy Sad Confused podcast while promoting Oppenheimer, reflected on his portrayal of the iconic Tommy Shelby. He expressed that gaining perspective on the character might take a few more years, given the profound impact the role had on his life during the ten-year span of the series.

Murphy commended the show's tremendous success, attributing it to the exceptional writing that fueled its brilliance. Having dedicated a decade of his life to playing Tommy Shelby, he acknowledged the show's satisfying conclusion and praised the writing that made it all possible.

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-cillian-murphy-optimistic-about-peaky-blinders-movie-spinoff-i%E2%80%99ll-definitely-620542">Cillian Murphy optimistic about Peaky Blinders movie spinoff: I’ll definitely...</a>

Regarding the idea of a Peaky Blinders movie, Murphy shared his openness to the prospect, but with a caveat. He stated that for such a project to become a reality, there must be a compelling story worth telling and a continuation that feels authentic and justifiable.

In his own words, "If there's a movie there, and if there's more story to tell, I'll definitely have the conversation. I think we ended really, really well in the TV version of it."&nbsp;

<h2>Oppenheimer review</h2>

WION's review of Oppenheimer read, "As Oppenheimer unfolds, Nolan presents us with a kaleidoscope of ethical dilemmas that transcend time. The film's resonance lies not only in its historical accuracy but also in its exploration of the human condition, the pursuit of knowledge, and the choices that shape our destinies. Oppenheimer is an unmissable cinematic event. I am not quite sure if it is indeed Nolan's best work as many have said, but it definitely comes close."

WATCH WION LIVE HERE

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Cillian Murphy, known for his role as Tommy Shelby in the TV show Peaky Blinders, is currently being showered with praise for his performance in Christopher Nolan's Oppenheimer.

Cillian Murphy, known for his role as Tommy Shelby in the TV show Peaky Blinders, is currently being showered with praise for his performance in Christopher Nolan's Oppenheimer. He essays the titular role of J Robert Oppenheimer, an American nuclear physicist who headed the Manhattan Project during World War II and helped design the first atomic bomb. It also features names like Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek, and Kenneth Branagh in its cast. The film is adapted from the book American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer. The film has been a box office powerhouse, luring in hundreds of thousands of moviegoers despite a fairly niche subject. Meanwhile, Murphy has also received plaudits from the makers of Peaky Blinders. Twitter handle of the show shared a photo of Murphy from the show. The caption read, "Huge congratulations from PEAKY BLINDERS to the mighty OPPENHEIMER on its global success. Cillian, from the moment you donned Tommy’s cap it was clear that you are at the top of your craft. Your performance as Oppenheimer is magnificent." Also Read: Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt What is Peaky Blinders all about? Peaky Blinders, a British historical crime drama TV series created by Steven Knight, unfolds in post-World War I Birmingham, England. It revolves around the Shelby crime family, led by the charismatic and cunning Tommy Shelby, portrayed by Cillian Murphy. The Shelbys are a formidable gang known for their distinctive style, donning flat caps with razor blades hidden in the brims, earning them the moniker "Peaky Blinders." Engaging in a variety of criminal enterprises, such as illegal betting and protection rackets, they strive to establish dominance and expand their control in the city's underground world. Tommy Shelby, the enigmatic head of the Peaky Blinders, stands at the core of the narrative. Dealing with the trauma of war and grappling with the ethical implications of his criminal endeavours, Tommy is a multi-dimensional character. Despite his ruthless nature, he adheres to a personal code of honour and remains fiercely loyal to his family. As the series progresses, viewers witness the Shelby family's rise through the ranks and their struggles with adversaries and internal conflicts. Peaky Blinders received widespread acclaim for its compelling plot, stellar performances, stylish cinematography, and a unique blend of historical context and fictional storytelling. Also Read: Cillian Murphy's top five performances, including Oppenheimer Cillian Murphy optimistic about Peaky Blinders movie spinoff Recently, Murphy, in an interview with the Happy Sad Confused podcast while promoting Oppenheimer, reflected on his portrayal of the iconic Tommy Shelby. He expressed that gaining perspective on the character might take a few more years, given the profound impact the role had on his life during the ten-year span of the series. Murphy commended the show's tremendous success, attributing it to the exceptional writing that fueled its brilliance. Having dedicated a decade of his life to playing Tommy Shelby, he acknowledged the show's satisfying conclusion and praised the writing that made it all possible. Also Read: Cillian Murphy optimistic about Peaky Blinders movie spinoff: I’ll definitely... Regarding the idea of a Peaky Blinders movie, Murphy shared his openness to the prospect, but with a caveat. He stated that for such a project to become a reality, there must be a compelling story worth telling and a continuation that feels authentic and justifiable. In his own words, "If there's a movie there, and if there's more story to tell, I'll definitely have the conversation. I think we ended really, really well in the TV version of it." Oppenheimer review WION's review of Oppenheimer read, "As Oppenheimer unfolds, Nolan presents us with a kaleidoscope of ethical dilemmas that transcend time. The film's resonance lies not only in its historical accuracy but also in its exploration of the human condition, the pursuit of knowledge, and the choices that shape our destinies. Oppenheimer is an unmissable cinematic event. I am not quite sure if it is indeed Nolan's best work as many have said, but it definitely comes close." WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Peaky Blinders Hail Cillian Murphy's Oppenheimer tiumph: You are at the top of your craft

While Christopher Nolan is known for crafting some of the best cinematic experiences, he has recently received criticism for the sound mix in some of his movies. In 2020's Tenet and the recently released Oppenheimer, some moviegoers said that there were times they could not hear what was being said. Naturally, there is a certain amount of frustration among those who have seen the films, since no matter how good a movie is visually, it is a combination of sound and video, and both elements need to sync up nicely. Now, Nolan has opened up about the criticism, and said he is aware of it.&nbsp;

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-oppenheimer-review-nolans-visually-stunning-epic-fuses-genius-and-guilt-618110">Oppenheimer&nbsp;review: Nolan's visually stunning epic fuses genius and guilt</a>

"There are certain mechanical improvements. And actually, IMAX is building new cameras right now which are going to be even quieter. But the real breakthrough is in software technology that allows you to filter out the camera noise. That has improved massively in the 15 or so years that I've been using these cameras. Which opens up for you to do more intimate scenes that you would not have been able to do in the past," he told Insider.

The thing is, IMAX cameras craft stunning, crystal-clear images but there is a tradeoff. They lack the soundproofing prowess of their conventional counterparts, resulting in the intrusive noise emanating from the motors inside, which invariably interferes with the audio.

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<h2>What is Oppenheimer all about?</h2>

Starring Irish actor Cillian Murphy, Oppenheimer is a biopic about J Robert Oppenheimer, the American theoretical physicist who is remembered as the 'father of the atomic bomb' for his contribution to the invention of the first nuclear weapon. The bombs based on the technology he developed led to the deaths of hundreds of thousands of people in the Japanese cities of Hiroshima and Nagasaki. The film is based on the Pulitzer Prize-winning book American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer written by Kai Bird and the late Martin J Sherwin.

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-cillian-murphys-top-five-performances-including-oppenheimer-620521">Cillian Murphy's top five performances, including&nbsp;Oppenheimer</a>

<h2>Oppenheimer review</h2>

WION's review of Oppenheimer read, "As Oppenheimer unfolds, Nolan presents us with a kaleidoscope of ethical dilemmas that transcend time. The film's resonance lies not only in its historical accuracy but also in its exploration of the human condition, the pursuit of knowledge, and the choices that shape our destinies. Oppenheimer is an unmissable cinematic event. I am not quite sure if it is indeed Nolan's best work as many have said, but it definitely comes close."

WATCH WION LIVE HERE

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You can now write for wionews.com and be a part of the community. Share your stories and opinions with us <a href="https://www.wionews.com/content-contribution-registration-form">here</a>.

While Christopher Nolan is known for crafting some of the best cinematic experiences, he has recently received criticism for the sound mix in some of his movies.

While Christopher Nolan is known for crafting some of the best cinematic experiences, he has recently received criticism for the sound mix in some of his movies. In 2020's Tenet and the recently released Oppenheimer, some moviegoers said that there were times they could not hear what was being said. Naturally, there is a certain amount of frustration among those who have seen the films, since no matter how good a movie is visually, it is a combination of sound and video, and both elements need to sync up nicely. Now, Nolan has opened up about the criticism, and said he is aware of it. Also Read: Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt "There are certain mechanical improvements. And actually, IMAX is building new cameras right now which are going to be even quieter. But the real breakthrough is in software technology that allows you to filter out the camera noise. That has improved massively in the 15 or so years that I've been using these cameras. Which opens up for you to do more intimate scenes that you would not have been able to do in the past," he told Insider. The thing is, IMAX cameras craft stunning, crystal-clear images but there is a tradeoff. They lack the soundproofing prowess of their conventional counterparts, resulting in the intrusive noise emanating from the motors inside, which invariably interferes with the audio. What is Oppenheimer all about? Starring Irish actor Cillian Murphy, Oppenheimer is a biopic about J Robert Oppenheimer, the American theoretical physicist who is remembered as the 'father of the atomic bomb' for his contribution to the invention of the first nuclear weapon. The bombs based on the technology he developed led to the deaths of hundreds of thousands of people in the Japanese cities of Hiroshima and Nagasaki. The film is based on the Pulitzer Prize-winning book American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer written by Kai Bird and the late Martin J Sherwin. Also Read: Cillian Murphy's top five performances, including Oppenheimer Oppenheimer review WION's review of Oppenheimer read, "As Oppenheimer unfolds, Nolan presents us with a kaleidoscope of ethical dilemmas that transcend time. The film's resonance lies not only in its historical accuracy but also in its exploration of the human condition, the pursuit of knowledge, and the choices that shape our destinies. Oppenheimer is an unmissable cinematic event. I am not quite sure if it is indeed Nolan's best work as many have said, but it definitely comes close." WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Christopher Nolan addresses dialogue audibility issues in Oppenheimer: There are certain...

Barbenheimer is not being celebrated in Japan. Warner Bros Japan has criticised what it called 'extremely regrettable' tweets shared by their US counterparts in a post. Turns out Japan, unlike the rest of the world, is not keen to hype both Barbie and Oppenheimer together.&nbsp; 
 
There has been a growing backlash in Japan against the clubbing of the two films, While Barbie, directed by Greta Gerwig, is a satire of the iconic doll, Christopher Nolan's Oppenheimer is a biopic on J Robert Oppenheimer,&nbsp;the scientist who created atomic bombs that the US dropped on Hiroshima and Nagasaki during World War II. 
 
A translation of the statement, which was posted on Japan’s Twitter account for the Barbie film, reads: “Because the movies Barbie and Oppenheimer were both released in the US on 21 July, there is currently a movement driven by overseas fans to watch them together (#Barbenheimer), but this is not an official movement. We find the reaction to this fan-driven movement from the official US account for the movie Barbie to be extremely regrettable. We take this very seriously and are asking the US head office to take appropriate action. We apologise to those offended by these inconsiderate actions.” 
 
The simultaneous release of Barbie and Oppenheimer resulted in millions around the world seeing the two vastly different blockbusters as an ironic double bill termed as Barbenheimer. 
 
On social media, users have been sharing memes and art combining the fun pink imagery of Barbie with mushroom clouds and fiery explosions in Oppenheimer.&nbsp; 
 
#NoBarbenheimer trends in Japan 
 
Japan is yet to see the two films. While Barbie is set to release on August 11, the release date of Oppenheimer in the country is not known. Some state that the film may not get a release at all in the country.&nbsp; 
 
The hashtag #NoBarbenheimer has been trending in Japan in the last week, with some social media users criticising the concept of Barbenheimer as trivialising nuclear weapons and the impact the bombings had on Japan, the only country to experience a nuclear attack.&nbsp;

One #nobarbenheimer post, reads, “The official Barbie movie account is completely on board with the atomic bomb and mushroom cloud memes, so Barbie is a no-go as well.” 
 
Despite the sensitive subject matter, Japan often shows foreign films depicting the events of the second world war without backlash. But that has not been the case with Nolan's latest. Oppenheimer has been criticised for not showing the extent of the devastation wrought on Hiroshima and Nagasaki, where estimates suggest that&nbsp;up to 220,000 people died in the bombings and their aftermath.

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Barbenheimer is not being celebrated in Japan. Warner Bros Japan has criticised what it called 'extremely regrettable' tweets shared by their US counterparts in a post.

Barbenheimer is not being celebrated in Japan. Warner Bros Japan has criticised what it called 'extremely regrettable' tweets shared by their US counterparts in a post. Turns out Japan, unlike the rest of the world, is not keen to hype both Barbie and Oppenheimer together. There has been a growing backlash in Japan against the clubbing of the two films, While Barbie, directed by Greta Gerwig, is a satire of the iconic doll, Christopher Nolan's Oppenheimer is a biopic on J Robert Oppenheimer, the scientist who created atomic bombs that the US dropped on Hiroshima and Nagasaki during World War II. A translation of the statement, which was posted on Japan’s Twitter account for the Barbie film, reads: “Because the movies Barbie and Oppenheimer were both released in the US on 21 July, there is currently a movement driven by overseas fans to watch them together (#Barbenheimer), but this is not an official movement. We find the reaction to this fan-driven movement from the official US account for the movie Barbie to be extremely regrettable. We take this very seriously and are asking the US head office to take appropriate action. We apologise to those offended by these inconsiderate actions.” The simultaneous release of Barbie and Oppenheimer resulted in millions around the world seeing the two vastly different blockbusters as an ironic double bill termed as Barbenheimer. On social media, users have been sharing memes and art combining the fun pink imagery of Barbie with mushroom clouds and fiery explosions in Oppenheimer. #NoBarbenheimer trends in Japan Japan is yet to see the two films. While Barbie is set to release on August 11, the release date of Oppenheimer in the country is not known. Some state that the film may not get a release at all in the country. The hashtag #NoBarbenheimer has been trending in Japan in the last week, with some social media users criticising the concept of Barbenheimer as trivialising nuclear weapons and the impact the bombings had on Japan, the only country to experience a nuclear attack. One #nobarbenheimer post, reads, “The official Barbie movie account is completely on board with the atomic bomb and mushroom cloud memes, so Barbie is a no-go as well.” Despite the sensitive subject matter, Japan often shows foreign films depicting the events of the second world war without backlash. But that has not been the case with Nolan's latest. Oppenheimer has been criticised for not showing the extent of the devastation wrought on Hiroshima and Nagasaki, where estimates suggest that up to 220,000 people died in the bombings and their aftermath.

Japan refuses to co-market Barbie and Oppenheimer together over Nolan's depiction of nuclear war

While the world is celebrating Barbenheimer, there's a controversy brewing in Japan over the two films- Barbie and Oppenheimer. Warner Bros Japan has criticised its American counterpart for a social media incident involving the two films. Warner Bros Japan has reacted to posts on the Barbenheimer event on Twitter, now known as X.&nbsp;

The term Barbenheimer was coined as both the films were released on the same day in most countries across the world.&nbsp; 
 
In Japan, Barbie is set for an August 11 release while Oppenheimer's release date is not known.

The film is a biopic about theoretical physicist J Robert Oppenheimer, whose efforts to build the world's first atomic bombs resulted in the deaths of over 200,000 Japanese people in 1945, when the Americans attacked the cities of Hiroshima and Nagasaki in Japan.&nbsp; 
 
“We consider it extremely regrettable that the official account of the American headquarters for the movie Barbie reacted to the social media postings of Barbenheimer fans,” Warner Bros Japan wrote in a statement posted on Twitter.

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“We take this situation very seriously. We are asking the US headquarters to take appropriate action. We apologise to those who were offended by this series of inconsiderate reactions. Warner Bros Japan." 
 
Barbie's official Twitter account reacted to a fan-made poster of the Barbenheimer event. The poster showed Barbie sitting on Oppenheimer's shoulders with what looks like a nuclear explosion in the background. As a reaction to the post, the Barbie Twitter handle wrote, "It’s going to be a summer to remember."

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Twitter has added a community note to the post, offering historical context. “At 8:15 a.m. on August 6, 1945 (Showa 20), an atomic bomb was dropped on Hiroshima for the first time in human history. The particular nature of the damage caused by the atomic bombs is that mass destruction and mass murder occurred instantaneously and indiscriminately,” the note read. 
 
The post has not gone down well with many in Japan who are only promoting Barbie and not Oppenheimer for obvious reasons.&nbsp; 
 
There has been some controversy about the depiction of the bombing in the film as well. Christopher Nolan's Oppenheimer has been massively successful both critically and commercially. The film recently passed the $400 million mark worldwide.&nbsp;

Also read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-oppenheimer-review-nolans-visually-stunning-epic-fuses-genius-and-guilt-618110">Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt</a> 
 
Greta Gerwig's Barbie is on its way to becoming the year’s second billion-dollar hit, having made a little under $800 million worldwide so far.

&nbsp;

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While the world is celebrating Barbenheimer, there's a controversy brewing in Japan over the two films- Barbie and Oppenheimer. Warner Bros Japan has criticised its American counterpart for a social media incident involving the two films.

While the world is celebrating Barbenheimer, there's a controversy brewing in Japan over the two films- Barbie and Oppenheimer. Warner Bros Japan has criticised its American counterpart for a social media incident involving the two films. Warner Bros Japan has reacted to posts on the Barbenheimer event on Twitter, now known as X. The term Barbenheimer was coined as both the films were released on the same day in most countries across the world. In Japan, Barbie is set for an August 11 release while Oppenheimer's release date is not known. The film is a biopic about theoretical physicist J Robert Oppenheimer, whose efforts to build the world's first atomic bombs resulted in the deaths of over 200,000 Japanese people in 1945, when the Americans attacked the cities of Hiroshima and Nagasaki in Japan. “We consider it extremely regrettable that the official account of the American headquarters for the movie Barbie reacted to the social media postings of Barbenheimer fans,” Warner Bros Japan wrote in a statement posted on Twitter. “We take this situation very seriously. We are asking the US headquarters to take appropriate action. We apologise to those who were offended by this series of inconsiderate reactions. Warner Bros Japan." Barbie's official Twitter account reacted to a fan-made poster of the Barbenheimer event. The poster showed Barbie sitting on Oppenheimer's shoulders with what looks like a nuclear explosion in the background. As a reaction to the post, the Barbie Twitter handle wrote, "It’s going to be a summer to remember." Twitter has added a community note to the post, offering historical context. “At 8:15 a.m. on August 6, 1945 (Showa 20), an atomic bomb was dropped on Hiroshima for the first time in human history. The particular nature of the damage caused by the atomic bombs is that mass destruction and mass murder occurred instantaneously and indiscriminately,” the note read. The post has not gone down well with many in Japan who are only promoting Barbie and not Oppenheimer for obvious reasons. There has been some controversy about the depiction of the bombing in the film as well. Christopher Nolan's Oppenheimer has been massively successful both critically and commercially. The film recently passed the $400 million mark worldwide. Also read: Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt Greta Gerwig's Barbie is on its way to becoming the year’s second billion-dollar hit, having made a little under $800 million worldwide so far.

Warner Bros Japan slams its American counterpart over a Barbenheimer post on social media 

Warner Bros.' blockbuster Barbie&nbsp;earned an estimated $93 million in North American theaters this weekend as it continued "rolling down a hill of cash," industry watcher Exhibitor Relations reported Sunday.

Taken together with Universal's dark biopic Oppenheimer,&nbsp;which took in a mighty $46.2 million in its own second weekend out, the two films provided a much-needed "Barbenheimer" boost during a middling Hollywood summer.

"July would have been a lukewarm month, but then Barbie&nbsp;and Oppenheimer&nbsp;arrived, moviegoing exploded, and within one week, July caught up to its pre-pandemic average," said analyst David A. Gross of Franchise Entertainment Research. 
 
Last weekend, Barbie&nbsp;scored the biggest opening weekend of the year, at $80.5 million, showing eyebrow-raising appeal for a movie based on a small plastic doll living in a perfect pink world.&nbsp;

With Margot Robbie as Barbie&nbsp;and Ryan Gosling as boyfriend Ken,&nbsp;the Greta Gerwig film has now generated $351.4 million in North American ticket sales, along with $423 million abroad, likely setting it on track to be the next billion-dollar flick.

Oppenheimer&nbsp;also showed exceptional strength for a historical drama, with its second-weekend result -- like that of Barbie-- among the best in box-office history, said analyst Paul Dergarabedian. The story of the creation of America's atomic bomb has now earned $174.1 million domestically and $226 million abroad.

In third for the weekend was a new Disney release, Haunted Mansion,&nbsp;at $24.2 million. Disney spent $150 million to produce the kid-centric film so it has a way to go to reach profitability, according to Variety. The movie stars LaKeith Stanfield, Tiffany Haddish and Owen Wilson.

Fourth spot went to the independent Sound of Freedom,&nbsp;from Santa Fe Films and Angel Studios, at $12.4 million. The low-budget action thriller has sparked controversy, with critics saying its story about child sex trafficking plays into Qanon conspiracy theories.

And hanging steady at fifth was Paramount's Mission: Impossible -- Dead Reckoning Part One.&nbsp;This latest in the popular Tom Cruise series took in $10.7 million, meaning all of the top five films scored in the double-digit millions.

Rounding out the top 10 were:

Talk to Me&nbsp;($10 million)

Indiana Jones and the Dial of Destiny&nbsp;($4 million)

Elemental&nbsp;($3.4 million)

Insidious: The Red Door ($3.2 million) 
 
Spider-Man: Across the Spider-Verse&nbsp;($1.4 million)

Warner Bros.' blockbuster Barbie earned an estimated $93 million in North American theaters this weekend as it continued "rolling down a hill of cash," industry watcher Exhibitor Relations reported Sunday.

Warner Bros.' blockbuster Barbie earned an estimated $93 million in North American theaters this weekend as it continued "rolling down a hill of cash," industry watcher Exhibitor Relations reported Sunday. Taken together with Universal's dark biopic Oppenheimer, which took in a mighty $46.2 million in its own second weekend out, the two films provided a much-needed "Barbenheimer" boost during a middling Hollywood summer. "July would have been a lukewarm month, but then Barbie and Oppenheimer arrived, moviegoing exploded, and within one week, July caught up to its pre-pandemic average," said analyst David A. Gross of Franchise Entertainment Research. Last weekend, Barbie scored the biggest opening weekend of the year, at $80.5 million, showing eyebrow-raising appeal for a movie based on a small plastic doll living in a perfect pink world. With Margot Robbie as Barbie and Ryan Gosling as boyfriend Ken, the Greta Gerwig film has now generated $351.4 million in North American ticket sales, along with $423 million abroad, likely setting it on track to be the next billion-dollar flick. Oppenheimer also showed exceptional strength for a historical drama, with its second-weekend result -- like that of Barbie-- among the best in box-office history, said analyst Paul Dergarabedian. The story of the creation of America's atomic bomb has now earned $174.1 million domestically and $226 million abroad. In third for the weekend was a new Disney release, Haunted Mansion, at $24.2 million. Disney spent $150 million to produce the kid-centric film so it has a way to go to reach profitability, according to Variety. The movie stars LaKeith Stanfield, Tiffany Haddish and Owen Wilson. Fourth spot went to the independent Sound of Freedom, from Santa Fe Films and Angel Studios, at $12.4 million. The low-budget action thriller has sparked controversy, with critics saying its story about child sex trafficking plays into Qanon conspiracy theories. And hanging steady at fifth was Paramount's Mission: Impossible -- Dead Reckoning Part One. This latest in the popular Tom Cruise series took in $10.7 million, meaning all of the top five films scored in the double-digit millions. Rounding out the top 10 were: Talk to Me ($10 million) Indiana Jones and the Dial of Destiny ($4 million) Elemental ($3.4 million) Insidious: The Red Door ($3.2 million) Spider-Man: Across the Spider-Verse ($1.4 million)

Barbie stays atop 'hill of cash' in North America theaters

Christopher Nolan's Oppenheimer is currently running in theatres worldwide. Starring Cillian Murphy in the lead, the film explores the life and times of J Robert Oppenheimer, American theoretical physicist who is remembered as 'father of the atomic bomb' for his contribution to the Manhattan Project. Not only is the movie a great biopic, it is also extremely entertaining, and many moments almost play like a thriller or even a horror movie. Biopics have long been revered as the lenses through which we glimpse the extraordinary lives of historical figures. Yet, more often than not, these films fall prey to the gravity of mere documentation, leaving audiences yearning for something more engaging. However, like Oppenheimer, there are many biopics who are the best of both worlds. Here are 10 of those.

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-oppenheimer-review-nolans-visually-stunning-epic-fuses-genius-and-guilt-618110">Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt</a>

Note: These biopics have been chosen for their entertainment value, and I acknowledge many of these are not historically accurate. But then movies are movies, and documentaries are documentaries.&nbsp;

<h2>The Imitation Game (2014)</h2>

The Imitation Game ingeniously catapults us into the enigmatic world of Alan Turing, a codebreaker whose genius carved an indelible mark on World War II history. Benedict Cumberbatch's fantastic performance transcends the conventional boundaries of the genre, skilfully intertwining Turing's personal struggles with his intellectual brilliance.

<div class="videoWrapper trancodeVideo"><iframe allowfullscreen="" autoplay="1" class="includeVideo" frameborder="0" height="350" src="https://www.wionews.com/videos/barbenheimer-dissecting-the-hype-around-barbie-and-oppenheimer-wion-podcast-619360/embed" style="width:100%;max-width:560px;" width="560"></iframe></div>

<h2>A Beautiful Mind (2001)</h2>

A Beautiful Mind dauntlessly navigates the labyrinthine landscape of Nobel laureate John Nash's mind. Russell Crowe's mesmerising portrayal draws us into the chaotic universe of a mathematician grappling with schizophrenia, transforming his journey into an extraordinary tale of triumph over adversity.

<h2>Darkest Hour (2017)</h2>

Darkest Hour unfurls a breathtaking spectacle of leadership and vulnerability as Gary Oldman metamorphoses into the indomitable Winston Churchill. The film's visceral depiction of Churchill's early days as Prime Minister during World War II ignites a flame of fascination, revealing the human behind him. Of course, it glorifies a man who had racist views and was at least partly responsible for the Bengal famine of 1943, but it is undeniably entertaining.&nbsp;

<iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/-CTM7FcY1LE" title="YouTube video player" width="560"></iframe>

<h2>Frida (2002)</h2>

In Frida, Salma Hayek's fiery portrayal captures the essence of renowned artist Frida Kahlo, transcending the canvas and painting a vivid portrait of her tumultuous life and unwavering passion for self-expression. The film stands as a testament to the profound impact of resilience and artistic vision.

<h2>The Theory of Everything (2014)</h2>

The Theory of Everything dazzles as Eddie Redmayne's Oscar-winning performance breathes life into the late extraordinary physicist, Stephen Hawking. Witnessing the transformation from a healthy young man to a boundless scientific mind, we are enraptured by the boundless power of love and determination.

<iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/6lmVwOhJFhA" title="YouTube video player" width="560"></iframe>

<h2>Gandhi (1982)</h2>

Sir Ben Kingsley's commanding portrayal of Mahatma Gandhi in Gandhi&nbsp;illuminates the reverberating echoes of the nonviolent struggle for India's independence. The film reverently captures Gandhi's unwavering commitment to social justice, leaving audiences inspired by the potential for transformation through peaceful means. The movie may be a little too adoring towards its subject, though.

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-cillian-murphys-top-five-performances-including-oppenheimer-620521">Cillian Murphy's top five performances, including Oppenheimer</a>

<h2>Malcolm X (1992)</h2>

In Malcolm X, Denzel Washington's electrifying presence ignites the screen, chronicling the metamorphosis of a street hustler into a passionate advocate for black empowerment. The biopic fearlessly confronts the complexities of Malcolm X's beliefs, provoking contemplation on the power of change and personal growth.

<h2>The Iron Lady (2011)</h2>

Meryl Streep delivers an Oscar-winning performance as British Prime Minister Margaret Thatcher, exploring her rise to power and the challenges she faced as a strong-willed female leader in a male-dominated political landscape.

<iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/1LO2nv4aEpw" title="YouTube video player" width="560"></iframe>

<h2>Capote (2005)</h2>

Philip Seymour Hoffman's masterful rendition in&nbsp;Capote breathes life into the intriguing author Truman Capote. Weaving the threads of emotion, intellect, and obsession, the film constructs an alluring portrait of the man behind the groundbreaking work, In Cold Blood.

<h2>Schindler's List (1993)</h2>

Finally, Schindler's List&nbsp;emerges as a haunting masterpiece, captivating audiences with the riveting tale of Oskar Schindler, a man driven by profit transformed into a righteous savior. Liam Neeson's portrayal immerses us in the depths of human compassion amidst the horrors of the Holocaust, stirring our souls with hope and humility.

&nbsp;

WATCH WION LIVE HERE

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You can now write for wionews.com and be a part of the community. Share your stories and opinions with us <a href="https://www.wionews.com/content-contribution-registration-form">here</a>.

Christopher Nolan's Oppenheimer is currently running in theatres worldwide. Starring Cillian Murphy in the lead, the film explores the life and times of J Robert Oppenheimer, American theoretical physicist who is remembered as 'father of the atomic bomb' for his contribution to the Manhattan Project.

Christopher Nolan's Oppenheimer is currently running in theatres worldwide. Starring Cillian Murphy in the lead, the film explores the life and times of J Robert Oppenheimer, American theoretical physicist who is remembered as 'father of the atomic bomb' for his contribution to the Manhattan Project. Not only is the movie a great biopic, it is also extremely entertaining, and many moments almost play like a thriller or even a horror movie. Biopics have long been revered as the lenses through which we glimpse the extraordinary lives of historical figures. Yet, more often than not, these films fall prey to the gravity of mere documentation, leaving audiences yearning for something more engaging. However, like Oppenheimer, there are many biopics who are the best of both worlds. Here are 10 of those. Also Read: Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt Note: These biopics have been chosen for their entertainment value, and I acknowledge many of these are not historically accurate. But then movies are movies, and documentaries are documentaries. The Imitation Game (2014) The Imitation Game ingeniously catapults us into the enigmatic world of Alan Turing, a codebreaker whose genius carved an indelible mark on World War II history. Benedict Cumberbatch's fantastic performance transcends the conventional boundaries of the genre, skilfully intertwining Turing's personal struggles with his intellectual brilliance. A Beautiful Mind (2001) A Beautiful Mind dauntlessly navigates the labyrinthine landscape of Nobel laureate John Nash's mind. Russell Crowe's mesmerising portrayal draws us into the chaotic universe of a mathematician grappling with schizophrenia, transforming his journey into an extraordinary tale of triumph over adversity. Darkest Hour (2017) Darkest Hour unfurls a breathtaking spectacle of leadership and vulnerability as Gary Oldman metamorphoses into the indomitable Winston Churchill. The film's visceral depiction of Churchill's early days as Prime Minister during World War II ignites a flame of fascination, revealing the human behind him. Of course, it glorifies a man who had racist views and was at least partly responsible for the Bengal famine of 1943, but it is undeniably entertaining. Frida (2002) In Frida, Salma Hayek's fiery portrayal captures the essence of renowned artist Frida Kahlo, transcending the canvas and painting a vivid portrait of her tumultuous life and unwavering passion for self-expression. The film stands as a testament to the profound impact of resilience and artistic vision. The Theory of Everything (2014) The Theory of Everything dazzles as Eddie Redmayne's Oscar-winning performance breathes life into the late extraordinary physicist, Stephen Hawking. Witnessing the transformation from a healthy young man to a boundless scientific mind, we are enraptured by the boundless power of love and determination. Gandhi (1982) Sir Ben Kingsley's commanding portrayal of Mahatma Gandhi in Gandhi illuminates the reverberating echoes of the nonviolent struggle for India's independence. The film reverently captures Gandhi's unwavering commitment to social justice, leaving audiences inspired by the potential for transformation through peaceful means. The movie may be a little too adoring towards its subject, though. Also Read: Cillian Murphy's top five performances, including Oppenheimer Malcolm X (1992) In Malcolm X, Denzel Washington's electrifying presence ignites the screen, chronicling the metamorphosis of a street hustler into a passionate advocate for black empowerment. The biopic fearlessly confronts the complexities of Malcolm X's beliefs, provoking contemplation on the power of change and personal growth. The Iron Lady (2011) Meryl Streep delivers an Oscar-winning performance as British Prime Minister Margaret Thatcher, exploring her rise to power and the challenges she faced as a strong-willed female leader in a male-dominated political landscape. Capote (2005) Philip Seymour Hoffman's masterful rendition in Capote breathes life into the intriguing author Truman Capote. Weaving the threads of emotion, intellect, and obsession, the film constructs an alluring portrait of the man behind the groundbreaking work, In Cold Blood. Schindler's List (1993) Finally, Schindler's List emerges as a haunting masterpiece, captivating audiences with the riveting tale of Oskar Schindler, a man driven by profit transformed into a righteous savior. Liam Neeson's portrayal immerses us in the depths of human compassion amidst the horrors of the Holocaust, stirring our souls with hope and humility. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Liked Oppenheimer? Watch these 10 biopics that combine history and entertainment

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