In India, a curious phenomenon is unfolding as the clash of the titans, Barbie vs Oppenheimer, captivates audiences. With their strikingly different genres, the showdown at the box office has intrigued moviegoers. Many of them are 14 to 22 year old young boys who line up for tickets to watch Oppenheimer.

'Barbenheimer': An actual movie that marries plots of both films

Barbenheimer is not just a term to hype two big releases that took place earlier this year but is now the title of an upcoming film. Many would recall that the term was coined in July this year when big-ticket films Barbie and Oppenheimer were released on the same day worldwide. The term was a marketing gimmick to promote both films and encourage viewers to watch both films.&nbsp; 
 
Now a report in The Hollywood Reporter states that B-movie icon Charles Band is making a movie on the same title with dolls and bombs beings the key plot points.&nbsp; 
 
What is Barbenheimer the film about? 
 
Charles Band has detailed the plot of Barbenheimer, in which a scientist doll called Dr Bambi J Barbenheimer, living in the doll town Dolltopia, is bothered by how humans treat the dolls. So she goes on a mission to destroy the real world with a giant nuclear bomb. The synopsis of Barbenheimer states, “They got great looks and a super attitude! Oh, and now they’ve got the bomb.” 
 
Charles, while speaking to the publication, admitted that he was cashing in on the Barbie-Oppenheimer clash and the numerous memes and social media chatter that followed.&nbsp; 
 
“But it’s also an opportunity to have fun with the bizarre coupling of these two movies and the combination of Barbie’s vibe and the darkness of Oppenheimer. You mix that together and you have such an opportunity for dark humour,” Charles said. “It seems like every other feature is dark and depressing, and it’s like, God, we need a little humour going into 2024,” he added.

Charles Band is best known for his 1985 cult classic Re-Animator.

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Barbenheimer clash&nbsp; 
 
Two strikingly different films clashed at the box office in July 2023. Greta Gerwig's Barbie is based on the iconic doll and Christopher Nolan's Oppenheimer is based on American scientist Robert Oppenheimer. Barbie went on to earn $1 billion at the global office. Oppenheimer fared decently at the box office. Both films earned critical acclaim.&nbsp;

Also read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-oppenheimer-review-nolans-visually-stunning-epic-fuses-genius-and-guilt-618110">Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt</a>

Barbenheimer is not just a term to hype two big releases that took place earlier this year but is now the title of an upcoming film. Many would recall that the term was coined in July this year when big-ticket films Barbie and Oppenheimer were released on the same day worldwide.

Barbenheimer is not just a term to hype two big releases that took place earlier this year but is now the title of an upcoming film. Many would recall that the term was coined in July this year when big-ticket films Barbie and Oppenheimer were released on the same day worldwide. The term was a marketing gimmick to promote both films and encourage viewers to watch both films. Now a report in The Hollywood Reporter states that B-movie icon Charles Band is making a movie on the same title with dolls and bombs beings the key plot points. What is Barbenheimer the film about? Charles Band has detailed the plot of Barbenheimer, in which a scientist doll called Dr Bambi J Barbenheimer, living in the doll town Dolltopia, is bothered by how humans treat the dolls. So she goes on a mission to destroy the real world with a giant nuclear bomb. The synopsis of Barbenheimer states, “They got great looks and a super attitude! Oh, and now they’ve got the bomb.” Charles, while speaking to the publication, admitted that he was cashing in on the Barbie-Oppenheimer clash and the numerous memes and social media chatter that followed. “But it’s also an opportunity to have fun with the bizarre coupling of these two movies and the combination of Barbie’s vibe and the darkness of Oppenheimer. You mix that together and you have such an opportunity for dark humour,” Charles said. “It seems like every other feature is dark and depressing, and it’s like, God, we need a little humour going into 2024,” he added. Charles Band is best known for his 1985 cult classic Re-Animator. Barbenheimer clash Two strikingly different films clashed at the box office in July 2023. Greta Gerwig's Barbie is based on the iconic doll and Christopher Nolan's Oppenheimer is based on American scientist Robert Oppenheimer. Barbie went on to earn $1 billion at the global office. Oppenheimer fared decently at the box office. Both films earned critical acclaim. Also read: Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt

Barbenheimer movie is in the works, plot involves dolls and nuclear bombs

Generic ghosts and vague vampires haunted the Hollywood picket lines this Halloween, as striking actors tried to scare studio bosses by refusing to dress up as any of their famous characters.

With talks still ongoing between the Screen Actors Guild (SAG-AFTRA) and the likes of Netflix and Disney, costumes that could be seen to promote lucrative film figures like Barbie -- or even Oppenheimer -- have been declared off-limits this spooky season.

"Let's use our collective power to send a loud and clear message to our struck employers that we will not promote their content without a fair contract!" said a recent SAG-AFTRA online post.

<a data-ctorig="https://www.wionews.com/web-stories/entertainment/halloween-sitcom-episodes-to-watch-for-a-spooky-fun-night-1698298976909" data-cturl="https://www.google.com/url?client=internal-element-cse&amp;cx=006054055338965708568:09spwrlibei&amp;q=https://www.wionews.com/web-stories/entertainment/halloween-sitcom-episodes-to-watch-for-a-spooky-fun-night-1698298976909&amp;sa=U&amp;ved=2ahUKEwj6rLa_uqKCAxWpUvUHHUB7Ab0QFnoECAkQAg&amp;usg=AOvVaw3bUcei1CJ_jdMB_f9-rciB" dir="ltr" href="https://www.wionews.com/web-stories/entertainment/halloween-sitcom-episodes-to-watch-for-a-spooky-fun-night-1698298976909" target="_blank">Halloween 2023: 8 Sitcom Episodes To Watch For A Spooky &amp; Fun&nbsp;</a>

On Tuesday, actors marching outside Netflix, Sony, Amazon and Paramount's Los Angeles offices had taken that advice to heart, with cats, bats and a dancing frog replacing the usual cast of superhero and sexy villain costumes beloved in the US entertainment capital.

"It would be a little strange when you're protesting these companies but also supporting them," explained actress Sonia Grace, dressed as a schoolgirl.

"Boo, boo to the AMPTP," added Christan Copeland, in a cat costume, referring to the studios' Alliance of Motion Picture and Television Producers.

SAG-AFTRA members walked off film and TV sets in July, over terms including pay and the use of artificial intelligence.

<a data-ctorig="https://www.wionews.com/web-stories/trending/halloween-2023-iconic-characters-costume-ideas-1698646807836" data-cturl="https://www.google.com/url?client=internal-element-cse&amp;cx=006054055338965708568:09spwrlibei&amp;q=https://www.wionews.com/web-stories/trending/halloween-2023-iconic-characters-costume-ideas-1698646807836&amp;sa=U&amp;ved=2ahUKEwj6rLa_uqKCAxWpUvUHHUB7Ab0QFnoECAUQAg&amp;usg=AOvVaw3G_1p02VEMqZ6nshM1Kufe" dir="ltr" href="https://www.google.com/url?client=internal-element-cse&amp;cx=006054055338965708568:09spwrlibei&amp;q=https://www.wionews.com/web-stories/trending/halloween-2023-iconic-characters-costume-ideas-1698646807836&amp;sa=U&amp;ved=2ahUKEwj6rLa_uqKCAxWpUvUHHUB7Ab0QFnoECAUQAg&amp;usg=AOvVaw3G_1p02VEMqZ6nshM1Kufe" target="_blank">Halloween 2023: Iconic Character Costume Ideas</a>

Talks have intensified in recent weeks, with the two sides meeting most days and expressing cautious optimism -- while also warning that they remain far apart on several key issues.

If the strike is not resolved in the next few days, film and television production is unlikely to be able to restart at all this calendar year, as Hollywood annually shuts down over the holiday period.

<a data-ctorig="https://www.wionews.com/web-stories/trending/halloween-2023-iconic-characters-costume-ideas-1698646807836" data-cturl="https://www.google.com/url?client=internal-element-cse&amp;cx=006054055338965708568:09spwrlibei&amp;q=https://www.wionews.com/web-stories/trending/halloween-2023-iconic-characters-costume-ideas-1698646807836&amp;sa=U&amp;ved=2ahUKEwj6rLa_uqKCAxWpUvUHHUB7Ab0QFnoECAUQAg&amp;usg=AOvVaw3G_1p02VEMqZ6nshM1Kufe" dir="ltr" href="https://www.google.com/url?client=internal-element-cse&amp;cx=006054055338965708568:09spwrlibei&amp;q=https://www.wionews.com/web-stories/trending/halloween-2023-iconic-characters-costume-ideas-1698646807836&amp;sa=U&amp;ved=2ahUKEwj6rLa_uqKCAxWpUvUHHUB7Ab0QFnoECAUQAg&amp;usg=AOvVaw3G_1p02VEMqZ6nshM1Kufe" target="_blank">Halloween 2023: Iconic Character Costume Ideas</a>

"I think all of us being here, we've been scaring the studios for the past 110 days," said actress and SAG-AFTRA organizer Mykle McCoslin.

"It's time for them to just negotiate, and give us what we need. Time's up!"

But despite the dire situation, Grace insisted that the strike should not totally prevent actors from dressing up and having some fun this Halloween.

"There's a lot of people that are non-actors that are supporting us, so of course we want to celebrate Halloween with them," she said.

"But we also want to stay strong and hold out for what we feel is a more than fair deal for us."

Generic ghosts and vague vampires haunted the Hollywood picket lines this Halloween, as striking actors tried to scare studio bosses by refusing to dress up as any of their famous characters.

Generic ghosts and vague vampires haunted the Hollywood picket lines this Halloween, as striking actors tried to scare studio bosses by refusing to dress up as any of their famous characters. With talks still ongoing between the Screen Actors Guild (SAG-AFTRA) and the likes of Netflix and Disney, costumes that could be seen to promote lucrative film figures like Barbie -- or even Oppenheimer -- have been declared off-limits this spooky season. "Let's use our collective power to send a loud and clear message to our struck employers that we will not promote their content without a fair contract!" said a recent SAG-AFTRA online post. Halloween 2023: 8 Sitcom Episodes To Watch For A Spooky & Fun On Tuesday, actors marching outside Netflix, Sony, Amazon and Paramount's Los Angeles offices had taken that advice to heart, with cats, bats and a dancing frog replacing the usual cast of superhero and sexy villain costumes beloved in the US entertainment capital. "It would be a little strange when you're protesting these companies but also supporting them," explained actress Sonia Grace, dressed as a schoolgirl. "Boo, boo to the AMPTP," added Christan Copeland, in a cat costume, referring to the studios' Alliance of Motion Picture and Television Producers. SAG-AFTRA members walked off film and TV sets in July, over terms including pay and the use of artificial intelligence. Halloween 2023: Iconic Character Costume Ideas Talks have intensified in recent weeks, with the two sides meeting most days and expressing cautious optimism -- while also warning that they remain far apart on several key issues. If the strike is not resolved in the next few days, film and television production is unlikely to be able to restart at all this calendar year, as Hollywood annually shuts down over the holiday period. Halloween 2023: Iconic Character Costume Ideas "I think all of us being here, we've been scaring the studios for the past 110 days," said actress and SAG-AFTRA organizer Mykle McCoslin. "It's time for them to just negotiate, and give us what we need. Time's up!" But despite the dire situation, Grace insisted that the strike should not totally prevent actors from dressing up and having some fun this Halloween. "There's a lot of people that are non-actors that are supporting us, so of course we want to celebrate Halloween with them," she said. "But we also want to stay strong and hold out for what we feel is a more than fair deal for us."

Halloween hits Hollywood strike as actors boycott Barbie costumes

Greta Gerwig's Barbie not only dominated the box office records but also created a major furore on social media. Among many things, Ryan Gosling's ''I'm Just Ken'' achieved extraordinary attention and praise from the audience. But what if we told you that the song was about to get nixed from the movie? 
 
Director Greta Gerwig has recently revealed that she tried really hard to keep the viral musical in the film. 
 
During her screen talk at the BFI London Film Festival, Greta revealed that she was asked, ''What is the dream ballet?'' in the middle of the big meeting.

<a href="https://www.wionews.com/entertainment/terence-davies-filmmaker-of-the-lyrical-distant-voices-still-lives-dies-at-77-644400">Terence Davies, filmmaker of the lyrical Distant Voices, Still Lives, dies at 77</a>

While chatting to Succession&nbsp;creator Jesse Armstrong, Greta added, “It just said in the script, ‘And then it becomes a dream ballet and they work it out through dance.'”&nbsp;

She added further, “There was a big meeting that was like, ‘Do you need this?’ And I was like, ‘Everything in me needs this.’ They were like, ‘What do you even mean? What is a dream ballet?’ And I was like, ‘A dream ballet? Where do I begin!'”

“I was like, if people could follow that in ''Singing in the Rain,''&nbsp;I think we’ll be fine. I think people will know what this is. So that was the big reference point,” she said. “Even though everything felt right to me and was giving me so much joy in the way we were doing it, it was also like, ‘Oh no, this could be just terrible, but now I’m committed.'”

<a href="https://www.wionews.com/entertainment/a-new-exorcist-takes-possession-of-north-america-box-office-644354">A new Exorcist takes possession of North America box office</a>

Gerwig's decision to keep her dream ballet ''I'm Just Ken'' was apparently correct, as the song&nbsp;and the epic face-off between Ryan and Simu Liu's character went on to become one of the&nbsp;film's major takeaways. 
 
Despite the tough competition from Christopher Nolan's Oppenheimer,&nbsp;Margot Robbie-starrer went on to become a major hit. The film has achieved a historic milestone by surpassing the $1.342 billion global earnings of Harry Potter and the Deathly Hallows — Part 2, becoming the highest-grossing film in Warner Bros' history.&nbsp;

Additionally, Barbie has overtaken The Super Mario Bros. Movie as the top-grossing title of 2023 in North America.

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Greta Gerwig's Barbie not only dominated the box office records but also created a major furore on social media. Among many things, Ryan Gosling's ''I'm Just Ken'' achieved extraordinary attention and praise from the audience.

Greta Gerwig's Barbie not only dominated the box office records but also created a major furore on social media. Among many things, Ryan Gosling's ''I'm Just Ken'' achieved extraordinary attention and praise from the audience. But what if we told you that the song was about to get nixed from the movie? Director Greta Gerwig has recently revealed that she tried really hard to keep the viral musical in the film. During her screen talk at the BFI London Film Festival, Greta revealed that she was asked, ''What is the dream ballet?'' in the middle of the big meeting. Terence Davies, filmmaker of the lyrical Distant Voices, Still Lives, dies at 77 While chatting to Succession creator Jesse Armstrong, Greta added, “It just said in the script, ‘And then it becomes a dream ballet and they work it out through dance.'” She added further, “There was a big meeting that was like, ‘Do you need this?’ And I was like, ‘Everything in me needs this.’ They were like, ‘What do you even mean? What is a dream ballet?’ And I was like, ‘A dream ballet? Where do I begin!'” “I was like, if people could follow that in ''Singing in the Rain,'' I think we’ll be fine. I think people will know what this is. So that was the big reference point,” she said. “Even though everything felt right to me and was giving me so much joy in the way we were doing it, it was also like, ‘Oh no, this could be just terrible, but now I’m committed.'” A new Exorcist takes possession of North America box office Gerwig's decision to keep her dream ballet ''I'm Just Ken'' was apparently correct, as the song and the epic face-off between Ryan and Simu Liu's character went on to become one of the film's major takeaways. Despite the tough competition from Christopher Nolan's Oppenheimer, Margot Robbie-starrer went on to become a major hit. The film has achieved a historic milestone by surpassing the $1.342 billion global earnings of Harry Potter and the Deathly Hallows — Part 2, becoming the highest-grossing film in Warner Bros' history. Additionally, Barbie has overtaken The Super Mario Bros. Movie as the top-grossing title of 2023 in North America. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Did you know Ryan Gosling's 'I'm Just Ken' song was about to get nixed from Barbie?

Warner&nbsp;Bros Discovery on Thursday said it planned to expand production capacity at its Leavesden studios near London by more than 50%, adding 10 new sound stages to the facility where much of the Barbie&nbsp;blockbuster and HBO's House of the Dragon&nbsp;were filmed.

The project, announced during a visit to Los Angeles by British Finance Minister Jeremy Hunt, is expected to create some 4,000 direct and indirect jobs, the company said in a statement.

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Hunt told Reuters in a telephone interview that the investment would total 245 million pounds ($301 million).

Warner&nbsp;Bros said it would increase the value of Leavesden's annual film and television production by 200 million pounds ($245.9 million), bringing it to 600 million pounds ($737.6 million) a year,&nbsp;Warner&nbsp;Bros Discovery said.

The investment comes as&nbsp;Warner&nbsp;Bros Discovery's California production has been hit with the first joint strike&nbsp;of writers&nbsp;and actors&nbsp;in 63 years, delaying major projects and prompting it to slash revenue forecasts for the rest of this year.

The Leavesden project's construction is due to start in the second quarter of 2024, with completion in 2027 and will bring the facility's total stages to 29 from 19 currently.

<a href="https://www.wionews.com/entertainment/bollywood/news-parineeti-chopra-and-raghav-chadha-get-warm-welcome-at-udaipur-airport-ahead-of-wedding-638452">Parineeti Chopra and Raghav Chadha get warm welcome at Udaipur airport ahead of wedding</a>

Hunt said the Leavesden project "is a huge vote of confidence in the UK" and will benefit from longstanding British tax breaks for local film and television production.

"The UK ambition is to be the world's next Silicon Valley, and we think we're already Europe's technology and entertainment hub. And this is another step towards that," he said. 
 
&nbsp;

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Warner Bros Discovery on Thursday said it planned to expand production capacity at its Leavesden studios near London by more than 50%, adding 10 new sound stages to the facility where much of the Barbie blockbuster and HBO's House of the Dragon were filmed.

Warner Bros Discovery on Thursday said it planned to expand production capacity at its Leavesden studios near London by more than 50%, adding 10 new sound stages to the facility where much of the Barbie blockbuster and HBO's House of the Dragon were filmed. The project, announced during a visit to Los Angeles by British Finance Minister Jeremy Hunt, is expected to create some 4,000 direct and indirect jobs, the company said in a statement. Travis Kelce reveals he extended an invite to Taylor Swift for a football game Hunt told Reuters in a telephone interview that the investment would total 245 million pounds ($301 million). Warner Bros said it would increase the value of Leavesden's annual film and television production by 200 million pounds ($245.9 million), bringing it to 600 million pounds ($737.6 million) a year, Warner Bros Discovery said. The investment comes as Warner Bros Discovery's California production has been hit with the first joint strike of writers and actors in 63 years, delaying major projects and prompting it to slash revenue forecasts for the rest of this year. The Leavesden project's construction is due to start in the second quarter of 2024, with completion in 2027 and will bring the facility's total stages to 29 from 19 currently. Parineeti Chopra and Raghav Chadha get warm welcome at Udaipur airport ahead of wedding Hunt said the Leavesden project "is a huge vote of confidence in the UK" and will benefit from longstanding British tax breaks for local film and television production. "The UK ambition is to be the world's next Silicon Valley, and we think we're already Europe's technology and entertainment hub. And this is another step towards that," he said. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Warner Bros to expand British studios' production capacity by over 50%

Forget The Avengers, there’s another record-breaker in the market and it’s none other than Barbie. The Greta Gerwig directorial has now overtaken the Marvel film as the 11th-highest-grossing release in history. The film has generated $626 million at the domestic box office and is not ready to pause this massive run at the world box office.&nbsp;

In order to make it to the top 10, Barbie will need to displace 2015 starrer Jurassic World which is currently at number 10 with $653 million. On number 9 is Titanic with $674 million. On 7 and 8 are Avatar: The Way of Water and Avengers: Infinity War. None of these ticket sales were adjusted for inflation.

Meanwhile, Ryan Gosling and Margot Robbie starrer is already the highest-grossing domestic release of 2023.

The film has earned $1.4 billion globally and surpassed The Super Mario Bros. Movie ($1.35 billion) as the biggest worldwide release of 2023.

Ever since the film was released in July, Barbie has had a dream run. It remained the No. 1 movie for four consecutive weekends and in the top five for more than two months. Barbie has Margot Robbie and Ryan Gosling play the stereotypical versions of Barbie and Ken, who leave behind their perfect reality to confront the highs and lows of life in the real world.&nbsp;

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Forget The Avengers, there’s another record-breaker in the market and it’s none other than Barbie. The Greta Gerwig directorial has now overtaken the Marvel film as the 11th-highest-grossing release in history.

Forget The Avengers, there’s another record-breaker in the market and it’s none other than Barbie. The Greta Gerwig directorial has now overtaken the Marvel film as the 11th-highest-grossing release in history. The film has generated $626 million at the domestic box office and is not ready to pause this massive run at the world box office. In order to make it to the top 10, Barbie will need to displace 2015 starrer Jurassic World which is currently at number 10 with $653 million. On number 9 is Titanic with $674 million. On 7 and 8 are Avatar: The Way of Water and Avengers: Infinity War. None of these ticket sales were adjusted for inflation. Meanwhile, Ryan Gosling and Margot Robbie starrer is already the highest-grossing domestic release of 2023. The film has earned $1.4 billion globally and surpassed The Super Mario Bros. Movie ($1.35 billion) as the biggest worldwide release of 2023. Ever since the film was released in July, Barbie has had a dream run. It remained the No. 1 movie for four consecutive weekends and in the top five for more than two months. Barbie has Margot Robbie and Ryan Gosling play the stereotypical versions of Barbie and Ken, who leave behind their perfect reality to confront the highs and lows of life in the real world. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Barbie now on its way to displace Jurassic World to enter top 10 highest-grossing films ever

After wooing fans in theatres, Margot Robbie and Ryan Gosling’s multi-starrer film Barbie is finally set to land on home theatres. The Greta Gerwig directorial that stars Margot as Barbie and Ryan as Ken, based on Mattel’s popular dolls, helped boost the economy both in the country and worldwide. After establishing its dominance in the weeks that followed its theatrical release, Barbie&nbsp;will be made available for those who couldn’t watch it in theatres. The studio will now make the film available to buy on&nbsp;DVD, Blu-ray and digital 4K UHD on Feb. 29, 2024.

<h2>Follow Barbie from Barbieland to the Real World</h2>

For the unversed, Barbie follows the lives of Barbie and Ken as they step out of their Barbieland and tread into the real world which is full of its flaws and blemishes. How they cope with the real world vs. their plastic world, how they accept that transition, and what that journey evokes in them – is the crux of the film. Barbie also stars Kate McKinnon, Issa Rae, Simu Liu, Kingsley Ben-Adir, Ncuti Gatwa, Alexandra Shipp, Emma Mackey, Hari Nef, Dua Lipa, Ritu Arya, Michael Cera and Emerald Fennell as Mattel dolls in the flesh and America Ferrera, Ariana Greenblatt and Will Ferrell as humans, with Helen Mirren serving as narrator.

Also read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-chris-evans-marries-alba-baptista-heartbroken-fans-start-a-meme-fest-on-social-media-634941">Should have been me: Chris Evans marries Alba Baptista, heartbroken fans start a meme fest on social media</a>

<h2>When and Where to Stream Barbie Online</h2>

Barbie will be available to buy on digital platforms, starting September 11 on Amazon, Apple, and other video-on-demand platforms. A streaming date has not yet been announced, but Warner Bros. Discovery CEO David Zaslav said in an Aug. 3 earnings call that the film will be put through the standard theatrical release window.&nbsp;

Subscribers of Amazon’s Prime or Prime Video services can watch Barbie for free when they sign up for the Max channel, which has a seven-day trial. After the first week, you will have to buy the membership.&nbsp;

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&nbsp;

After wooing fans in theatres, Margot Robbie and Ryan Gosling’s multi-starrer film Barbie is finally set to land on home theatres. The Greta Gerwig directorial that stars Margot as Barbie and Ryan as Ken, based on Mattel’s popular dolls, helped boost the economy both in the country and worldwide.

After wooing fans in theatres, Margot Robbie and Ryan Gosling’s multi-starrer film Barbie is finally set to land on home theatres. The Greta Gerwig directorial that stars Margot as Barbie and Ryan as Ken, based on Mattel’s popular dolls, helped boost the economy both in the country and worldwide. After establishing its dominance in the weeks that followed its theatrical release, Barbie will be made available for those who couldn’t watch it in theatres. The studio will now make the film available to buy on DVD, Blu-ray and digital 4K UHD on Feb. 29, 2024. Follow Barbie from Barbieland to the Real World For the unversed, Barbie follows the lives of Barbie and Ken as they step out of their Barbieland and tread into the real world which is full of its flaws and blemishes. How they cope with the real world vs. their plastic world, how they accept that transition, and what that journey evokes in them – is the crux of the film. Barbie also stars Kate McKinnon, Issa Rae, Simu Liu, Kingsley Ben-Adir, Ncuti Gatwa, Alexandra Shipp, Emma Mackey, Hari Nef, Dua Lipa, Ritu Arya, Michael Cera and Emerald Fennell as Mattel dolls in the flesh and America Ferrera, Ariana Greenblatt and Will Ferrell as humans, with Helen Mirren serving as narrator. Also read: Should have been me: Chris Evans marries Alba Baptista, heartbroken fans start a meme fest on social media When and Where to Stream Barbie Online Barbie will be available to buy on digital platforms, starting September 11 on Amazon, Apple, and other video-on-demand platforms. A streaming date has not yet been announced, but Warner Bros. Discovery CEO David Zaslav said in an Aug. 3 earnings call that the film will be put through the standard theatrical release window. Subscribers of Amazon’s Prime or Prime Video services can watch Barbie for free when they sign up for the Max channel, which has a seven-day trial. After the first week, you will have to buy the membership. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Barbie to soon get a digital release: When and where to stream Margot Robbie-Ryan Gosling's film

Greta Gerwig's 'Barbie' was released on July 21. Starring Margot Robbie and Ryan Gosling, the film is performing exceptionally well at the box office. Not just the big screen, the movie has also managed to spark a Barbie mania across the world. But will the refined version of 'Barbie' help Mattel improve its brand image?

Decoding the 'Barbie' mania | WION E-Club

Barbie vs Oppenheimer: The ultimate box-office clash This week witnessed the release of two of the most-awaited Hollywood films, 'Barbie' and 'Oppenheimer'. The clash of the titans at the box office left cinephiles deeply invested, but another phenomenon called 'Barbenheimer' gained momentum on social media.

WION E-Club: Barbie vs Oppenheimer: The ultimate box-office clash

Barbie has secured yet another box office landmark as it surpassed the eighth Harry Potter film to become Warner Bros.’ most successful worldwide release ever.

Barbie beats final Harry Potter film in impressive new box office record

There is just no stopping Barbie. More than a month after its release, the Greta Gerwig directorial is still breaking box office records. Now, the Margot Robbie-starrer has achieved a historic milestone by surpassing the $1.342 billion global earnings of Harry Potter and the Deathly Hallows — Part 2, securing its position as the highest-grossing film in Warner Bros' history. The film's domestic earnings have reached an impressive $592.8 million, with an additional $745.5 million collected from international markets. Barbie recently surpassed Christopher Nolan's The Dark Knight as Warner Bros' biggest earner at the domestic box office.&nbsp;

Adding to an already big list of accomplishments, Barbie has overtaken The Super Mario Bros. Movie as the top-grossing title of 2023 in North America. With this trajectory, it's poised to outshine the global earnings of the same movie.

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Looking ahead, Barbie has set its sights on an even loftier achievement: Surpassing the worldwide earnings of Frozen II,&nbsp;which stands at an impressive $1.43 billion. If successful, Barbie will carve out a place as the highest-grossing movie directed by a woman, animated or live-action.

<h2>Barbie review</h2>

Also Read: <a href="https://www.wionews.com/entertainment/hollywood/news-barbie-review-margot-robbie-ryan-goslings-film-smart-funny-and-very-woke-618109">Barbie review: Margot Robbie, Ryan Gosling's film is smart, funny and very woke</a>

WION's Shomini Sen wrote in her review of Barbie, "I would still say that the film very smartly shows how society is and humanises the iconic doll. For decades Barbie has been one of the most popular toys for young girls, setting unrealistic standards of beauty. Sure, Mattel has reinvented the doll and made every girl believe that they can be whatever they want to be - just like their favourite doll, but the narrative of everything being overtly perfect has also done damage to several. Greta, in that sense, spins the narrative and adds a layer of cynicism to Barbieland to show how things are in real. Flawed, depressed, and definitely not perfect- even though the plastic remains constant." 
&nbsp;

There is just no stopping Barbie. More than a month after its release, the Greta Gerwig directorial is still breaking box office records. Now, the Margot Robbie-starrer has achieved a historic milestone by surpassing the $1.

There is just no stopping Barbie. More than a month after its release, the Greta Gerwig directorial is still breaking box office records. Now, the Margot Robbie-starrer has achieved a historic milestone by surpassing the $1.342 billion global earnings of Harry Potter and the Deathly Hallows — Part 2, securing its position as the highest-grossing film in Warner Bros' history. The film's domestic earnings have reached an impressive $592.8 million, with an additional $745.5 million collected from international markets. Barbie recently surpassed Christopher Nolan's The Dark Knight as Warner Bros' biggest earner at the domestic box office. Adding to an already big list of accomplishments, Barbie has overtaken The Super Mario Bros. Movie as the top-grossing title of 2023 in North America. With this trajectory, it's poised to outshine the global earnings of the same movie. Looking ahead, Barbie has set its sights on an even loftier achievement: Surpassing the worldwide earnings of Frozen II, which stands at an impressive $1.43 billion. If successful, Barbie will carve out a place as the highest-grossing movie directed by a woman, animated or live-action. Barbie review Also Read: Barbie review: Margot Robbie, Ryan Gosling's film is smart, funny and very woke WION's Shomini Sen wrote in her review of Barbie, "I would still say that the film very smartly shows how society is and humanises the iconic doll. For decades Barbie has been one of the most popular toys for young girls, setting unrealistic standards of beauty. Sure, Mattel has reinvented the doll and made every girl believe that they can be whatever they want to be - just like their favourite doll, but the narrative of everything being overtly perfect has also done damage to several. Greta, in that sense, spins the narrative and adds a layer of cynicism to Barbieland to show how things are in real. Flawed, depressed, and definitely not perfect- even though the plastic remains constant."

Barbie shatters another huge box office record, becomes Warner Bros' highest-grossing film

The craze around Barbie is&nbsp;still not over. Margot Robbie's film has shattered several box office records since its release, and now the film is set to become Warner Bros.' highest-grossing movie, surpassing Harry Potter and the Deathly Hallows part 2 lifetime collection.&nbsp; 
 
As per Variety, the film earned $18.2 million from 12,852 screens in 75 international territories over the weekends, taking the worldwide gross to a smashing $1.34 billion.&nbsp;

The film is now only $1 million behind Harry Potter and the Deathly Hallows Part 2's box office collection, i.e., $1.341 billion. Last week, Barbie became the highest-grossing movie at the domestic box office, surpassing Chris Pratt's animated film Super Mario Bros.

Barbie had amassed $575.4 million at the domestic box office, crossing Mario’s collection of $574.2 million. Since its release, Ryan Gosling's film has broken several records. The film grossed $377 million worldwide in its opening weekend, making it the biggest debut ever for a film directed by a woman. Then it became the first $1 billion film by a female director.

The film has also become Warner Bros. Discovery’s highest-grossing domestic release, dethroning the 2008 film The Dark Knight. 
 
The Barbie movie stars Margot Robbie as the famous doll and Ryan Gosling as her boyfriend Ken. It was released in theatres on July 21.

More about Barbie:

Directed by Greta, the movie follows the story of Barbie and Ken, who are expelled from Barbie Land due to their imperfections, and together they explore the real world. The movie is co-written by Gerwig and Noah Baumbach.

WION's review on Barbie: Film critic Shomini Sen writes, ''I would still say that the film very smartly shows how society is and humanises the iconic doll. For decades Barbie has been one of the most popular toys for young girls, setting unrealistic standards of beauty. Sure, Mattel has reinvented the doll and made every girl believe that they can be whatever they want to be - just like their favourite doll, but the narrative of everything being overtly perfect has also done damage to several. Greta, in that sense, spins the narrative and adds a layer of cynicism to Barbie land to show how things are in real. Flawed, depressed, and definitely not perfect- even though the plastic remains constant.''&nbsp;

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&nbsp;

The craze around Barbie is still not over. Margot Robbie's film has shattered several box office records since its release, and now the film is set to become Warner Bros.

The craze around Barbie is still not over. Margot Robbie's film has shattered several box office records since its release, and now the film is set to become Warner Bros.' highest-grossing movie, surpassing Harry Potter and the Deathly Hallows part 2 lifetime collection. As per Variety, the film earned $18.2 million from 12,852 screens in 75 international territories over the weekends, taking the worldwide gross to a smashing $1.34 billion. The film is now only $1 million behind Harry Potter and the Deathly Hallows Part 2's box office collection, i.e., $1.341 billion. Last week, Barbie became the highest-grossing movie at the domestic box office, surpassing Chris Pratt's animated film Super Mario Bros. Barbie had amassed $575.4 million at the domestic box office, crossing Mario’s collection of $574.2 million. Since its release, Ryan Gosling's film has broken several records. The film grossed $377 million worldwide in its opening weekend, making it the biggest debut ever for a film directed by a woman. Then it became the first $1 billion film by a female director. The film has also become Warner Bros. Discovery’s highest-grossing domestic release, dethroning the 2008 film The Dark Knight. The Barbie movie stars Margot Robbie as the famous doll and Ryan Gosling as her boyfriend Ken. It was released in theatres on July 21. More about Barbie: Directed by Greta, the movie follows the story of Barbie and Ken, who are expelled from Barbie Land due to their imperfections, and together they explore the real world. The movie is co-written by Gerwig and Noah Baumbach. WION's review on Barbie: Film critic Shomini Sen writes, ''I would still say that the film very smartly shows how society is and humanises the iconic doll. For decades Barbie has been one of the most popular toys for young girls, setting unrealistic standards of beauty. Sure, Mattel has reinvented the doll and made every girl believe that they can be whatever they want to be - just like their favourite doll, but the narrative of everything being overtly perfect has also done damage to several. Greta, in that sense, spins the narrative and adds a layer of cynicism to Barbie land to show how things are in real. Flawed, depressed, and definitely not perfect- even though the plastic remains constant.'' WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Barbie craze! Margot Robbie's film to become Warner Bros' highest-grossing film

Sony's sports action film Gran Turismo&nbsp;didn't exactly roar to the front of the North American box office, but did make it there on a slow late-August weekend, beating a still-turbo-powered Barbie.

Based on a popular video game, Gran Turismo&nbsp;took in an estimated $17.3 million for the Friday-through-Sunday period, industry watcher Exhibitor Relations reported Sunday.

"This is a lukewarm opening for an action film based on a video game," particularly compared to previous game-based films like Warcraft&nbsp;($439 million in worldwide ticket sales) and Rampage&nbsp;($428 million), analyst David A. Gross said.&nbsp;

Also read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-the-spiderwick-chronicles-series-adaptation-to-no-longer-stream-on-disney-629847">The Spiderwick Chronicles series adaptation to no longer stream on Disney+</a>

The movie stars David Harbour and Orlando Bloom in a story about a racing academy that recruits skilled video gamers to train them as real race-car drivers.

Warner Bros.' Barbie,&nbsp;meantime, has remained a steady seat-filler, with its $17.1 million take in its sixth week out propelling it to a $594 million domestic total.

The Greta Gerwig film recently overtook The Super Mario Bros. Movie&nbsp;($574 million) as the year's domestic box office champ. Add to that the $745 million Barbie&nbsp;has earned overseas.

Also read:&nbsp;<a href="https://www.wionews.com/entertainment/bollywood/news-shoojit-sircar-feels-vicky-kaushal-deserved-to-win-best-actor-national-award-for-sadar-udham-629838">Shoojit Sircar feels Vicky Kaushal deserved to win Best Actor National Award for Sadar Udham</a>

Analysts said Sony's accounting of ticket sales for Gran Turismo&nbsp;was a bit wonky (including millions in pre-sales) and predicted Barbie&nbsp;might, in the final tally, be the weekend's Number One -- as she is Ken's.

Last weekend's leader, the superhero flick Blue Beetle&nbsp;from DC Studios and Warner Bros., dipped to third, at $12.8 million, a nearly 50 per cent drop from the previous weekend. Xolo Mariduena, as the Beetle, became the first live-action Latino protagonist.

In fourth was Universal's Oppenheimer,&nbsp;earning an estimated $9 million. The atom bomb origin story has now surpassed $300 million in domestic earnings, with an additional $477 million overseas.

And in fifth place was Paramount's animated Teenage Mutant Ninja Turtles: Mutant Mayhem,&nbsp;the latest chapter in the heroes-in-a-half-shell saga, at $6.1 million.&nbsp;

Rounding out the top 10 were:

Meg 2: The Trench&nbsp;($5.1 million)

Strays&nbsp;($4.7 million)

Retribution ($3.5 million)

The Hill&nbsp;($2.5 million)

Haunted Mansion&nbsp;($2.1 million)

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Sony's sports action film Gran Turismo didn't exactly roar to the front of the North American box office, but did make it there on a slow late-August weekend, beating a still-turbo-powered Barbie.

Sony's sports action film Gran Turismo didn't exactly roar to the front of the North American box office, but did make it there on a slow late-August weekend, beating a still-turbo-powered Barbie. Based on a popular video game, Gran Turismo took in an estimated $17.3 million for the Friday-through-Sunday period, industry watcher Exhibitor Relations reported Sunday. "This is a lukewarm opening for an action film based on a video game," particularly compared to previous game-based films like Warcraft ($439 million in worldwide ticket sales) and Rampage ($428 million), analyst David A. Gross said. Also read: The Spiderwick Chronicles series adaptation to no longer stream on Disney+ The movie stars David Harbour and Orlando Bloom in a story about a racing academy that recruits skilled video gamers to train them as real race-car drivers. Warner Bros.' Barbie, meantime, has remained a steady seat-filler, with its $17.1 million take in its sixth week out propelling it to a $594 million domestic total. The Greta Gerwig film recently overtook The Super Mario Bros. Movie ($574 million) as the year's domestic box office champ. Add to that the $745 million Barbie has earned overseas. Also read: Shoojit Sircar feels Vicky Kaushal deserved to win Best Actor National Award for Sadar Udham Analysts said Sony's accounting of ticket sales for Gran Turismo was a bit wonky (including millions in pre-sales) and predicted Barbie might, in the final tally, be the weekend's Number One -- as she is Ken's. Last weekend's leader, the superhero flick Blue Beetle from DC Studios and Warner Bros., dipped to third, at $12.8 million, a nearly 50 per cent drop from the previous weekend. Xolo Mariduena, as the Beetle, became the first live-action Latino protagonist. In fourth was Universal's Oppenheimer, earning an estimated $9 million. The atom bomb origin story has now surpassed $300 million in domestic earnings, with an additional $477 million overseas. And in fifth place was Paramount's animated Teenage Mutant Ninja Turtles: Mutant Mayhem, the latest chapter in the heroes-in-a-half-shell saga, at $6.1 million. Rounding out the top 10 were: Meg 2: The Trench ($5.1 million) Strays ($4.7 million) Retribution ($3.5 million) The Hill ($2.5 million) Haunted Mansion ($2.1 million) WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Gran Turismo barely outraces Barbie in North America theatres

Margot Robbie, the Australian actress who has taken Hollywood by storm with her talent and charisma in recent years with roles like Harley Quinn in DC movies and more recently Barbie in the movie of the same name, was almost a part of a different iconic project before she rose to fame. In a recent revelation, casting director Eric Dawson unveiled on Backstage’s podcast In the Envelope podcast how Robbie came close to landing a role in the second season of the hit anthology series, American Horror Story: Asylum. Although the role eventually eluded her, the encounter highlighted her star potential and set the stage for her meteoric rise in the entertainment industry.

Dawson shared his memory of Robbie's audition for American Horror Story: Asylum. He described the young actress's presence as magnetic, recounting, "Margot is probably one of my favourite auditions of all time, and it was right before she broke out. She was just such a star. It was just crazy, her star appeal and when she walked in the room and her voice. Everything about it."

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Despite narrowly missing out on the role within the acclaimed horror series, Dawson was certain that Robbie was destined for greatness. He reflected, "That was one of those things as a casting director you go, ‘This is a star. What do we do with her?' Then, immediately she started, just boom, boom, boom, and she was out of our sort of realm of possibility of hiring, but that’s really the fun part of casting, is seeing the people whose careers are just rising."

<h2>Barbie review</h2>

Also Read: <a href="https://www.wionews.com/entertainment/hollywood/news-barbie-review-margot-robbie-ryan-goslings-film-smart-funny-and-very-woke-618109">Barbie review: Margot Robbie, Ryan Gosling's film smart, funny and very woke</a>

WION's Shomini Sen wrote in her review of Barbie, "I would still say that the film very smartly shows how society is and humanises the iconic doll. For decades Barbie has been one of the most popular toys for young girls, setting unrealistic standards of beauty. Sure, Mattel has reinvented the doll and made every girl believe that they can be whatever they want to be - just like their favourite doll, but the narrative of everything being overtly perfect has also done damage to several. Greta, in that sense, spins the narrative and adds a layer of cynicism to Barbieland to show how things are in real. Flawed, depressed, and definitely not perfect- even though the plastic remains constant."

WATCH WION LIVE HERE

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Margot Robbie, the Australian actress who has taken Hollywood by storm with her talent and charisma in recent years with roles like Harley Quinn in DC movies and more recently Barbie in the movie of the same name, was almost a part of a different iconic project before she rose to fame.

Margot Robbie, the Australian actress who has taken Hollywood by storm with her talent and charisma in recent years with roles like Harley Quinn in DC movies and more recently Barbie in the movie of the same name, was almost a part of a different iconic project before she rose to fame. In a recent revelation, casting director Eric Dawson unveiled on Backstage’s podcast In the Envelope podcast how Robbie came close to landing a role in the second season of the hit anthology series, American Horror Story: Asylum. Although the role eventually eluded her, the encounter highlighted her star potential and set the stage for her meteoric rise in the entertainment industry. Dawson shared his memory of Robbie's audition for American Horror Story: Asylum. He described the young actress's presence as magnetic, recounting, "Margot is probably one of my favourite auditions of all time, and it was right before she broke out. She was just such a star. It was just crazy, her star appeal and when she walked in the room and her voice. Everything about it." Despite narrowly missing out on the role within the acclaimed horror series, Dawson was certain that Robbie was destined for greatness. He reflected, "That was one of those things as a casting director you go, ‘This is a star. What do we do with her?' Then, immediately she started, just boom, boom, boom, and she was out of our sort of realm of possibility of hiring, but that’s really the fun part of casting, is seeing the people whose careers are just rising." Barbie review Also Read: Barbie review: Margot Robbie, Ryan Gosling's film smart, funny and very woke WION's Shomini Sen wrote in her review of Barbie, "I would still say that the film very smartly shows how society is and humanises the iconic doll. For decades Barbie has been one of the most popular toys for young girls, setting unrealistic standards of beauty. Sure, Mattel has reinvented the doll and made every girl believe that they can be whatever they want to be - just like their favourite doll, but the narrative of everything being overtly perfect has also done damage to several. Greta, in that sense, spins the narrative and adds a layer of cynicism to Barbieland to show how things are in real. Flawed, depressed, and definitely not perfect- even though the plastic remains constant." WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

When Margot Robbie auditioned for American Horror Story Asylum

Margot Robbie-starrer fantasy comedy Barbie, which has proven to be the biggest film of the year at the box office, will now get a limited IMAX release that will also feature brand new footage in the post-credits. As per Variety, the one-week release will kick off in North America and a few international markets on September 22. The film has proven to be a gigantic hit for Warner Bros, nearing $1.3 billion worldwide at the time of writing. Ever since its release on July 21, it has shattered several major box office records, including the highest-grossing movie directed by a solo woman, and also the first female-directed movie to cross the $1 billion mark globally.&nbsp;

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Directed by Greta Gerwig and written by Gerwig and her partner Noah Baumbach, Barbie features Robbie in the role of the titular doll. In the world of the movie, she lives in a parallel reality where almost everything is pink and there are all kinds of Barbies, with Robbie being the so-called Stereotypical Barbie. Ryan Gosling plays the role of Ken, Barbie's love interest. America Ferrera, Kate McKinnon, Helen Mirren, Issa Rae, Simu Liu, Michael Cera, Rhea Perlman, and Will Ferrell also star.

<h2>Barbie review</h2>

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-barbie-review-margot-robbie-ryan-goslings-film-smart-funny-and-very-woke-618109">Barbie review: Margot Robbie, Ryan Gosling's film smart, funny and very woke</a>

WION's Shomini Sen wrote in her review of Barbie, "I would still say that the film very smartly shows how society is and humanises the iconic doll. For decades Barbie has been one of the most popular toys for young girls, setting unrealistic standards of beauty. Sure, Mattel has reinvented the doll and made every girl believe that they can be whatever they want to be - just like their favourite doll, but the narrative of everything being overtly perfect has also done damage to several. Greta, in that sense, spins the narrative and adds a layer of cynicism to Barbieland to show how things are in real. Flawed, depressed, and definitely not perfect- even though the plastic remains constant."

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Margot Robbie-starrer fantasy comedy Barbie, which has proven to be the biggest film of the year at the box office, will now get a limited IMAX release that will also feature brand new footage in the post-credits.

Margot Robbie-starrer fantasy comedy Barbie, which has proven to be the biggest film of the year at the box office, will now get a limited IMAX release that will also feature brand new footage in the post-credits. As per Variety, the one-week release will kick off in North America and a few international markets on September 22. The film has proven to be a gigantic hit for Warner Bros, nearing $1.3 billion worldwide at the time of writing. Ever since its release on July 21, it has shattered several major box office records, including the highest-grossing movie directed by a solo woman, and also the first female-directed movie to cross the $1 billion mark globally. Directed by Greta Gerwig and written by Gerwig and her partner Noah Baumbach, Barbie features Robbie in the role of the titular doll. In the world of the movie, she lives in a parallel reality where almost everything is pink and there are all kinds of Barbies, with Robbie being the so-called Stereotypical Barbie. Ryan Gosling plays the role of Ken, Barbie's love interest. America Ferrera, Kate McKinnon, Helen Mirren, Issa Rae, Simu Liu, Michael Cera, Rhea Perlman, and Will Ferrell also star. Barbie review Also Read: Barbie review: Margot Robbie, Ryan Gosling's film smart, funny and very woke WION's Shomini Sen wrote in her review of Barbie, "I would still say that the film very smartly shows how society is and humanises the iconic doll. For decades Barbie has been one of the most popular toys for young girls, setting unrealistic standards of beauty. Sure, Mattel has reinvented the doll and made every girl believe that they can be whatever they want to be - just like their favourite doll, but the narrative of everything being overtly perfect has also done damage to several. Greta, in that sense, spins the narrative and adds a layer of cynicism to Barbieland to show how things are in real. Flawed, depressed, and definitely not perfect- even though the plastic remains constant." WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Barbie gets limited IMAX release, to feature all new footage in post-credits

Despite massive box-office success, Greta Gerwig's 'Barbie' has hit a roadblock in many parts of the world. From opening to poor box-office numbers in South Korea to being banned in Kuwait, it turns out that being a billionaire is not enough for 'Barbie'.

Barbie to get new post-credits scene

Margot Robbie-starrer Barbie is set to achieve a remarkable milestone this Wednesday, becoming the highest-grossing film of 2023 at the domestic box office, surpassing the earnings of The Super Mario Bros Movie, which concluded its run in the United States at an impressive $574.2 million. This achievement marks a significant moment for Warner Bros, as the last time the studio claimed the top-grossing film of the year was in 2011 with Harry Potter and the Deathly Hallows Part II which amassed $381 million. The journey to this milestone has been swift for Barbie, taking a mere 34 days to reach the impressive $574.2 million mark. In comparison, The Super Mario Bros Movie achieved this feat in 138 days, while last year's top domestic performer Top Gun: Maverick took 40 days.

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<h2>Barbie, destroyer of many box office records</h2>

Ever since its release, Barbie has broken one box office record after another. First, it grossed $377 million worldwide in its opening weekend, making it the biggest debut ever for a film directed by a woman.&nbsp;

Then, it became the biggest film solely directed by a woman. Then, it became the highest-grossing movie of Margot Robbie and Ryan Gosling's careers. After that, it was also the first movie to surpass $1 billion at worldwide box office. It is likely that by the time the movie exits theatres, it will have broken several more records.

<h2>Barbie review</h2>

Also Read: <a href="https://www.wionews.com/entertainment/hollywood/news-barbie-review-margot-robbie-ryan-goslings-film-smart-funny-and-very-woke-618109">Barbie review: Margot Robbie, Ryan Gosling's film smart, funny and very woke</a>

WION's Shomini Sen wrote in her review of Barbie, "I would still say that the film very smartly shows how society is and humanises the iconic doll. For decades Barbie has been one of the most popular toys for young girls, setting unrealistic standards of beauty. Sure, Mattel has reinvented the doll and made every girl believe that they can be whatever they want to be - just like their favourite doll, but the narrative of everything being overtly perfect has also done damage to several. Greta, in that sense, spins the narrative and adds a layer of cynicism to Barbieland to show how things are in real. Flawed, depressed, and definitely not perfect- even though the plastic remains constant."

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Margot Robbie-starrer Barbie is set to achieve a remarkable milestone this Wednesday, becoming the highest-grossing film of 2023 at the domestic box office, surpassing the earnings of The Super Mario Bros Movie, which concluded its run in the United States at an impressive $574.

Margot Robbie-starrer Barbie is set to achieve a remarkable milestone this Wednesday, becoming the highest-grossing film of 2023 at the domestic box office, surpassing the earnings of The Super Mario Bros Movie, which concluded its run in the United States at an impressive $574.2 million. This achievement marks a significant moment for Warner Bros, as the last time the studio claimed the top-grossing film of the year was in 2011 with Harry Potter and the Deathly Hallows Part II which amassed $381 million. The journey to this milestone has been swift for Barbie, taking a mere 34 days to reach the impressive $574.2 million mark. In comparison, The Super Mario Bros Movie achieved this feat in 138 days, while last year's top domestic performer Top Gun: Maverick took 40 days. Barbie, destroyer of many box office records Ever since its release, Barbie has broken one box office record after another. First, it grossed $377 million worldwide in its opening weekend, making it the biggest debut ever for a film directed by a woman. Then, it became the biggest film solely directed by a woman. Then, it became the highest-grossing movie of Margot Robbie and Ryan Gosling's careers. After that, it was also the first movie to surpass $1 billion at worldwide box office. It is likely that by the time the movie exits theatres, it will have broken several more records. Barbie review Also Read: Barbie review: Margot Robbie, Ryan Gosling's film smart, funny and very woke WION's Shomini Sen wrote in her review of Barbie, "I would still say that the film very smartly shows how society is and humanises the iconic doll. For decades Barbie has been one of the most popular toys for young girls, setting unrealistic standards of beauty. Sure, Mattel has reinvented the doll and made every girl believe that they can be whatever they want to be - just like their favourite doll, but the narrative of everything being overtly perfect has also done damage to several. Greta, in that sense, spins the narrative and adds a layer of cynicism to Barbieland to show how things are in real. Flawed, depressed, and definitely not perfect- even though the plastic remains constant." WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Barbie to surpass The Super Mario Bros Movie to become biggest film of 2023

This Sunday, movie enthusiasts across the United States are in for a treat as theatres gear up for the second annual National Cinema Day. In an exciting announcement made on Monday, theatre owners revealed that on August 27, audiences will be able to catch their favourite films, including the blockbuster hits Barbie, directed by Greta Gerwig,&nbsp;and Oppenheimer, directed by Christopher Nolan, both of which relased on July 21, for a mere $4 per ticket at participating cinemas throughout the country, reported news agency Associated Press. Last year's inaugural National Cinema Day, orchestrated by the Cinema Foundation, an affiliate of the National Association of Theater Owners (NATO), saw a resounding success as per AP. The event brought in an impressive 8.1 million moviegoers who indulged in the thrill of the silver screen for just $3 a ticket. For context, the average movie ticket in 2022 stood at $10.53.

Also Read | <a href="https://www.wionews.com/entertainment/hollywood/news-oppenheimer-review-nolans-visually-stunning-epic-fuses-genius-and-guilt-618110">Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt</a>

The success of this year's August box office can be attributed to the enduring popularity of Barbie, starring Margot Robbie, and Oppenheimer, starring Cillian Murphy, which have caused the industry to experience a resurgence.

<div class="videoWrapper trancodeVideo"><iframe allowfullscreen="" autoplay="1" class="includeVideo" frameborder="0" height="350" src="https://www.wionews.com/videos/critically-speaking-margot-robbies-barbie-is-funny-and-clever-618237/embed" style="width:100%;max-width:560px;" width="560"></iframe></div>

A double feature of both movies, dubbed Barbenheimer, was promoted initially by fans who were amused by the vast differences between the tone of the two films. While Barbie was a fantasy comedy and all about pink, Oppenheimer was a serious biopic about the invention of the atomic bomb and was painted in muted colours.&nbsp;

Also Read |&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-barbie-review-margot-robbie-ryan-goslings-film-smart-funny-and-very-woke-618109">Barbie review: Margot Robbie, Ryan Gosling's film is smart, funny and very woke</a>

Data firm Comscore reports that the summer box office has surged to an impressive $3.8 billion in ticket sales, marking a significant 16.6 per cent increase compared to the same period in 2022.

So mark your calendars for August 27, and prepare for a day of cinematic delight without breaking the bank. With more than 3,000 theatres participating, including major chains like AMC and Regal, National Cinema Day is an opportunity to catch up on the latest films at an unbeatable price.&nbsp;

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This Sunday, movie enthusiasts across the United States are in for a treat as theatres gear up for the second annual National Cinema Day. In an exciting announcement made on Monday, theatre owners revealed that on August 27, audiences will be able to catch their favourite films, including the blockbuster hits Barbie, directed by Greta Gerwig, and Oppenheimer, directed by Christopher Nolan, both of which relased on July 21, for a mere $4 per ticket at participating cinemas throughout the country, reported news agency Associated Press.

This Sunday, movie enthusiasts across the United States are in for a treat as theatres gear up for the second annual National Cinema Day. In an exciting announcement made on Monday, theatre owners revealed that on August 27, audiences will be able to catch their favourite films, including the blockbuster hits Barbie, directed by Greta Gerwig, and Oppenheimer, directed by Christopher Nolan, both of which relased on July 21, for a mere $4 per ticket at participating cinemas throughout the country, reported news agency Associated Press. Last year's inaugural National Cinema Day, orchestrated by the Cinema Foundation, an affiliate of the National Association of Theater Owners (NATO), saw a resounding success as per AP. The event brought in an impressive 8.1 million moviegoers who indulged in the thrill of the silver screen for just $3 a ticket. For context, the average movie ticket in 2022 stood at $10.53. Also Read | Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt The success of this year's August box office can be attributed to the enduring popularity of Barbie, starring Margot Robbie, and Oppenheimer, starring Cillian Murphy, which have caused the industry to experience a resurgence. A double feature of both movies, dubbed Barbenheimer, was promoted initially by fans who were amused by the vast differences between the tone of the two films. While Barbie was a fantasy comedy and all about pink, Oppenheimer was a serious biopic about the invention of the atomic bomb and was painted in muted colours. Also Read | Barbie review: Margot Robbie, Ryan Gosling's film is smart, funny and very woke Data firm Comscore reports that the summer box office has surged to an impressive $3.8 billion in ticket sales, marking a significant 16.6 per cent increase compared to the same period in 2022. So mark your calendars for August 27, and prepare for a day of cinematic delight without breaking the bank. With more than 3,000 theatres participating, including major chains like AMC and Regal, National Cinema Day is an opportunity to catch up on the latest films at an unbeatable price. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

National Cinema Day: Watch Barbie, Oppenheimer for just $4 in the US

The DC superhero film Blue Beetle&nbsp;led weekend ticket sales with a modest $25.4 million opening, according to studio estimates Sunday, dethroning Barbie&nbsp;from the top spot after a record-setting run that left movie theatres coloured pink for a month.

The Barbie&nbsp;phenomenon is far from over. Greta Gerwig’s film, which earlier this week became the highest-grossing Warner Bros. release ever domestically, nearly managed to stay No. 1 again with $21.5 million in its fifth weekend. It’s up to $567.3 million in North America and an eye-popping $1.28 billion globally.

The other half of “Barbenheimer” also continues to perform remarkably well for a movie so far into its run.

Christopher Nolan’s Oppenheimer&nbsp;took in $10.6 million in its fifth week. With a $285.2 million domestic total, Oppenheimer&nbsp;now owns the distinction of being the biggest box-office hit never to land No. 1 at the weekend box office. The previous record-holder for that unlikely stat is 2016’s Sing,&nbsp;which grossed $270.3 million in the shadow of Rogue One: A Star Wars Story&nbsp;and Hidden Figures.

Universal Pictures’ Oppenheimer&nbsp;has done even better overseas. Its global gross stands at an estimated $717.8 million through Sunday.

Blue Beetle, starring Xolo Maridueña, came in on the lower side of expectations and notched one of the lower debuts for a DC Comics movie. Though earlier planned as a streaming-only release, Warner Bros. elected to put Blue Beetle, the first DC movie to star a Latino superhero, into theatres in the late summer, a typically quiet period at the box office.

The production price tag of about $105 million was lower for Blue Beetle&nbsp;than the average superhero film. It’s one of the last releases produced under an earlier regime at DC Studios, which James Gunn and Peter Safran took the reins last year.

The film, directed by Ángel Manuel Soto and written by Gareth Dunnet-Alcocer, drew solid reviews – certainly better than the three previous DC releases this year (The Flash, Black Adam&nbsp;and Shazam! Fury of the Gods). Blue Beetle&nbsp;(76 per cent fresh on Rotten Tomatoes) is the rare comic-book film to put a Hispanic cast front and centre.

Also read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-tom-cruise-stepping-away-from-controversial-religion-of-scientology-heres-what-we-know-627451">Tom Cruise stepping away from controversial religion of Scientology? Here's what we know</a>

But it also faced some tough luck, and not just in the unexpected staying power of Barbie&nbsp;and Oppenheimer. Southern California was bracing Sunday for Hurricane Hilary — potentially dampening ticket sales in the region. (Los Angeles was still its top market.) And like recent releases, Blue Beetle, which added $18 million internationally, didn’t have its cast available to promote the movie due to the ongoing actors' strike.

Universal’s raunchy R-rated canine comedy Strays&nbsp;showed even less bite. The film, with a voice cast including Will Ferrell and Jamie Foxx, landed in fifth place with $8.4 million. Comedies have generally struggled in theatres in recent years, but Strays&nbsp;had it particularly rough given that its starry cast was unavailable.

Strays&nbsp;was very narrowly bested by Teenage Mutant Ninja Turtles: Mutant Mayhem. The Paramount Pictures animated release earned $8.4 million in its third weekend, bringing its domestic total to $88.1 million.

Estimated ticket sales for Friday through Sunday at US and Canadian theatres, according to Comscore. Final domestic figures will be released Monday.

1. Blue Beetle, $25.4 million.

2. Barbie, $21.5 million.

3. Oppenheimer, $10.6 million.

4. Teenage Mutant Ninja Turtles: Mutant Mayhem, $8.4 million.

5. Strays, $8.3 million.

6. Meg 2: The Trench, $6.7 million.

7. Talk to Me, $3.2 million.

8. Haunted Mansion, $3 million.

9. Mission: Impossible — Dead Reckoning Part One, $2.7 million.

10. The Last Voyage of the Demeter, $2.5 million.

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The DC superhero film Blue Beetle led weekend ticket sales with a modest $25.4 million opening, according to studio estimates Sunday, dethroning Barbie from the top spot after a record-setting run that left movie theatres coloured pink for a month.

The DC superhero film Blue Beetle led weekend ticket sales with a modest $25.4 million opening, according to studio estimates Sunday, dethroning Barbie from the top spot after a record-setting run that left movie theatres coloured pink for a month. The Barbie phenomenon is far from over. Greta Gerwig’s film, which earlier this week became the highest-grossing Warner Bros. release ever domestically, nearly managed to stay No. 1 again with $21.5 million in its fifth weekend. It’s up to $567.3 million in North America and an eye-popping $1.28 billion globally. The other half of “Barbenheimer” also continues to perform remarkably well for a movie so far into its run. Christopher Nolan’s Oppenheimer took in $10.6 million in its fifth week. With a $285.2 million domestic total, Oppenheimer now owns the distinction of being the biggest box-office hit never to land No. 1 at the weekend box office. The previous record-holder for that unlikely stat is 2016’s Sing, which grossed $270.3 million in the shadow of Rogue One: A Star Wars Story and Hidden Figures. Universal Pictures’ Oppenheimer has done even better overseas. Its global gross stands at an estimated $717.8 million through Sunday. Blue Beetle, starring Xolo Maridueña, came in on the lower side of expectations and notched one of the lower debuts for a DC Comics movie. Though earlier planned as a streaming-only release, Warner Bros. elected to put Blue Beetle, the first DC movie to star a Latino superhero, into theatres in the late summer, a typically quiet period at the box office. The production price tag of about $105 million was lower for Blue Beetle than the average superhero film. It’s one of the last releases produced under an earlier regime at DC Studios, which James Gunn and Peter Safran took the reins last year. The film, directed by Ángel Manuel Soto and written by Gareth Dunnet-Alcocer, drew solid reviews – certainly better than the three previous DC releases this year (The Flash, Black Adam and Shazam! Fury of the Gods). Blue Beetle (76 per cent fresh on Rotten Tomatoes) is the rare comic-book film to put a Hispanic cast front and centre. Also read: Tom Cruise stepping away from controversial religion of Scientology? Here's what we know But it also faced some tough luck, and not just in the unexpected staying power of Barbie and Oppenheimer. Southern California was bracing Sunday for Hurricane Hilary — potentially dampening ticket sales in the region. (Los Angeles was still its top market.) And like recent releases, Blue Beetle, which added $18 million internationally, didn’t have its cast available to promote the movie due to the ongoing actors' strike. Universal’s raunchy R-rated canine comedy Strays showed even less bite. The film, with a voice cast including Will Ferrell and Jamie Foxx, landed in fifth place with $8.4 million. Comedies have generally struggled in theatres in recent years, but Strays had it particularly rough given that its starry cast was unavailable. Strays was very narrowly bested by Teenage Mutant Ninja Turtles: Mutant Mayhem. The Paramount Pictures animated release earned $8.4 million in its third weekend, bringing its domestic total to $88.1 million. Estimated ticket sales for Friday through Sunday at US and Canadian theatres, according to Comscore. Final domestic figures will be released Monday. 1. Blue Beetle, $25.4 million. 2. Barbie, $21.5 million. 3. Oppenheimer, $10.6 million. 4. Teenage Mutant Ninja Turtles: Mutant Mayhem, $8.4 million. 5. Strays, $8.3 million. 6. Meg 2: The Trench, $6.7 million. 7. Talk to Me, $3.2 million. 8. Haunted Mansion, $3 million. 9. Mission: Impossible — Dead Reckoning Part One, $2.7 million. 10. The Last Voyage of the Demeter, $2.5 million. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Blue Beetle unseats Barbie atop box office, ending four-week reign

The world of cinema, much like any other realm of artistic expression, is constantly evolving. For a decade and a half, superheroes reigned supreme at the box office, drawing in massive crowds and reaping substantial profits for studios. However, in recent times, a new phenomenon has emerged that challenges the long-standing dominance of the superhero genre. With the release of Barbie and Oppenheimer in what has been dubbed the Barbenheimer double feature and the subsequent success of both movies, it has become increasingly apparent that the allure of superheroes is no longer as potent as it once was. Both DC and Marvel are at a critical juncture. While Marve Studios' foray into television has been disastrous, DC is developing a whole new universe called DCU that spans film, TV, animation, and gaming.

<h2>The Barbenheimer phenomenon: A glimpse of changing tides</h2>

In a curious turn of events last month, millions of moviegoers opted for a unique cinematic experience by embracing the Barbenheimer trend, wherein they indulged in a double feature of the films Barbie and Oppenheimer. This began as a joke, I am certain, but soon evolved into something huge. Both films were directed by auteurs who have distinctive voices, and it appears audiences had been waiting for films like that. A recent survey conducted by film tracking service The Quorum highlighted the significant impact of Barbie on revitalising theatre attendance. 11 per cent of the surveyed audience admitted to having difficulty recalling their last theatre experience prior to Barbie. Equally intriguing, another 11 per cent revealed that Barbie marked their maiden return to a theatre since the onset of the pandemic in 2020.&nbsp;

All this signifies a shift in audience preferences, suggesting a growing appetite for variety and depth in storytelling. No longer content with the conventional superhero formula, audiences are seeking films that resonate on a personal and emotional level, something most recent superhero films have not been able to do.

<div class="videoWrapper trancodeVideo"><iframe allowfullscreen="" autoplay="1" class="includeVideo" frameborder="0" height="350" src="https://www.wionews.com/videos/critically-speaking-margot-robbies-barbie-is-funny-and-clever-618237/embed" style="width:100%;max-width:560px;" width="560"></iframe></div>

<h2>Decoding the success of Barbie</h2>

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-barbie-review-margot-robbie-ryan-goslings-film-smart-funny-and-very-woke-618109">Barbie review: Margot Robbie, Ryan Gosling's film is smart, funny and very woke</a>

Directed by the talented Greta Gerwig, Barbie offers a fresh take on a beloved toy franchise, propelling the titular character, played by Margot Robbie, on a journey of self-discovery. The character's realisation of imperfections in her previously idealised appearance triggers a transformation that resonates with viewers of all ages. With themes of empowerment, societal standards, and self-acceptance, Barbie&nbsp;strikes a chord in today's world, where discussions about body positivity and individuality are at the forefront of cultural conversations.

What truly sets Barbie apart is its ability to transcend the confines of a single genre. By blending elements of adventure, drama, and self-discovery, the film caters to a diverse audience, encompassing individuals who seek narratives that challenge conventions and reflect the complexities of real-life experiences. The star-studded cast, including Margot Robbie, Ryan Gosling, and an ensemble of renowned actors, further adds to the film's allure, proving that the era of relying solely on superheroes for box office success is giving way to a more nuanced cinematic landscape.

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-oppenheimer-review-nolans-visually-stunning-epic-fuses-genius-and-guilt-618110">Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt</a>

<h2>The enigma of Oppenheimer</h2>

In contrast to the high-octane action and dazzling visuals commonly associated with blockbuster films, Nolan's Oppenheimer offers a dialogue-driven exploration of the life of J Robert Oppenheimer, played by Cillian Murphy. The film's source material, American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer, by Kai Bird and Martin J Sherwin, provides a rich backdrop for this historical biopic.

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-oppenheimer-india-box-office-christopher-nolan-film-achieves-a-significant-milestone-626681">Oppenheimer India box office: Christopher Nolan film achieves a significant milestone</a>

Nolan's reputation as a director who turns his movie releases into big events played a pivotal role in the film's success. He also has the ability to craft immersive visual and aural experiences on the silver screen and has garnered a loyal fan base that eagerly anticipates his every project. no matter what it is about. The fact that audiences embraced a 3-hour, dialogue-centric film attests to their growing appetite for fairly inaccessible films if they are made well and offer a grand experience. The star-studded ensemble, featuring Emily Blunt, Matt Damon, Robert Downey Jr, and more, further bolstered the film's appeal, underlining the demand for stories that transcend the traditional superhero mould.

<div class="videoWrapper trancodeVideo"><iframe allowfullscreen="" autoplay="1" class="includeVideo" frameborder="0" height="350" src="https://www.wionews.com/videos/the-mind-of-oppenheimer-father-of-atomic-bomb-who-turned-pacifist-614786/embed" style="width:100%;max-width:560px;" width="560"></iframe></div>

<h2>Superhero fatigue</h2>

The decline in the box office performance of recent superhero films, exemplified by the massive box office bomb that was The Flash (Disclaimer: I liked it), underscores a growing sentiment of superhero fatigue. Once the undisputed kings of the box office, superheroes now find themselves facing a critical juncture. The oversaturation of the genre across various media platforms, coupled with formulaic stories, has diminished the novelty and excitement that were once synonymous with superhero films. I noted the other day in my review of DC's latest Blue Beetle that the problem with the superhero genre is not of quantity as much it is of quality. "Too many superhero movies were made earlier too (say, around 2014), but back then, these concepts were fresh and not done to death. Now, nearly every movie is about saving the world or the universe (or even the multiverse these days)," I wrote.

(Incidentally, I loved Blue Beetle, but as optimistic as I am, I am well aware that barring a miracle the movie is doomed at the box office. The reason is not just superhero fatigue, but also because it was not promoted as well since actors' union in Hollywood, SAG-AFTRA, is on strike and the stars of the movie could not attend events like premieres.)&nbsp;

Anyway, the audiences, now more discerning than ever, are seeking something other than spandex-clad superheroes shooting waves of crackling light or some such bad guys. The success of Barbie and Oppenheimer highlights a collective desire for stories that challenge conventions. The superhero genre, while still relevant and beloved, must evolve to meet these changing demands.

<h2>A paradigm shift in cinema</h2>

As Barbie and Oppenheimer rake in impressive box office earnings, the cinematic landscape is undergoing a profound, and frankly much-needed, transformation. I grew up on a steady diet of DC and Marvel and I love superhero movies. For me, a well-made flick on Batman or Spider-Man is like reliving the best of my childhood. But the era of superhero dominance may be waning, replaced by a thirst for films that are fresher, more thought-provoking, more emotionally resonant, and more artistically daring. The Barbenheimer phenomenon is not merely a double feature; it's a manifestation of evolving audience preferences.

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The world of cinema, much like any other realm of artistic expression, is constantly evolving. For a decade and a half, superheroes reigned supreme at the box office, drawing in massive crowds and reaping substantial profits for studios.

The world of cinema, much like any other realm of artistic expression, is constantly evolving. For a decade and a half, superheroes reigned supreme at the box office, drawing in massive crowds and reaping substantial profits for studios. However, in recent times, a new phenomenon has emerged that challenges the long-standing dominance of the superhero genre. With the release of Barbie and Oppenheimer in what has been dubbed the Barbenheimer double feature and the subsequent success of both movies, it has become increasingly apparent that the allure of superheroes is no longer as potent as it once was. Both DC and Marvel are at a critical juncture. While Marve Studios' foray into television has been disastrous, DC is developing a whole new universe called DCU that spans film, TV, animation, and gaming. The Barbenheimer phenomenon: A glimpse of changing tides In a curious turn of events last month, millions of moviegoers opted for a unique cinematic experience by embracing the Barbenheimer trend, wherein they indulged in a double feature of the films Barbie and Oppenheimer. This began as a joke, I am certain, but soon evolved into something huge. Both films were directed by auteurs who have distinctive voices, and it appears audiences had been waiting for films like that. A recent survey conducted by film tracking service The Quorum highlighted the significant impact of Barbie on revitalising theatre attendance. 11 per cent of the surveyed audience admitted to having difficulty recalling their last theatre experience prior to Barbie. Equally intriguing, another 11 per cent revealed that Barbie marked their maiden return to a theatre since the onset of the pandemic in 2020. All this signifies a shift in audience preferences, suggesting a growing appetite for variety and depth in storytelling. No longer content with the conventional superhero formula, audiences are seeking films that resonate on a personal and emotional level, something most recent superhero films have not been able to do. Decoding the success of Barbie Also Read: Barbie review: Margot Robbie, Ryan Gosling's film is smart, funny and very woke Directed by the talented Greta Gerwig, Barbie offers a fresh take on a beloved toy franchise, propelling the titular character, played by Margot Robbie, on a journey of self-discovery. The character's realisation of imperfections in her previously idealised appearance triggers a transformation that resonates with viewers of all ages. With themes of empowerment, societal standards, and self-acceptance, Barbie strikes a chord in today's world, where discussions about body positivity and individuality are at the forefront of cultural conversations. What truly sets Barbie apart is its ability to transcend the confines of a single genre. By blending elements of adventure, drama, and self-discovery, the film caters to a diverse audience, encompassing individuals who seek narratives that challenge conventions and reflect the complexities of real-life experiences. The star-studded cast, including Margot Robbie, Ryan Gosling, and an ensemble of renowned actors, further adds to the film's allure, proving that the era of relying solely on superheroes for box office success is giving way to a more nuanced cinematic landscape. Also Read: Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt The enigma of Oppenheimer In contrast to the high-octane action and dazzling visuals commonly associated with blockbuster films, Nolan's Oppenheimer offers a dialogue-driven exploration of the life of J Robert Oppenheimer, played by Cillian Murphy. The film's source material, American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer, by Kai Bird and Martin J Sherwin, provides a rich backdrop for this historical biopic. Also Read: Oppenheimer India box office: Christopher Nolan film achieves a significant milestone Nolan's reputation as a director who turns his movie releases into big events played a pivotal role in the film's success. He also has the ability to craft immersive visual and aural experiences on the silver screen and has garnered a loyal fan base that eagerly anticipates his every project. no matter what it is about. The fact that audiences embraced a 3-hour, dialogue-centric film attests to their growing appetite for fairly inaccessible films if they are made well and offer a grand experience. The star-studded ensemble, featuring Emily Blunt, Matt Damon, Robert Downey Jr, and more, further bolstered the film's appeal, underlining the demand for stories that transcend the traditional superhero mould. Superhero fatigue The decline in the box office performance of recent superhero films, exemplified by the massive box office bomb that was The Flash (Disclaimer: I liked it), underscores a growing sentiment of superhero fatigue. Once the undisputed kings of the box office, superheroes now find themselves facing a critical juncture. The oversaturation of the genre across various media platforms, coupled with formulaic stories, has diminished the novelty and excitement that were once synonymous with superhero films. I noted the other day in my review of DC's latest Blue Beetle that the problem with the superhero genre is not of quantity as much it is of quality. "Too many superhero movies were made earlier too (say, around 2014), but back then, these concepts were fresh and not done to death. Now, nearly every movie is about saving the world or the universe (or even the multiverse these days)," I wrote. (Incidentally, I loved Blue Beetle, but as optimistic as I am, I am well aware that barring a miracle the movie is doomed at the box office. The reason is not just superhero fatigue, but also because it was not promoted as well since actors' union in Hollywood, SAG-AFTRA, is on strike and the stars of the movie could not attend events like premieres.) Anyway, the audiences, now more discerning than ever, are seeking something other than spandex-clad superheroes shooting waves of crackling light or some such bad guys. The success of Barbie and Oppenheimer highlights a collective desire for stories that challenge conventions. The superhero genre, while still relevant and beloved, must evolve to meet these changing demands. A paradigm shift in cinema As Barbie and Oppenheimer rake in impressive box office earnings, the cinematic landscape is undergoing a profound, and frankly much-needed, transformation. I grew up on a steady diet of DC and Marvel and I love superhero movies. For me, a well-made flick on Batman or Spider-Man is like reliving the best of my childhood. But the era of superhero dominance may be waning, replaced by a thirst for films that are fresher, more thought-provoking, more emotionally resonant, and more artistically daring. The Barbenheimer phenomenon is not merely a double feature; it's a manifestation of evolving audience preferences. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Explained | Does Barbenheimer's success signal the decline of superhero cinema?

There's a new disturbing beauty trend that has gone viral on TikTok. It's called 'Barbie Botox.' The procedure involves injecting Botox into neck and shoulders to give it a Barbie doll-like appearance. Molly Gambhir brings you a report.

Gravitas: 'Barbie Botox' is TikTok’s latest trend | Shocking 'paracetamol challenge' in UK

A recent survey conducted by film tracking service The Quorum has highlighted the significant impact of the Margot Robbie-starrer movie Barbie on revitalising theatre attendance, as per Variety. The survey, which encompassed 1,800 ticket buyers of Barbie across the United States over the past three weeks, revealed intriguing insights into the post-pandemic cinema landscape. Remarkably, 11 per cent of the surveyed audience admitted to having difficulty recalling their last theatre experience prior to "Barbie." Equally intriguing, another 11 per cent revealed that Barbie marked their maiden return to a theatre since the onset of the pandemic in 2020. Consequently, these findings indicate that nearly a quarter of the respondents — 22 per cent to be precise — likely bypassed notable post-pandemic blockbuster releases like Avatar: The Way of Water and Top Gun: Maverick. Instead, they were swayed by the remarkable buzz and pervasive marketing campaign surrounding the Barbie&nbsp;phenomenon.

The Quorum, an organisation renowned for gauging the anticipation of upcoming films among potential moviegoers, extrapolated that this 22 per cent translated to approximately 9 million individuals who graced multiplexes solely for the experience of Barbie.

<div class="videoWrapper trancodeVideo"><iframe allowfullscreen="" autoplay="1" class="includeVideo" frameborder="0" height="350" src="https://www.wionews.com/videos/critically-speaking-margot-robbies-barbie-is-funny-and-clever-618237/embed" style="width:100%;max-width:560px;" width="560"></iframe></div>

In a similar vein, a robust 46 per cent of the participants expressed a habit of frequenting theatres "all the time," while 32 per cent adopted a more intermittent approach, going "every now and again."

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-explained--how-margot-robbies-barbie-rewrote-the-box-office-rulebook-623450">Explained | Barbie crossed $1bn. Why it's not just another box office number</a>

The survey also underscored that the Barbie experience rekindled viewers' fondness for the cinematic outing. Among those surveyed, a notable 40 per cent admitted that the encounter rekindled their passion for the cinematic experience, driving them to consider more regular visits to theatres. However, a substantial 45 per cent indicated that they desired to visit theatres more often but were hindered by financial constraints. This particular cohort contended that only a movie as captivating as Barbie would motivate them to return to cinemas.

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-opinion--is-barbie-really-an-anti-male-movie-622580">Opinion | Is Barbie really an anti-male movie?</a>

<h2>What is Barbie all about?</h2>

Barbie follows the main character, Barbie, as she, along with her companion Ken and owner Sasha, embarks on a journey of self-discovery in the real world. Barbie's decision is triggered by recognising imperfections in her previously flawless appearance. As they navigate through real-world challenges, including societal beauty standards, their experiences lead to a transformative impact on Barbieland's social structure.

<h2>Barbie&nbsp;review</h2>

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-barbie-review-margot-robbie-ryan-goslings-film-smart-funny-and-very-woke-618109">Barbie review: Margot Robbie, Ryan Gosling's film smart, funny and very woke</a>

WION's Shomini Sen wrote in her review of&nbsp;Barbie, "I would still say that the film very smartly shows how society is and humanises the iconic doll. For decades Barbie&nbsp;has been one of the most popular toys for young girls, setting unrealistic standards of beauty. Sure, Mattel has reinvented the doll and made every girl believe that they can be whatever they want to be - just like their favourite doll, but the narrative of everything being overtly perfect has also done damage to several. Greta, in that sense, spins the narrative and adds a layer of cynicism to Barbieland to show how things are in real. Flawed, depressed, and definitely not perfect- even though the plastic remains constant."

WATCH WION LIVE HERE

<iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="350" loading="”lazy”" src="https://www.wionews.com/live-tv/embed?autoplay=1&amp;mute=1" width="100%"></iframe>

You can now write for wionews.com and be a part of the community. Share your stories and opinions with us <a href="https://www.wionews.com/content-contribution-registration-form">here</a>.

A recent survey conducted by film tracking service The Quorum has highlighted the significant impact of the Margot Robbie-starrer movie Barbie on revitalising theatre attendance, as per Variety.

A recent survey conducted by film tracking service The Quorum has highlighted the significant impact of the Margot Robbie-starrer movie Barbie on revitalising theatre attendance, as per Variety. The survey, which encompassed 1,800 ticket buyers of Barbie across the United States over the past three weeks, revealed intriguing insights into the post-pandemic cinema landscape. Remarkably, 11 per cent of the surveyed audience admitted to having difficulty recalling their last theatre experience prior to "Barbie." Equally intriguing, another 11 per cent revealed that Barbie marked their maiden return to a theatre since the onset of the pandemic in 2020. Consequently, these findings indicate that nearly a quarter of the respondents — 22 per cent to be precise — likely bypassed notable post-pandemic blockbuster releases like Avatar: The Way of Water and Top Gun: Maverick. Instead, they were swayed by the remarkable buzz and pervasive marketing campaign surrounding the Barbie phenomenon. The Quorum, an organisation renowned for gauging the anticipation of upcoming films among potential moviegoers, extrapolated that this 22 per cent translated to approximately 9 million individuals who graced multiplexes solely for the experience of Barbie. In a similar vein, a robust 46 per cent of the participants expressed a habit of frequenting theatres "all the time," while 32 per cent adopted a more intermittent approach, going "every now and again." Also Read: Explained | Barbie crossed $1bn. Why it's not just another box office number The survey also underscored that the Barbie experience rekindled viewers' fondness for the cinematic outing. Among those surveyed, a notable 40 per cent admitted that the encounter rekindled their passion for the cinematic experience, driving them to consider more regular visits to theatres. However, a substantial 45 per cent indicated that they desired to visit theatres more often but were hindered by financial constraints. This particular cohort contended that only a movie as captivating as Barbie would motivate them to return to cinemas. Also Read: Opinion | Is Barbie really an anti-male movie? What is Barbie all about? Barbie follows the main character, Barbie, as she, along with her companion Ken and owner Sasha, embarks on a journey of self-discovery in the real world. Barbie's decision is triggered by recognising imperfections in her previously flawless appearance. As they navigate through real-world challenges, including societal beauty standards, their experiences lead to a transformative impact on Barbieland's social structure. Barbie review Also Read: Barbie review: Margot Robbie, Ryan Gosling's film smart, funny and very woke WION's Shomini Sen wrote in her review of Barbie, "I would still say that the film very smartly shows how society is and humanises the iconic doll. For decades Barbie has been one of the most popular toys for young girls, setting unrealistic standards of beauty. Sure, Mattel has reinvented the doll and made every girl believe that they can be whatever they want to be - just like their favourite doll, but the narrative of everything being overtly perfect has also done damage to several. Greta, in that sense, spins the narrative and adds a layer of cynicism to Barbieland to show how things are in real. Flawed, depressed, and definitely not perfect- even though the plastic remains constant." WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Barbie brought back millions of first-time post-pandemic theatregoers: Survey

From an exclusive interaction with Indian actor Yami Gautam to Greta Gerwig's 'Barbie' facing roadblocks in many parts of the world. This week's episode of E-Club has all the entertainment news for you. Catch our latest show.

The growing list of countries banning the "Barbie" movie

Greta Gerwig's Barbie has not just shattered many records but has given rise to a dizzying number of beauty and health trends.

Barbie Botox: Latest cosmetic trend in town

Ever since it released, Greta Gerwig's fantasy comedy, Barbie, has surged past industry milestones. First, this Margot Robbie and Ryan Gosling starrer&nbsp;became the highest-grossing movie of all time directed by a solo female director. Then it became the first $1 billion dollar film by a female director. Now, it has become Warner Bros' biggest film in the domestic market (United States), beating out Christopher Nolan's 2008 superhero film The Dark Knight. The Barbenheimer rivalry, it appears, continues. At the time of writing, Barbie's domestic box office haul is $537.5 million, surpassing The Dark Knight's $536 million. As the film approaches its fourth weekend, the ascent of Barbie at the box office is showing no signs of slowing down.&nbsp;

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-explained--how-margot-robbies-barbie-rewrote-the-box-office-rulebook-623450">Explained | Barbie crossed $1bn. Why it's not just another box office number</a>

Projections indicate that in the imminent days ahead, the film is set to surpass the animated marvel The Super Mario Bros. Movie&nbsp;by Universal, which has amassed $574 million, as the leading domestic release of 2023.&nbsp;And with a global box office haul recently crossing the $1.2 billion mark, Barbie now has its sights set on dethroning The Super Mario Bros. Movie&nbsp;($1.35 billion) as the year's highest-grossing worldwide release.

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-_5-years-of-the-dark-knight-a-cinematic-masterpiece-that-redefined-superhero-genre-615457">15 years of The Dark Knight: A cinematic masterpiece that redefined superhero genre</a>

The film also stars Ryan Gosling, America Ferrera, Kate McKinnon, Helen Mirren, Issa Rae, Simu Liu, Michael Cera, Rhea Perlman, and Will Ferrell.

<div class="videoWrapper trancodeVideo"><iframe allowfullscreen="" autoplay="1" class="includeVideo" frameborder="0" height="350" src="https://www.wionews.com/videos/critically-speaking-margot-robbies-barbie-is-funny-and-clever-618237/embed" style="width:100%;max-width:560px;" width="560"></iframe></div>

<h2>What is Barbie all about?</h2>

Barbie explores the journey of its central character, Barbie, who, accompanied by her partner Ken and owner Sasha, embarks on a voyage of self-discovery in the tangible world. Barbie's pivotal choice is catalysed by her realisation of imperfections within her once immaculate appearance. As they navigate the complexities of the real world, including societal ideals of beauty, their encounters culminate in a transformative impact on the societal structure within Barbieland.

Also Read: <a href="https://www.wionews.com/entertainment/hollywood/news-barbie-review-margot-robbie-ryan-goslings-film-smart-funny-and-very-woke-618109">Barbie review: Margot Robbie, Ryan Gosling's film smart, funny and very woke</a>

<h2>Barbie review</h2>

WION's Shomini Sen wrote in her review of Barbie, "I would still say that the film very smartly shows how society is and humanises the iconic doll. For decades Barbie has been one of the most popular toys for young girls, setting unrealistic standards of beauty. Sure, Mattel has reinvented the doll and made every girl believe that they can be whatever they want to be - just like their favourite doll, but the narrative of everything being overtly perfect has also done damage to several. Greta, in that sense, spins the narrative and adds a layer of cynicism to Barbieland to show how things are in real. Flawed, depressed, and definitely not perfect- even though the plastic remains constant."

WATCH WION LIVE HERE

<iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="350" loading="”lazy”" src="https://www.wionews.com/live-tv/embed?autoplay=1&amp;mute=1" width="100%"></iframe>

You can now write for wionews.com and be a part of the community. Share your stories and opinions with us <a href="https://www.wionews.com/content-contribution-registration-form">here</a>.

Ever since it released, Greta Gerwig's fantasy comedy, Barbie, has surged past industry milestones. First, this Margot Robbie and Ryan Gosling starrer became the highest-grossing movie of all time directed by a solo female director.

Ever since it released, Greta Gerwig's fantasy comedy, Barbie, has surged past industry milestones. First, this Margot Robbie and Ryan Gosling starrer became the highest-grossing movie of all time directed by a solo female director. Then it became the first $1 billion dollar film by a female director. Now, it has become Warner Bros' biggest film in the domestic market (United States), beating out Christopher Nolan's 2008 superhero film The Dark Knight. The Barbenheimer rivalry, it appears, continues. At the time of writing, Barbie's domestic box office haul is $537.5 million, surpassing The Dark Knight's $536 million. As the film approaches its fourth weekend, the ascent of Barbie at the box office is showing no signs of slowing down. Also Read: Explained | Barbie crossed $1bn. Why it's not just another box office number Projections indicate that in the imminent days ahead, the film is set to surpass the animated marvel The Super Mario Bros. Movie by Universal, which has amassed $574 million, as the leading domestic release of 2023. And with a global box office haul recently crossing the $1.2 billion mark, Barbie now has its sights set on dethroning The Super Mario Bros. Movie ($1.35 billion) as the year's highest-grossing worldwide release. Also Read: 15 years of The Dark Knight: A cinematic masterpiece that redefined superhero genre The film also stars Ryan Gosling, America Ferrera, Kate McKinnon, Helen Mirren, Issa Rae, Simu Liu, Michael Cera, Rhea Perlman, and Will Ferrell. What is Barbie all about? Barbie explores the journey of its central character, Barbie, who, accompanied by her partner Ken and owner Sasha, embarks on a voyage of self-discovery in the tangible world. Barbie's pivotal choice is catalysed by her realisation of imperfections within her once immaculate appearance. As they navigate the complexities of the real world, including societal ideals of beauty, their encounters culminate in a transformative impact on the societal structure within Barbieland. Also Read: Barbie review: Margot Robbie, Ryan Gosling's film smart, funny and very woke Barbie review WION's Shomini Sen wrote in her review of Barbie, "I would still say that the film very smartly shows how society is and humanises the iconic doll. For decades Barbie has been one of the most popular toys for young girls, setting unrealistic standards of beauty. Sure, Mattel has reinvented the doll and made every girl believe that they can be whatever they want to be - just like their favourite doll, but the narrative of everything being overtly perfect has also done damage to several. Greta, in that sense, spins the narrative and adds a layer of cynicism to Barbieland to show how things are in real. Flawed, depressed, and definitely not perfect- even though the plastic remains constant." WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Barbie beats The Dark Knight to become Warner Bros' top domestic hit

Algeria has become the latest film to withdraw Warner Bros' worldwide blockbuster film Barbie from its cinemas. Earlier, many other Arab countries had taken similar actions. The Algerian government cites the violation of morals as the reason for the withdrawal. The decision has sparked debates over artistic freedom, societal norms, and the portrayal of sensitive subjects in cinematic narratives. Directed by Greta Gerwig and starring Margot Robbie, Barbie has raked in over $1.2 billion in global revenues. It was release in Algeria on July 19 to much anticipation. However, the film was abruptly removed from cinema schedules on Sunday, leaving audiences and industry insiders puzzled about the reasons behind the decision.&nbsp;

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-explained--how-margot-robbies-barbie-rewrote-the-box-office-rulebook-623450">Explained | Barbie crossed $1bn. Why it's not just another box office number</a>

The film also stars Ryan Gosling, America Ferrera, Kate McKinnon, Helen Mirren, Issa Rae, Simu Liu, Michael Cera, Rhea Perlman, and Will Ferrell.

<div class="videoWrapper trancodeVideo"><iframe allowfullscreen="" autoplay="1" class="includeVideo" frameborder="0" height="350" src="https://www.wionews.com/videos/critically-speaking-margot-robbies-barbie-is-funny-and-clever-618237/embed" style="width:100%;max-width:560px;" width="560"></iframe></div>

<h2>Algeria's decision and wider Arab response</h2>

This development follows similar actions taken by neighboring countries. Kuwait recently banned the film over concerns about "public ethics," while Lebanon's culture minister expressed his intention to seek a ban on the film as well.&nbsp;

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-opinion--is-barbie-really-an-anti-male-movie-622580">Opinion | Is Barbie really an anti-male movie?</a>

<h2>What is Barbie all about?</h2>

Barbie follows the main character, Barbie, as she, along with her companion Ken and owner Sasha, embarks on a journey of self-discovery in the real world. Barbie's decision is triggered by recognising imperfections in her previously flawless appearance. As they navigate through real-world challenges, including societal beauty standards, their experiences lead to a transformative impact on Barbieland's social structure.

<h2>Barbie review</h2>

Also Read: <a href="https://www.wionews.com/entertainment/hollywood/news-barbie-review-margot-robbie-ryan-goslings-film-smart-funny-and-very-woke-618109">Barbie review: Margot Robbie, Ryan Gosling's film smart, funny and very woke</a>

WION's Shomini Sen wrote in her review of Barbie, "I would still say that the film very smartly shows how society is and humanises the iconic doll. For decades Barbie has been one of the most popular toys for young girls, setting unrealistic standards of beauty. Sure, Mattel has reinvented the doll and made every girl believe that they can be whatever they want to be - just like their favourite doll, but the narrative of everything being overtly perfect has also done damage to several. Greta, in that sense, spins the narrative and adds a layer of cynicism to Barbieland to show how things are in real. Flawed, depressed, and definitely not perfect- even though the plastic remains constant."

WATCH WION LIVE HERE

<iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="350" loading="”lazy”" src="https://www.wionews.com/live-tv/embed?autoplay=1&amp;mute=1" width="100%"></iframe>

You can now write for wionews.com and be a part of the community. Share your stories and opinions with us <a href="https://www.wionews.com/content-contribution-registration-form">here</a>.

Algeria has become the latest film to withdraw Warner Bros' worldwide blockbuster film Barbie from its cinemas. Earlier, many other Arab countries had taken similar actions.

Algeria has become the latest film to withdraw Warner Bros' worldwide blockbuster film Barbie from its cinemas. Earlier, many other Arab countries had taken similar actions. The Algerian government cites the violation of morals as the reason for the withdrawal. The decision has sparked debates over artistic freedom, societal norms, and the portrayal of sensitive subjects in cinematic narratives. Directed by Greta Gerwig and starring Margot Robbie, Barbie has raked in over $1.2 billion in global revenues. It was release in Algeria on July 19 to much anticipation. However, the film was abruptly removed from cinema schedules on Sunday, leaving audiences and industry insiders puzzled about the reasons behind the decision. Also Read: Explained | Barbie crossed $1bn. Why it's not just another box office number The film also stars Ryan Gosling, America Ferrera, Kate McKinnon, Helen Mirren, Issa Rae, Simu Liu, Michael Cera, Rhea Perlman, and Will Ferrell. Algeria's decision and wider Arab response This development follows similar actions taken by neighboring countries. Kuwait recently banned the film over concerns about "public ethics," while Lebanon's culture minister expressed his intention to seek a ban on the film as well. Also Read: Opinion | Is Barbie really an anti-male movie? What is Barbie all about? Barbie follows the main character, Barbie, as she, along with her companion Ken and owner Sasha, embarks on a journey of self-discovery in the real world. Barbie's decision is triggered by recognising imperfections in her previously flawless appearance. As they navigate through real-world challenges, including societal beauty standards, their experiences lead to a transformative impact on Barbieland's social structure. Barbie review Also Read: Barbie review: Margot Robbie, Ryan Gosling's film smart, funny and very woke WION's Shomini Sen wrote in her review of Barbie, "I would still say that the film very smartly shows how society is and humanises the iconic doll. For decades Barbie has been one of the most popular toys for young girls, setting unrealistic standards of beauty. Sure, Mattel has reinvented the doll and made every girl believe that they can be whatever they want to be - just like their favourite doll, but the narrative of everything being overtly perfect has also done damage to several. Greta, in that sense, spins the narrative and adds a layer of cynicism to Barbieland to show how things are in real. Flawed, depressed, and definitely not perfect- even though the plastic remains constant." WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Algeria joins Arab countries in pulling Barbie from cinemas over 'violating morals'

Margot Robbie's involvement Greta Gerwig's Barbie has yielded very substantial monetary rewards for her. As per Variety, as both the star and producer of the film, she stands to earn approximately $50 million, including salary and box office bonuses.

Directed and co-written by Gerwig, the movie has achieved unprecedented success, generating a staggering $1.18 billion in global box office earnings within a month of its release. The film's earnings comprise a domestic box office collection of $526.3 million and an international take of $657.6 million.

This places Barbie as Warner Bros' second highest-grossing release of all time, trailing only Harry Potter and the Deathly Hallows – Part 2.&nbsp;

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-explained--how-margot-robbies-barbie-rewrote-the-box-office-rulebook-623450">Explained | Barbie crossed $1bn. Why it's not just another box office number</a>

The film is already the highest-grossing production ever directed by a woman, surpassing the record previously held by Frozen II, co-directed by Jennifer Lee, and also the first movie by a solo female director to cross $1 billion.

<div class="videoWrapper trancodeVideo"><iframe allowfullscreen="" autoplay="1" class="includeVideo" frameborder="0" height="350" src="https://www.wionews.com/videos/critically-speaking-margot-robbies-barbie-is-funny-and-clever-618237/embed" style="width:100%;max-width:560px;" width="560"></iframe></div>

Margot Robbie, known for her performances in films like The Wolf of Wall Street, Suicide Squad, and Once Upon a Time in Hollywood, co-produced Barbie&nbsp;through her production company, LuckyChap Entertainment. The company, founded in 2014 alongside her husband Tom Ackerley and colleagues Josey McNamara and Sophia Kerr, aims to spotlight women's narratives on screen and provide support to female creators behind the scenes.

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-opinion--is-barbie-really-an-anti-male-movie-622580">Opinion | Is Barbie really an anti-male movie?</a>

<h2>What is Barbie all about?</h2>

Barbie follows the main character, Barbie, as she, along with her companion Ken and owner Sasha, embarks on a journey of self-discovery in the real world. Barbie's decision is triggered by recognising imperfections in her previously flawless appearance. As they navigate through real-world challenges, including societal beauty standards, their experiences lead to a transformative impact on Barbieland's social structure.

<h2>Barbie review</h2>

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-barbie-review-margot-robbie-ryan-goslings-film-smart-funny-and-very-woke-618109">Barbie review: Margot Robbie, Ryan Gosling's film smart, funny and very woke</a>

WION's Shomini Sen wrote in her review of Barbie, "I would still say that the film very smartly shows how society is and humanises the iconic doll. For decades Barbie has been one of the most popular toys for young girls, setting unrealistic standards of beauty. Sure, Mattel has reinvented the doll and made every girl believe that they can be whatever they want to be - just like their favourite doll, but the narrative of everything being overtly perfect has also done damage to several. Greta, in that sense, spins the narrative and adds a layer of cynicism to Barbieland to show how things are in real. Flawed, depressed, and definitely not perfect- even though the plastic remains constant."

Margot Robbie's involvement Greta Gerwig's Barbie has yielded very substantial monetary rewards for her. As per Variety, as both the star and producer of the film, she stands to earn approximately $50 million, including salary and box office bonuses.

Margot Robbie's involvement Greta Gerwig's Barbie has yielded very substantial monetary rewards for her. As per Variety, as both the star and producer of the film, she stands to earn approximately $50 million, including salary and box office bonuses. Directed and co-written by Gerwig, the movie has achieved unprecedented success, generating a staggering $1.18 billion in global box office earnings within a month of its release. The film's earnings comprise a domestic box office collection of $526.3 million and an international take of $657.6 million. This places Barbie as Warner Bros' second highest-grossing release of all time, trailing only Harry Potter and the Deathly Hallows – Part 2. Also Read: Explained | Barbie crossed $1bn. Why it's not just another box office number The film is already the highest-grossing production ever directed by a woman, surpassing the record previously held by Frozen II, co-directed by Jennifer Lee, and also the first movie by a solo female director to cross $1 billion. Margot Robbie, known for her performances in films like The Wolf of Wall Street, Suicide Squad, and Once Upon a Time in Hollywood, co-produced Barbie through her production company, LuckyChap Entertainment. The company, founded in 2014 alongside her husband Tom Ackerley and colleagues Josey McNamara and Sophia Kerr, aims to spotlight women's narratives on screen and provide support to female creators behind the scenes. Also Read: Opinion | Is Barbie really an anti-male movie? What is Barbie all about? Barbie follows the main character, Barbie, as she, along with her companion Ken and owner Sasha, embarks on a journey of self-discovery in the real world. Barbie's decision is triggered by recognising imperfections in her previously flawless appearance. As they navigate through real-world challenges, including societal beauty standards, their experiences lead to a transformative impact on Barbieland's social structure. Barbie review Also Read: Barbie review: Margot Robbie, Ryan Gosling's film smart, funny and very woke WION's Shomini Sen wrote in her review of Barbie, "I would still say that the film very smartly shows how society is and humanises the iconic doll. For decades Barbie has been one of the most popular toys for young girls, setting unrealistic standards of beauty. Sure, Mattel has reinvented the doll and made every girl believe that they can be whatever they want to be - just like their favourite doll, but the narrative of everything being overtly perfect has also done damage to several. Greta, in that sense, spins the narrative and adds a layer of cynicism to Barbieland to show how things are in real. Flawed, depressed, and definitely not perfect- even though the plastic remains constant."

Margot Robbie's bank account gets massive $50mn makeover thanks to Barbie's success

Warner Bros.' hit Barbie&nbsp;dominated North American box offices for a fourth consecutive week, industry estimates showed Sunday, as director Greta Gerwig continues to bust industry records.

Gerwig, who with Barbie&nbsp;had already become the first solo woman director to rake in more than $1 billion at the global box office, this week became the highest-grossing woman director of all time in the domestic market, according to The Hollywood Reporter.

Also read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-outlander-showrunner-responds-to-criticism-over-jamie-and-claire-having-less-screen-time-in-new-season-625258">Outlander showrunner responds to criticism over Jamie and Claire having less screen time in new season</a>

Industry watcher Exhibitor Relations estimated this weekend's haul for Barbie&nbsp;at $33.7 million, bringing its domestic total to $526 million.

Gerwig is currently vying against Jennifer Lee, who co-directed the animated sequel to Disney's Frozen&nbsp;with Chris Buck, to be the highest-grossing woman director of all time at the global box office.

<a href="https://www.wionews.com/entertainment/hollywood/news-barbie-review-margot-robbie-ryan-goslings-film-smart-funny-and-very-woke-618109">Barbie review: Margot Robbie, Ryan Gosling's film is smart, funny and very woke</a>

Starring Margot Robbie as the iconic doll and Ryan Gosling as boyfriend Ken, "Barbie" has earned a whopping $1.2 billion worldwide.

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Universal's Oppenheimer,&nbsp;a historical drama about the development of the atomic bomb, regained its second-place position, with the other half of the Barbenheimer&nbsp;phenomenon taking in an estimated $18.8 million over the weekend.

Last week Oppenheimer&nbsp;had been beaten by the Warner Bros. monster flick Meg 2: The Trench,&nbsp;which fell to fourth this week with an estimated $12.7 million.

The success of Barbie&nbsp;and Oppenheimer&nbsp;has come amid a backdrop of turmoil in Hollywood, as a historic double strike by writers and actors has brought productions to a halt.

Both unions are renegotiating their collective contracts with studios to demand better pay, guarantees to limit the use of artificial intelligence and other working conditions.

While on strike, union rules prohibit actors from promoting their films, imperilling the marketing events for upcoming releases as talks show no end in sight.

Third place this weekend went to Paramount's animated Teenage Mutant Ninja Turtles: Mutant Mayhem,&nbsp;up one spot from the week before with $15.8 million.

In its debut weekend, Universal's vampire film The Last Voyage of the Demeter&nbsp;took a frighteningly distant fifth place, at just $6.5 million.

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Based on Bram Stoker's classic Dracula,&nbsp;the period film takes place on a doomed ship transporting the blood-sucker from his Eastern Europe home to England.

"This is a weak opening for a horror film based on a chapter of the legendary Dracula story," said analyst David A. Gross.

With poor reviews and an estimated budget of $45 million, the film is a "difficult sell under any conditions," he added.

Rounding out the top 10 were:

Haunted Mansion ($5.6 million)

Talk to Me&nbsp;($5.1 million)

Sound of Freedom&nbsp;($4.8 million)

Mission: Impossible - Dead Reckoning Part One&nbsp;($4.7 million)

Indiana Jones and the Dial of Destiny&nbsp;($900,000)

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Warner Bros.' hit Barbie dominated North American box offices for a fourth consecutive week, industry estimates showed Sunday, as director Greta Gerwig continues to bust industry records.

Warner Bros.' hit Barbie dominated North American box offices for a fourth consecutive week, industry estimates showed Sunday, as director Greta Gerwig continues to bust industry records. Gerwig, who with Barbie had already become the first solo woman director to rake in more than $1 billion at the global box office, this week became the highest-grossing woman director of all time in the domestic market, according to The Hollywood Reporter. Also read: Outlander showrunner responds to criticism over Jamie and Claire having less screen time in new season Industry watcher Exhibitor Relations estimated this weekend's haul for Barbie at $33.7 million, bringing its domestic total to $526 million. Gerwig is currently vying against Jennifer Lee, who co-directed the animated sequel to Disney's Frozen with Chris Buck, to be the highest-grossing woman director of all time at the global box office. Barbie review: Margot Robbie, Ryan Gosling's film is smart, funny and very woke Starring Margot Robbie as the iconic doll and Ryan Gosling as boyfriend Ken, "Barbie" has earned a whopping $1.2 billion worldwide. Also read: Lionel Richie slammed for cancelling concert one hour after its scheduled time Universal's Oppenheimer, a historical drama about the development of the atomic bomb, regained its second-place position, with the other half of the Barbenheimer phenomenon taking in an estimated $18.8 million over the weekend. Last week Oppenheimer had been beaten by the Warner Bros. monster flick Meg 2: The Trench, which fell to fourth this week with an estimated $12.7 million. The success of Barbie and Oppenheimer has come amid a backdrop of turmoil in Hollywood, as a historic double strike by writers and actors has brought productions to a halt. Both unions are renegotiating their collective contracts with studios to demand better pay, guarantees to limit the use of artificial intelligence and other working conditions. While on strike, union rules prohibit actors from promoting their films, imperilling the marketing events for upcoming releases as talks show no end in sight. Third place this weekend went to Paramount's animated Teenage Mutant Ninja Turtles: Mutant Mayhem, up one spot from the week before with $15.8 million. In its debut weekend, Universal's vampire film The Last Voyage of the Demeter took a frighteningly distant fifth place, at just $6.5 million. Based on Bram Stoker's classic Dracula, the period film takes place on a doomed ship transporting the blood-sucker from his Eastern Europe home to England. "This is a weak opening for a horror film based on a chapter of the legendary Dracula story," said analyst David A. Gross. With poor reviews and an estimated budget of $45 million, the film is a "difficult sell under any conditions," he added. Rounding out the top 10 were: Haunted Mansion ($5.6 million) Talk to Me ($5.1 million) Sound of Freedom ($4.8 million) Mission: Impossible - Dead Reckoning Part One ($4.7 million) Indiana Jones and the Dial of Destiny ($900,000) WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Barbie retains top spot at North American box office for fourth week

Hollywood blockbuster "Barbie" opened in theaters on Friday in Japan, but not before "Barbenheimer" memes equating the movie about dolls with the atomic bomb generated a commotion and prompted distributor Warner Bros to issue an apology.

Greta Gerwig's billionaire 'Barbie' opens in Japan

Greta Gerwig's Barbie continues to break box office records and set new ones even in its fourth week in theatres. Now, thanks to the movie, Gerwig has solidified her place as the highest-grossing female director of all time at the domestic (North American) box office, surpassing the previous record set by Jennifer Lee and Chris Buck, the directors of Frozen II. Frozen II, released by Walt Disney Animation Studios in 2019, had amassed a domestic box office gross of $477.4 million. However, Gerwig's Barbie has surged ahead, reaching a domestic box office total of $478.1 million by Tuesday and soaring to an impressive $492.6 million by Thursday.&nbsp;

As of Friday, it has joined the exclusive club of films that have exceeded $500 million in domestic earnings. Earlier, the film became the first female-directed film to cross the $1 billion mark. It has grossed $1.06 billion until now.

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<h2>What is Barbie all about?</h2>

The focal point of Barbie is the main character, the eponymous doll Barbie (or more precisely, the Stereotypical Barbie), who sets out on a journey of self-discovery in the actual world. This choice arises once she recognises slight imperfections in her once impeccable body and life. With her partner Ken by her side, they traverse through reality, encountering obstacles linked to traditional beauty standards and societal expectations. Alongside Barbie, Ken, and their owner, Sasha, tackle their uncertainties and the pressures imposed by society. This journey prompts a significant shift in the social framework of Barbieland.&nbsp;

<h2>Barbie review</h2>

Also Read: <a href="https://www.wionews.com/entertainment/hollywood/news-barbie-review-margot-robbie-ryan-goslings-film-smart-funny-and-very-woke-618109">Barbie review: Margot Robbie, Ryan Gosling's film smart, funny and very woke</a>

WION's Shomini Sen wrote in her review of Barbie, "I would still say that the film very smartly shows how society is and humanises the iconic doll. For decades Barbie has been one of the most popular toys for young girls, setting unrealistic standards of beauty. Sure, Mattel has reinvented the doll and made every girl believe that they can be whatever they want to be - just like their favourite doll, but the narrative of everything being overtly perfect has also done damage to several. Greta, in that sense, spins the narrative and adds a layer of cynicism to Barbieland to show how things are in real. Flawed, depressed, and definitely not perfect- even though the plastic remains constant." 
&nbsp;

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Greta Gerwig's Barbie continues to break box office records and set new ones even in its fourth week in theatres. Now, thanks to the movie, Gerwig has solidified her place as the highest-grossing female director of all time at the domestic (North American) box office, surpassing the previous record set by Jennifer Lee and Chris Buck, the directors of Frozen II.

Greta Gerwig's Barbie continues to break box office records and set new ones even in its fourth week in theatres. Now, thanks to the movie, Gerwig has solidified her place as the highest-grossing female director of all time at the domestic (North American) box office, surpassing the previous record set by Jennifer Lee and Chris Buck, the directors of Frozen II. Frozen II, released by Walt Disney Animation Studios in 2019, had amassed a domestic box office gross of $477.4 million. However, Gerwig's Barbie has surged ahead, reaching a domestic box office total of $478.1 million by Tuesday and soaring to an impressive $492.6 million by Thursday. As of Friday, it has joined the exclusive club of films that have exceeded $500 million in domestic earnings. Earlier, the film became the first female-directed film to cross the $1 billion mark. It has grossed $1.06 billion until now. What is Barbie all about? The focal point of Barbie is the main character, the eponymous doll Barbie (or more precisely, the Stereotypical Barbie), who sets out on a journey of self-discovery in the actual world. This choice arises once she recognises slight imperfections in her once impeccable body and life. With her partner Ken by her side, they traverse through reality, encountering obstacles linked to traditional beauty standards and societal expectations. Alongside Barbie, Ken, and their owner, Sasha, tackle their uncertainties and the pressures imposed by society. This journey prompts a significant shift in the social framework of Barbieland. Barbie review Also Read: Barbie review: Margot Robbie, Ryan Gosling's film smart, funny and very woke WION's Shomini Sen wrote in her review of Barbie, "I would still say that the film very smartly shows how society is and humanises the iconic doll. For decades Barbie has been one of the most popular toys for young girls, setting unrealistic standards of beauty. Sure, Mattel has reinvented the doll and made every girl believe that they can be whatever they want to be - just like their favourite doll, but the narrative of everything being overtly perfect has also done damage to several. Greta, in that sense, spins the narrative and adds a layer of cynicism to Barbieland to show how things are in real. Flawed, depressed, and definitely not perfect- even though the plastic remains constant." WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Barbie breaks box office record, is now highest-grossing female-directed film in US

Yesterday, Kuwait banned the Australian blockbuster "Talk to me". Today it has shunned Greta Gerwig's billion-dollar hit Barbie. Lebanon is planning to follow suit. Why is West Asia doing this? Molly Gambhir tells you more.

Gravitas: Kuwait bans 'Barbie' after 'Talk To Me'

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