Riverdale has moved to Zoya Akhtar's 1960s version of India. The hilly town in India plays the backdrop for The Archies, a movie that marks the debut of three star kids- Suhana Khan, Khushi Kapoor and Agastya Nanda. An official Indian adaptation of the iconic comic strip, the film is set in the 1960s and highlights the rock and roll era which was popular at that time.&nbsp; 
 
The Archies is billed as a coming-of-age musical and follows the lives of Archie, Betty, Veronica, Jughead, Reggie, Ethel, and Dilton who join hands to save their beloved green park from being redeveloped into a shopping arcade by Mr Lodge, Veronica's dad.&nbsp; 
 
The film is one of the most anticipated films of the season as it marks the debut of Suhana Khan, daughter of Shah Rukh Khan, Khushi Kapoor, daughter of Sridevi and Boney Kapoor, and Agastya Nanda, grandson of Amitabh and Jaya Bachchan. That's a tall legacy that the newcomers have to match up to! The film also stars Mihir Ahuja, Dot., Vedang Raina and Yuvraj Menda.

Watch the trailer of The Archies here:&nbsp;

<iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/Xgm3d_whwH4?si=-JlVBvoxtQNQIwfD" title="YouTube video player" width="560"></iframe> 
 
Filmmaker Zoya Akhtar turns the beloved comic into an Anglo-Indian setup and showcases the lives of a bunch of 17-year-olds who wade through life&nbsp;and the challenges that come with growing up -&nbsp;Career choices, hookups and heartbreaks and taking a stand for what is right.&nbsp; 
 
The over 2-minute-long clip begins with the introduction of the primary characters, including Veronica (Suhana), Betty (Khushi), Archie (Agastya), and the gang as they navigate teenage with fun, music and style. 
&nbsp; 
The Archies is backed by Zoya and filmmaker Reema Kagti through their production house Tiger Baby, Graphic India, and Archie Comics. Kagti and Akhtar also have co-written the film along with Ayesha Devitre. The Archies will stream on Netflix from December 7.

&nbsp;

Riverdale has moved to Zoya Akhtar's 1960s version of India. The hilly town in India plays the backdrop for The Archies, a movie that marks the debut of three star kids- Suhana Khan, Khushi Kapoor and Agastya Nanda.

Riverdale has moved to Zoya Akhtar's 1960s version of India. The hilly town in India plays the backdrop for The Archies, a movie that marks the debut of three star kids- Suhana Khan, Khushi Kapoor and Agastya Nanda. An official Indian adaptation of the iconic comic strip, the film is set in the 1960s and highlights the rock and roll era which was popular at that time. The Archies is billed as a coming-of-age musical and follows the lives of Archie, Betty, Veronica, Jughead, Reggie, Ethel, and Dilton who join hands to save their beloved green park from being redeveloped into a shopping arcade by Mr Lodge, Veronica's dad. The film is one of the most anticipated films of the season as it marks the debut of Suhana Khan, daughter of Shah Rukh Khan, Khushi Kapoor, daughter of Sridevi and Boney Kapoor, and Agastya Nanda, grandson of Amitabh and Jaya Bachchan. That's a tall legacy that the newcomers have to match up to! The film also stars Mihir Ahuja, Dot., Vedang Raina and Yuvraj Menda. Watch the trailer of The Archies here: Filmmaker Zoya Akhtar turns the beloved comic into an Anglo-Indian setup and showcases the lives of a bunch of 17-year-olds who wade through life and the challenges that come with growing up - Career choices, hookups and heartbreaks and taking a stand for what is right. The over 2-minute-long clip begins with the introduction of the primary characters, including Veronica (Suhana), Betty (Khushi), Archie (Agastya), and the gang as they navigate teenage with fun, music and style. The Archies is backed by Zoya and filmmaker Reema Kagti through their production house Tiger Baby, Graphic India, and Archie Comics. Kagti and Akhtar also have co-written the film along with Ayesha Devitre. The Archies will stream on Netflix from December 7.

The Archies trailer: Suhana Khan, Khushi Kapoor, Agastya Nanda out to make a difference in this adaptation

Netflix is increasing prices for select customers in the US, UK, and France, following a robust quarter marked by substantial subscriber growth. The development&nbsp;reflects streaming major's growing confidence in the future during a challenging time for the media industry hit by the strike of screenwriters.

<h2>Netflix subscription rate hike: How much is it?</h2>

Netflix is increasing the price of its most expensive plan in the United States by $3 to $23. The basic Netflix plan's price has been hiked by $2 to $12.

Also read | <a href="https://www.wionews.com/technology/game-on-for-netflix-as-streaming-giant-begins-rolling-out-gaming-on-tv-625829">Game on for Netflix as streaming giant begins rolling out gaming on TV</a>

The streaming major is taking similar steps in the United Kingdom and France, Bloomberg reported.

<h2>Netflix subscription rate hike: By when it's coming into effect?</h2>

The increased subscription rates will come into effect starting Wednesday, October 17, 2023.

<h2>Why is Netflix hiking its subscription prices?</h2>

Netflix has strengthened its lead as the world's top paid streaming service.

It exceeded expectations by adding 8.76 million customers in the third quarter globally, raising its total subscriber base to 247.2 million.

The company attributes this success to a strong programming lineup and a crackdown on password sharing.

"We’ve shown that with discipline and a focus on the long term, you can build a strong, sustainable streaming business," the company said in a letter to shareholders, according to Bloomberg.

Consequently, Netflix is on track to gain more than 20 million customers in the current year, a substantial increase from the fewer than 9 million added in 2022, Bloomberg reported further.

<h2>Spotlight on Netflix's paid sharing, ad-supported versions</h2>

The introduction of paid sharing&nbsp;allowed customers to buy additional streaming access for friends or family

Notably, the largest share of Netflix's growth in the third quarter came from Europe, West Asia, and Africa, where the company added nearly 4 million customers.

The average revenue per customer has remained relatively stable over the past year, according to a company readout.

Also watch |&nbsp;Netflix’s revenue reality check

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The company also introduced an advertising-supported version of its streaming service in 12 markets, with nearly 30 per cent of new customers opting for ads in the last quarter.

In contrast to many competitors who are struggling with their streaming ventures, Netflix has returned to growth, courtesy of its focus on password sharing crackdown and an ad-supported version.

Major media companies such as Walt Disney Co, Warner Bros Discovery Inc., and Paramount Global have implemented cost-cutting measures and layoffs.

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Netflix is increasing prices for select customers in the US, UK, and France, following a robust quarter marked by substantial subscriber growth. The development reflects streaming major's growing confidence in the future during a challenging time for the media industry hit by the strike of screenwriters.

Netflix is increasing prices for select customers in the US, UK, and France, following a robust quarter marked by substantial subscriber growth. The development reflects streaming major's growing confidence in the future during a challenging time for the media industry hit by the strike of screenwriters. Netflix subscription rate hike: How much is it? Netflix is increasing the price of its most expensive plan in the United States by $3 to $23. The basic Netflix plan's price has been hiked by $2 to $12. Also read | Game on for Netflix as streaming giant begins rolling out gaming on TV The streaming major is taking similar steps in the United Kingdom and France, Bloomberg reported. Netflix subscription rate hike: By when it's coming into effect? The increased subscription rates will come into effect starting Wednesday, October 17, 2023. Why is Netflix hiking its subscription prices? Netflix has strengthened its lead as the world's top paid streaming service. It exceeded expectations by adding 8.76 million customers in the third quarter globally, raising its total subscriber base to 247.2 million. The company attributes this success to a strong programming lineup and a crackdown on password sharing. "We’ve shown that with discipline and a focus on the long term, you can build a strong, sustainable streaming business," the company said in a letter to shareholders, according to Bloomberg. Consequently, Netflix is on track to gain more than 20 million customers in the current year, a substantial increase from the fewer than 9 million added in 2022, Bloomberg reported further. Spotlight on Netflix's paid sharing, ad-supported versions The introduction of paid sharing allowed customers to buy additional streaming access for friends or family Notably, the largest share of Netflix's growth in the third quarter came from Europe, West Asia, and Africa, where the company added nearly 4 million customers. The average revenue per customer has remained relatively stable over the past year, according to a company readout. Also watch | Netflix’s revenue reality check × The company also introduced an advertising-supported version of its streaming service in 12 markets, with nearly 30 per cent of new customers opting for ads in the last quarter. In contrast to many competitors who are struggling with their streaming ventures, Netflix has returned to growth, courtesy of its focus on password sharing crackdown and an ad-supported version. Major media companies such as Walt Disney Co, Warner Bros Discovery Inc., and Paramount Global have implemented cost-cutting measures and layoffs. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Netflix raises subscription prices with focus on Europe and the US

Netflix on Wednesday said subscriber numbers grew nearly 11 per cent to 247 million in the recently ended third quarter as it cracked down on password sharing and refined an ad-supported tier.

The leading streaming service said it is increasing the price of its basic plan in the United States to $11.99 monthly and its premium plan to $22.99, with similar price "adjustments" set for Britain and France.

"While we mostly paused price increases as we rolled out paid sharing... as we deliver more value to our members, we occasionally ask them to pay a bit more," Netflix said in the letter to shareholders.

Netflix shares leapt more than 12 per cent to $43.31 in after-market trades on the Nasdaq exchange.

The streaming service said in an earnings report that its nascent ad-supported offering was gaining traction, with the number of users increasing nearly 70 per cent over the quarter.

Netflix reported a profit of $1.68 billion on revenue of $8.5 billion in the quarter, beating market expectations with its earnings figures.

"All-in-all, management's working hard to squeeze every last drop of cash possible from the available subscriber base, but as that cup begins to run dry, it will be a lot more important to understand exactly how successful the next phase of growth can be," said Sophie Lund-Yates, lead equity analyst at Hargreaves Lansdown.

In May the Silicon Valley giant expanded its crackdown on users sharing passwords with people beyond their immediate family, as it seeks to shore up revenue.

To convert non-paying users, Netflix has introduced "borrower" or "shared" accounts, in which subscribers can add extra viewers for a higher price, or transfer viewing profiles to new accounts.

In a separate bid for revenue, Netflix launched an ad-subsidized offering around the same time as the crackdown and later eliminated its lowest priced ad-free plan.

The ad-supported tier, launched late last year, costs $7.

- Actors strike -

The earnings report came as Netflix and other film and television makers see productions halted by an actors strike in the United States.

"We are incredibly and totally committed to ending this strike," Netflix co-chief executive Ted Serandos said during an earnings presentation.

"The industry, our communities and the economy are all hurting so we need to get a deal done that respects all sides as soon as we possibly can."

Hollywood writers had also been on strike, but came to a tentative agreement with studios just weeks ago.

During the strike, Netflix said it was relying on productions ready for release and a large base of upcoming films and shows from around the world.

A Netflix adaptation of Japanese manga comic One Piece was watched more than 18 million times in its first four days, putting it at the top of the charts.

The story of Monkey D Luffy, a boy with a straw hat and stretchy superpowers determined to become king of all pirates by finding a treasure known as the "One Piece" has captivated manga fans since its first editions in 1997.

"We continue to focus on improving our slate, with best-in-class originals and licensed titles from around the world," Netflix told shareholders in the letter.

Netflix cited popular shows including One Piece,&nbsp;Class Act&nbsp;out of France, and Guns &amp; Gulaabs&nbsp;from India.

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Netflix on Wednesday said subscriber numbers grew nearly 11 per cent to 247 million in the recently ended third quarter as it cracked down on password sharing and refined an ad-supported tier.

Netflix on Wednesday said subscriber numbers grew nearly 11 per cent to 247 million in the recently ended third quarter as it cracked down on password sharing and refined an ad-supported tier. The leading streaming service said it is increasing the price of its basic plan in the United States to $11.99 monthly and its premium plan to $22.99, with similar price "adjustments" set for Britain and France. "While we mostly paused price increases as we rolled out paid sharing... as we deliver more value to our members, we occasionally ask them to pay a bit more," Netflix said in the letter to shareholders. Netflix shares leapt more than 12 per cent to $43.31 in after-market trades on the Nasdaq exchange. The streaming service said in an earnings report that its nascent ad-supported offering was gaining traction, with the number of users increasing nearly 70 per cent over the quarter. Netflix reported a profit of $1.68 billion on revenue of $8.5 billion in the quarter, beating market expectations with its earnings figures. "All-in-all, management's working hard to squeeze every last drop of cash possible from the available subscriber base, but as that cup begins to run dry, it will be a lot more important to understand exactly how successful the next phase of growth can be," said Sophie Lund-Yates, lead equity analyst at Hargreaves Lansdown. In May the Silicon Valley giant expanded its crackdown on users sharing passwords with people beyond their immediate family, as it seeks to shore up revenue. To convert non-paying users, Netflix has introduced "borrower" or "shared" accounts, in which subscribers can add extra viewers for a higher price, or transfer viewing profiles to new accounts. In a separate bid for revenue, Netflix launched an ad-subsidized offering around the same time as the crackdown and later eliminated its lowest priced ad-free plan. The ad-supported tier, launched late last year, costs $7. - Actors strike - The earnings report came as Netflix and other film and television makers see productions halted by an actors strike in the United States. "We are incredibly and totally committed to ending this strike," Netflix co-chief executive Ted Serandos said during an earnings presentation. "The industry, our communities and the economy are all hurting so we need to get a deal done that respects all sides as soon as we possibly can." Hollywood writers had also been on strike, but came to a tentative agreement with studios just weeks ago. During the strike, Netflix said it was relying on productions ready for release and a large base of upcoming films and shows from around the world. A Netflix adaptation of Japanese manga comic One Piece was watched more than 18 million times in its first four days, putting it at the top of the charts. The story of Monkey D Luffy, a boy with a straw hat and stretchy superpowers determined to become king of all pirates by finding a treasure known as the "One Piece" has captivated manga fans since its first editions in 1997. "We continue to focus on improving our slate, with best-in-class originals and licensed titles from around the world," Netflix told shareholders in the letter. Netflix cited popular shows including One Piece, Class Act out of France, and Guns & Gulaabs from India. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Netflix gains subscribers with ads and password crackdown

In a clear indication that its recent crackdown on password sharing has worked out well. The streaming giant Netflix has shattered Market Expectations by adding almost 9 million subscribers in the July-September quarter. Netflix's strong performance showed the streaming giant was thriving despite Hollywood labour tensions.

Netflix adds 9 million subscribers in July-September Quarter

Netflix is set to produce a limited series based on the life of former US President John F. Kennedy, drawing inspiration from the acclaimed biography JFK: Coming Of Age In The American Century, 1917-1956&nbsp;by Fredrik Logevall.&nbsp;

The series will delve into the early years of John F. Kennedy, chronicling his journey from birth to his time as the junior US Senator from Massachusetts, focusing on the first volume of Logevall's biography.

Eric Roth, a renowned film writer and Academy Award winner, is on board to write and executive produce the project, as reported by Variety. His distinguished career includes an Oscar for Best Adapted Screenplay for Forrest Gump&nbsp;in 1995, along with multiple nominations for his work on films such as Munich, A Star Is Born, and Dune.

Roth is also credited as a writer for Martin Scorsese's highly anticipated film, Killers of the Flower Moon.

Also read:&nbsp;<a href="https://www.wionews.com/entertainment/after-health-scare-madonna-launches-tour-celebrating-40-years-as-queen-of-pop-646621">After health scare, Madonna launches tour celebrating 40 years as 'Queen of Pop'</a>

Netflix's vision for the series draws parallels with its hit show, The Crown, a historical drama that follows the British royal family's journey. The Kennedy family's profound influence on American history offers a captivating backdrop for this project. While the format and casting details are yet to be finalised, the series promises to be a compelling exploration of the Kennedy legacy.

Peter Chernin and Jenno Topping of Chernin Entertainment will serve as executive producers alongside Eric Roth. The search is underway for a showrunner to guide the series to fruition.

Netflix has not issued an official comment regarding the development, as of now.

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Netflix is set to produce a limited series based on the life of former US President John F. Kennedy, drawing inspiration from the acclaimed biography JFK: Coming Of Age In The American Century, 1917-1956 by Fredrik Logevall.

Netflix is set to produce a limited series based on the life of former US President John F. Kennedy, drawing inspiration from the acclaimed biography JFK: Coming Of Age In The American Century, 1917-1956 by Fredrik Logevall. The series will delve into the early years of John F. Kennedy, chronicling his journey from birth to his time as the junior US Senator from Massachusetts, focusing on the first volume of Logevall's biography. Eric Roth, a renowned film writer and Academy Award winner, is on board to write and executive produce the project, as reported by Variety. His distinguished career includes an Oscar for Best Adapted Screenplay for Forrest Gump in 1995, along with multiple nominations for his work on films such as Munich, A Star Is Born, and Dune. Roth is also credited as a writer for Martin Scorsese's highly anticipated film, Killers of the Flower Moon. Also read: After health scare, Madonna launches tour celebrating 40 years as 'Queen of Pop' Netflix's vision for the series draws parallels with its hit show, The Crown, a historical drama that follows the British royal family's journey. The Kennedy family's profound influence on American history offers a captivating backdrop for this project. While the format and casting details are yet to be finalised, the series promises to be a compelling exploration of the Kennedy legacy. Peter Chernin and Jenno Topping of Chernin Entertainment will serve as executive producers alongside Eric Roth. The search is underway for a showrunner to guide the series to fruition. Netflix has not issued an official comment regarding the development, as of now. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Eric Roth set to script Netflix's limited series on John F. Kennedy

Vishal Bhardwaj peels off layers, slowly revealing plot points one by one in his latest Khufiya. I have to be honest, when I first watched the teaser of Khufiya, I had not expected it to be an espionage thriller. The makers added a note right in the beginning to make the viewers understand the years it is set in and the tensions and political manipulation that was taking place in the subcontinent post the Kargil war. Pakistan and India were both discreetly trying to influence Bangladesh's political structure to their advantage. But Khufiya is not a political film. Bhardwaj's thriller isn't just an espionage thriller focussing on the relationship of three neighbouring countries, it is also the story of intelligence agent KM aka Krishna Mehra (Tabu), and her journey of acceptance and moving on.

KM is an investigating officer of the Research and Analytics Wing who is given the daunting task of identifying and arresting a mole in the system. The agency realises that top secrets of the country were being made available to the enemy camp and led to the death of a local spy in Bangladesh. For KM, agent Octopus (Bangladeshi actress Azmeri Haque Badhon) was not just a spy but also a companion of sorts. Her death shakes up KM who now wants to nab those who have created this mess.

The prime suspect is Ravi Mohan(Ali Fazal), who, according to the agency, has been living a far more lavish life than he can afford with his income. Ravi's wife Charu (Wamiqa Gabbi), the agency suspects, is one of his main accomplices who helps him leak important information about Indian intelligence to Pakistan. To the world Ravi and Charu seem unassuming, a regular Indian couple who live with Ravi's aged mother and a child in an apartment in Delhi but that for KM itself is the biggest alibi. As KM and her team bug Ravi's office and home, revelations come out but not the sorts they would be expecting. Is Ravi the main culprit? Does the family realise they are under surveillance and more importantly does KM get to avenge Octopus' death and find the mole forms the rest of the story.

Based on Amar Bhushan's book Escape to Nowhere, Vishal Bhardwaj and co-writer Rohan Narula not only develop an intricate tale of secret service, geo politics and spy networks but also explore the female gaze on people and situations. The film's main protagonist KM is different. She is shown to lack emotions and is a tough nut to crack and very good at her work, so much so that she is careless as a mother to her teenage son who lives with her ex-husband. She wants to be there for her son but falters ever so often. But at the same time, KM is also sensitive to the people she recruits, pays them well, and develops a fondness for Agent Octopus and her plight.

<img alt="tabu" data-entity-type="file" data-entity-uuid="af114d32-b663-4a1c-96d4-bff6d1cca6db" src="//cdn.wionews.com/sites/default/files/inline-images/Your%20paragraph%20text%20-%202023-10-05T131403.695.jpg" />

The film opens with a blurry scene of a woman walking down a rain-swept alley,&nbsp;almost like a painting with KM's voice describing the little details of the woman. The mole on her collarbone, the way she sneezes three times in one go- intimate details that only her partner would know. In Hindi cinema, it has always been the man describing such details about a woman he loves. In Khufiya, Bhardwaj and Narula turn the narrative. Here the woman is describing another woman, she is leading a team of men in a covet operation, it is her story of finding closure, redemption, and making amends.

There could not be anyone better than Tabu to play the straight-face, slightly goofy and clumsy KM. The actress and the director have worked in many films together and each time Tabu has managed to steal the limelight in an ensemble cast. Khufiya is no different and the actress sinks her teeth in a role that almost looks like an extension of her. Slightly evasive yet sensitive, workaholic, righteous but someone who never crosses the line. Tabu's KM seems like a regular person yet she is different from the rest, for her compassion.

The women in Khufiya are all splendid. Wamiqa Gabbi, Bhardwaj's newest muse, shines on her own and despite being relatively new among the cast members, holds her own and commands attention with her stellar performance. Her Charu is a mix of naive, and vulnerable who find strength to fight for her son. Gabbi has made people sit up and notice her work in the recent past with shows like Jubilee and Charlie Chopra and Khufiya will just add more heft to her repertoire.

<img alt="t" data-entity-type="file" data-entity-uuid="f09a72c3-8ced-4b1b-90c2-75cd23417501" src="//cdn.wionews.com/sites/default/files/inline-images/Your%20paragraph%20text%20-%202023-10-05T131351.924.jpg" />

Actresses Azmeri Haque Badhon and &nbsp;Navnindra Behl are also delightful in their characters. One plays a femme fatale, undercover spy who knows how to use her beauty to extract crucial state information while the other uses age to get things done.

The men too play a credible part. Ali Fazal as Ravi delivers a credible performance. It is not easy to play a regular guy onscreen but Fazal gives a restrained performance making Ravi the most unassuming yet the most dangerous person to be around. He shines the film most during the climax scene and scenes with Behl where the mother-son dynamics are very well enacted. Ashish Vidyarthi as the agency head delivers his part well.

<iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/ByojhBwG_-E?si=n4leVwXKv6yt2dTO" title="YouTube video player" width="560"></iframe>

The screenplay ever so often teases viewers with quirks and situational comedy - putting the much-needed lightness in the narrative. Farhad Ahmed Dehlvi shoots several of the scenes almost like a painting. The mood is grim and tense and Dehlvi's able camera work helps to maintain the tone throughout.

I do wish the film was slightly shorter. It is a slow-burner thriller and takes ample time to reveal the plot and its characters fully. &nbsp;The film is nearly two hours and thirty minutes long and the narrative is not as fast-paced as an espionage thriller is expected to be. It tries to dig deeper into KM and Octopus' relationship and explain why KM is so obsessed with nabbing the mole whose actions led to Octopus' death.

Khufiya isn't your usual espionage film. Or the kind of films we are used to watching. No chest-thumping nationalism, no alpha male saving the day, and no monologues of desh-bhakti or mother's love. It has an uncanny hero who is flawed as a person but superb at her job. Sharp, patient, and compassionate.&nbsp;

Vishal Bhardwaj and Tabu is a combination that never disappoints and Khufiya just adds to that list. It demands your attention and patience but it is worth your time. Khufiya is streaming on Netflix.

Vishal Bhardwaj peels off layers, slowly revealing plot points one by one in his latest Khufiya. I have to be honest, when I first watched the teaser of Khufiya, I had not expected it to be an espionage thriller.

Vishal Bhardwaj peels off layers, slowly revealing plot points one by one in his latest Khufiya. I have to be honest, when I first watched the teaser of Khufiya, I had not expected it to be an espionage thriller. The makers added a note right in the beginning to make the viewers understand the years it is set in and the tensions and political manipulation that was taking place in the subcontinent post the Kargil war. Pakistan and India were both discreetly trying to influence Bangladesh's political structure to their advantage. But Khufiya is not a political film. Bhardwaj's thriller isn't just an espionage thriller focussing on the relationship of three neighbouring countries, it is also the story of intelligence agent KM aka Krishna Mehra (Tabu), and her journey of acceptance and moving on. KM is an investigating officer of the Research and Analytics Wing who is given the daunting task of identifying and arresting a mole in the system. The agency realises that top secrets of the country were being made available to the enemy camp and led to the death of a local spy in Bangladesh. For KM, agent Octopus (Bangladeshi actress Azmeri Haque Badhon) was not just a spy but also a companion of sorts. Her death shakes up KM who now wants to nab those who have created this mess. The prime suspect is Ravi Mohan(Ali Fazal), who, according to the agency, has been living a far more lavish life than he can afford with his income. Ravi's wife Charu (Wamiqa Gabbi), the agency suspects, is one of his main accomplices who helps him leak important information about Indian intelligence to Pakistan. To the world Ravi and Charu seem unassuming, a regular Indian couple who live with Ravi's aged mother and a child in an apartment in Delhi but that for KM itself is the biggest alibi. As KM and her team bug Ravi's office and home, revelations come out but not the sorts they would be expecting. Is Ravi the main culprit? Does the family realise they are under surveillance and more importantly does KM get to avenge Octopus' death and find the mole forms the rest of the story. Based on Amar Bhushan's book Escape to Nowhere, Vishal Bhardwaj and co-writer Rohan Narula not only develop an intricate tale of secret service, geo politics and spy networks but also explore the female gaze on people and situations. The film's main protagonist KM is different. She is shown to lack emotions and is a tough nut to crack and very good at her work, so much so that she is careless as a mother to her teenage son who lives with her ex-husband. She wants to be there for her son but falters ever so often. But at the same time, KM is also sensitive to the people she recruits, pays them well, and develops a fondness for Agent Octopus and her plight. The film opens with a blurry scene of a woman walking down a rain-swept alley, almost like a painting with KM's voice describing the little details of the woman. The mole on her collarbone, the way she sneezes three times in one go- intimate details that only her partner would know. In Hindi cinema, it has always been the man describing such details about a woman he loves. In Khufiya, Bhardwaj and Narula turn the narrative. Here the woman is describing another woman, she is leading a team of men in a covet operation, it is her story of finding closure, redemption, and making amends. There could not be anyone better than Tabu to play the straight-face, slightly goofy and clumsy KM. The actress and the director have worked in many films together and each time Tabu has managed to steal the limelight in an ensemble cast. Khufiya is no different and the actress sinks her teeth in a role that almost looks like an extension of her. Slightly evasive yet sensitive, workaholic, righteous but someone who never crosses the line. Tabu's KM seems like a regular person yet she is different from the rest, for her compassion. The women in Khufiya are all splendid. Wamiqa Gabbi, Bhardwaj's newest muse, shines on her own and despite being relatively new among the cast members, holds her own and commands attention with her stellar performance. Her Charu is a mix of naive, and vulnerable who find strength to fight for her son. Gabbi has made people sit up and notice her work in the recent past with shows like Jubilee and Charlie Chopra and Khufiya will just add more heft to her repertoire. Actresses Azmeri Haque Badhon and Navnindra Behl are also delightful in their characters. One plays a femme fatale, undercover spy who knows how to use her beauty to extract crucial state information while the other uses age to get things done. The men too play a credible part. Ali Fazal as Ravi delivers a credible performance. It is not easy to play a regular guy onscreen but Fazal gives a restrained performance making Ravi the most unassuming yet the most dangerous person to be around. He shines the film most during the climax scene and scenes with Behl where the mother-son dynamics are very well enacted. Ashish Vidyarthi as the agency head delivers his part well. The screenplay ever so often teases viewers with quirks and situational comedy - putting the much-needed lightness in the narrative. Farhad Ahmed Dehlvi shoots several of the scenes almost like a painting. The mood is grim and tense and Dehlvi's able camera work helps to maintain the tone throughout. I do wish the film was slightly shorter. It is a slow-burner thriller and takes ample time to reveal the plot and its characters fully. The film is nearly two hours and thirty minutes long and the narrative is not as fast-paced as an espionage thriller is expected to be. It tries to dig deeper into KM and Octopus' relationship and explain why KM is so obsessed with nabbing the mole whose actions led to Octopus' death. Khufiya isn't your usual espionage film. Or the kind of films we are used to watching. No chest-thumping nationalism, no alpha male saving the day, and no monologues of desh-bhakti or mother's love. It has an uncanny hero who is flawed as a person but superb at her job. Sharp, patient, and compassionate. Vishal Bhardwaj and Tabu is a combination that never disappoints and Khufiya just adds to that list. It demands your attention and patience but it is worth your time. Khufiya is streaming on Netflix.

Khufiya review: Tabu, Ali Fazal's film is not your usual espionage thriller 

Filmmaker Sujoy Ghosh made Kahaani in 2012. Every film that he has made in the subsequent years has inadvertently been compared to that film. It set a benchmark for thrillers in Hindi cinema in the past decade. The story, which had Ghosh as the co-writer, remains one of the most thrilling tales of revenge ever told. With Kahaani, Ghosh himself set the benchmark very high. His latest, Jaane Jaan, which has Kareena Kapoor headlining the cast, falls under the same category of mystery thrillers, only here we know the killer from the beginning.&nbsp; 
 
Based on Keigo Higashino's novel The Devotion of Suspect X, Ghosh and co-writer- Raj Vasant take the story to Kalimpong in West Bengal. A musty, misty town where Maya (Kareena Kapoor) lives with her daughter Tara and runs a cafe in the town. She is a single mother and her life revolves around her daughter and her work. Naren (Jaideep Ahlawat) is her mysterious, awkward neighbour, who visits her cafe daily, only to catch a glimpse of Maya. One fine day an unwanted visitor, Ajay Mharatre (Saurabh Sachdeva) comes knocking at Maya's door. Turns out he is her husband. An argument ensues and it leads to Ajay's death. Naren comes to help Maya dispose of the body. 
 
Days later cop Karan Anand (Vijay Varma) comes to visit the hilly town in search of Ajay Mhatre and Maya becomes his main suspect. Naren, a brilliant Math teacher, creates the perfect alibi for Maya and his daughter. But Karan is a sharp investigator so it isn't easy to fool him. Does Maya get arrested for her crime or does Naren save the day, forms the rest of the story.&nbsp; 
 
Higashino's 2005 novel has been adapted into other languages over the years and also formed the base for Jeethu Joseph's immensely successful Drishyam. Jaane Jaan is similar to Drishyam in that sense as it introduces the audience to the crime and murderer right at the beginning but then takes the viewer on a journey of how the story unfolds afterwards - with alibis in place and calculative mastermind laying the right trap for the cop. But unlike Drishyam which keeps you on the edge, Jaane Jaan slackens ever so often and sometimes even gives away a few of the key plot points smack in the middle of the film.&nbsp; 
 
The nearly 2 hour film meanders slightly in between, and I found myself getting a little impatient at some scenes thinking why aren't we getting to the main point? But while the story slackens, Ghosh uses his incredible cast to create just the right ambience. It's a stellar cast and merges commercial and art houses so well. Jaane Jaan has an uncanny trio taking the film forward. The very commercially successful Kareena Kapoor with OTT favourites Jaideep Ahlawat and Vijay Varma. All three are cast in strikingly different characters - stuff that they haven't played on screen before. Kareena shuns all the glamour and instead, sports worry lines and looks tired as Maya- a hardworking single mom wanting to give a good life to her daughter. Her past is told only in blurry flashbacks, almost in one sentence during an interrogation scene. She remains unattainable, to the viewer and Naren - mysterious, slightly cold yet desirable. It's a restrained performance for Kapoor who has over the years mastered this act in films like Talaash and Laal Singh Chadha.&nbsp; 
 
Vijay Varma plays the charmy, witty slightly cocky Karan Anand who doesn't get much of a back story but yet manages to make you smile. We are so used to seeing the man play the villain in the films and series, that it feels refreshing to see him play the sharp cop eager to solve the mystery of a missing man. His character is also lured by the mysterious Maya and even though he tries to fight his emotions, he finds himself getting drawn to the woman.&nbsp;

The film though belongs to Jaideep Ahlawat, who plays the straight-faced awkward math genius Naren. Unsure, balding before time and deeply devoted to Maya, Naren makes you uncomfortable with his gazes yet provides the assurance that Maya needs in times of crisis. His is the most complex role and Ahlawat, known for his talent, does not disappoint.&nbsp; 
 
Ghosh, who is an ardent admirer of RD Burman's song, uses the composer's songs throughout the film that enhance the narrative and give out important details. It's a clever usage and one that is typical of Ghosh's films.&nbsp; 
 
I do wish Avik Mukhopadhyay's camera work had more lighting though. He does manage to create a sense of aura and danger lurking in every corner but some of the scenes are shot in terribly low light making things very unclear. Perhaps that was intentional for the narrative. Or not. 
 
Jaane Jaan may not engage you completely and from start to finish but it is a performance-driven film. The climax is underwhelming slightly and makes you feel that you already had a sense of how it would unfold but nevertheless its principal cast- Kareena Kapoor, Jaideep Ahlawat and Vijay Varma- make the film worth your time. Jaane Jaan is streaming on Netflix.&nbsp; 
 
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Filmmaker Sujoy Ghosh made Kahaani in 2012. Every film that he has made in the subsequent years has inadvertently been compared to that film. It set a benchmark for thrillers in Hindi cinema in the past decade.

Filmmaker Sujoy Ghosh made Kahaani in 2012. Every film that he has made in the subsequent years has inadvertently been compared to that film. It set a benchmark for thrillers in Hindi cinema in the past decade. The story, which had Ghosh as the co-writer, remains one of the most thrilling tales of revenge ever told. With Kahaani, Ghosh himself set the benchmark very high. His latest, Jaane Jaan, which has Kareena Kapoor headlining the cast, falls under the same category of mystery thrillers, only here we know the killer from the beginning. Based on Keigo Higashino's novel The Devotion of Suspect X, Ghosh and co-writer- Raj Vasant take the story to Kalimpong in West Bengal. A musty, misty town where Maya (Kareena Kapoor) lives with her daughter Tara and runs a cafe in the town. She is a single mother and her life revolves around her daughter and her work. Naren (Jaideep Ahlawat) is her mysterious, awkward neighbour, who visits her cafe daily, only to catch a glimpse of Maya. One fine day an unwanted visitor, Ajay Mharatre (Saurabh Sachdeva) comes knocking at Maya's door. Turns out he is her husband. An argument ensues and it leads to Ajay's death. Naren comes to help Maya dispose of the body. Days later cop Karan Anand (Vijay Varma) comes to visit the hilly town in search of Ajay Mhatre and Maya becomes his main suspect. Naren, a brilliant Math teacher, creates the perfect alibi for Maya and his daughter. But Karan is a sharp investigator so it isn't easy to fool him. Does Maya get arrested for her crime or does Naren save the day, forms the rest of the story. Higashino's 2005 novel has been adapted into other languages over the years and also formed the base for Jeethu Joseph's immensely successful Drishyam. Jaane Jaan is similar to Drishyam in that sense as it introduces the audience to the crime and murderer right at the beginning but then takes the viewer on a journey of how the story unfolds afterwards - with alibis in place and calculative mastermind laying the right trap for the cop. But unlike Drishyam which keeps you on the edge, Jaane Jaan slackens ever so often and sometimes even gives away a few of the key plot points smack in the middle of the film. The nearly 2 hour film meanders slightly in between, and I found myself getting a little impatient at some scenes thinking why aren't we getting to the main point? But while the story slackens, Ghosh uses his incredible cast to create just the right ambience. It's a stellar cast and merges commercial and art houses so well. Jaane Jaan has an uncanny trio taking the film forward. The very commercially successful Kareena Kapoor with OTT favourites Jaideep Ahlawat and Vijay Varma. All three are cast in strikingly different characters - stuff that they haven't played on screen before. Kareena shuns all the glamour and instead, sports worry lines and looks tired as Maya- a hardworking single mom wanting to give a good life to her daughter. Her past is told only in blurry flashbacks, almost in one sentence during an interrogation scene. She remains unattainable, to the viewer and Naren - mysterious, slightly cold yet desirable. It's a restrained performance for Kapoor who has over the years mastered this act in films like Talaash and Laal Singh Chadha. Vijay Varma plays the charmy, witty slightly cocky Karan Anand who doesn't get much of a back story but yet manages to make you smile. We are so used to seeing the man play the villain in the films and series, that it feels refreshing to see him play the sharp cop eager to solve the mystery of a missing man. His character is also lured by the mysterious Maya and even though he tries to fight his emotions, he finds himself getting drawn to the woman. The film though belongs to Jaideep Ahlawat, who plays the straight-faced awkward math genius Naren. Unsure, balding before time and deeply devoted to Maya, Naren makes you uncomfortable with his gazes yet provides the assurance that Maya needs in times of crisis. His is the most complex role and Ahlawat, known for his talent, does not disappoint. Ghosh, who is an ardent admirer of RD Burman's song, uses the composer's songs throughout the film that enhance the narrative and give out important details. It's a clever usage and one that is typical of Ghosh's films. I do wish Avik Mukhopadhyay's camera work had more lighting though. He does manage to create a sense of aura and danger lurking in every corner but some of the scenes are shot in terribly low light making things very unclear. Perhaps that was intentional for the narrative. Or not. Jaane Jaan may not engage you completely and from start to finish but it is a performance-driven film. The climax is underwhelming slightly and makes you feel that you already had a sense of how it would unfold but nevertheless its principal cast- Kareena Kapoor, Jaideep Ahlawat and Vijay Varma- make the film worth your time. Jaane Jaan is streaming on Netflix.

Jaane Jaan review: Jaideep Ahlawat, Kareena Kapoor, Vijay Varma make the film worth your time

OTT giant Netflix and Indian studio Yash Raj Films (YRF) have joined hands to collaborate and create content. The partnership is reportedly for multiple years. The two entities will “collaborate to create films and series to bring defining stories to audiences in India and across the world,” they said in a statement. 
 
The first projects to come out of the partnership are The Railway Men - based on 1984 Bhopal gas tragedy and Maharaj which will mark Aamir Khan's son Junaid Khan's acting debut.&nbsp; 
 
About The Railway Men 
 
The character-driver thriller, The Railway Men is a four-part series starring R Madhavan, Kay Kay Menon, Divyendu Sharma and Babil Khan, which is directed by debutant director Shiv Rawail. A cloud of toxic gas escaped from an American pesticide plant, in 1984, in the central Indian city of Bhopal. It killed and injured thousands of people. The protagonists of The Railway Men&nbsp;are workers at the Bhopal railway station who saved thousands of lives. It is the first production from YRF Entertainment, the studio’s streaming production arm. 
 
About Maharaj 
 
Aamir Khan's <a href="https://www.wionews.com/entertainment/bollywood/news-aamir-khans-son-junaid-to-make-his-acting-debut-with-yrf-and-netflixs-film-maharaj-636252">son Junaid Khan makes his acting debut i</a>n the film which also co-stars Jaideep Ahlawat, Sharvari &amp; Shalini Pandey. The film has been directed by Siddharth P Malhotra, whose last film Hichki was a global hit.&nbsp; 
 
Set in the 1800s, film Maharaj is a David vs Goliath story about how a regular man, a journalist by profession, takes on a powerful role model of society, hailed by many as a messiah for the masses. The fearless reporter uncovers a series of incidents that shake the very foundation of society. 
 
Busy 2023 for YRF 
 
The production house has had a good 2023 so far. The studio’s Pathaan&nbsp;starring Shah Rukh Khan, was released in January and is the biggest Indian box office hit of the year. Khan’s next release, Jawan, was distributed internationally by YRF. Jawan is the third biggest hit of the year and has already earned over Rs 6 billion at the global box office within a week of its release.&nbsp; 
 
Netflix series The Romantics, about YRF founder Yash Chopra, was a hit for the service. 
&nbsp;

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OTT giant Netflix and Indian studio Yash Raj Films (YRF) have joined hands to collaborate and create content. The partnership is reportedly for multiple years. The two entities will “collaborate to create films and series to bring defining stories to audiences in India and across the world,” they said in a statement.

OTT giant Netflix and Indian studio Yash Raj Films (YRF) have joined hands to collaborate and create content. The partnership is reportedly for multiple years. The two entities will “collaborate to create films and series to bring defining stories to audiences in India and across the world,” they said in a statement. The first projects to come out of the partnership are The Railway Men - based on 1984 Bhopal gas tragedy and Maharaj which will mark Aamir Khan's son Junaid Khan's acting debut. About The Railway Men The character-driver thriller, The Railway Men is a four-part series starring R Madhavan, Kay Kay Menon, Divyendu Sharma and Babil Khan, which is directed by debutant director Shiv Rawail. A cloud of toxic gas escaped from an American pesticide plant, in 1984, in the central Indian city of Bhopal. It killed and injured thousands of people. The protagonists of The Railway Men are workers at the Bhopal railway station who saved thousands of lives. It is the first production from YRF Entertainment, the studio’s streaming production arm. About Maharaj Aamir Khan's son Junaid Khan makes his acting debut in the film which also co-stars Jaideep Ahlawat, Sharvari & Shalini Pandey. The film has been directed by Siddharth P Malhotra, whose last film Hichki was a global hit. Set in the 1800s, film Maharaj is a David vs Goliath story about how a regular man, a journalist by profession, takes on a powerful role model of society, hailed by many as a messiah for the masses. The fearless reporter uncovers a series of incidents that shake the very foundation of society. Busy 2023 for YRF The production house has had a good 2023 so far. The studio’s Pathaan starring Shah Rukh Khan, was released in January and is the biggest Indian box office hit of the year. Khan’s next release, Jawan, was distributed internationally by YRF. Jawan is the third biggest hit of the year and has already earned over Rs 6 billion at the global box office within a week of its release. Netflix series The Romantics, about YRF founder Yash Chopra, was a hit for the service. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Yash Raj Films and Netflix sign up for multi-year creative partnership, launch The Railway Men, Maharaj

Aamir Khan's son&nbsp;Junaid&nbsp;is set to make his acting debut soon. Rumours around Aamir's eldest son's acting debut have been doing the rounds for a while now. And now, it has been confirmed that Junaid will be making his foray into acting with the Yash Raj Film and Netflix project titled Maharaj.

Directed by&nbsp;Hichki fame Siddharth P. Malhotra, the film&nbsp;will also star Jaideep Ahlawat, Sharvari Wagh, and Shalini Pandey.&nbsp;

On Sep 15, Netflix India and Yash Raj Films announced their multi-year creative partnership. In the announcement post, they wrote: "Netflix and Yash Raj Films join forces to bring a new era of blockbusters! Coming soon."&nbsp;

Also read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-margot-robbie-joins-sag-aftra-protest-rally-earns-praises-from-fans-636239">Margot Robbie joins SAG-AFTRA protest rally, earns praises from fans</a>

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Netflix and Yash Raj Films join forces to bring a new era of blockbusters! Coming soon! <a href="https://twitter.com/NetflixIndia?ref_src=twsrc%5Etfw">@NetflixIndia</a> <a href="https://t.co/i2TeJutOxK">pic.twitter.com/i2TeJutOxK</a>
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More about Maharaj

Maharaj is a period piece set in the 1800s. The film will be a David vs Goliath story about how a regular man, a journalist by profession, takes on a powerful role model of society, hailed by many as a messiah of&nbsp;the masses. The fearless reporter uncovers a series of incidents that shake the very foundation of society.&nbsp;

Junaid is the eldest son of Aamir and his first wife, Reena Dutta. Over the years, Junaid has assisted in many films like Rajkumar Hirani's PK, Rang De Basanti, Taare Zameen Par, and Laal Singh Chaddha, among others.

Apart from Maharaj, YRF and Netflix will also be releasing a web series titled The Railway Men. The four-part series stars R. Madhavan, Kay Kay Memon, and others.

The series will be about the unsung heroes of the 1984 Bhopal gas tragedy. The protagonists of the show will play the role of a Bhopal railway station worker who saved thousands of lives back then. 
 
&nbsp;

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&nbsp;

Aamir Khan's son Junaid is set to make his acting debut soon. Rumours around Aamir's eldest son's acting debut have been doing the rounds for a while now. And now, it has been confirmed that Junaid will be making his foray into acting with the Yash Raj Film and Netflix project titled Maharaj.

Aamir Khan's son Junaid is set to make his acting debut soon. Rumours around Aamir's eldest son's acting debut have been doing the rounds for a while now. And now, it has been confirmed that Junaid will be making his foray into acting with the Yash Raj Film and Netflix project titled Maharaj. Directed by Hichki fame Siddharth P. Malhotra, the film will also star Jaideep Ahlawat, Sharvari Wagh, and Shalini Pandey. On Sep 15, Netflix India and Yash Raj Films announced their multi-year creative partnership. In the announcement post, they wrote: "Netflix and Yash Raj Films join forces to bring a new era of blockbusters! Coming soon." Also read: Margot Robbie joins SAG-AFTRA protest rally, earns praises from fans Netflix and Yash Raj Films join forces to bring a new era of blockbusters! Coming soon! @NetflixIndia pic.twitter.com/i2TeJutOxK — Yash Raj Films (@yrf) September 15, 2023 × More about Maharaj Maharaj is a period piece set in the 1800s. The film will be a David vs Goliath story about how a regular man, a journalist by profession, takes on a powerful role model of society, hailed by many as a messiah of the masses. The fearless reporter uncovers a series of incidents that shake the very foundation of society. Junaid is the eldest son of Aamir and his first wife, Reena Dutta. Over the years, Junaid has assisted in many films like Rajkumar Hirani's PK, Rang De Basanti, Taare Zameen Par, and Laal Singh Chaddha, among others. Apart from Maharaj, YRF and Netflix will also be releasing a web series titled The Railway Men. The four-part series stars R. Madhavan, Kay Kay Memon, and others. The series will be about the unsung heroes of the 1984 Bhopal gas tragedy. The protagonists of the show will play the role of a Bhopal railway station worker who saved thousands of lives back then. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Aamir Khan's son Junaid to make his acting debut with YRF and Netflix's film Maharaj

Sex Education, Netflix's hit Britsh drama series, is gearing up for its fourth season, and fans cannot wait to see more of their favourite characters. The show has tackled some sensitive topics while delivering hilarious and emotional moments.

Sex Education, Netflix's hit Britsh drama series, is gearing up for its fourth season, and fans cannot wait to see more of their favourite characters. The show has tackled some sensitive topics while delivering hilarious and emotional moments. Here's everything you need to know about the Sex Education Season 4. When will Sex Education Season 4 be released in India? The trailer for the most-awaited fourth season of Sex Education is out. Netflix gave a glimpse of the upcoming season in the trailer, which was released on September 12. Netflix will release all eight episodes of Sex Education Season 4 on September 21. Sex Education Season 4 Plot Sex Education Season 4, Sex School, will feature the students of Moordale Secondary who jeopardised their school's funding after a bold and colourful display on Opening Day. Otis and Eric will attend the Cavendish Sixth Form College. While Otis is nervous about setting up his clinic, Eric is praying they won't become losers again. However, Cavendish turns out to be a whole new world for them. They have daily yoga in the communal garden and a strong sustainability vibe. The popular kids here are famous for their 'kindness.' However, Otis is neither the only child at his home nor the only therapist in the school. ALSO READ | What are those? Internet is obsessed with Jennifer Aniston's new slimming compression trousers Maeve is living her dream at the prestigious Wallace University in the United States. Viv does not like the new college's student-led and non-competitive approach. Jackson struggles to get over Cal, and Aimee tries something new by taking an Art A-Level. Adam tries to understand whether mainstream education is for him. Sex Education Season 4 Cast Many cast members from previous seasons will not be returning, including Simone Ashley (Olivia), Patricia Allison (Ola), Tanya Reynolds (Lily), and Rakhee Thakrar (Emily Sands). Here's the cast of the fourth and final season of Sex Education: Asa Butterfield as Otis Milburn Emma Mackey as Maeve Wiley Gillian Anderson as Jean Milburn Ncuti Gatwa as Eric Effiong Connor Swindells as Adam Groff Alistair Petrie as Michael Groff Kedar Williams-Stirling as Jackson Marchetti Aimée Lou Wood as Aimee Gibbs Mimi Keene as Ruby Matthews George Robinson as Isaac Goodwin Chinenye Ezeudu as Vivienne Odusanya Dua Saleh as Cal Bowman Samantha Spiro as Maureen Groff Jim Howick as Colin Hendricks Daniel Ings as Dan (With inputs from agencies) WATCH WION LIVE HERE

Sex Education Season 4: Check release date, story plot, cast and all you need to know about the Netflix drama

Kareena Kapoor plays a woman with a dark past and now a murder suspect in Sujoy Ghosh's new film Jaane Jaan. Kapoor headlines the mystery thriller which is set to release later this month on Netflix. The film also features Vijay Varma and Jaideep Ahlawat and is set in the misty, dark town of Kalimpong.

The trailer of Jaane Jaan&nbsp;dropped on social media on Tuesday (Sep 5) and it promises to be a dark, twisted tale of love, seduction and murder.&nbsp; 
 
Kareena plays the role of Maya D’Souza in the film, which is set in the hill station of Kalimpong. The trailer shows Maya to be in an abusive relationship, which her neighbour Naren (Ahlawat) knows about. Vijay plays the cop Karan, who shows up in Kalimpong looking for Maya’s missing husband and develops a romantic relationship with her. Karan and Naren are old friends who now are attracted to the same woman.&nbsp;

The film is based on the bestselling mystery novel The Devotion of Suspect X.&nbsp;The original novel was told through the perspective of a clinical maths teacher who helped his neighbour cover up the murder of her husband. &nbsp;From the looks of the trailer, Jaane Jaan seems to tell the story from the woman's perspective instead of her neighbour.&nbsp;

Watch the trailer of Jaane Jaan here:&nbsp;

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Produced by Ekta Kapoor, the film will be premiering on Netflix on 21 September, which also happens to be Kareena Kapoor's birthday.&nbsp; 
 
Sujoy is best known for his hit thriller Kahaani. His last theatrical film was 2019’s Badla, starring Amitabh Bachchan. Amrita Singh and Taapsee Pannu and it was received well. He also helmed a Netflix series, Typewriter, and most recently directed a segment in the anthology film Lust Stories 2 which starred Vijay Varma and Tamannaah Bhatia.&nbsp; 
 
This will be Kareena's first release since the 2022 film Laal Singh Chaddha. While Kareena's performance was loved by one and all, that film starring Aamir Khan tanked commercially.

Vijay has had a busy year; in addition to starring in Sujoy’s Lust Stories 2 short, he also appeared in the crime series Dahaad and Kaalkoot. Jaideep was last seen in the film An Action Hero.&nbsp;

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Kareena Kapoor plays a woman with a dark past and now a murder suspect in Sujoy Ghosh's new film Jaane Jaan. Kapoor headlines the mystery thriller which is set to release later this month on Netflix.

Kareena Kapoor plays a woman with a dark past and now a murder suspect in Sujoy Ghosh's new film Jaane Jaan. Kapoor headlines the mystery thriller which is set to release later this month on Netflix. The film also features Vijay Varma and Jaideep Ahlawat and is set in the misty, dark town of Kalimpong. The trailer of Jaane Jaan dropped on social media on Tuesday (Sep 5) and it promises to be a dark, twisted tale of love, seduction and murder. Kareena plays the role of Maya D’Souza in the film, which is set in the hill station of Kalimpong. The trailer shows Maya to be in an abusive relationship, which her neighbour Naren (Ahlawat) knows about. Vijay plays the cop Karan, who shows up in Kalimpong looking for Maya’s missing husband and develops a romantic relationship with her. Karan and Naren are old friends who now are attracted to the same woman. The film is based on the bestselling mystery novel The Devotion of Suspect X. The original novel was told through the perspective of a clinical maths teacher who helped his neighbour cover up the murder of her husband. From the looks of the trailer, Jaane Jaan seems to tell the story from the woman's perspective instead of her neighbour. Watch the trailer of Jaane Jaan here: Produced by Ekta Kapoor, the film will be premiering on Netflix on 21 September, which also happens to be Kareena Kapoor's birthday. Sujoy is best known for his hit thriller Kahaani. His last theatrical film was 2019’s Badla, starring Amitabh Bachchan. Amrita Singh and Taapsee Pannu and it was received well. He also helmed a Netflix series, Typewriter, and most recently directed a segment in the anthology film Lust Stories 2 which starred Vijay Varma and Tamannaah Bhatia. This will be Kareena's first release since the 2022 film Laal Singh Chaddha. While Kareena's performance was loved by one and all, that film starring Aamir Khan tanked commercially. Vijay has had a busy year; in addition to starring in Sujoy’s Lust Stories 2 short, he also appeared in the crime series Dahaad and Kaalkoot. Jaideep was last seen in the film An Action Hero. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Jaane Jaan trailer: Kareena Kapoor, Vijay Varma, Jaideep Ahlawat's tale of love, seduction and murder

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Kareena Kapoor Khan is all set to make her OTT debut. After a long wait, the first look of Kareena's first OTT film, titled Jaane Jaan, is here. Directed by Sujoy Ghosh, the film also stars Jaideep Ahlawat and Vijay Varma.

On Friday, the first teaser of the film was unveiled, along with the premiere date.

Also read:&nbsp;<a href="https://www.wionews.com/entertainment/bollywood/news-karan-johar-to-launch-saifs-son-ibrahim-ali-khan-ropes-in-kajol-for-film-629054">Karan Johar to launch Saif's son Ibrahim Ali Khan, ropes in Kajol for film</a>

Watch the teaser here:

The first teaser of the upcoming Netflix film introduces us to a dark yet mysterious world. The short clip stars Kareena singing the retro song ''Jaane Jaan'', and further, we also get our first glimpse of Jaideep Ahlawat and Vijay Varma.

Kareena is reportedly playing the role of a mother. In the teaser, she looks mysterious with&nbsp;serious looks on her face. Meanwhile, Jaideep is sporting a half-bald look, and Vijay is playing the role of a cop.&nbsp;

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The caption of the teaser reads, "Jaane Jaan is coming on our very own Jaane Jaan’s birthday @kareenakapoorkhan. Mark your calendars for a present like no other. #JaaneJaan arrives 21 September, only on Netflix!"&nbsp;

Also read:&nbsp;<a href="https://www.wionews.com/entertainment/bollywood/news-wait-what-akshay-kumar-raveena-tandon-to-reunite-on-screen-after-19-years-629029">Wait, what? Akshay Kumar, Raveena Tandon to reunite on screen after 19 years</a>

<h2>More about Jaane Jaan</h2>

Directed by Sujoy Ghosh, the film is an adaptation of Keigo Higashino's novel Devotion of Suspect X. More information about the plot of the film has been kept under wraps. The movie will be released on September 21, 2023, marking Kareena's birthday.

<h2>Kareena on the work front</h2>

Kareena was last seen in Aamir Khan's Laal Singh Chaddha, which was the Hindi adaptation of the Academy Award-winning 1994 film Forrest Gump, which starred Tom Hanks in the lead role. 
 
The film received mixed reviews from the audience and faced a huge backlash from them. The film tanked at the box office.

The other project that Kareena is working on is The Crew co-starring&nbsp;Tabu and Kriti Sanon. She's also working on Hansal Mehta's next untitled project.

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&nbsp;

Kareena Kapoor Khan is all set to make her OTT debut. After a long wait, the first look of Kareena's first OTT film, titled Jaane Jaan, is here. Directed by Sujoy Ghosh, the film also stars Jaideep Ahlawat and Vijay Varma.

Kareena Kapoor Khan is all set to make her OTT debut. After a long wait, the first look of Kareena's first OTT film, titled Jaane Jaan, is here. Directed by Sujoy Ghosh, the film also stars Jaideep Ahlawat and Vijay Varma. On Friday, the first teaser of the film was unveiled, along with the premiere date. Also read: Karan Johar to launch Saif's son Ibrahim Ali Khan, ropes in Kajol for film Watch the teaser here: The first teaser of the upcoming Netflix film introduces us to a dark yet mysterious world. The short clip stars Kareena singing the retro song ''Jaane Jaan'', and further, we also get our first glimpse of Jaideep Ahlawat and Vijay Varma. Kareena is reportedly playing the role of a mother. In the teaser, she looks mysterious with serious looks on her face. Meanwhile, Jaideep is sporting a half-bald look, and Vijay is playing the role of a cop. View this post on Instagram A post shared by Netflix India (@netflix_in) × The caption of the teaser reads, "Jaane Jaan is coming on our very own Jaane Jaan’s birthday @kareenakapoorkhan. Mark your calendars for a present like no other. #JaaneJaan arrives 21 September, only on Netflix!" Also read: Wait, what? Akshay Kumar, Raveena Tandon to reunite on screen after 19 years More about Jaane Jaan Directed by Sujoy Ghosh, the film is an adaptation of Keigo Higashino's novel Devotion of Suspect X. More information about the plot of the film has been kept under wraps. The movie will be released on September 21, 2023, marking Kareena's birthday. Kareena on the work front Kareena was last seen in Aamir Khan's Laal Singh Chaddha, which was the Hindi adaptation of the Academy Award-winning 1994 film Forrest Gump, which starred Tom Hanks in the lead role. The film received mixed reviews from the audience and faced a huge backlash from them. The film tanked at the box office. The other project that Kareena is working on is The Crew co-starring Tabu and Kriti Sanon. She's also working on Hansal Mehta's next untitled project. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Jaane Jaan first look: Kareena Kapoor Khan's Netflix film to release on this date

This is going to be special. Pakistani stars Fawad Khan, Mahira Khan and Sanam Saeed are coming together for Netflix's first Pakistan-themed original. The series, according to a report in Variety, is adapted from the 2013 Urdu novel Jo Bachay Hain Sang Samait Lo by Farhat Ishtiaq, who incidentally had also written the novel Humsafar on which Fawad and Mahira's popular show was based.&nbsp; 
 
Humsafar made Fawad and Mahira instant household names across the subcontinent and their onscreen pairing was loved by all.&nbsp;

What's the series about? 
 
The show reportedly revolves around a Harvard law student Sikandar, “who witnesses a life-altering incident,” and a talented artist Liza, who has a “troubled past." The two meet in Italy.&nbsp; 
 
The show also is special as it reunites Fawad with his Zindagi Gulzar Hai co-star Sanam Saeed. The two came together in Zee5 show Barzakh earlier.&nbsp; 
 
Others in the cast include Ahad Raza Mir (Resident Evil, World on Fire Season 2), Hamza Ali Abbasi (The Legend of Maula Jatt), Bilal Ashraf (Superstar), Maya Ali (Parey Hut Love), Iqra Aziz (Raqeeb Se), Hania Aamir (Parde Mein Rehne Do), Khushaal Khan (Muhabbat Gumshuda Meri), Nadia Jamil (Jo Bichar Gaye), Omair Rana (Pinjra) and Samina Ahmed (Ms. Marvel). 
 
The show will be set across Italy, UK and Pakistan. 
 
Besides Humsafar, Fawad and Mahira also shared the screenspace last year in the action film The Legend of Maula Jatt. It was an adaptation of the 1979 Pakistani classic Maula Jatt. Considered one of the most expensive films to be made in Pakistan, the film earned over Rs 3 billion worldwide and became the highest-grossing Pakistani film of all time. The film, however, never got a release in India- where both Fawad and Mahira have a huge fan base.&nbsp; 
&nbsp;

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This is going to be special. Pakistani stars Fawad Khan, Mahira Khan and Sanam Saeed are coming together for Netflix's first Pakistan-themed original. The series, according to a report in Variety, is adapted from the 2013 Urdu novel Jo Bachay Hain Sang Samait Lo by Farhat Ishtiaq, who incidentally had also written the novel Humsafar on which Fawad and Mahira's popular show was based.

This is going to be special. Pakistani stars Fawad Khan, Mahira Khan and Sanam Saeed are coming together for Netflix's first Pakistan-themed original. The series, according to a report in Variety, is adapted from the 2013 Urdu novel Jo Bachay Hain Sang Samait Lo by Farhat Ishtiaq, who incidentally had also written the novel Humsafar on which Fawad and Mahira's popular show was based. Humsafar made Fawad and Mahira instant household names across the subcontinent and their onscreen pairing was loved by all. What's the series about? The show reportedly revolves around a Harvard law student Sikandar, “who witnesses a life-altering incident,” and a talented artist Liza, who has a “troubled past." The two meet in Italy. The show also is special as it reunites Fawad with his Zindagi Gulzar Hai co-star Sanam Saeed. The two came together in Zee5 show Barzakh earlier. Others in the cast include Ahad Raza Mir (Resident Evil, World on Fire Season 2), Hamza Ali Abbasi (The Legend of Maula Jatt), Bilal Ashraf (Superstar), Maya Ali (Parey Hut Love), Iqra Aziz (Raqeeb Se), Hania Aamir (Parde Mein Rehne Do), Khushaal Khan (Muhabbat Gumshuda Meri), Nadia Jamil (Jo Bichar Gaye), Omair Rana (Pinjra) and Samina Ahmed (Ms. Marvel). The show will be set across Italy, UK and Pakistan. Besides Humsafar, Fawad and Mahira also shared the screenspace last year in the action film The Legend of Maula Jatt. It was an adaptation of the 1979 Pakistani classic Maula Jatt. Considered one of the most expensive films to be made in Pakistan, the film earned over Rs 3 billion worldwide and became the highest-grossing Pakistani film of all time. The film, however, never got a release in India- where both Fawad and Mahira have a huge fan base. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Fawad Khan, Mahira Khan and Sanam Saeed to feature in Netflix's first Pakistan-themed original

Disclaimer: Spoiler’s Alert: A few scenes from the short film ‘The Mirror’ have been detailed out to the best of the writer’s ability and understanding of the subject. This may spoil your film-watching experience if you haven’t watched the short yet. Readers’ discretion is advised.

Do I see myself in ‘The Mirror’?

I look at myself every day in the mirror. It is usually a rushed affair. I layer my eyes with kohl, brush my hair and give those final touches to the face, hair, and attire – and I am ready to step out.

How often do I look into the mirror and pause for some time? Do I take a moment to reflect on how far I have come by - the fears, pains, rebellions, and joys I have been through? Do I recognise my deep, dormant feelings? Do I understand the inhibitions and desires that have settled in, deep within?

Perhaps not.

Perhaps, the emotions are so cold, suppressed, and underdeveloped that they generally don’t show up in day-to-day events. The sentiments start becoming mature only when they are faced with a situation. A situation that challenges the status quo and throws us into a deep pit of wanting.

And, thus, we enter the world behind the face into the mirror.

Something like that happened when I watched ‘The Mirror’.

The Mirror&nbsp;– a short by the brilliant filmmaker Konkona Sen Sharma in the Netflix anthology Lust Stories 2, explores the themes of loneliness, desire, class divide, and voyeurism, through the characters played by the terrific actors - Tillotama Shome and Amruta Subhash.

One of the initial scenes establishes the positions of the two characters – Ishita (played by Tillotama Shome) and Seema (played by Amruta Subhash). Ishita – a single, career-oriented woman, discovers that her house help – Seema is having sex with a man in her bedroom. Ishita immediately runs out to a corner. In a static frame - Ishita calls up her friend (Sen Sharma’s voice on the other end), Seema steps out, takes the lift, and the man moves out of the frame. That shot depicts the power dynamics between the characters, wherein Ishita first stands tall and firm but in a moment’s time, she too, bends down. Literally - to hide from the other two, figuratively - reaching to the core emotions that are the same, regardless of the class divide.

In a usual setting, one would terminate the services of the help. But Ishita chooses not to confront Seema about it – for Ishita starts deriving pleasure from seeing them have sex. Day after day, she sneaks into the house that is officially her own and watches them perform through a mirror. These scenes are aesthetically shot, with long continuous pans signifying the transition of days. Another impressive aspect of these scenes is the gripping soundtrack.

The extreme close-up shots of Ishita’s face while she is seeing them in action, are representative of her bottled-up emotions. Tillotama Shome’s expressions are of top class. Her eyes do all the talking and her face carries hidden sentiments of longing. There is a scene where Ishita masturbates and then breaks out crying. That one scene encapsulates everything that Ishita as a character is going through. Her internal dilemma stems from a deep-seated yearning to be with someone and be the recipient of someone’s touch and love. Despite the worldly belongings that Ishita owns, she doesn’t feel any richer than her house help. Seema may not have material possessions but has a companion to realise her needs, to love, and to traverse through life.

The film also explores the elasticity of physical spaces. How a certain space can be shared, owned, and disowned by its inhabitants - depends largely on the situation and time. In a scene where Seema first realises that Ishita is in the house and perhaps, in the know of what’s going on – Seema takes ownership of the space while Ishita tiptoes away from her own house. The choreography of the scene is tremendous and changes the underlying forces operating between the characters thereafter.

Tillotama Shome’s Ishita is strong and vulnerable – all at the same time. The character is surprised by its own switched mannerisms but owns and accepts them, nonetheless. From Monsoon Wedding to the latest The Night Manager – Shome truly lights up the frame with every character she plays on-screen.

Amruta Subhash’s Seema is strong, sassy, and upright – much like her manager in The Mirror. Subhash’s performance has all along been appreciated in Bollywood projects like - Firaaq, Gully Boy, Sacred Games 2, Choked, and Bombay Begums, among others. However, my favourite Amruta Subhash film has been Avinash Arun’s national award-winning Marathi drama Killa (2015). Subhash as a widowed mother in the coming-of-age film portrays a compelling character – tender, compassionate, and stoical at times.

The Mirror&nbsp;is Konkona Sen Sharma’s second directorial project. A Death In The Gunj&nbsp;(2017) her directorial debut established the fact that she is just as unparalleled a director as she is an actor. For anyone who has followed Sen Sharma’s work over the years across languages, it is quite difficult to put down a list of her best performances. In fact, it is almost impossible unless one is tasked to. Irrespective of whether it is a lead role or not – Sen Sharma’s acting supremacy cannot be disregarded.

However, there is one film that I cannot not mention. 15 Park Avenue&nbsp;- one of her earliest films, had the power to stir up my emotions and numb me for days when I first watched it. Sen Sharma played the character of a schizophrenic woman under the guidance and direction of her mother and prolific filmmaker – Aparna Sen. It is one of the few Indian films that talk about mental health issues with the sensitivity and understanding it warrants. 15 Park Avenue&nbsp;was released in 2005.

18 years later with The Mirror, Konkona Sen Sharma is still at her best – just that, now she dons the Director’s hat with as much dexterity as she does with her acting.

Written by Konkona Sen Sharma and Pooja Tolani, The Mirror&nbsp;is the most powerful of all shorts in Lust Stories 2. It opens you up to the world of two women who enjoy exploring sexual desire unapologetically. The film brings me to question – Why is it that the forbidden, the mysterious, and the unattainable - always so desirous? And what is it about transgression that makes desire so palpable and compelling?

The Mirror&nbsp;will make you pause, introspect and question. Allow it to find its way to your mind and reflections. It is currently streaming on Netflix.

I leave you with a few lines from one of the most admired poets of the 20th century - Sylvia Plath. The lines crossed my mind as I watched the film. Interestingly, the poem is titled Mirror.

Most of the time I meditate on the opposite wall.

It is pink, with speckles. I have looked at it so long

I think it is part of my heart. But it flickers.

Faces and darkness separate us over and over.

&nbsp;

(Disclaimer: The views of the writer do not represent the views of WION or ZMCL. Nor does WION or ZMCL endorse the views of the writer.)

You can now write for wionews.com and be a part of the community. Share your stories and opinions with us&nbsp;<a href="https://www.wionews.com/content-contribution-registration-form">here</a>.

<iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="350" src="https://www.wionews.com/live-tv/embed?autoplay=1&amp;mute=1" width="100%"></iframe>

Disclaimer: Spoiler’s Alert: A few scenes from the short film ‘The Mirror’ have been detailed out to the best of the writer’s ability and understanding of the subject.

Disclaimer: Spoiler’s Alert: A few scenes from the short film ‘The Mirror’ have been detailed out to the best of the writer’s ability and understanding of the subject. This may spoil your film-watching experience if you haven’t watched the short yet. Readers’ discretion is advised. Do I see myself in ‘The Mirror’? I look at myself every day in the mirror. It is usually a rushed affair. I layer my eyes with kohl, brush my hair and give those final touches to the face, hair, and attire – and I am ready to step out. How often do I look into the mirror and pause for some time? Do I take a moment to reflect on how far I have come by - the fears, pains, rebellions, and joys I have been through? Do I recognise my deep, dormant feelings? Do I understand the inhibitions and desires that have settled in, deep within? Perhaps not. Perhaps, the emotions are so cold, suppressed, and underdeveloped that they generally don’t show up in day-to-day events. The sentiments start becoming mature only when they are faced with a situation. A situation that challenges the status quo and throws us into a deep pit of wanting. And, thus, we enter the world behind the face into the mirror. Something like that happened when I watched ‘The Mirror’. The Mirror – a short by the brilliant filmmaker Konkona Sen Sharma in the Netflix anthology Lust Stories 2, explores the themes of loneliness, desire, class divide, and voyeurism, through the characters played by the terrific actors - Tillotama Shome and Amruta Subhash. One of the initial scenes establishes the positions of the two characters – Ishita (played by Tillotama Shome) and Seema (played by Amruta Subhash). Ishita – a single, career-oriented woman, discovers that her house help – Seema is having sex with a man in her bedroom. Ishita immediately runs out to a corner. In a static frame - Ishita calls up her friend (Sen Sharma’s voice on the other end), Seema steps out, takes the lift, and the man moves out of the frame. That shot depicts the power dynamics between the characters, wherein Ishita first stands tall and firm but in a moment’s time, she too, bends down. Literally - to hide from the other two, figuratively - reaching to the core emotions that are the same, regardless of the class divide. In a usual setting, one would terminate the services of the help. But Ishita chooses not to confront Seema about it – for Ishita starts deriving pleasure from seeing them have sex. Day after day, she sneaks into the house that is officially her own and watches them perform through a mirror. These scenes are aesthetically shot, with long continuous pans signifying the transition of days. Another impressive aspect of these scenes is the gripping soundtrack. The extreme close-up shots of Ishita’s face while she is seeing them in action, are representative of her bottled-up emotions. Tillotama Shome’s expressions are of top class. Her eyes do all the talking and her face carries hidden sentiments of longing. There is a scene where Ishita masturbates and then breaks out crying. That one scene encapsulates everything that Ishita as a character is going through. Her internal dilemma stems from a deep-seated yearning to be with someone and be the recipient of someone’s touch and love. Despite the worldly belongings that Ishita owns, she doesn’t feel any richer than her house help. Seema may not have material possessions but has a companion to realise her needs, to love, and to traverse through life. The film also explores the elasticity of physical spaces. How a certain space can be shared, owned, and disowned by its inhabitants - depends largely on the situation and time. In a scene where Seema first realises that Ishita is in the house and perhaps, in the know of what’s going on – Seema takes ownership of the space while Ishita tiptoes away from her own house. The choreography of the scene is tremendous and changes the underlying forces operating between the characters thereafter. Tillotama Shome’s Ishita is strong and vulnerable – all at the same time. The character is surprised by its own switched mannerisms but owns and accepts them, nonetheless. From Monsoon Wedding to the latest The Night Manager – Shome truly lights up the frame with every character she plays on-screen. Amruta Subhash’s Seema is strong, sassy, and upright – much like her manager in The Mirror. Subhash’s performance has all along been appreciated in Bollywood projects like - Firaaq, Gully Boy, Sacred Games 2, Choked, and Bombay Begums, among others. However, my favourite Amruta Subhash film has been Avinash Arun’s national award-winning Marathi drama Killa (2015). Subhash as a widowed mother in the coming-of-age film portrays a compelling character – tender, compassionate, and stoical at times. The Mirror is Konkona Sen Sharma’s second directorial project. A Death In The Gunj (2017) her directorial debut established the fact that she is just as unparalleled a director as she is an actor. For anyone who has followed Sen Sharma’s work over the years across languages, it is quite difficult to put down a list of her best performances. In fact, it is almost impossible unless one is tasked to. Irrespective of whether it is a lead role or not – Sen Sharma’s acting supremacy cannot be disregarded. However, there is one film that I cannot not mention. 15 Park Avenue - one of her earliest films, had the power to stir up my emotions and numb me for days when I first watched it. Sen Sharma played the character of a schizophrenic woman under the guidance and direction of her mother and prolific filmmaker – Aparna Sen. It is one of the few Indian films that talk about mental health issues with the sensitivity and understanding it warrants. 15 Park Avenue was released in 2005. 18 years later with The Mirror, Konkona Sen Sharma is still at her best – just that, now she dons the Director’s hat with as much dexterity as she does with her acting. Written by Konkona Sen Sharma and Pooja Tolani, The Mirror is the most powerful of all shorts in Lust Stories 2. It opens you up to the world of two women who enjoy exploring sexual desire unapologetically. The film brings me to question – Why is it that the forbidden, the mysterious, and the unattainable - always so desirous? And what is it about transgression that makes desire so palpable and compelling? The Mirror will make you pause, introspect and question. Allow it to find its way to your mind and reflections. It is currently streaming on Netflix. I leave you with a few lines from one of the most admired poets of the 20th century - Sylvia Plath. The lines crossed my mind as I watched the film. Interestingly, the poem is titled Mirror. Most of the time I meditate on the opposite wall. It is pink, with speckles. I have looked at it so long I think it is part of my heart. But it flickers. Faces and darkness separate us over and over. (Disclaimer: The views of the writer do not represent the views of WION or ZMCL. Nor does WION or ZMCL endorse the views of the writer.) You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Opinion | Do you see yourself in Konkana Sen Sharma's directorial The Mirror?

Bradley Cooper is back on the director's chair. The first teaser of Maestro was unveiled on Wednesday and it stars Cooper as the famed composer and conductor Leonard Bernstein and actress Carey Mulligan as his actress wife Felicia Montealegre.&nbsp; 
 
Many are terming Maestro as a musical follow-up of the 2018 Oscar-nominated film A Star Is Born which was also directed by Cooper.&nbsp; 
 
Maestro is set to premiere at the Venice Film Festival (running 30 Aug to 9 Sept) and will release in theatres on &nbsp;22 November before streaming on Netflix on 20 December. 
 
The teaser begins with a black-and-white scene and eventually bursts into colour and showcases an expansive timeframe of the complicated and decade-long love story between Leonard and Felicia.&nbsp; 
 
The teaser also hints at Leonard's gay romances with men but leans more into the story of Leonard and Felicia with shots of them talking and sitting back to back in the grass.&nbsp;

Watch the teaser of Maestro here:&nbsp;

<iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/zU6GbM5c9aE" title="YouTube video player" width="560"></iframe> 
 
The film has been produced by Cooper, Martin Scorsese and Steven Spielberg and it will be featuring Bernstein's compositions. The film also co-stars Sarah Silverman as Leonard's sister Shirley, Michael Urie as Jerome Robbins and Maya Hawke, Sam Nivola and Alexa Swinton as Leonard and Felicia's children.&nbsp; 
 
While Maestro will have its world premiere at Venice Film Festival, Cooper will not be attending the event to show solidarity with the SAG-AFTRA strike.&nbsp;

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Bradley Cooper is back on the director's chair. The first teaser of Maestro was unveiled on Wednesday and it stars Cooper as the famed composer and conductor Leonard Bernstein and actress Carey Mulligan as his actress wife Felicia Montealegre.

Bradley Cooper is back on the director's chair. The first teaser of Maestro was unveiled on Wednesday and it stars Cooper as the famed composer and conductor Leonard Bernstein and actress Carey Mulligan as his actress wife Felicia Montealegre. Many are terming Maestro as a musical follow-up of the 2018 Oscar-nominated film A Star Is Born which was also directed by Cooper. Maestro is set to premiere at the Venice Film Festival (running 30 Aug to 9 Sept) and will release in theatres on 22 November before streaming on Netflix on 20 December. The teaser begins with a black-and-white scene and eventually bursts into colour and showcases an expansive timeframe of the complicated and decade-long love story between Leonard and Felicia. The teaser also hints at Leonard's gay romances with men but leans more into the story of Leonard and Felicia with shots of them talking and sitting back to back in the grass. Watch the teaser of Maestro here: The film has been produced by Cooper, Martin Scorsese and Steven Spielberg and it will be featuring Bernstein's compositions. The film also co-stars Sarah Silverman as Leonard's sister Shirley, Michael Urie as Jerome Robbins and Maya Hawke, Sam Nivola and Alexa Swinton as Leonard and Felicia's children. While Maestro will have its world premiere at Venice Film Festival, Cooper will not be attending the event to show solidarity with the SAG-AFTRA strike.

Maestro teaser: Bradley Cooper transforms himself to play legendary composer Leonard Bernstein

Netflix first introduced gaming for its users on mobile back in 2021. Now, the streaming giant is taking the next step to make these games playable on a variety of devices.

Netflix rolls out beta test for gaming on TV & computer

Netflix has expanded its horizons beyond just entertainment viewing and it now has gaming on its platter.&nbsp;

In a recent blog post, the streaming giant revealed its latest move to include video game playing within its app and website for users on Smart TVs and computers.

Although currently in a testing phase, a select group of members in Canada and the United Kingdom can now access games through Netflix on their TVs, while support for PC and Mac will follow shortly.

<h2>Where will Netflix gaming&nbsp;be rolled out?</h2>

This initiative isn't confined to a particular region or device.

Presently, only two games, Oxenfree and Molehew's Mining Adventure, can be streamed via Netflix.

Also read |&nbsp;<a href="https://www.wionews.com/technology/netflix-implements-password-sharing-crackdown-in-india-with-focus-on-households-617971">Netflix implements password-sharing crackdown in India with focus on 'households'</a>

On TVs, these games can be controlled using a game controller smartphone app recently introduced by Netflix, eliminating the need for purchasing additional hardware like an Xbox controller.

For PC and Mac users, a keyboard and mouse will suffice for input.

<h2>Why has Netflix entered gaming?</h2>

Netflix had been dabbling in gaming, albeit with a different approach.

Instead of streaming, users previously downloaded games like Oxenfree to their mobile devices and logged into their Netflix accounts for access.

Also read |&nbsp;Netflix’s revenue reality check

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This method mirrored typical gaming experiences, requiring a Netflix account for entry.

Game streaming has witnessed a mixed trajectory in recent years across the industry.

While Google ventured into the realm with Stadia in 2019, it ultimately shut down the platform earlier this year.

In contrast, Xbox achieved some success by offering streaming as an option for subscribers of its Game Pass service.

The allure of game streaming lies in its accessibility, eliminating the need for high-end hardware, yet it can introduce challenges like input lag and visual issues with a poor internet connection.&nbsp;

WATCH WION LIVE HERE

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You can now write for wionews.com and be a part of the community. Share your stories and opinions with us <a href="https://www.wionews.com/content-contribution-registration-form">here</a>.

Netflix has expanded its horizons beyond just entertainment viewing and it now has gaming on its platter. In a recent blog post, the streaming giant revealed its latest move to include video game playing within its app and website for users on Smart TVs and computers.

Netflix has expanded its horizons beyond just entertainment viewing and it now has gaming on its platter. In a recent blog post, the streaming giant revealed its latest move to include video game playing within its app and website for users on Smart TVs and computers. Although currently in a testing phase, a select group of members in Canada and the United Kingdom can now access games through Netflix on their TVs, while support for PC and Mac will follow shortly. Where will Netflix gaming be rolled out? This initiative isn't confined to a particular region or device. Presently, only two games, Oxenfree and Molehew's Mining Adventure, can be streamed via Netflix. Also read | Netflix implements password-sharing crackdown in India with focus on 'households' On TVs, these games can be controlled using a game controller smartphone app recently introduced by Netflix, eliminating the need for purchasing additional hardware like an Xbox controller. For PC and Mac users, a keyboard and mouse will suffice for input. Why has Netflix entered gaming? Netflix had been dabbling in gaming, albeit with a different approach. Instead of streaming, users previously downloaded games like Oxenfree to their mobile devices and logged into their Netflix accounts for access. Also read | Netflix’s revenue reality check × This method mirrored typical gaming experiences, requiring a Netflix account for entry. Game streaming has witnessed a mixed trajectory in recent years across the industry. While Google ventured into the realm with Stadia in 2019, it ultimately shut down the platform earlier this year. In contrast, Xbox achieved some success by offering streaming as an option for subscribers of its Game Pass service. The allure of game streaming lies in its accessibility, eliminating the need for high-end hardware, yet it can introduce challenges like input lag and visual issues with a poor internet connection. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Game on for Netflix as streaming giant begins rolling out gaming on TV

India has come a long way in terms of viewing content on the small screen. The humble television came to India comparatively later than the rest of the world.

Over the years, TV has become one of the most powerful media in the country. With multiple channels at disposal, the humble TV is no longer a poorer version of the cinema.

The shows that air on Indian TV have their own cult following.

The production, the scale at which these shows are mounted is also huge and often film actors resort to promoting their films on the small screen in one of the shows.&nbsp; 
 
In the last decade, TV too has been facing stiff competition from OTT platforms.

The smaller screen has always been a medium to unite the family and make every family member come together to watch their favourite show on primetime.

Most shows have been family dramas which talk of familial bonding, societal norms, traditions and festivals.

OTT, on the other hand, has challenged the notion of ideal families with their experimental stories, Makers have been more brave with story telling, with characters.&nbsp; 
 
On India's 77th Independence day, here's a brief look at how far we have come in terms of storytelling on the small screen.&nbsp;

Television started in India in September 1959 as an experiment. Transmission back then was restricted to three days a week.

The purpose of the shows was mostly educational and to create awareness. Most shows were educational and broadcast in limited areas of New Delhi.&nbsp;

In 1965, a daily one-hour show was broadcast but the reception was limited to Delhi. In 1972, the broadcast was extended to Bombay- the hub for Hindi cinema since pre-Independent India.&nbsp;

In 1976, independent body Doordarshan (DD) took up the reins of television from All India Radio (AIR).&nbsp;

In 1982, as India hosted the Asian Games, DD switched over to colour transmission.

By the 1980s, DD introduced another channel and fiction shows like 'Buniyaad', 'Hum Log' aired on prime time on a weekly basis. And the serials 'Ramayana' and 'Mahabharat' led to massive popularity of DD.

The 1990s saw the emergence of satellite television as the country went through economic reforms.

In 1992, a Hong Kong-based group of companies launched Star Television. In the initial days, Star aired English content on TV dubbed in regional languages.

In 1992, Subhash Chandra launched India's first privately owned TV channel - Zee TV.

The 1990s saw the emergence of news and entertainment channels- all under satellite television. By the early 2000s, Indian audience had a plethora of channels and content to choose from. 
&nbsp; 
The satellite boom continued for nearly two decades with pay-to-view channels coming in with the advent of set-top boxes. It gave us saas-bahu dramas, reality shows, game shows and resurrected careers of several film actors as reality show judges and TV hosts.&nbsp;

The first OTT platform was introduced back in 2008 called BigFlix, where audiences could subscribe to and stream content on the internet. In 2016, Netflix came to India and since then there have been several major players in the market, including homegrown Zee5.

In 2020 as the Covid pandemic hit countries worldwide, subscription for OTT platforms increased manifold. Now, with nearly 15 million subscribers of OTT, the digital boom is posing a threat to the good old TV

At first, Netflix streamed mostly international content. But after a year in India, they started creating content for the Indian audience and premiered Sacred Games- a thriller series created by Anurag Kashyap and Vikramaditya Motwane. The show starred film actors Saif Ali Khan and Nawazuddin Siddiqui and became an instant hit.&nbsp;

Post the success of Sacred Games, several other film stars have attempted to create a niche for themselves in the digital space. Meanwhile, TV continues to thrive with long and limited fiction shows and reality shows. OTT may have now reached to smaller screens i.e phones and laptops but TV's reach - especially in the interior remains predominant.&nbsp;

<iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="350" src="https://www.wionews.com/live-tv/embed?autoplay=1&amp;mute=1" width="100%"></iframe>

India has come a long way in terms of viewing content on the small screen. The humble television came to India comparatively later than the rest of the world. Over the years, TV has become one of the most powerful media in the country.

India has come a long way in terms of viewing content on the small screen. The humble television came to India comparatively later than the rest of the world. Over the years, TV has become one of the most powerful media in the country. With multiple channels at disposal, the humble TV is no longer a poorer version of the cinema. The shows that air on Indian TV have their own cult following. The production, the scale at which these shows are mounted is also huge and often film actors resort to promoting their films on the small screen in one of the shows. In the last decade, TV too has been facing stiff competition from OTT platforms. The smaller screen has always been a medium to unite the family and make every family member come together to watch their favourite show on primetime. Most shows have been family dramas which talk of familial bonding, societal norms, traditions and festivals. OTT, on the other hand, has challenged the notion of ideal families with their experimental stories, Makers have been more brave with story telling, with characters. On India's 77th Independence day, here's a brief look at how far we have come in terms of storytelling on the small screen. Television started in India in September 1959 as an experiment. Transmission back then was restricted to three days a week. The purpose of the shows was mostly educational and to create awareness. Most shows were educational and broadcast in limited areas of New Delhi. In 1965, a daily one-hour show was broadcast but the reception was limited to Delhi. In 1972, the broadcast was extended to Bombay- the hub for Hindi cinema since pre-Independent India. In 1976, independent body Doordarshan (DD) took up the reins of television from All India Radio (AIR). In 1982, as India hosted the Asian Games, DD switched over to colour transmission. By the 1980s, DD introduced another channel and fiction shows like 'Buniyaad', 'Hum Log' aired on prime time on a weekly basis. And the serials 'Ramayana' and 'Mahabharat' led to massive popularity of DD. The 1990s saw the emergence of satellite television as the country went through economic reforms. In 1992, a Hong Kong-based group of companies launched Star Television. In the initial days, Star aired English content on TV dubbed in regional languages. In 1992, Subhash Chandra launched India's first privately owned TV channel - Zee TV. The 1990s saw the emergence of news and entertainment channels- all under satellite television. By the early 2000s, Indian audience had a plethora of channels and content to choose from. The satellite boom continued for nearly two decades with pay-to-view channels coming in with the advent of set-top boxes. It gave us saas-bahu dramas, reality shows, game shows and resurrected careers of several film actors as reality show judges and TV hosts. The first OTT platform was introduced back in 2008 called BigFlix, where audiences could subscribe to and stream content on the internet. In 2016, Netflix came to India and since then there have been several major players in the market, including homegrown Zee5. In 2020 as the Covid pandemic hit countries worldwide, subscription for OTT platforms increased manifold. Now, with nearly 15 million subscribers of OTT, the digital boom is posing a threat to the good old TV At first, Netflix streamed mostly international content. But after a year in India, they started creating content for the Indian audience and premiered Sacred Games- a thriller series created by Anurag Kashyap and Vikramaditya Motwane. The show starred film actors Saif Ali Khan and Nawazuddin Siddiqui and became an instant hit. Post the success of Sacred Games, several other film stars have attempted to create a niche for themselves in the digital space. Meanwhile, TV continues to thrive with long and limited fiction shows and reality shows. OTT may have now reached to smaller screens i.e phones and laptops but TV's reach - especially in the interior remains predominant.

India Independence: Doordarshan to Netflix: Evolution of the small screen

Move over Squid Game, there seems to be a new Korean show on Netflix that is capturing the imagination of viewers. Touted as reality series, Zombieverse is the new show on the OTT giant that has disgusted people and made many curious in equal measures. So much so that it is now being speculated if the reality show is actually scripted rather than being a reality show as it promises to be. Posed as a dating show, it puts unassumed people in a 'zombie apocalypse' where they have to complete a series of tasks in order to survive.

<h2>About Zombieverse&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;</h2>

The cast of the show includes well-known South Korean faces - Sweet Home star Lee Si Young, Korean TV personality Noh Hong Chul, DJ Park Na Rae, rapper Kim Cheol, and South Korean baseball player Yoo Hee Kwan. What begins as a dating game, ends up becoming a game of survival.&nbsp; 
 
Once stuck in the zombie apocalypse, contestants must work together to secure food, water, transport and shelter. Anyone who is caught by the fiendish zombies and bitten must be left behind while the rest have to carry on.&nbsp;

<iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/uhU7xpk7Z0Q" title="YouTube video player" width="560"></iframe> 
 
There have been several cookie-cutter reality shows in the past on Netflix and several zombie apocalypse shows too exist but what makes Zombieverse unique is the blending of two seemingly ill-fitting genres.

<h2>Is Zombieverse scripted?&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;</h2>

Though the show is being pitched as a reality show and claims to be unscripted, speculations are rife on whether in reality it actually is scripted. The obvious fictional bit is the zombie apocalypse. Netflix has brought in a crew of actors to play undead beings for the show.&nbsp; 
 
The contestants on the show will have to abide by some general rules - they must take part in the challenges and avoid being ‘bitten’ by the zombies. The rest of the show follows the same format that every reality show has so far. 
 
People can expect anything happening in Zombieverse, pretty much like in other unscripted series like Survivor, The Great British Bake Off, Pawn Stars, Love Is Blind, and more.&nbsp; 
 
Zombieverse was released on Netflix on &nbsp;8 Tuesday and since then has found many hooked to the series. It has received mix reviews on Twitter. Here take a look:

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Give <a href="https://twitter.com/hashtag/Zombieverse?src=hash&amp;ref_src=twsrc%5Etfw">#Zombieverse</a> on <a href="https://twitter.com/netflix?ref_src=twsrc%5Etfw">@Netflix</a> every award possible. If you take this show seriously, you're doing it wrong, It's absolutely worth watching. Episode 7 (Theme Park) gave me tears from laughing so much 🤣 <a href="https://t.co/JGkaUKAANY">pic.twitter.com/JGkaUKAANY</a>
— Kenny @Disney+ (@iKenny_J) <a href="https://twitter.com/iKenny_J/status/1689037849356644353?ref_src=twsrc%5Etfw">August 8, 2023</a></blockquote>
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I watched the first 2 episodes <a href="https://twitter.com/hashtag/ZombieVerse?src=hash&amp;ref_src=twsrc%5Etfw">#ZombieVerse</a> and that was so intense &amp; af! Glad they released all the episodes at once, perfect for binge-ing! 
 
It's a variety show but the vibe is that similiar like those zombie dramas 🤣 <a href="https://t.co/wg7JxP8x0P">pic.twitter.com/wg7JxP8x0P</a>
— d r a n (@daheeverse) <a href="https://twitter.com/daheeverse/status/1688908184168337409?ref_src=twsrc%5Etfw">August 8, 2023</a></blockquote>
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All that hype was for nothing. <a href="https://twitter.com/hashtag/Zombieverse?src=hash&amp;ref_src=twsrc%5Etfw">#Zombieverse</a> is less like The Walking Dead and more like a cheap, local haunted house. The series was boring and uneventful. The zombie makeup and SFX was cool, but the obstacles were uninspiring. 
 
Honestly, quite painful to get through. <a href="https://t.co/IKTsGr0saS">pic.twitter.com/IKTsGr0saS</a>
— Raven Brunner (@raventbrunner) <a href="https://twitter.com/raventbrunner/status/1688889580341067777?ref_src=twsrc%5Etfw">August 8, 2023</a></blockquote>
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I'm on episode 4 &amp; I'm loving the show, but seriously, using famous actors as NPCs? It kinda breaks the immersion 'cause we know them &amp; pretty sure the cast know them too. They should let those NPCs just be themselves instead of acting as random villagers or smthng<a href="https://twitter.com/hashtag/zombieverse?src=hash&amp;ref_src=twsrc%5Etfw">#zombieverse</a> <a href="https://t.co/xL4bqjEi4a">pic.twitter.com/xL4bqjEi4a</a>
— ayame (@ayame_v_v) <a href="https://twitter.com/ayame_v_v/status/1689105562297143296?ref_src=twsrc%5Etfw">August 9, 2023</a></blockquote>
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All 8 episodes of Zombieverse are streaming on Netflix.&nbsp;

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Move over Squid Game, there seems to be a new Korean show on Netflix that is capturing the imagination of viewers. Touted as reality series, Zombieverse is the new show on the OTT giant that has disgusted people and made many curious in equal measures.

Move over Squid Game, there seems to be a new Korean show on Netflix that is capturing the imagination of viewers. Touted as reality series, Zombieverse is the new show on the OTT giant that has disgusted people and made many curious in equal measures. So much so that it is now being speculated if the reality show is actually scripted rather than being a reality show as it promises to be. Posed as a dating show, it puts unassumed people in a 'zombie apocalypse' where they have to complete a series of tasks in order to survive. About Zombieverse The cast of the show includes well-known South Korean faces - Sweet Home star Lee Si Young, Korean TV personality Noh Hong Chul, DJ Park Na Rae, rapper Kim Cheol, and South Korean baseball player Yoo Hee Kwan. What begins as a dating game, ends up becoming a game of survival. Once stuck in the zombie apocalypse, contestants must work together to secure food, water, transport and shelter. Anyone who is caught by the fiendish zombies and bitten must be left behind while the rest have to carry on. There have been several cookie-cutter reality shows in the past on Netflix and several zombie apocalypse shows too exist but what makes Zombieverse unique is the blending of two seemingly ill-fitting genres. Is Zombieverse scripted? Though the show is being pitched as a reality show and claims to be unscripted, speculations are rife on whether in reality it actually is scripted. The obvious fictional bit is the zombie apocalypse. Netflix has brought in a crew of actors to play undead beings for the show. The contestants on the show will have to abide by some general rules - they must take part in the challenges and avoid being ‘bitten’ by the zombies. The rest of the show follows the same format that every reality show has so far. People can expect anything happening in Zombieverse, pretty much like in other unscripted series like Survivor, The Great British Bake Off, Pawn Stars, Love Is Blind, and more. Zombieverse was released on Netflix on 8 Tuesday and since then has found many hooked to the series. It has received mix reviews on Twitter. Here take a look: Give #Zombieverse on @Netflix every award possible. If you take this show seriously, you're doing it wrong, It's absolutely worth watching. Episode 7 (Theme Park) gave me tears from laughing so much 🤣 pic.twitter.com/JGkaUKAANY — Kenny @Disney+ (@iKenny_J) August 8, 2023 × I watched the first 2 episodes #ZombieVerse and that was so intense & af! Glad they released all the episodes at once, perfect for binge-ing! It's a variety show but the vibe is that similiar like those zombie dramas 🤣 pic.twitter.com/wg7JxP8x0P — d r a n (@daheeverse) August 8, 2023 × All that hype was for nothing. #Zombieverse is less like The Walking Dead and more like a cheap, local haunted house. The series was boring and uneventful. The zombie makeup and SFX was cool, but the obstacles were uninspiring. Honestly, quite painful to get through. pic.twitter.com/IKTsGr0saS — Raven Brunner (@raventbrunner) August 8, 2023 × I'm on episode 4 & I'm loving the show, but seriously, using famous actors as NPCs? It kinda breaks the immersion 'cause we know them & pretty sure the cast know them too. They should let those NPCs just be themselves instead of acting as random villagers or smthng#zombieverse pic.twitter.com/xL4bqjEi4a — ayame (@ayame_v_v) August 9, 2023 × All 8 episodes of Zombieverse are streaming on Netflix. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Zombieverse: New Korean reality show on zombie apocalypse draws in mixed reactions

As a #MeToo wave sweeps Taiwan, the nation has amended three laws governing sexual harassment in a special session of the legislature.

The changes which were approved on Monday, include tougher penalties and also grant victims a longer time to come forward and report the incidents. These changes, as per the news agency AP, are an attempt to address the issues raised by recent accusations of sexual violence on the island.

<h2>Taiwan's sexual harassment laws</h2>

The island nation has three laws governing sexual harassment, one each for workplaces, schools, and a third one that covers spheres outside the other two domains.

<h2>Sexual harassment at workplace</h2>

Amending the first one, lawmakers have made it so that employers can be fined up to a million New Taiwan Dollars (around $31,680) for failure to address&nbsp;sexual harassment complaints in workplaces.

Also read |&nbsp;<a href="https://www.wionews.com/world/netflix-show-wave-makers-creates-waves-in-taiwan-triggers-flood-of-metoo-complaints-604651">Netflix show 'Wave Makers' creates waves in Taiwan, triggers flood of #MeToo complaints</a>

Employers are also required to report cases to the local division of their labour department.&nbsp;

Additionally, plugging loopholes, lawmakers have mandated that small businesses with less than 30 but more than 10 employees must set up mechanisms for reporting sexual harassment. Earlier, small businesses were exempt from the requirement and given that more than 90 per cent of businesses in the nation have 30 people or fewer, this was a significant omission.

<h2>Sexual harassment in schools</h2>

The law for educational institutions was amended on Friday and it explicitly makes romantic relationships between educators and students under the age of 18 years illegal.

Further, principals and teachers who fail to report sexual harassment to the Ministry of Education within 24 hours can be fined under the amended law.

Overall, the penalty for sexual harassment under Taiwan's Sexual Harassment Prevention Act has&nbsp;been raised to three years in jail, which can come with the heaviest fine of 600,000 New Taiwan dollars ($19,000).

Also read |&nbsp;<a href="https://www.wionews.com/entertainment/lifestyle/news-study-shows-why-sexual-assault-victims-hesitate-to-come-forward-immediately-603065">Study shows why sexual assault victims hesitate to come forward immediately</a>

The nation's #MeToo movement was reignited in May. As per AP, back then, Chen Chien-jou, a young woman working for the ruling Democratic Progressive Party, had accused film director Hsueh Chao-hui of groping her and making unwanted sexual advances.

In the first two weeks of June, the island nation saw more than 90 people come forward, accusing individuals across Taiwan.&nbsp;

Spreading throughout Taiwanese society, these complaints, as per a BBC report, targeted doctors, professors, sporting umpires, YouTubers, and high-profile men like Tiananmen protest leader Wang Dan, and exiled poet Bei Ling.

As a #MeToo wave sweeps Taiwan, the nation has amended three laws governing sexual harassment in a special session of the legislature. The changes which were approved on Monday, include tougher penalties and also grant victims a longer time to come forward and report the incidents.

As a #MeToo wave sweeps Taiwan, the nation has amended three laws governing sexual harassment in a special session of the legislature. The changes which were approved on Monday, include tougher penalties and also grant victims a longer time to come forward and report the incidents. These changes, as per the news agency AP, are an attempt to address the issues raised by recent accusations of sexual violence on the island. Taiwan's sexual harassment laws The island nation has three laws governing sexual harassment, one each for workplaces, schools, and a third one that covers spheres outside the other two domains. Sexual harassment at workplace Amending the first one, lawmakers have made it so that employers can be fined up to a million New Taiwan Dollars (around $31,680) for failure to address sexual harassment complaints in workplaces. Also read | Netflix show 'Wave Makers' creates waves in Taiwan, triggers flood of #MeToo complaints Employers are also required to report cases to the local division of their labour department. Additionally, plugging loopholes, lawmakers have mandated that small businesses with less than 30 but more than 10 employees must set up mechanisms for reporting sexual harassment. Earlier, small businesses were exempt from the requirement and given that more than 90 per cent of businesses in the nation have 30 people or fewer, this was a significant omission. Sexual harassment in schools The law for educational institutions was amended on Friday and it explicitly makes romantic relationships between educators and students under the age of 18 years illegal. Further, principals and teachers who fail to report sexual harassment to the Ministry of Education within 24 hours can be fined under the amended law. Overall, the penalty for sexual harassment under Taiwan's Sexual Harassment Prevention Act has been raised to three years in jail, which can come with the heaviest fine of 600,000 New Taiwan dollars ($19,000). Also read | Study shows why sexual assault victims hesitate to come forward immediately The nation's #MeToo movement was reignited in May. As per AP, back then, Chen Chien-jou, a young woman working for the ruling Democratic Progressive Party, had accused film director Hsueh Chao-hui of groping her and making unwanted sexual advances. In the first two weeks of June, the island nation saw more than 90 people come forward, accusing individuals across Taiwan. Spreading throughout Taiwanese society, these complaints, as per a BBC report, targeted doctors, professors, sporting umpires, YouTubers, and high-profile men like Tiananmen protest leader Wang Dan, and exiled poet Bei Ling.

Hit with wave of #MeToo allegations, Taiwan toughens sexual harassment laws

Netflix has provided an update on its efforts to curb password-sharing among users, stating that the crackdown has been effective in several countries. The initiative has now been extended to over 100 countries, accounting for more than 80 per cent of Netflix's revenue base. The company started targeting password-sharing in the US in May, following earlier trials in several international markets since February. Despite the action taken, Netflix has reported a minimal number of account cancellations as a result of this measure.

The majority of users appear to be converting their borrowed accounts into full-paying memberships or opting for the option to add an extra member to their account for a fee.

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Under the new policy, Netflix accounts are restricted to one household, with the account holder having the choice to add a member outside of their home at an additional cost. The company is now set to address account sharing in almost all remaining countries, including India. However, in these countries, Netflix will not offer the option to pay for an extra member, as per The Hollywood Reporter, as it has recently lowered subscription prices there.

Also Read:&nbsp;<a href="https://www.wionews.com/technology/netflix-adds-nearly-6mn-new-subscribers-amid-widening-password-sharing-crackdown-617654">Netflix adds nearly 6mn new subscribers amid widening password-sharing crackdown</a>

<h2>What led to Netflix ending password-sharing?</h2>

The streaming giant suffered losses in April 2022 when it lost a million subscribers. The company reported that about 200,000 subscribers said goodbye to their subscriptions, which was the first time in more than a decade that the company lost users, instead of gaining them.

The execs had actually expected to gain 2.5 million subscribers. Then between April and July, the service lost almost a million more subscribers. But it had expected an even bigger drop, and the losses were somewhat curtailed by Stranger Things 4, which debuted in two volumes in 2022.&nbsp;

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<h2>Behind Netflix's enduring&nbsp;issues</h2>

Netflix mainly relies on its original content to garner and retain its subscriber base. But there are high costs associated with producing originals and acquiring legacy content from other studios. The company has also had a heavy investment in international markets in the last few years.

Also, it has a subscription-based model, and it is dependent on constant subscriber growth to generate revenue. If the company's subscriber growth slows down or if it experiences a decline in subscriber retention, as it did, it severely impacts its financial performance. The streaming market is becoming more competitive and subscriber retention is becoming more challenging for Netflix.&nbsp;

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-explained--why-netflix-might-survive-hollywood-strikes-of-actors-writers-617032">Explained | Why Netflix might survive Hollywood strikes of actors, writers</a>

As of now, the company has bounced back, financially speaking.

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Netflix has provided an update on its efforts to curb password-sharing among users, stating that the crackdown has been effective in several countries. The initiative has now been extended to over 100 countries, accounting for more than 80 per cent of Netflix's revenue base.

Netflix has provided an update on its efforts to curb password-sharing among users, stating that the crackdown has been effective in several countries. The initiative has now been extended to over 100 countries, accounting for more than 80 per cent of Netflix's revenue base. The company started targeting password-sharing in the US in May, following earlier trials in several international markets since February. Despite the action taken, Netflix has reported a minimal number of account cancellations as a result of this measure. The majority of users appear to be converting their borrowed accounts into full-paying memberships or opting for the option to add an extra member to their account for a fee. Under the new policy, Netflix accounts are restricted to one household, with the account holder having the choice to add a member outside of their home at an additional cost. The company is now set to address account sharing in almost all remaining countries, including India. However, in these countries, Netflix will not offer the option to pay for an extra member, as per The Hollywood Reporter, as it has recently lowered subscription prices there. Also Read: Netflix adds nearly 6mn new subscribers amid widening password-sharing crackdown What led to Netflix ending password-sharing? The streaming giant suffered losses in April 2022 when it lost a million subscribers. The company reported that about 200,000 subscribers said goodbye to their subscriptions, which was the first time in more than a decade that the company lost users, instead of gaining them. The execs had actually expected to gain 2.5 million subscribers. Then between April and July, the service lost almost a million more subscribers. But it had expected an even bigger drop, and the losses were somewhat curtailed by Stranger Things 4, which debuted in two volumes in 2022. Behind Netflix's enduring issues Netflix mainly relies on its original content to garner and retain its subscriber base. But there are high costs associated with producing originals and acquiring legacy content from other studios. The company has also had a heavy investment in international markets in the last few years. Also, it has a subscription-based model, and it is dependent on constant subscriber growth to generate revenue. If the company's subscriber growth slows down or if it experiences a decline in subscriber retention, as it did, it severely impacts its financial performance. The streaming market is becoming more competitive and subscriber retention is becoming more challenging for Netflix. Also Read: Explained | Why Netflix might survive Hollywood strikes of actors, writers As of now, the company has bounced back, financially speaking. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Netflix says password-sharing crackdown proved effective, boosted subscriber retention

Netflix's second quarter&nbsp;earnings report has left investors disappointed as the streaming giant faced challenges in its highly competitive industry. Despite adding 5.9 million new streaming customers and surpassing earnings predictions, the company fell short of analyst estimates, leading to a sharp 9 percent drop in shares during after-hours trading.

While the subscriber base continues to grow, the average revenue per member has declined, partly attributed to lower prices in certain countries.&nbsp;One of the key obstacles for Netflix is the intensifying streaming competition, coupled with a nearing saturation point in the United States market.

The company has been exploring new ways to generate revenue and attract more customers. Netflix introduced a cheaper tier with advertising in November, however, this move has not resulted in the desired financial boost. Additionally, a widespread crackdown on password sharing in May aimed to encourage users to sign up for the more affordable ad-supported tier.

Despite the setback, Netflix remains optimistic about its future prospects. The company plans to accelerate revenue growth in the second half of the year by creating compelling shows and movies, improving monetization, expanding its video game business, and enhancing the overall user experience.

The streaming giant has also raised its 2023 free cash flow estimate to $5 billion, partly due to reduced content spending during production shutdowns.

Furthermore, Netflix is hopeful that the ongoing labor strikes in Hollywood will be resolved soon, allowing the company to leverage its global production advantage. As it looks ahead, Netflix aims to increase its advertising revenue and reach 10 percent of total revenue from this source.

Netflix's second quarter earnings report has left investors disappointed as the streaming giant faced challenges in its highly competitive industry. Despite adding 5.

Netflix's second quarter earnings report has left investors disappointed as the streaming giant faced challenges in its highly competitive industry. Despite adding 5.9 million new streaming customers and surpassing earnings predictions, the company fell short of analyst estimates, leading to a sharp 9 percent drop in shares during after-hours trading. While the subscriber base continues to grow, the average revenue per member has declined, partly attributed to lower prices in certain countries. One of the key obstacles for Netflix is the intensifying streaming competition, coupled with a nearing saturation point in the United States market. The company has been exploring new ways to generate revenue and attract more customers. Netflix introduced a cheaper tier with advertising in November, however, this move has not resulted in the desired financial boost. Additionally, a widespread crackdown on password sharing in May aimed to encourage users to sign up for the more affordable ad-supported tier. Despite the setback, Netflix remains optimistic about its future prospects. The company plans to accelerate revenue growth in the second half of the year by creating compelling shows and movies, improving monetization, expanding its video game business, and enhancing the overall user experience. The streaming giant has also raised its 2023 free cash flow estimate to $5 billion, partly due to reduced content spending during production shutdowns. Furthermore, Netflix is hopeful that the ongoing labor strikes in Hollywood will be resolved soon, allowing the company to leverage its global production advantage. As it looks ahead, Netflix aims to increase its advertising revenue and reach 10 percent of total revenue from this source.

Netflix's Q2 revenue falls short of expectations, shares slide

Streaming giant Netflix said that it added 5.9 million new subscribers globally in the second quarter of 2023 amid its password-sharing crackdown.

The subscribers from the United States and Canada made up 1.17 million in the newly added 5.9 million pie of subscribers of the leading streaming platform.&nbsp;

<h2>Netflix's password sharing crackdown</h2>

The platform rolled out its password-sharing crackdown in the United States in late May. Each extra Netflix user out of a household started costing $7.99 per month. The password-sharing ban has been put into place by the streaming platform in India starting July 2023.&nbsp;

<h2>How Netflix increased its subscriber base</h2>

The revenue in each of Netflix's regions has now risen substantially, with new signups outnumbering cancellations. The streaming giant observed a positive trend of non-paying households transitioning into full-fledged Netflix memberships and an increasing number of users adding extra members to their accounts.

Also read |&nbsp;<a href="https://www.wionews.com/technology/netflix-to-launch-paid-password-sharing-feature-after-subscriber-numbers-hit-record-high-583882">Netflix to launch paid password-sharing feature after subscriber numbers hit record high</a>

Netflix's Chief Financial Officer Spencer Neumann highlighted that the majority of the company's revenue growth in the current year is expected to come from the new paid memberships, which can be largely attributed to the password-sharing crackdown rollout.&nbsp;

<h2>Netflix revenue and cash flow</h2>

Netflix generated $8.2 billion in revenue during the quarter. For 2023, the company now anticipates having at least $5 billion in free cash flow&nbsp;as opposed to the previous estimate of $3.5 billion.

Also watch |&nbsp;Netflix reduces subscription prices in over 30 countries

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The increased amount is attributed to "lower cash content spend in 2023 than originally anticipated" due to the ongoing Hollywood writers' and actors' strikes, which has caused disruptions in content production for popular shows like Stranger Things, Big Mouth and Emily in Paris.

<h2>Netflix ad-supported tier</h2>

An additional factor to&nbsp;Netflix's revenue growth is its $6.99 per month ad-supported tier. It saw a 3 per cent year-over-year increase.

The ad-supported tier gained momentum in May, reaching 5 million users globally after Netflix added support for 1080p video and the option to watch two streams simultaneously. As compared to its competitors,&nbsp;Netflix remains profitable, while Disney+, Paramount Plus and other rival streaming services are still losing money.&nbsp;

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Streaming giant Netflix said that it added 5.9 million new subscribers globally in the second quarter of 2023 amid its password-sharing crackdown. The subscribers from the United States and Canada made up 1.

Streaming giant Netflix said that it added 5.9 million new subscribers globally in the second quarter of 2023 amid its password-sharing crackdown. The subscribers from the United States and Canada made up 1.17 million in the newly added 5.9 million pie of subscribers of the leading streaming platform. Netflix's password sharing crackdown The platform rolled out its password-sharing crackdown in the United States in late May. Each extra Netflix user out of a household started costing $7.99 per month. The password-sharing ban has been put into place by the streaming platform in India starting July 2023. How Netflix increased its subscriber base The revenue in each of Netflix's regions has now risen substantially, with new signups outnumbering cancellations. The streaming giant observed a positive trend of non-paying households transitioning into full-fledged Netflix memberships and an increasing number of users adding extra members to their accounts. Also read | Netflix to launch paid password-sharing feature after subscriber numbers hit record high Netflix's Chief Financial Officer Spencer Neumann highlighted that the majority of the company's revenue growth in the current year is expected to come from the new paid memberships, which can be largely attributed to the password-sharing crackdown rollout. Netflix revenue and cash flow Netflix generated $8.2 billion in revenue during the quarter. For 2023, the company now anticipates having at least $5 billion in free cash flow as opposed to the previous estimate of $3.5 billion. Also watch | Netflix reduces subscription prices in over 30 countries × The increased amount is attributed to "lower cash content spend in 2023 than originally anticipated" due to the ongoing Hollywood writers' and actors' strikes, which has caused disruptions in content production for popular shows like Stranger Things, Big Mouth and Emily in Paris. Netflix ad-supported tier An additional factor to Netflix's revenue growth is its $6.99 per month ad-supported tier. It saw a 3 per cent year-over-year increase. The ad-supported tier gained momentum in May, reaching 5 million users globally after Netflix added support for 1080p video and the option to watch two streams simultaneously. As compared to its competitors, Netflix remains profitable, while Disney+, Paramount Plus and other rival streaming services are still losing money. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Netflix adds nearly 6mn new subscribers as password-sharing crackdown widens

It’s not all ‘chill’ in the streaming world of Netflix, as the company's q2 earnings report has left investors disappointed. Despite adding 5.9 million new streaming customers and surpassing earnings predictions, Netflix fell short of analyst estimates, causing shares to tumble nearly 9% in after-hours trading.

Netflix’s revenue reality check

India has told Netflix, Disney and other streaming services that their content should be independently reviewed for obscenity and violence before being shown online, according to a government document and sources.

The proposal was delivered to the streaming platforms at a June 20 meeting at the Information and Broadcasting Ministry. The streaming companies, also referred to as OTT platforms, objected and no decision was reached, according to government minutes of the talks and an industry source who attended.

The ministry "highlighted concerns regarding obscene and vulgar content on OTT platforms, as expressed by Members of Parliament, citizen groups, and the general public," said the minutes, which are not public but were seen by Reuters.

Netflix and Amazon have become hugely popular in India, which is set to grow into a $7 billion market for the sector by 2027, according to Media&nbsp;Partners&nbsp;Asia.

Top Bollywood stars feature in online material, some of which has faced criticism from lawmakers and the public for scenes deemed vulgar or offensive to religious sentiments.

Though all films in Indian cinemas are reviewed and certified by a government-appointed board, streamed content is not.

Also read :&nbsp;<a href="https://www.wionews.com/entertainment/bollywood/news-indian-classics-mili-bawarchi-and-koshish-to-get-a-modern-remake-614615">Indian classics Mili, Bawarchi and Koshish to get a modern remake</a>

Officials in the meeting asked the industry to consider an independent panel to review content so that unsuitable material could be weeded out, two people who attended said.

The industry objected but the officials asked them to consider the idea, they added.

The government highlighted the need for a "more proactive approach" to ensure that streaming content, "including international content", aligns with a so-called code of ethics, the minutes showed.

That code already mandates providers to exercise caution on content that could incite violence or be sensitive for religious reasons.

The meeting was attended by Amazon, Disney, Netflix, Reliance's broadcast unit, Viacom18, and Apple TV.

The companies and the ministry did not respond to requests for comments.

<h2>'Propagate Vulgarity'</h2>

The discussions signal growing scrutiny of India's fast-growing streaming market.

The proposal also comes as streaming giants protest a government order to add 50-second tobacco health warnings in each piece of content, and two years after India ordered the setting up self-regulatory bodies for complaints about streaming content.

Industry executives say India's streaming regulations are among the world's most stringent.

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At an April event, when the government agreed to a partnership with Amazon to promote film and television, Information and Broadcasting Minister Anurag Thakur said streaming platforms should "not propagate vulgarity and abuse camouflaged as creative expression".

Thakur has said complaints about obscene content were increasing and the government was willing to change regulations if need be to address the problem.

Indian officials also proposed at the meeting the formation of an expert panel to set age ratings, instead of platforms doing that themselves, one of the attendees said.

The platforms said they would ensure strong parental controls and "special care would be taken in respect of suitability of the international content", the minutes showed.

Suhasini Maniratnam of the Digital Publisher Content Grievance Council, told the gathering pre-censorship could hurt the industry growth and cost jobs, and that given the high volume of content "there is a need to specifically act" against obscene and vulgar content.

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&nbsp;

India has told Netflix, Disney and other streaming services that their content should be independently reviewed for obscenity and violence before being shown online, according to a government document and sources.

India has told Netflix, Disney and other streaming services that their content should be independently reviewed for obscenity and violence before being shown online, according to a government document and sources. The proposal was delivered to the streaming platforms at a June 20 meeting at the Information and Broadcasting Ministry. The streaming companies, also referred to as OTT platforms, objected and no decision was reached, according to government minutes of the talks and an industry source who attended. The ministry "highlighted concerns regarding obscene and vulgar content on OTT platforms, as expressed by Members of Parliament, citizen groups, and the general public," said the minutes, which are not public but were seen by Reuters. Netflix and Amazon have become hugely popular in India, which is set to grow into a $7 billion market for the sector by 2027, according to Media Partners Asia. Top Bollywood stars feature in online material, some of which has faced criticism from lawmakers and the public for scenes deemed vulgar or offensive to religious sentiments. Though all films in Indian cinemas are reviewed and certified by a government-appointed board, streamed content is not. Also read : Indian classics Mili, Bawarchi and Koshish to get a modern remake Officials in the meeting asked the industry to consider an independent panel to review content so that unsuitable material could be weeded out, two people who attended said. The industry objected but the officials asked them to consider the idea, they added. The government highlighted the need for a "more proactive approach" to ensure that streaming content, "including international content", aligns with a so-called code of ethics, the minutes showed. That code already mandates providers to exercise caution on content that could incite violence or be sensitive for religious reasons. The meeting was attended by Amazon, Disney, Netflix, Reliance's broadcast unit, Viacom18, and Apple TV. The companies and the ministry did not respond to requests for comments. 'Propagate Vulgarity' The discussions signal growing scrutiny of India's fast-growing streaming market. The proposal also comes as streaming giants protest a government order to add 50-second tobacco health warnings in each piece of content, and two years after India ordered the setting up self-regulatory bodies for complaints about streaming content. Industry executives say India's streaming regulations are among the world's most stringent. Watch : WION Exclusive: Suniel Shetty talks about Bollywood and business × At an April event, when the government agreed to a partnership with Amazon to promote film and television, Information and Broadcasting Minister Anurag Thakur said streaming platforms should "not propagate vulgarity and abuse camouflaged as creative expression". Thakur has said complaints about obscene content were increasing and the government was willing to change regulations if need be to address the problem. Indian officials also proposed at the meeting the formation of an expert panel to set age ratings, instead of platforms doing that themselves, one of the attendees said. The platforms said they would ensure strong parental controls and "special care would be taken in respect of suitability of the international content", the minutes showed. Suhasini Maniratnam of the Digital Publisher Content Grievance Council, told the gathering pre-censorship could hurt the industry growth and cost jobs, and that given the high volume of content "there is a need to specifically act" against obscene and vulgar content. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here. ×

India asks OTT platforms to review content for obscenity and violence before streaming

It’s going to be a wrap for Netflix’s Sex Education with season 4. The popular show will come to an end as the makers announced with a heavy heart that they will no longer continue the story of some of our favourite characters from the show. The final season will see Asa Butterfield and Gillian Anderson take on the role of sex therapists for the last time.

Season 4 of Sex Education will premiere on September 21, nearly two years after the third season arrived.

In a heartfelt letter to fans, creator Laurie Nunn said that as the writers were crafting season four, “it became clear that this was the right time to graduate.” The final season comes amidst news that Moordale Secondary will close. Since then, some creative changes were made, including cast members Patricia Allison (Ola), Tanya Reynolds (Lily), Simone Ashley (Olivia) and Rahkee Thakrar (Emily) announcing that they would not be returning to the series.

<h2>Read the heartfelt letter here:</h2>

Read Laurie Nunn’s letter to Sex Education fans as they decide that season 4 will mark the end of the hit show. It reads as follows:&nbsp;

This Autumn we’re back with season 4, coming to Netflix on September 21. A lot has happened since our first writers room in 2017, when we spent a month in a cramped office above a sex shop, talking about what it felt like to go through puberty.

The painful awkwardness, first crushes and big, big feelings. We wanted to make a show that would answer some of the questions we all used to have about love, sex, friendship, and our bodies. Something that would have helped our inner teenagers feel a little less alone.

It’s been overwhelming seeing how the show has connected with people around the world, and we hope it’s made some of you feel a little less alone too.

Writing this feels bittersweet, as we’ve decided the fourth season will also be the final instalment of our show. This was not an easy decision to make, but as the themes and stories of the new season crystallised, it became clear that this was the right time to graduate.

We are incredibly proud of Sex Education and feel indebted to our brilliant writers, cast and crew who put so much heart into making every episode. They have worked tirelessly to bring you this final season, and we can’t wait to share it with you.

Goodbves are the worst, but let’s celebrate all the good times we’ve had.

Laurie xo

<h2>Watch the&nbsp;teaser for the final season here:</h2>

 
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WATCH WION LIVE HERE

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You can now write for wionews.com and be a part of the community. Share your stories and opinions with us <a href="https://www.wionews.com/content-contribution-registration-form">here.</a>

 
&nbsp;

It’s going to be a wrap for Netflix’s Sex Education with season 4. The popular show will come to an end as the makers announced with a heavy heart that they will no longer continue the story of some of our favourite characters from the show.

It’s going to be a wrap for Netflix’s Sex Education with season 4. The popular show will come to an end as the makers announced with a heavy heart that they will no longer continue the story of some of our favourite characters from the show. The final season will see Asa Butterfield and Gillian Anderson take on the role of sex therapists for the last time. Season 4 of Sex Education will premiere on September 21, nearly two years after the third season arrived. In a heartfelt letter to fans, creator Laurie Nunn said that as the writers were crafting season four, “it became clear that this was the right time to graduate.” The final season comes amidst news that Moordale Secondary will close. Since then, some creative changes were made, including cast members Patricia Allison (Ola), Tanya Reynolds (Lily), Simone Ashley (Olivia) and Rahkee Thakrar (Emily) announcing that they would not be returning to the series. Read the heartfelt letter here: Read Laurie Nunn’s letter to Sex Education fans as they decide that season 4 will mark the end of the hit show. It reads as follows: This Autumn we’re back with season 4, coming to Netflix on September 21. A lot has happened since our first writers room in 2017, when we spent a month in a cramped office above a sex shop, talking about what it felt like to go through puberty. The painful awkwardness, first crushes and big, big feelings. We wanted to make a show that would answer some of the questions we all used to have about love, sex, friendship, and our bodies. Something that would have helped our inner teenagers feel a little less alone. It’s been overwhelming seeing how the show has connected with people around the world, and we hope it’s made some of you feel a little less alone too. Writing this feels bittersweet, as we’ve decided the fourth season will also be the final instalment of our show. This was not an easy decision to make, but as the themes and stories of the new season crystallised, it became clear that this was the right time to graduate. We are incredibly proud of Sex Education and feel indebted to our brilliant writers, cast and crew who put so much heart into making every episode. They have worked tirelessly to bring you this final season, and we can’t wait to share it with you. Goodbves are the worst, but let’s celebrate all the good times we’ve had. Laurie xo Watch the teaser for the final season here: WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Netflix's Sex Education coming to an end: Season 4 to be final

Netflix has roped in Director Greta Gerwig for the upcoming Hollywood flick 'The Chronicles of Narnia' series. After Harry Potter, Lord of the Rings, another popular fantasy novel is getting a series. Watch the video to know more.

Netflix signs Greta Gerwig for 'The Chronicles of Narnia', acquired film & TV rights for Narnia

Netflix has roped in Greta Gerwig the director of the upcoming Hollywood flick Barbie for the Chronicles of Narnia series. Netflix acquired the film and TV rights for Narnia based on the famous book series by CS Lewis called 'The Chronicles of Narnia' in the year 2018. With more details in our report.

The Chronicles of Greta Gerwig with Netflix

A little over a week back it was announced that Meghan Markle and Prince Harry organisation Archewell had mutually parted ways with Spotify and ended its contract with the audio streaming app. Now latest reports claim that Taylor Swift had apparently rejected an offer to feature in Markle's podcast which is now defunct.&nbsp; 
 
News reports claim that Markle had personally written to Swift requesting her to feature on the podcast but the singer rejected the offer via a representative, states a report by the Wall Street Journal.&nbsp;

The Sussexs and their multi-million deals 
 
The report also throws light on the relationships the Duke and Duchess have curated in Hollywood since their departure as senior members of the royal family in 2020. The couple&nbsp;since then has established their nonprofit organisation Archewell and signed multi-million dollar deals with Netflix and Spotify the same year.&nbsp; 
 
The first production since their deal with Netflix was the documentary Harry &amp; Meghan which premiered on December 2022.&nbsp;

According to the report, employees felt that the documentary was critical for continuing the relationship with Netflix.

While the documentary did well on the streaming app, their second project, Live to Lead, which debuted weeks later, failed to reach Netflix's top 10. Their children's programme, Pearl, was previously scrapped by the streaming service.&nbsp;

The couple has several projects in the works with the platform, though insiders have told Wall Street Journal that Netflix will likely not renew their deal&nbsp;which expires in 2025.

Things with Spotify also did not turn out the way the streaming service had initially envisioned. While Markle's podcast Archetypes was an immediate hit, with the podcast featuring special guests Serena Williams, Mariah Carey and Mindy Kaling in the first three episodes, the officials were not happy about Prince Harry's non-involvement.&nbsp;

The initial deal with Spotify reportedly included "each of the Sussexes voicing and being directly involved in a podcast."

Despite their success, their work was reportedly not without flaws. People who worked for the couple stated that the couple was not experienced in the podcast space and lacked direction. They also underestimated the amount of work it would take to produce content.

Meanwhile, it is a well-known fact that both Spotify and Netflix had been cutting costs – and content – and sources feel the axe on the Harry and Meghan's deal came for similar reasons. They also feel that the streaming giants felt that the couple had not been producing as much as they had expected.

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A little over a week back it was announced that Meghan Markle and Prince Harry organisation Archewell had mutually parted ways with Spotify and ended its contract with the audio streaming app.

A little over a week back it was announced that Meghan Markle and Prince Harry organisation Archewell had mutually parted ways with Spotify and ended its contract with the audio streaming app. Now latest reports claim that Taylor Swift had apparently rejected an offer to feature in Markle's podcast which is now defunct. News reports claim that Markle had personally written to Swift requesting her to feature on the podcast but the singer rejected the offer via a representative, states a report by the Wall Street Journal. The Sussexs and their multi-million deals The report also throws light on the relationships the Duke and Duchess have curated in Hollywood since their departure as senior members of the royal family in 2020. The couple since then has established their nonprofit organisation Archewell and signed multi-million dollar deals with Netflix and Spotify the same year. The first production since their deal with Netflix was the documentary Harry & Meghan which premiered on December 2022. According to the report, employees felt that the documentary was critical for continuing the relationship with Netflix. While the documentary did well on the streaming app, their second project, Live to Lead, which debuted weeks later, failed to reach Netflix's top 10. Their children's programme, Pearl, was previously scrapped by the streaming service. The couple has several projects in the works with the platform, though insiders have told Wall Street Journal that Netflix will likely not renew their deal which expires in 2025. Things with Spotify also did not turn out the way the streaming service had initially envisioned. While Markle's podcast Archetypes was an immediate hit, with the podcast featuring special guests Serena Williams, Mariah Carey and Mindy Kaling in the first three episodes, the officials were not happy about Prince Harry's non-involvement. The initial deal with Spotify reportedly included "each of the Sussexes voicing and being directly involved in a podcast." Despite their success, their work was reportedly not without flaws. People who worked for the couple stated that the couple was not experienced in the podcast space and lacked direction. They also underestimated the amount of work it would take to produce content. Meanwhile, it is a well-known fact that both Spotify and Netflix had been cutting costs – and content – and sources feel the axe on the Harry and Meghan's deal came for similar reasons. They also feel that the streaming giants felt that the couple had not been producing as much as they had expected.

Did Taylor Swift reject Meghan Markle's offer to feature in her podcast?

Bollywood superstar Shah Rukh Khan who marked his comeback on the silver screen this year with Pathaan after a gap of four years is now busy with his upcoming movies, Atlee’s Jawan and Rajkumar Hirani’s Dunki. Meanwhile, speculations are rife that Shah Rukh might share screen space with his daughter Suhana Khan, who will mark her debut this year with Zoya Akhtar’s Archies.

Abhishek Bachchan’s nephew Agastya Nanda and actor Janhvi Kapoor’s younger sister Khushi will also mark their entry to Bollywood with Archies.

Also read:&nbsp;<a href="https://www.wionews.com/entertainment/indian-actor-prithviraj-sustains-injury-at-a-film-set-to-undergo-surgery-608841">Indian actor Prithviraj sustains injury at a film set, to undergo surgery</a>

According to an exclusive report by Pinkvilla, Suhana Khan is going to make her theatrical debut with a film which will also feature Shah Rukh Khan in an extended cameo. The film, for which the pre-production work has already started, will be co-produced by Shah Rukh’s Red Chillies Entertainment and Marflix Pictures of filmmaker Siddarth Anand, the report added.

<h2>Shah Rukh Khan and Siddharth Anand reunite after Pathaan</h2>

Siddharth Anand worked with Shah Rukh Khan for the first time in Pathaan. The film proved to be a blockbuster at the box office. After the massive success of the film, King Khan and Anand will collaborate for the second time for Tiger Vs Pathan, which will release in 2024. According to Pinkvilla, the duo has another film in the pipeline for which Suhana Khan is being considered as the female lead.

Also read: <a href="wionews.com/entertainment/bollywood/news-pankaj-tripathi-reveals-one-thing-he-has-in-common-with-former-indian-pm-atal-bihari-vajpayee-608798">Pankaj Tripathi reveals one thing he has in common with former Indian PM Atal Bihari Vajpayee</a>

Shah Rukh's character in the film could be similar to his role in Dear Zindagi. In the movie, King Khan played an extended cameo as Dr Jahangir Khan.

The report claimed that the pre-production work for the untitled movie has already started and the movie is expected to go on floors towards the end of this year.

<h2>Shah Rukh and Suhana Khan’s upcoming films</h2>

Suhana Khan is in the news these days for her upcoming film The Archies. Recently, the trailer of the film was released. This will be Suhana's first film, which will be released on Netflix in November this year. On the other hand, Shah Rukh Khan is busy shooting for Dunki and Jawan. Significantly, this time SRK will be seen in fresh pairs as he’s sharing screen space with Nayanthara in Jawan and Taapsee Pannu in Dunki for the first time. The movies are slated to hit theatres this year in September and December, respectively.

If reports are to be believed, Shah Rukh Khan might share screen space with his daughter Suhana Khan in an upcoming film, which will be co-produced by filmmaker Sidharth Anand. The director worked with SRK in his last film Pathaan.

Bollywood superstar Shah Rukh Khan who marked his comeback on the silver screen this year with Pathaan after a gap of four years is now busy with his upcoming movies, Atlee’s Jawan and Rajkumar Hirani’s Dunki. Meanwhile, speculations are rife that Shah Rukh might share screen space with his daughter Suhana Khan, who will mark her debut this year with Zoya Akhtar’s Archies. Abhishek Bachchan’s nephew Agastya Nanda and actor Janhvi Kapoor’s younger sister Khushi will also mark their entry to Bollywood with Archies. Also read: Indian actor Prithviraj sustains injury at a film set, to undergo surgery According to an exclusive report by Pinkvilla, Suhana Khan is going to make her theatrical debut with a film which will also feature Shah Rukh Khan in an extended cameo. The film, for which the pre-production work has already started, will be co-produced by Shah Rukh’s Red Chillies Entertainment and Marflix Pictures of filmmaker Siddarth Anand, the report added. Shah Rukh Khan and Siddharth Anand reunite after Pathaan Siddharth Anand worked with Shah Rukh Khan for the first time in Pathaan. The film proved to be a blockbuster at the box office. After the massive success of the film, King Khan and Anand will collaborate for the second time for Tiger Vs Pathan, which will release in 2024. According to Pinkvilla, the duo has another film in the pipeline for which Suhana Khan is being considered as the female lead. Also read: Pankaj Tripathi reveals one thing he has in common with former Indian PM Atal Bihari Vajpayee Shah Rukh's character in the film could be similar to his role in Dear Zindagi. In the movie, King Khan played an extended cameo as Dr Jahangir Khan. The report claimed that the pre-production work for the untitled movie has already started and the movie is expected to go on floors towards the end of this year. Shah Rukh and Suhana Khan’s upcoming films Suhana Khan is in the news these days for her upcoming film The Archies. Recently, the trailer of the film was released. This will be Suhana's first film, which will be released on Netflix in November this year. On the other hand, Shah Rukh Khan is busy shooting for Dunki and Jawan. Significantly, this time SRK will be seen in fresh pairs as he’s sharing screen space with Nayanthara in Jawan and Taapsee Pannu in Dunki for the first time. The movies are slated to hit theatres this year in September and December, respectively.

Shah Rukh Khan to feature in daughter Suhana’s debut theatrical film: Report

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