Renowned filmmaker Spike Lee recently shared his thoughts on Christopher Nolan's blockbuster movie Oppenheimer, expressing a desire for the film to encompass the perspective of the Japanese people affected by the atomic bombings during World War II.

Lee, known for his impactful films addressing critical issues like racism, spoke with the Washington Post about Oppenheimer, acknowledging it as a "great film." However, he highlighted what he viewed as a crucial omission in the narrative. The film primarily focuses on the life of J Robert Oppenheimer, the physicist who played a pivotal role in developing the atomic bomb. Cillian Murphy plays the titular character.

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What Lee noted was the absence of a depiction of the Japanese perspective in Oppenheimer. While the film delves into the life and moral dilemmas of Oppenheimer, it does not explore the devastating aftermath of the atomic bombings in Hiroshima and Nagasaki, which resulted in the deaths of hundreds of thousands of Japanese civilians and left many more suffering from radiation exposure.

Also Read |&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-oppenheimer-review-nolans-visually-stunning-epic-fuses-genius-and-guilt-618110">Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt</a>

“[Nolan] is a massive filmmaker… and this is not a criticism. It’s a comment. If [‘Oppenheimer’] is three hours, I would like to add some more minutes about what happened to the Japanese people. People got vaporised. Many years later, people are radioactive. It’s not like he didn’t have power. He tells studios what to do. I would have loved to have the end of the film maybe show what it did, dropping those two nuclear bombs on Japan," said Lee while speaking to The Washington Post

Oppenheimer has been a notable success, grossing over $930 million globally and becoming Christopher Nolan's third-highest-grossing movie. However, it has yet to secure a release date in Japan.&nbsp;

<h2>Oppenheimer review</h2>

WION's review of Oppenheimer read, "Nolan's signature style, with its non-linear narrative, transcends mere storytelling, guiding the audience through a labyrinth of time and memory. Seamlessly transitioning between Oppenheimer's past and present, Nolan skillfully explores the fluidity of memory, perception, and remorse. His directorial prowess, matched with the stunning artistry of Hoyte van Hoytema, turns Oppenheimer into an exquisite visual epic, with many memorable visual images. The Trinity Test, which proved to the US government that this weapon indeed was as destructive as the scientists claimed, is depicted as an event of Biblical proportions. A moment of celebration comes a little later, but at first everyone is shaken by the enormity of the thing."

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Renowned filmmaker Spike Lee recently shared his thoughts on Christopher Nolan's blockbuster movie Oppenheimer, expressing a desire for the film to encompass the perspective of the Japanese people affected by the atomic bombings during World War II.

Renowned filmmaker Spike Lee recently shared his thoughts on Christopher Nolan's blockbuster movie Oppenheimer, expressing a desire for the film to encompass the perspective of the Japanese people affected by the atomic bombings during World War II. Lee, known for his impactful films addressing critical issues like racism, spoke with the Washington Post about Oppenheimer, acknowledging it as a "great film." However, he highlighted what he viewed as a crucial omission in the narrative. The film primarily focuses on the life of J Robert Oppenheimer, the physicist who played a pivotal role in developing the atomic bomb. Cillian Murphy plays the titular character. What Lee noted was the absence of a depiction of the Japanese perspective in Oppenheimer. While the film delves into the life and moral dilemmas of Oppenheimer, it does not explore the devastating aftermath of the atomic bombings in Hiroshima and Nagasaki, which resulted in the deaths of hundreds of thousands of Japanese civilians and left many more suffering from radiation exposure. Also Read | Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt “[Nolan] is a massive filmmaker… and this is not a criticism. It’s a comment. If [‘Oppenheimer’] is three hours, I would like to add some more minutes about what happened to the Japanese people. People got vaporised. Many years later, people are radioactive. It’s not like he didn’t have power. He tells studios what to do. I would have loved to have the end of the film maybe show what it did, dropping those two nuclear bombs on Japan," said Lee while speaking to The Washington Post Oppenheimer has been a notable success, grossing over $930 million globally and becoming Christopher Nolan's third-highest-grossing movie. However, it has yet to secure a release date in Japan. Oppenheimer review WION's review of Oppenheimer read, "Nolan's signature style, with its non-linear narrative, transcends mere storytelling, guiding the audience through a labyrinth of time and memory. Seamlessly transitioning between Oppenheimer's past and present, Nolan skillfully explores the fluidity of memory, perception, and remorse. His directorial prowess, matched with the stunning artistry of Hoyte van Hoytema, turns Oppenheimer into an exquisite visual epic, with many memorable visual images. The Trinity Test, which proved to the US government that this weapon indeed was as destructive as the scientists claimed, is depicted as an event of Biblical proportions. A moment of celebration comes a little later, but at first everyone is shaken by the enormity of the thing." WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Spike Lee praises 'great' Oppenheimer but urges inclusion of Japanese perspective: People got vapourised

Christopher Nolan's highly anticipated biopic, Oppenheimer, which delves into the life of American theoretical physicist J&nbsp;Robert Oppenheimer, the renowned figure behind the development of the atomic bomb during the Manhattan Project, has reached another milestone. As of the latest update, the film has surpassed $850 million in global box office earnings, which is nothing short of astounding. Not just because the film's production budget is around $100 million, but also because it is an R-rated three-hour biopic involving, for the most part, a lot of conversation — not exactly the characteristics of a crowd-pleaser.

It even held its ground against the star-studded, visually captivating, and clearly more commercial Barbie, directed by Greta Gerwig, in what became known as the Barbenheimer phenomenon. While Barbie may have ultimately triumphed in this cinematic showdown, Oppenheimer has maintained consistent performance and captured the attention of audiences worldwide.

<div class="videoWrapper trancodeVideo"><iframe allowfullscreen="" autoplay="1" class="includeVideo" frameborder="0" height="350" src="https://www.wionews.com/videos/the-mind-of-oppenheimer-father-of-atomic-bomb-who-turned-pacifist-614786/embed" style="width:100%;max-width:560px;" width="560"></iframe></div>

The film's star-studded cast, led by Cillian Murphy, included notable names such as Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek, and Kenneth Branagh, all contributing to the movie's success. Oppenheimer is adapted from the acclaimed book American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer. At the heart of the film lies the historic Trinity test, a pivotal event that marked the successful testing of the first atomic weapon.

<h2>Oppenheimer review</h2>

Also Read |&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-oppenheimer-review-nolans-visually-stunning-epic-fuses-genius-and-guilt-618110">Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt</a>

WION's review of Oppenheimer read, "Nolan's signature style, with its non-linear narrative, transcends mere storytelling, guiding the audience through a labyrinth of time and memory. Seamlessly transitioning between Oppenheimer's past and present, Nolan skillfully explores the fluidity of memory, perception, and remorse. His directorial prowess, matched with the stunning artistry of Hoyte van Hoytema, turns Oppenheimer into an exquisite visual epic, with many memorable visual images. The Trinity Test, which proved to the US government that this weapon indeed was as destructive as the scientists claimed, is depicted as an event of Biblical proportions. A moment of celebration comes a little later, but at first everyone is shaken by the enormity of the thing."

WATCH WION LIVE HERE

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Christopher Nolan's highly anticipated biopic, Oppenheimer, which delves into the life of American theoretical physicist J Robert Oppenheimer, the renowned figure behind the development of the atomic bomb during the Manhattan Project, has reached another milestone.

Christopher Nolan's highly anticipated biopic, Oppenheimer, which delves into the life of American theoretical physicist J Robert Oppenheimer, the renowned figure behind the development of the atomic bomb during the Manhattan Project, has reached another milestone. As of the latest update, the film has surpassed $850 million in global box office earnings, which is nothing short of astounding. Not just because the film's production budget is around $100 million, but also because it is an R-rated three-hour biopic involving, for the most part, a lot of conversation — not exactly the characteristics of a crowd-pleaser. It even held its ground against the star-studded, visually captivating, and clearly more commercial Barbie, directed by Greta Gerwig, in what became known as the Barbenheimer phenomenon. While Barbie may have ultimately triumphed in this cinematic showdown, Oppenheimer has maintained consistent performance and captured the attention of audiences worldwide. The film's star-studded cast, led by Cillian Murphy, included notable names such as Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek, and Kenneth Branagh, all contributing to the movie's success. Oppenheimer is adapted from the acclaimed book American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer. At the heart of the film lies the historic Trinity test, a pivotal event that marked the successful testing of the first atomic weapon. Oppenheimer review Also Read | Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt WION's review of Oppenheimer read, "Nolan's signature style, with its non-linear narrative, transcends mere storytelling, guiding the audience through a labyrinth of time and memory. Seamlessly transitioning between Oppenheimer's past and present, Nolan skillfully explores the fluidity of memory, perception, and remorse. His directorial prowess, matched with the stunning artistry of Hoyte van Hoytema, turns Oppenheimer into an exquisite visual epic, with many memorable visual images. The Trinity Test, which proved to the US government that this weapon indeed was as destructive as the scientists claimed, is depicted as an event of Biblical proportions. A moment of celebration comes a little later, but at first everyone is shaken by the enormity of the thing." WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Oppenheimer soars past $850mn at global box office. $1bn on the cards?

More than a month after its release, director Christopher Nolan's Oppenheimer has surged past the $700 million mark at the box office. This triumph was accompanied by another impressive accomplishment, as the Cillian Murphy-led film about the titular theoretical physicist, Manhattan Project, and the genesis of the atomic bomb soared into the top five all-time IMAX movies in terms of total earnings within the premium large screen format. The other films on the list are James Cameron's Avatar, its sequel The Way of Water, along with Star Wars: The Force Awakens and Avengers: Endgame. Oppenheimer amassed an astounding $146.4 million solely from IMAX screenings, an impressive 20 per cent contribution to the film's overall global revenue.&nbsp;

Remarkably, a significant portion of this sum, exceeding $17 million, emanated from a mere 30 screens. These select theatres showcased Oppenheimer on the 70mm print, a format Nolan himself heralded as the best way to watch the movie.

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Oppenheimer is based on Kai Bird and Martin J Sherwin's biography of J Robert Oppenheimer, American Prometheus, the subject of the film. Emily Blunt, Matt Damon, Robert Downey Jr, Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek, and Kenneth Branagh are also in the cast.

<h2>Oppenheimer review</h2>

WION's review of Oppenheimer read, "Nolan's signature style, with its non-linear narrative, transcends mere storytelling, guiding the audience through a labyrinth of time and memory. Seamlessly transitioning between Oppenheimer's past and present, Nolan skillfully explores the fluidity of memory, perception, and remorse. His directorial prowess, matched with the stunning artistry of Hoyte van Hoytema, turns Oppenheimer into an exquisite visual epic, with many memorable visual images. The Trinity Test, which proved to the US government that this weapon indeed was as destructive as the scientists claimed, is depicted as an event of Biblical proportions. A moment of celebration comes a little later, but at first everyone is shaken by the enormity of the thing."

WATCH WION LIVE HERE

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More than a month after its release, director Christopher Nolan's Oppenheimer has surged past the $700 million mark at the box office. This triumph was accompanied by another impressive accomplishment, as the Cillian Murphy-led film about the titular theoretical physicist, Manhattan Project, and the genesis of the atomic bomb soared into the top five all-time IMAX movies in terms of total earnings within the premium large screen format.

More than a month after its release, director Christopher Nolan's Oppenheimer has surged past the $700 million mark at the box office. This triumph was accompanied by another impressive accomplishment, as the Cillian Murphy-led film about the titular theoretical physicist, Manhattan Project, and the genesis of the atomic bomb soared into the top five all-time IMAX movies in terms of total earnings within the premium large screen format. The other films on the list are James Cameron's Avatar, its sequel The Way of Water, along with Star Wars: The Force Awakens and Avengers: Endgame. Oppenheimer amassed an astounding $146.4 million solely from IMAX screenings, an impressive 20 per cent contribution to the film's overall global revenue. Remarkably, a significant portion of this sum, exceeding $17 million, emanated from a mere 30 screens. These select theatres showcased Oppenheimer on the 70mm print, a format Nolan himself heralded as the best way to watch the movie. Oppenheimer is based on Kai Bird and Martin J Sherwin's biography of J Robert Oppenheimer, American Prometheus, the subject of the film. Emily Blunt, Matt Damon, Robert Downey Jr, Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek, and Kenneth Branagh are also in the cast. Oppenheimer review WION's review of Oppenheimer read, "Nolan's signature style, with its non-linear narrative, transcends mere storytelling, guiding the audience through a labyrinth of time and memory. Seamlessly transitioning between Oppenheimer's past and present, Nolan skillfully explores the fluidity of memory, perception, and remorse. His directorial prowess, matched with the stunning artistry of Hoyte van Hoytema, turns Oppenheimer into an exquisite visual epic, with many memorable visual images. The Trinity Test, which proved to the US government that this weapon indeed was as destructive as the scientists claimed, is depicted as an event of Biblical proportions. A moment of celebration comes a little later, but at first everyone is shaken by the enormity of the thing." WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Christopher Nolan's Oppenheimer becomes top 5 IMAX movie of all time, joins Avengers Endgame, Avatar

Oppenheimer, the triumphant historical biopic crafted by the acclaimed Christopher Nolan, will soon etch&nbsp;a remarkable new chapter in box office history. The film has attained a remarkable — and a little dubious — milestone. It is poised to outshine even the 2016 hit Sing, as it positions itself to claim the title of the highest-grossing domestic movie ever to have never secured the top spot at the box office. One might posit that the success of Oppenheimer owes a debt of gratitude to the concurrent presence of the Barbenheimer phenomenon, a dynamic that played an undeniable role in propelling the film to its current status.&nbsp;

Regardless, this cinematic marvel has struck gold, amassing an impressive haul of over $270 million domestically within the span of four weeks since its premiere.

<div class="videoWrapper trancodeVideo"><iframe allowfullscreen="" autoplay="1" class="includeVideo" frameborder="0" height="350" src="https://www.wionews.com/videos/the-mind-of-oppenheimer-father-of-atomic-bomb-who-turned-pacifist-614786/embed" style="width:100%;max-width:560px;" width="560"></iframe></div>

In the preceding era, Sing had enjoyed robust commercial triumphs during its release, yet its path was dogged by a dual challenge. First, it found itself pitted against the juggernaut Rogue One: A Star Wars Story, an endeavour that ultimately garnered a domestic collection of $534.9 million, indisputably securing the top-tier slot and sidelining Sing.&nbsp;

Subsequently, as the film showcased its endurance, it was once more denied the top rank by the sleeper sensation Hidden Figures, a cinematic tribute to the mathematicians underpinning the historic moon landing. However, let not Sing be overshadowed, for it claimed its own victory with a global box office sum of $634.2 million, a figure that Oppenheimer is most likely to&nbsp;eclipse.

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-oppenheimer-review-nolans-visually-stunning-epic-fuses-genius-and-guilt-618110">Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt</a>

<h2>Oppenheimer review</h2>

WION's review of Oppenheimer read, "As Oppenheimer unfolds, Nolan presents us with a kaleidoscope of ethical dilemmas that transcend time. The film's resonance lies not only in its historical accuracy but also in its exploration of the human condition, the pursuit of knowledge, and the choices that shape our destinies. Oppenheimer is an unmissable cinematic event. I am not quite sure if it is indeed Nolan's best work as many have said, but it definitely comes close."

WATCH WION LIVE HERE

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Oppenheimer, the triumphant historical biopic crafted by the acclaimed Christopher Nolan, will soon etch a remarkable new chapter in box office history. The film has attained a remarkable — and a little dubious — milestone.

Oppenheimer, the triumphant historical biopic crafted by the acclaimed Christopher Nolan, will soon etch a remarkable new chapter in box office history. The film has attained a remarkable — and a little dubious — milestone. It is poised to outshine even the 2016 hit Sing, as it positions itself to claim the title of the highest-grossing domestic movie ever to have never secured the top spot at the box office. One might posit that the success of Oppenheimer owes a debt of gratitude to the concurrent presence of the Barbenheimer phenomenon, a dynamic that played an undeniable role in propelling the film to its current status. Regardless, this cinematic marvel has struck gold, amassing an impressive haul of over $270 million domestically within the span of four weeks since its premiere. In the preceding era, Sing had enjoyed robust commercial triumphs during its release, yet its path was dogged by a dual challenge. First, it found itself pitted against the juggernaut Rogue One: A Star Wars Story, an endeavour that ultimately garnered a domestic collection of $534.9 million, indisputably securing the top-tier slot and sidelining Sing. Subsequently, as the film showcased its endurance, it was once more denied the top rank by the sleeper sensation Hidden Figures, a cinematic tribute to the mathematicians underpinning the historic moon landing. However, let not Sing be overshadowed, for it claimed its own victory with a global box office sum of $634.2 million, a figure that Oppenheimer is most likely to eclipse. Also Read: Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt Oppenheimer review WION's review of Oppenheimer read, "As Oppenheimer unfolds, Nolan presents us with a kaleidoscope of ethical dilemmas that transcend time. The film's resonance lies not only in its historical accuracy but also in its exploration of the human condition, the pursuit of knowledge, and the choices that shape our destinies. Oppenheimer is an unmissable cinematic event. I am not quite sure if it is indeed Nolan's best work as many have said, but it definitely comes close." WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Nolan's Oppenheimer about to rewrite box office history with this record

The world of cinema, much like any other realm of artistic expression, is constantly evolving. For a decade and a half, superheroes reigned supreme at the box office, drawing in massive crowds and reaping substantial profits for studios. However, in recent times, a new phenomenon has emerged that challenges the long-standing dominance of the superhero genre. With the release of Barbie and Oppenheimer in what has been dubbed the Barbenheimer double feature and the subsequent success of both movies, it has become increasingly apparent that the allure of superheroes is no longer as potent as it once was. Both DC and Marvel are at a critical juncture. While Marve Studios' foray into television has been disastrous, DC is developing a whole new universe called DCU that spans film, TV, animation, and gaming.

<h2>The Barbenheimer phenomenon: A glimpse of changing tides</h2>

In a curious turn of events last month, millions of moviegoers opted for a unique cinematic experience by embracing the Barbenheimer trend, wherein they indulged in a double feature of the films Barbie and Oppenheimer. This began as a joke, I am certain, but soon evolved into something huge. Both films were directed by auteurs who have distinctive voices, and it appears audiences had been waiting for films like that. A recent survey conducted by film tracking service The Quorum highlighted the significant impact of Barbie on revitalising theatre attendance. 11 per cent of the surveyed audience admitted to having difficulty recalling their last theatre experience prior to Barbie. Equally intriguing, another 11 per cent revealed that Barbie marked their maiden return to a theatre since the onset of the pandemic in 2020.&nbsp;

All this signifies a shift in audience preferences, suggesting a growing appetite for variety and depth in storytelling. No longer content with the conventional superhero formula, audiences are seeking films that resonate on a personal and emotional level, something most recent superhero films have not been able to do.

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<h2>Decoding the success of Barbie</h2>

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-barbie-review-margot-robbie-ryan-goslings-film-smart-funny-and-very-woke-618109">Barbie review: Margot Robbie, Ryan Gosling's film is smart, funny and very woke</a>

Directed by the talented Greta Gerwig, Barbie offers a fresh take on a beloved toy franchise, propelling the titular character, played by Margot Robbie, on a journey of self-discovery. The character's realisation of imperfections in her previously idealised appearance triggers a transformation that resonates with viewers of all ages. With themes of empowerment, societal standards, and self-acceptance, Barbie&nbsp;strikes a chord in today's world, where discussions about body positivity and individuality are at the forefront of cultural conversations.

What truly sets Barbie apart is its ability to transcend the confines of a single genre. By blending elements of adventure, drama, and self-discovery, the film caters to a diverse audience, encompassing individuals who seek narratives that challenge conventions and reflect the complexities of real-life experiences. The star-studded cast, including Margot Robbie, Ryan Gosling, and an ensemble of renowned actors, further adds to the film's allure, proving that the era of relying solely on superheroes for box office success is giving way to a more nuanced cinematic landscape.

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-oppenheimer-review-nolans-visually-stunning-epic-fuses-genius-and-guilt-618110">Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt</a>

<h2>The enigma of Oppenheimer</h2>

In contrast to the high-octane action and dazzling visuals commonly associated with blockbuster films, Nolan's Oppenheimer offers a dialogue-driven exploration of the life of J Robert Oppenheimer, played by Cillian Murphy. The film's source material, American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer, by Kai Bird and Martin J Sherwin, provides a rich backdrop for this historical biopic.

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-oppenheimer-india-box-office-christopher-nolan-film-achieves-a-significant-milestone-626681">Oppenheimer India box office: Christopher Nolan film achieves a significant milestone</a>

Nolan's reputation as a director who turns his movie releases into big events played a pivotal role in the film's success. He also has the ability to craft immersive visual and aural experiences on the silver screen and has garnered a loyal fan base that eagerly anticipates his every project. no matter what it is about. The fact that audiences embraced a 3-hour, dialogue-centric film attests to their growing appetite for fairly inaccessible films if they are made well and offer a grand experience. The star-studded ensemble, featuring Emily Blunt, Matt Damon, Robert Downey Jr, and more, further bolstered the film's appeal, underlining the demand for stories that transcend the traditional superhero mould.

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<h2>Superhero fatigue</h2>

The decline in the box office performance of recent superhero films, exemplified by the massive box office bomb that was The Flash (Disclaimer: I liked it), underscores a growing sentiment of superhero fatigue. Once the undisputed kings of the box office, superheroes now find themselves facing a critical juncture. The oversaturation of the genre across various media platforms, coupled with formulaic stories, has diminished the novelty and excitement that were once synonymous with superhero films. I noted the other day in my review of DC's latest Blue Beetle that the problem with the superhero genre is not of quantity as much it is of quality. "Too many superhero movies were made earlier too (say, around 2014), but back then, these concepts were fresh and not done to death. Now, nearly every movie is about saving the world or the universe (or even the multiverse these days)," I wrote.

(Incidentally, I loved Blue Beetle, but as optimistic as I am, I am well aware that barring a miracle the movie is doomed at the box office. The reason is not just superhero fatigue, but also because it was not promoted as well since actors' union in Hollywood, SAG-AFTRA, is on strike and the stars of the movie could not attend events like premieres.)&nbsp;

Anyway, the audiences, now more discerning than ever, are seeking something other than spandex-clad superheroes shooting waves of crackling light or some such bad guys. The success of Barbie and Oppenheimer highlights a collective desire for stories that challenge conventions. The superhero genre, while still relevant and beloved, must evolve to meet these changing demands.

<h2>A paradigm shift in cinema</h2>

As Barbie and Oppenheimer rake in impressive box office earnings, the cinematic landscape is undergoing a profound, and frankly much-needed, transformation. I grew up on a steady diet of DC and Marvel and I love superhero movies. For me, a well-made flick on Batman or Spider-Man is like reliving the best of my childhood. But the era of superhero dominance may be waning, replaced by a thirst for films that are fresher, more thought-provoking, more emotionally resonant, and more artistically daring. The Barbenheimer phenomenon is not merely a double feature; it's a manifestation of evolving audience preferences.

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You can now write for wionews.com and be a part of the community. Share your stories and opinions with us <a href="https://www.wionews.com/content-contribution-registration-form">here</a>.

The world of cinema, much like any other realm of artistic expression, is constantly evolving. For a decade and a half, superheroes reigned supreme at the box office, drawing in massive crowds and reaping substantial profits for studios.

The world of cinema, much like any other realm of artistic expression, is constantly evolving. For a decade and a half, superheroes reigned supreme at the box office, drawing in massive crowds and reaping substantial profits for studios. However, in recent times, a new phenomenon has emerged that challenges the long-standing dominance of the superhero genre. With the release of Barbie and Oppenheimer in what has been dubbed the Barbenheimer double feature and the subsequent success of both movies, it has become increasingly apparent that the allure of superheroes is no longer as potent as it once was. Both DC and Marvel are at a critical juncture. While Marve Studios' foray into television has been disastrous, DC is developing a whole new universe called DCU that spans film, TV, animation, and gaming. The Barbenheimer phenomenon: A glimpse of changing tides In a curious turn of events last month, millions of moviegoers opted for a unique cinematic experience by embracing the Barbenheimer trend, wherein they indulged in a double feature of the films Barbie and Oppenheimer. This began as a joke, I am certain, but soon evolved into something huge. Both films were directed by auteurs who have distinctive voices, and it appears audiences had been waiting for films like that. A recent survey conducted by film tracking service The Quorum highlighted the significant impact of Barbie on revitalising theatre attendance. 11 per cent of the surveyed audience admitted to having difficulty recalling their last theatre experience prior to Barbie. Equally intriguing, another 11 per cent revealed that Barbie marked their maiden return to a theatre since the onset of the pandemic in 2020. All this signifies a shift in audience preferences, suggesting a growing appetite for variety and depth in storytelling. No longer content with the conventional superhero formula, audiences are seeking films that resonate on a personal and emotional level, something most recent superhero films have not been able to do. Decoding the success of Barbie Also Read: Barbie review: Margot Robbie, Ryan Gosling's film is smart, funny and very woke Directed by the talented Greta Gerwig, Barbie offers a fresh take on a beloved toy franchise, propelling the titular character, played by Margot Robbie, on a journey of self-discovery. The character's realisation of imperfections in her previously idealised appearance triggers a transformation that resonates with viewers of all ages. With themes of empowerment, societal standards, and self-acceptance, Barbie strikes a chord in today's world, where discussions about body positivity and individuality are at the forefront of cultural conversations. What truly sets Barbie apart is its ability to transcend the confines of a single genre. By blending elements of adventure, drama, and self-discovery, the film caters to a diverse audience, encompassing individuals who seek narratives that challenge conventions and reflect the complexities of real-life experiences. The star-studded cast, including Margot Robbie, Ryan Gosling, and an ensemble of renowned actors, further adds to the film's allure, proving that the era of relying solely on superheroes for box office success is giving way to a more nuanced cinematic landscape. Also Read: Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt The enigma of Oppenheimer In contrast to the high-octane action and dazzling visuals commonly associated with blockbuster films, Nolan's Oppenheimer offers a dialogue-driven exploration of the life of J Robert Oppenheimer, played by Cillian Murphy. The film's source material, American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer, by Kai Bird and Martin J Sherwin, provides a rich backdrop for this historical biopic. Also Read: Oppenheimer India box office: Christopher Nolan film achieves a significant milestone Nolan's reputation as a director who turns his movie releases into big events played a pivotal role in the film's success. He also has the ability to craft immersive visual and aural experiences on the silver screen and has garnered a loyal fan base that eagerly anticipates his every project. no matter what it is about. The fact that audiences embraced a 3-hour, dialogue-centric film attests to their growing appetite for fairly inaccessible films if they are made well and offer a grand experience. The star-studded ensemble, featuring Emily Blunt, Matt Damon, Robert Downey Jr, and more, further bolstered the film's appeal, underlining the demand for stories that transcend the traditional superhero mould. Superhero fatigue The decline in the box office performance of recent superhero films, exemplified by the massive box office bomb that was The Flash (Disclaimer: I liked it), underscores a growing sentiment of superhero fatigue. Once the undisputed kings of the box office, superheroes now find themselves facing a critical juncture. The oversaturation of the genre across various media platforms, coupled with formulaic stories, has diminished the novelty and excitement that were once synonymous with superhero films. I noted the other day in my review of DC's latest Blue Beetle that the problem with the superhero genre is not of quantity as much it is of quality. "Too many superhero movies were made earlier too (say, around 2014), but back then, these concepts were fresh and not done to death. Now, nearly every movie is about saving the world or the universe (or even the multiverse these days)," I wrote. (Incidentally, I loved Blue Beetle, but as optimistic as I am, I am well aware that barring a miracle the movie is doomed at the box office. The reason is not just superhero fatigue, but also because it was not promoted as well since actors' union in Hollywood, SAG-AFTRA, is on strike and the stars of the movie could not attend events like premieres.) Anyway, the audiences, now more discerning than ever, are seeking something other than spandex-clad superheroes shooting waves of crackling light or some such bad guys. The success of Barbie and Oppenheimer highlights a collective desire for stories that challenge conventions. The superhero genre, while still relevant and beloved, must evolve to meet these changing demands. A paradigm shift in cinema As Barbie and Oppenheimer rake in impressive box office earnings, the cinematic landscape is undergoing a profound, and frankly much-needed, transformation. I grew up on a steady diet of DC and Marvel and I love superhero movies. For me, a well-made flick on Batman or Spider-Man is like reliving the best of my childhood. But the era of superhero dominance may be waning, replaced by a thirst for films that are fresher, more thought-provoking, more emotionally resonant, and more artistically daring. The Barbenheimer phenomenon is not merely a double feature; it's a manifestation of evolving audience preferences. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Explained | Does Barbenheimer's success signal the decline of superhero cinema?

Oppenheimer, Christopher Nolan's 3-hour biopic about American theoretical physicist J Robert Oppenheimer who is remembered as the father of the atomic bomb for heading the Manhattan Project, has surpassed the Rs 150 crore (around $18 million) mark in India. At the time of writing this, the film has collected $657.3 million dollars at the box office&nbsp;globally. Not bad for a production budget of around $100 million. The film is not a slouch even in the domestic market, grossing $272.58 million. The film even held its own against Greta Gerwig's equally star-studded and glossy Barbie, arguably more appealing to the general public, with which it was pitted in the so-called Barbenheimer phenomenon. While Barbie may have won the battle, Oppenheimer has also been a consistent performer.&nbsp;

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Starring Cillian Murphy in the lead, Oppenheimer also features names like Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek, and Kenneth Branagh in its cast. &nbsp;The film is adapted from the book American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer.&nbsp;

The event at the centre of the movie is the Trinity test, in which the first atomic weapon was successfully tested. &nbsp;

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-oppenheimer-review-nolans-visually-stunning-epic-fuses-genius-and-guilt-618110">Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt</a>

<h2>Oppenheimer review</h2>

WION's review of Oppenheimer read, "Nolan's signature style, with its non-linear narrative, transcends mere storytelling, guiding the audience through a labyrinth of time and memory. Seamlessly transitioning between Oppenheimer's past and present, Nolan skillfully explores the fluidity of memory, perception, and remorse. His directorial prowess, matched with the stunning artistry of Hoyte van Hoytema, turns Oppenheimer into an exquisite visual epic, with many memorable visual images. The Trinity Test, which proved to the US government that this weapon indeed was as destructive as the scientists claimed, is depicted as an event of Biblical proportions. A moment of celebration comes a little later, but at first everyone is shaken by the enormity of the thing."

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Oppenheimer, Christopher Nolan's 3-hour biopic about American theoretical physicist J Robert Oppenheimer who is remembered as the father of the atomic bomb for heading the Manhattan Project, has surpassed the Rs 150 crore (around $18 million) mark in India.

Oppenheimer, Christopher Nolan's 3-hour biopic about American theoretical physicist J Robert Oppenheimer who is remembered as the father of the atomic bomb for heading the Manhattan Project, has surpassed the Rs 150 crore (around $18 million) mark in India. At the time of writing this, the film has collected $657.3 million dollars at the box office globally. Not bad for a production budget of around $100 million. The film is not a slouch even in the domestic market, grossing $272.58 million. The film even held its own against Greta Gerwig's equally star-studded and glossy Barbie, arguably more appealing to the general public, with which it was pitted in the so-called Barbenheimer phenomenon. While Barbie may have won the battle, Oppenheimer has also been a consistent performer. Starring Cillian Murphy in the lead, Oppenheimer also features names like Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek, and Kenneth Branagh in its cast. The film is adapted from the book American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer. The event at the centre of the movie is the Trinity test, in which the first atomic weapon was successfully tested. Also Read: Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt Oppenheimer review WION's review of Oppenheimer read, "Nolan's signature style, with its non-linear narrative, transcends mere storytelling, guiding the audience through a labyrinth of time and memory. Seamlessly transitioning between Oppenheimer's past and present, Nolan skillfully explores the fluidity of memory, perception, and remorse. His directorial prowess, matched with the stunning artistry of Hoyte van Hoytema, turns Oppenheimer into an exquisite visual epic, with many memorable visual images. The Trinity Test, which proved to the US government that this weapon indeed was as destructive as the scientists claimed, is depicted as an event of Biblical proportions. A moment of celebration comes a little later, but at first everyone is shaken by the enormity of the thing." WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Oppenheimer India box office: Christopher Nolan film achieves a significant milestone

Cillian Murphy, known for his role as Tommy Shelby in the TV show Peaky Blinders, is currently being showered with praise for his performance in Christopher Nolan's Oppenheimer. He essays the titular role of J Robert Oppenheimer, an American nuclear physicist who headed the Manhattan Project during World War II and helped design the first atomic bomb. It also features names like Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek, and Kenneth Branagh in its cast. The film is adapted from the book American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer. The film has been a box office powerhouse, luring in hundreds of thousands of moviegoers despite a fairly niche subject.

Meanwhile, Murphy has also received plaudits from the makers of Peaky Blinders. Twitter handle of the show shared a photo of Murphy from the show. The caption read, "Huge congratulations from PEAKY BLINDERS to the mighty OPPENHEIMER on its global success. Cillian, from the moment you donned Tommy’s cap it was clear that you are at the top of your craft. Your performance as Oppenheimer is magnificent."

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-oppenheimer-review-nolans-visually-stunning-epic-fuses-genius-and-guilt-618110">Oppenheimer&nbsp;review: Nolan's visually stunning epic fuses genius and guilt</a>

<h2>What is Peaky Blinders all about?</h2>

Peaky Blinders, a British historical crime drama TV series created by Steven Knight, unfolds in post-World War I Birmingham, England. It revolves around the Shelby crime family, led by the charismatic and cunning Tommy Shelby, portrayed by Cillian Murphy. The Shelbys are a formidable gang known for their distinctive style, donning flat caps with razor blades hidden in the brims, earning them the moniker "Peaky Blinders." Engaging in a variety of criminal enterprises, such as illegal betting and protection rackets, they strive to establish dominance and expand their control in the city's underground world.

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Tommy Shelby, the enigmatic head of the Peaky Blinders, stands at the core of the narrative. Dealing with the trauma of war and grappling with the ethical implications of his criminal endeavours, Tommy is a multi-dimensional character. Despite his ruthless nature, he adheres to a personal code of honour and remains fiercely loyal to his family.

As the series progresses, viewers witness the Shelby family's rise through the ranks and their struggles with adversaries and internal conflicts. Peaky Blinders received widespread acclaim for its compelling plot, stellar performances, stylish cinematography, and a unique blend of historical context and fictional storytelling.

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-cillian-murphys-top-five-performances-including-oppenheimer-620521">Cillian Murphy's top five performances, including&nbsp;Oppenheimer</a>

<h2>Cillian Murphy optimistic about Peaky Blinders movie spinoff</h2>

Recently, Murphy, in an interview with the Happy Sad Confused podcast while promoting Oppenheimer, reflected on his portrayal of the iconic Tommy Shelby. He expressed that gaining perspective on the character might take a few more years, given the profound impact the role had on his life during the ten-year span of the series.

Murphy commended the show's tremendous success, attributing it to the exceptional writing that fueled its brilliance. Having dedicated a decade of his life to playing Tommy Shelby, he acknowledged the show's satisfying conclusion and praised the writing that made it all possible.

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-cillian-murphy-optimistic-about-peaky-blinders-movie-spinoff-i%E2%80%99ll-definitely-620542">Cillian Murphy optimistic about Peaky Blinders movie spinoff: I’ll definitely...</a>

Regarding the idea of a Peaky Blinders movie, Murphy shared his openness to the prospect, but with a caveat. He stated that for such a project to become a reality, there must be a compelling story worth telling and a continuation that feels authentic and justifiable.

In his own words, "If there's a movie there, and if there's more story to tell, I'll definitely have the conversation. I think we ended really, really well in the TV version of it."&nbsp;

<h2>Oppenheimer review</h2>

WION's review of Oppenheimer read, "As Oppenheimer unfolds, Nolan presents us with a kaleidoscope of ethical dilemmas that transcend time. The film's resonance lies not only in its historical accuracy but also in its exploration of the human condition, the pursuit of knowledge, and the choices that shape our destinies. Oppenheimer is an unmissable cinematic event. I am not quite sure if it is indeed Nolan's best work as many have said, but it definitely comes close."

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Cillian Murphy, known for his role as Tommy Shelby in the TV show Peaky Blinders, is currently being showered with praise for his performance in Christopher Nolan's Oppenheimer.

Cillian Murphy, known for his role as Tommy Shelby in the TV show Peaky Blinders, is currently being showered with praise for his performance in Christopher Nolan's Oppenheimer. He essays the titular role of J Robert Oppenheimer, an American nuclear physicist who headed the Manhattan Project during World War II and helped design the first atomic bomb. It also features names like Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek, and Kenneth Branagh in its cast. The film is adapted from the book American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer. The film has been a box office powerhouse, luring in hundreds of thousands of moviegoers despite a fairly niche subject. Meanwhile, Murphy has also received plaudits from the makers of Peaky Blinders. Twitter handle of the show shared a photo of Murphy from the show. The caption read, "Huge congratulations from PEAKY BLINDERS to the mighty OPPENHEIMER on its global success. Cillian, from the moment you donned Tommy’s cap it was clear that you are at the top of your craft. Your performance as Oppenheimer is magnificent." Also Read: Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt What is Peaky Blinders all about? Peaky Blinders, a British historical crime drama TV series created by Steven Knight, unfolds in post-World War I Birmingham, England. It revolves around the Shelby crime family, led by the charismatic and cunning Tommy Shelby, portrayed by Cillian Murphy. The Shelbys are a formidable gang known for their distinctive style, donning flat caps with razor blades hidden in the brims, earning them the moniker "Peaky Blinders." Engaging in a variety of criminal enterprises, such as illegal betting and protection rackets, they strive to establish dominance and expand their control in the city's underground world. Tommy Shelby, the enigmatic head of the Peaky Blinders, stands at the core of the narrative. Dealing with the trauma of war and grappling with the ethical implications of his criminal endeavours, Tommy is a multi-dimensional character. Despite his ruthless nature, he adheres to a personal code of honour and remains fiercely loyal to his family. As the series progresses, viewers witness the Shelby family's rise through the ranks and their struggles with adversaries and internal conflicts. Peaky Blinders received widespread acclaim for its compelling plot, stellar performances, stylish cinematography, and a unique blend of historical context and fictional storytelling. Also Read: Cillian Murphy's top five performances, including Oppenheimer Cillian Murphy optimistic about Peaky Blinders movie spinoff Recently, Murphy, in an interview with the Happy Sad Confused podcast while promoting Oppenheimer, reflected on his portrayal of the iconic Tommy Shelby. He expressed that gaining perspective on the character might take a few more years, given the profound impact the role had on his life during the ten-year span of the series. Murphy commended the show's tremendous success, attributing it to the exceptional writing that fueled its brilliance. Having dedicated a decade of his life to playing Tommy Shelby, he acknowledged the show's satisfying conclusion and praised the writing that made it all possible. Also Read: Cillian Murphy optimistic about Peaky Blinders movie spinoff: I’ll definitely... Regarding the idea of a Peaky Blinders movie, Murphy shared his openness to the prospect, but with a caveat. He stated that for such a project to become a reality, there must be a compelling story worth telling and a continuation that feels authentic and justifiable. In his own words, "If there's a movie there, and if there's more story to tell, I'll definitely have the conversation. I think we ended really, really well in the TV version of it." Oppenheimer review WION's review of Oppenheimer read, "As Oppenheimer unfolds, Nolan presents us with a kaleidoscope of ethical dilemmas that transcend time. The film's resonance lies not only in its historical accuracy but also in its exploration of the human condition, the pursuit of knowledge, and the choices that shape our destinies. Oppenheimer is an unmissable cinematic event. I am not quite sure if it is indeed Nolan's best work as many have said, but it definitely comes close." WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Peaky Blinders Hail Cillian Murphy's Oppenheimer tiumph: You are at the top of your craft

Warner Bros.' blockbuster Barbie&nbsp;earned an estimated $93 million in North American theaters this weekend as it continued "rolling down a hill of cash," industry watcher Exhibitor Relations reported Sunday.

Taken together with Universal's dark biopic Oppenheimer,&nbsp;which took in a mighty $46.2 million in its own second weekend out, the two films provided a much-needed "Barbenheimer" boost during a middling Hollywood summer.

"July would have been a lukewarm month, but then Barbie&nbsp;and Oppenheimer&nbsp;arrived, moviegoing exploded, and within one week, July caught up to its pre-pandemic average," said analyst David A. Gross of Franchise Entertainment Research. 
 
Last weekend, Barbie&nbsp;scored the biggest opening weekend of the year, at $80.5 million, showing eyebrow-raising appeal for a movie based on a small plastic doll living in a perfect pink world.&nbsp;

With Margot Robbie as Barbie&nbsp;and Ryan Gosling as boyfriend Ken,&nbsp;the Greta Gerwig film has now generated $351.4 million in North American ticket sales, along with $423 million abroad, likely setting it on track to be the next billion-dollar flick.

Oppenheimer&nbsp;also showed exceptional strength for a historical drama, with its second-weekend result -- like that of Barbie-- among the best in box-office history, said analyst Paul Dergarabedian. The story of the creation of America's atomic bomb has now earned $174.1 million domestically and $226 million abroad.

In third for the weekend was a new Disney release, Haunted Mansion,&nbsp;at $24.2 million. Disney spent $150 million to produce the kid-centric film so it has a way to go to reach profitability, according to Variety. The movie stars LaKeith Stanfield, Tiffany Haddish and Owen Wilson.

Fourth spot went to the independent Sound of Freedom,&nbsp;from Santa Fe Films and Angel Studios, at $12.4 million. The low-budget action thriller has sparked controversy, with critics saying its story about child sex trafficking plays into Qanon conspiracy theories.

And hanging steady at fifth was Paramount's Mission: Impossible -- Dead Reckoning Part One.&nbsp;This latest in the popular Tom Cruise series took in $10.7 million, meaning all of the top five films scored in the double-digit millions.

Rounding out the top 10 were:

Talk to Me&nbsp;($10 million)

Indiana Jones and the Dial of Destiny&nbsp;($4 million)

Elemental&nbsp;($3.4 million)

Insidious: The Red Door ($3.2 million) 
 
Spider-Man: Across the Spider-Verse&nbsp;($1.4 million)

Warner Bros.' blockbuster Barbie earned an estimated $93 million in North American theaters this weekend as it continued "rolling down a hill of cash," industry watcher Exhibitor Relations reported Sunday.

Warner Bros.' blockbuster Barbie earned an estimated $93 million in North American theaters this weekend as it continued "rolling down a hill of cash," industry watcher Exhibitor Relations reported Sunday. Taken together with Universal's dark biopic Oppenheimer, which took in a mighty $46.2 million in its own second weekend out, the two films provided a much-needed "Barbenheimer" boost during a middling Hollywood summer. "July would have been a lukewarm month, but then Barbie and Oppenheimer arrived, moviegoing exploded, and within one week, July caught up to its pre-pandemic average," said analyst David A. Gross of Franchise Entertainment Research. Last weekend, Barbie scored the biggest opening weekend of the year, at $80.5 million, showing eyebrow-raising appeal for a movie based on a small plastic doll living in a perfect pink world. With Margot Robbie as Barbie and Ryan Gosling as boyfriend Ken, the Greta Gerwig film has now generated $351.4 million in North American ticket sales, along with $423 million abroad, likely setting it on track to be the next billion-dollar flick. Oppenheimer also showed exceptional strength for a historical drama, with its second-weekend result -- like that of Barbie-- among the best in box-office history, said analyst Paul Dergarabedian. The story of the creation of America's atomic bomb has now earned $174.1 million domestically and $226 million abroad. In third for the weekend was a new Disney release, Haunted Mansion, at $24.2 million. Disney spent $150 million to produce the kid-centric film so it has a way to go to reach profitability, according to Variety. The movie stars LaKeith Stanfield, Tiffany Haddish and Owen Wilson. Fourth spot went to the independent Sound of Freedom, from Santa Fe Films and Angel Studios, at $12.4 million. The low-budget action thriller has sparked controversy, with critics saying its story about child sex trafficking plays into Qanon conspiracy theories. And hanging steady at fifth was Paramount's Mission: Impossible -- Dead Reckoning Part One. This latest in the popular Tom Cruise series took in $10.7 million, meaning all of the top five films scored in the double-digit millions. Rounding out the top 10 were: Talk to Me ($10 million) Indiana Jones and the Dial of Destiny ($4 million) Elemental ($3.4 million) Insidious: The Red Door ($3.2 million) Spider-Man: Across the Spider-Verse ($1.4 million)

Barbie stays atop 'hill of cash' in North America theaters

With Oppenheimer, Christopher Nolan's latest film, hitting theatres worldwide, it has received resounding acclaim from both critics and audiences. The film's success at the box office is further amplified by the Barbenheimer phenomenon, with eager moviegoers flocking to experience Nolan's storytelling prowess on the big screen once again. As expected with any Nolan production, Oppenheimer is sparking numerous discussions and debates among viewers, as they delve into its themes and intricacies. However, in contrast to some of Nolan's previous works, like the mind-bending Inception, Oppenheimer is not as head-scratching or enigmatic. Inception, in particular, was pretty dense throughout in terms of lore and even its ending was ambiguous. And even now, film buffs discuss what exactly that final moment meant.&nbsp;

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-oppenheimer-review-nolans-visually-stunning-epic-fuses-genius-and-guilt-618110">Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt</a>

<h2>What was Inception all about?</h2>

Inception revolved around Leonardo DiCaprio's character, Cobb, a skilled thief who delves into people's subconscious to steal information. As the story unfolds, Cobb traverses between dreams and reality until he finally reunites with his children in the last scene. In that pivotal moment, Cobb spins a totem — a device that determines if he is in a dream — but he chooses not to witness its outcome before cutting to black. This left audiences worldwide holding their breath in anticipation.

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<h2>What does Inception&nbsp;ending mean? Christopher Nolan says his wife and producer Emma Thomas has the answer</h2>

During a recent interview on the Happy Sad Confused podcast, Nolan may have given us an insight into the ending. He shared that, at some point, he frequently faced questions about the film's conclusion, especially when caught outside a screening.

Nolan attributed the best explanation to his wife and producer, Emma Thomas. He emphasised that the significance of the final shot lies in the fact that Cobb's character doesn't care about the distinction between dream and reality at that moment. It's a question Nolan doesn't feel entirely comfortable answering.

“I think it was Emma who pointed out the correct answer, really, is that the character, Leo’s character - the point of the shot is the character doesn’t care at that point. It’s not a question I comfortably answer," he said.

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<h2>How did the audience react to Inception's ending?</h2>

The audience reaction to Inception's ending was diverse and divided. Since the film's release in 2010, the ambiguous conclusion sparked countless discussions and interpretations among viewers worldwide. The final scene left audiences with unanswered questions.

Some viewers embraced the open-ended nature of the ending, appreciating its thought-provoking and mysterious quality. They enjoyed the ambiguity, as it allowed for personal interpretations and discussions about the nature of reality, dreams, and the human mind.

On the other hand, some audience members felt frustrated with the lack of a clear resolution. They wanted a definitive answer to whether Cobb was in a dream or if he had returned to reality. This group may have found the ending unsatisfying or felt that it left too much unresolved.

&nbsp;

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With Oppenheimer, Christopher Nolan's latest film, hitting theatres worldwide, it has received resounding acclaim from both critics and audiences. The film's success at the box office is further amplified by the Barbenheimer phenomenon, with eager moviegoers flocking to experience Nolan's storytelling prowess on the big screen once again.

With Oppenheimer, Christopher Nolan's latest film, hitting theatres worldwide, it has received resounding acclaim from both critics and audiences. The film's success at the box office is further amplified by the Barbenheimer phenomenon, with eager moviegoers flocking to experience Nolan's storytelling prowess on the big screen once again. As expected with any Nolan production, Oppenheimer is sparking numerous discussions and debates among viewers, as they delve into its themes and intricacies. However, in contrast to some of Nolan's previous works, like the mind-bending Inception, Oppenheimer is not as head-scratching or enigmatic. Inception, in particular, was pretty dense throughout in terms of lore and even its ending was ambiguous. And even now, film buffs discuss what exactly that final moment meant. Also Read: Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt What was Inception all about? Inception revolved around Leonardo DiCaprio's character, Cobb, a skilled thief who delves into people's subconscious to steal information. As the story unfolds, Cobb traverses between dreams and reality until he finally reunites with his children in the last scene. In that pivotal moment, Cobb spins a totem — a device that determines if he is in a dream — but he chooses not to witness its outcome before cutting to black. This left audiences worldwide holding their breath in anticipation. What does Inception ending mean? Christopher Nolan says his wife and producer Emma Thomas has the answer During a recent interview on the Happy Sad Confused podcast, Nolan may have given us an insight into the ending. He shared that, at some point, he frequently faced questions about the film's conclusion, especially when caught outside a screening. Nolan attributed the best explanation to his wife and producer, Emma Thomas. He emphasised that the significance of the final shot lies in the fact that Cobb's character doesn't care about the distinction between dream and reality at that moment. It's a question Nolan doesn't feel entirely comfortable answering. “I think it was Emma who pointed out the correct answer, really, is that the character, Leo’s character - the point of the shot is the character doesn’t care at that point. It’s not a question I comfortably answer," he said. How did the audience react to Inception's ending? The audience reaction to Inception's ending was diverse and divided. Since the film's release in 2010, the ambiguous conclusion sparked countless discussions and interpretations among viewers worldwide. The final scene left audiences with unanswered questions. Some viewers embraced the open-ended nature of the ending, appreciating its thought-provoking and mysterious quality. They enjoyed the ambiguity, as it allowed for personal interpretations and discussions about the nature of reality, dreams, and the human mind. On the other hand, some audience members felt frustrated with the lack of a clear resolution. They wanted a definitive answer to whether Cobb was in a dream or if he had returned to reality. This group may have found the ending unsatisfying or felt that it left too much unresolved. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Christopher Nolan reveals 'correct answer' for Inception's enigmatic ending: I think it was...

Greta Gerwig's Barbie has made history with a historic opening weekend, earning $377 million worldwide, making it the biggest debut ever for a film directed by a woman. At the North American box office, the Margot Robbie starrer claimed the top spot with $162 million in ticket sales, surpassing not only other major releases of the year but the studio's expectations of $155 million. The social media buzz surrounding the double feature of Barbie and Christopher Nolan's Cillian Murphy-fronted biopic Oppenheimer, dubbed Barbenheimer, clearly worked in the favour of both movies and brought record numbers of moviegoers back to theaters.

<h2>Oppenheimer is no slouch either</h2>

Oppenheimer, an R-Rated 3-hour biopic, also exceeded expectations, garnering $80.5 million in the US and Canada, becoming Nolan's biggest non-Batman debut and an impressive start for a movie like his. This weekend marked the first time that two movies opened with over $100 million and $80 million respectively, making it one of the industry's biggest box office weekends, fourth biggest to be precise.

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<h2>International hauls of Barbie and Oppenheimer</h2>

Internationally, Barbie earned $182 million, contributing to its $337 million global weekend total, while Oppenheimer achieved $93.7 million, with a global total of $174.2 million. Both films had a significant impact on ticket sales, affecting other releases like Mission: Impossible: Dead Reckoning Part I.

<h2>Barbie review</h2>

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-barbie-review-margot-robbie-ryan-goslings-film-smart-funny-and-very-woke-618109">Barbie review: Margot Robbie, Ryan Gosling's film smart, funny and very woke</a>

WION's Shomini Sen wrote in her review of Barbie, "I would still say that the film very smartly shows how society is and humanises the iconic doll. For decades Barbie has been one of the most popular toys for young girls, setting unrealistic standards of beauty. Sure, Mattel has reinvented the doll and made every girl believe that they can be whatever they want to be - just like their favourite doll, but the narrative of everything being overtly perfect has also done damage to several. Greta, in that sense, spins the narrative and adds a layer of cynicism to Barbieland to show how things are in real. Flawed, depressed, and definitely not perfect- even though the plastic remains constant."&nbsp;

<h2>Oppenheimer review</h2>

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-oppenheimer-review-nolans-visually-stunning-epic-fuses-genius-and-guilt-618110">Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt</a>

WION's Kshitij Rawat wrote in his review of Oppenheimer, "As Oppenheimer unfolds, Nolan presents us with a kaleidoscope of ethical dilemmas that transcend time. The film's resonance lies not only in its historical accuracy but also in its exploration of the human condition, the pursuit of knowledge, and the choices that shape our destinies. Oppenheimer is an unmissable cinematic event. I am not quite sure if it is indeed Nolan's best work as many have said, but it definitely comes close."

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Greta Gerwig's Barbie has made history with a historic opening weekend, earning $377 million worldwide, making it the biggest debut ever for a film directed by a woman.

Greta Gerwig's Barbie has made history with a historic opening weekend, earning $377 million worldwide, making it the biggest debut ever for a film directed by a woman. At the North American box office, the Margot Robbie starrer claimed the top spot with $162 million in ticket sales, surpassing not only other major releases of the year but the studio's expectations of $155 million. The social media buzz surrounding the double feature of Barbie and Christopher Nolan's Cillian Murphy-fronted biopic Oppenheimer, dubbed Barbenheimer, clearly worked in the favour of both movies and brought record numbers of moviegoers back to theaters. Oppenheimer is no slouch either Oppenheimer, an R-Rated 3-hour biopic, also exceeded expectations, garnering $80.5 million in the US and Canada, becoming Nolan's biggest non-Batman debut and an impressive start for a movie like his. This weekend marked the first time that two movies opened with over $100 million and $80 million respectively, making it one of the industry's biggest box office weekends, fourth biggest to be precise. International hauls of Barbie and Oppenheimer Internationally, Barbie earned $182 million, contributing to its $337 million global weekend total, while Oppenheimer achieved $93.7 million, with a global total of $174.2 million. Both films had a significant impact on ticket sales, affecting other releases like Mission: Impossible: Dead Reckoning Part I. Barbie review Also Read: Barbie review: Margot Robbie, Ryan Gosling's film smart, funny and very woke WION's Shomini Sen wrote in her review of Barbie, "I would still say that the film very smartly shows how society is and humanises the iconic doll. For decades Barbie has been one of the most popular toys for young girls, setting unrealistic standards of beauty. Sure, Mattel has reinvented the doll and made every girl believe that they can be whatever they want to be - just like their favourite doll, but the narrative of everything being overtly perfect has also done damage to several. Greta, in that sense, spins the narrative and adds a layer of cynicism to Barbieland to show how things are in real. Flawed, depressed, and definitely not perfect- even though the plastic remains constant." Oppenheimer review Also Read: Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt WION's Kshitij Rawat wrote in his review of Oppenheimer, "As Oppenheimer unfolds, Nolan presents us with a kaleidoscope of ethical dilemmas that transcend time. The film's resonance lies not only in its historical accuracy but also in its exploration of the human condition, the pursuit of knowledge, and the choices that shape our destinies. Oppenheimer is an unmissable cinematic event. I am not quite sure if it is indeed Nolan's best work as many have said, but it definitely comes close." WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Barbie makes history with $377mn worldwide debut, Oppenheimer also impresses

Christopher Nolan's Oppenheimer is in the headlines for so many reasons - among many, the one thing that has gained the attention of netizens is the fascinating relationship and a sex scene between Dr J. Robert Oppenheimer, played by Cillian Murphy, and his love interest Jean Tatlock, played by Florence Pugh.&nbsp;

The scene that made the atomic bomb thriller Nolan's first R-rated film, has been the talk of the entire world. And the lead actor of the film, Cillian Murphy addressed the talks around the scene as he went on to praise his&nbsp;co-star.

Also read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-whos-winning-at-box-office-barbie-makes-record-with-155-million-oppenheimer-collects-80-million-618747">Who's winning at box office? Barbie makes record with $155 million, Oppenheimer collects $80 million</a>

During his interview with the Sydney Morning Herald, the 47-year-old actor talked about Pugh's role, revealing that, "Those scenes were written deliberately,"

The Irish actor said, ''He [Nolan] knew that those scenes would get the movie the rating that it got. And I think when you see it, it’s so f—ing powerful."&nbsp;

"And they’re not gratuitous. They’re perfect. And Florence is just amazing."

Also read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-oppenheimer-review-nolans-visually-stunning-epic-fuses-genius-and-guilt-618110">Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt&nbsp;</a>

The biographical drama revolves around Oppenheimer, who is also known as the Father of the Atomic bomb. The three-hour-long film follows the physicist's involvement with the Manhattan Project during World War II, his love life and extramarital romantic relationships. For the unversed, Oppenheimer had multiple affairs before and during his marriage to Oppenheimer (played by Emily Blunt).

Further gushing about her co-star, Murphy said, "I think she’s f—ing phenomenal.''

"She has this presence as a person and on screen that is staggering. The impact she has [in ‘Oppenheimer’] for the size of the role, it’s quite devastating."

Openherimer-Gita controversy&nbsp;

Nolan's film has caused major controversy in India with an objectionable scene mentioning the holy book Bhagavad Gita. The scene that didn't land well with the Indian audience shows the mention of holy verses from&nbsp;Bhagavad Gita during the sex scene. The scene&nbsp;in question shows J. Robert Oppenheimer, played by Cillian Murphy, quoting a line from the book while having sex with Jean Tatlock (Florence Pugh) as the latter holds up the manuscript. <a href="https://www.wionews.com/entertainment/oppenheimer-controversy-netizens-slam-nolans-film-over-a-reference-of-bhagavad-gita-during-a-sex-scene-618591">Read the full story here</a>.&nbsp;

Oppenheimer box office

Nolan's film opened up with a thunderous response from the critics, who hailed the atomic bomb thriller of the filmmakers as one of his best works. Despite the good reviews, the film's box office collection has been overshadowed by its competitor, Greta Gerwig's Barbie.&nbsp;Margot Robbie's film earned a whopping $155 million and was far ahead of Christopher Nolan’s R-rated drama, which collected $80.5 million in its opening weekend, per Variety.&nbsp;

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Christopher Nolan's Oppenheimer is in the headlines for so many reasons - among many, the one thing that has gained the attention of netizens is the fascinating relationship and a sex scene between Dr J.

Christopher Nolan's Oppenheimer is in the headlines for so many reasons - among many, the one thing that has gained the attention of netizens is the fascinating relationship and a sex scene between Dr J. Robert Oppenheimer, played by Cillian Murphy, and his love interest Jean Tatlock, played by Florence Pugh. The scene that made the atomic bomb thriller Nolan's first R-rated film, has been the talk of the entire world. And the lead actor of the film, Cillian Murphy addressed the talks around the scene as he went on to praise his co-star. Also read: Who's winning at box office? Barbie makes record with $155 million, Oppenheimer collects $80 million During his interview with the Sydney Morning Herald, the 47-year-old actor talked about Pugh's role, revealing that, "Those scenes were written deliberately," The Irish actor said, ''He [Nolan] knew that those scenes would get the movie the rating that it got. And I think when you see it, it’s so f—ing powerful." "And they’re not gratuitous. They’re perfect. And Florence is just amazing." Also read: Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt The biographical drama revolves around Oppenheimer, who is also known as the Father of the Atomic bomb. The three-hour-long film follows the physicist's involvement with the Manhattan Project during World War II, his love life and extramarital romantic relationships. For the unversed, Oppenheimer had multiple affairs before and during his marriage to Oppenheimer (played by Emily Blunt). Further gushing about her co-star, Murphy said, "I think she’s f—ing phenomenal.'' "She has this presence as a person and on screen that is staggering. The impact she has [in ‘Oppenheimer’] for the size of the role, it’s quite devastating." Openherimer-Gita controversy Nolan's film has caused major controversy in India with an objectionable scene mentioning the holy book Bhagavad Gita. The scene that didn't land well with the Indian audience shows the mention of holy verses from Bhagavad Gita during the sex scene. The scene in question shows J. Robert Oppenheimer, played by Cillian Murphy, quoting a line from the book while having sex with Jean Tatlock (Florence Pugh) as the latter holds up the manuscript. Read the full story here. Oppenheimer box office Nolan's film opened up with a thunderous response from the critics, who hailed the atomic bomb thriller of the filmmakers as one of his best works. Despite the good reviews, the film's box office collection has been overshadowed by its competitor, Greta Gerwig's Barbie. Margot Robbie's film earned a whopping $155 million and was far ahead of Christopher Nolan’s R-rated drama, which collected $80.5 million in its opening weekend, per Variety. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Cillian Murphy calls Oppenheimer’s sex scenes with Florence Pugh, ‘f**king powerful'

Christopher Nolan's atomic bomb thriller Oppenheimer hit theatres worldwide on July 21. The most-anticipated film opened with outstanding reviews from critics and audiences alike. However, Nolan's film has caused major controversy in India with an objectionable scene mentioning the holy book Bhagavad Gita.

The scene in question?

The scene that didn't land well with the Indian audience shows the mention of holy verses from&nbsp;Bhagavad Gita during the sex scene. The scene&nbsp;in question shows J. Robert Oppenheimer, played by Cillian Murphy, quoting a line from the book while having sex with Jean Tatlock (Florence Pugh) as the latter holds up the manuscript.

The controversial scene has angered the audience, who have called out Nolan for hurting religious sentiments and the Central Board of Film Certification (CBFC) for not putting a cut on the objectionable scene.

Expressing displeasure over the scene, one Twitter user wrote, ''Hindus have been celebrating the mention of the&nbsp;Bhagavad Gita in the Oppenheimer movie, but they are left angry and perplexed at the blatant disrespect of the Gita by Hollywood. Mentioning holy verses while having sex is considered disrespectful and racist.#BoycottOpenheimer.''

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The studios are now assuming CBFC’s stance and self-censoring, even though in Oppenheimer CBFC didn’t ask for a controversial scene involving the Gita to be cut. They should have taken a chance. 
(Context: the blurred sex scene in Oppenheimer) <a href="https://t.co/9QuiQXDApG">pic.twitter.com/9QuiQXDApG</a>
— Abhijeet Mukherjee (@abhijeetmk) <a href="https://twitter.com/abhijeetmk/status/1682298835383758848?ref_src=twsrc%5Etfw">July 21, 2023</a></blockquote>
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The audience was left perplexed when they saw the nude scene in the film with a blurred patch and objectionable words like as****e muted. But the scene in which Murphy reads the verses while making love was kept without any cuts, as it's a bit obvious that the blasphemy scene could create a major controversy among Indian movie buffs.

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Hindus have been celebrating the mention of the Bhagwad Gita in the Oppenheimer movie, but they are left angry and perplexed at the blatant disrespect of the Gita by Hollywood. 
 
Mentioning holy verses while having sex is considered disrespectful and racist. <a href="https://twitter.com/hashtag/BoycottOpenheimer?src=hash&amp;ref_src=twsrc%5Etfw">#BoycottOpenheimer</a> <a href="https://t.co/Gvgi5Brsx4">pic.twitter.com/Gvgi5Brsx4</a>
— Harris Sultan (@TheHarrisSultan) <a href="https://twitter.com/TheHarrisSultan/status/1682431597851844608?ref_src=twsrc%5Etfw">July 21, 2023</a></blockquote>
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A Twitter user also claimed that CBFC only asked for the word "as****e" to be muted. And the blurring of the sex scene was done by the makers before it was shown to the certification members.

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<a href="https://twitter.com/hashtag/Oppenheimer?src=hash&amp;ref_src=twsrc%5Etfw">#Oppenheimer</a> (2023) : 
Movie Review- 
 
Christopher Nolan’s Cinematic Bomb Blasts On &amp; Off Screen 
 
RATING - 7/10*<a href="https://twitter.com/hashtag/ChristopherNolan?src=hash&amp;ref_src=twsrc%5Etfw">#ChristopherNolan</a> <a href="https://twitter.com/hashtag/CillianMurphy?src=hash&amp;ref_src=twsrc%5Etfw">#CillianMurphy</a> <a href="https://twitter.com/hashtag/MattDamon?src=hash&amp;ref_src=twsrc%5Etfw">#MattDamon</a> <a href="https://twitter.com/hashtag/RobertDowneyJr?src=hash&amp;ref_src=twsrc%5Etfw">#RobertDowneyJr</a> <a href="https://twitter.com/hashtag/FlorencePugh?src=hash&amp;ref_src=twsrc%5Etfw">#FlorencePugh</a> <a href="https://twitter.com/hashtag/EmilyBlunt?src=hash&amp;ref_src=twsrc%5Etfw">#EmilyBlunt</a> <a href="https://twitter.com/hashtag/JoshHartnett?src=hash&amp;ref_src=twsrc%5Etfw">#JoshHartnett</a> <a href="https://twitter.com/hashtag/CaseyAffleck?src=hash&amp;ref_src=twsrc%5Etfw">#CaseyAffleck</a> <a href="https://twitter.com/hashtag/JRobertOppenheimer?src=hash&amp;ref_src=twsrc%5Etfw">#JRobertOppenheimer</a> <a href="https://twitter.com/hashtag/RamiMalek?src=hash&amp;ref_src=twsrc%5Etfw">#RamiMalek</a> <a href="https://twitter.com/hashtag/KennethBranagh?src=hash&amp;ref_src=twsrc%5Etfw">#KennethBranagh</a> <a href="https://t.co/BNI7DdDd2S">pic.twitter.com/BNI7DdDd2S</a>
— $@M (@SAMTHEBESTEST_) <a href="https://twitter.com/SAMTHEBESTEST_/status/1682322374056894465?ref_src=twsrc%5Etfw">July 21, 2023</a></blockquote>
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''The studios are now assuming CBFC’s stance and self-censoring, even though in Oppenheimer CBFC didn’t ask for a controversial scene involving the Gita to be cut. They should have taken a chance,''&nbsp; a Twitter user wrote

Another user wrote, ''Censor board has chopped the abusive words in Oppenheimer movie but it has allowed the scene where the main lead actor is having sex while reading Bhagavad Gita.''

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The studios are now assuming CBFC’s stance and self-censoring, even though in Oppenheimer CBFC didn’t ask for a controversial scene involving the Gita to be cut. They should have taken a chance. 
(Context: the blurred sex scene in Oppenheimer) <a href="https://t.co/9QuiQXDApG">pic.twitter.com/9QuiQXDApG</a>
— Abhijeet Mukherjee (@abhijeetmk) <a href="https://twitter.com/abhijeetmk/status/1682298835383758848?ref_src=twsrc%5Etfw">July 21, 2023</a></blockquote>
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Soon after the scene went viral, #BoycottOppenheimer started trending.

Calling out the scene, another user tweeted, “I’m calling for a boycott of the movie Oppenheimer. I just learned there is a highly offensive scene involving the Bhagavad Gita in it. I will not repeat it here, but it involves something explicit. Never trust Hollywood and West to depict Hinduism positively and accurately.''

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<a href="https://twitter.com/hashtag/Oppenheimer?src=hash&amp;ref_src=twsrc%5Etfw">#Oppenheimer</a> (2023) : 
Movie Review- 
 
Christopher Nolan’s Cinematic Bomb Blasts On &amp; Off Screen 
 
RATING - 7/10*<a href="https://twitter.com/hashtag/ChristopherNolan?src=hash&amp;ref_src=twsrc%5Etfw">#ChristopherNolan</a> <a href="https://twitter.com/hashtag/CillianMurphy?src=hash&amp;ref_src=twsrc%5Etfw">#CillianMurphy</a> <a href="https://twitter.com/hashtag/MattDamon?src=hash&amp;ref_src=twsrc%5Etfw">#MattDamon</a> <a href="https://twitter.com/hashtag/RobertDowneyJr?src=hash&amp;ref_src=twsrc%5Etfw">#RobertDowneyJr</a> <a href="https://twitter.com/hashtag/FlorencePugh?src=hash&amp;ref_src=twsrc%5Etfw">#FlorencePugh</a> <a href="https://twitter.com/hashtag/EmilyBlunt?src=hash&amp;ref_src=twsrc%5Etfw">#EmilyBlunt</a> <a href="https://twitter.com/hashtag/JoshHartnett?src=hash&amp;ref_src=twsrc%5Etfw">#JoshHartnett</a> <a href="https://twitter.com/hashtag/CaseyAffleck?src=hash&amp;ref_src=twsrc%5Etfw">#CaseyAffleck</a> <a href="https://twitter.com/hashtag/JRobertOppenheimer?src=hash&amp;ref_src=twsrc%5Etfw">#JRobertOppenheimer</a> <a href="https://twitter.com/hashtag/RamiMalek?src=hash&amp;ref_src=twsrc%5Etfw">#RamiMalek</a> <a href="https://twitter.com/hashtag/KennethBranagh?src=hash&amp;ref_src=twsrc%5Etfw">#KennethBranagh</a> <a href="https://t.co/BNI7DdDd2S">pic.twitter.com/BNI7DdDd2S</a>
— $@M (@SAMTHEBESTEST_) <a href="https://twitter.com/SAMTHEBESTEST_/status/1682322374056894465?ref_src=twsrc%5Etfw">July 21, 2023</a></blockquote>
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Apart from the controversial scene, the Bhagavad Gita has been mentioned several times in the film.

Oppenheimer and Gita's connection

The film is based on the life of theoretical physicist J. Robert Oppenheimer, aka the father of the atomic bomb, who was greatly influenced by the Bhagavad Gita.&nbsp;It is believed that&nbsp;he always kept a copy of the book by his bedside. 
 
Oppenheimer even learned the Sanskrit language to read the book in its original text. After he witnessed the world’s first atomic bomb in 1945, J. Robert Oppenheimer quoted a verse from the Bhagavad Gita: "Now I become Death, destroyer of the worlds".

Cillian Murphy read the Bhagavad Gita for preparation

While preparing for the role, Murphy also read the book and drew inspiration from the Hindu sacred book. In an interview with journalist Sucharita Tyagi, Cillian Murphy revealed that he read the book and found it really helpful.

“I did read the Bhagavad Gita in preparation, and I thought it was an absolutely beautiful text, very inspiring. I think it was a consolation to him, he kind of needed it and it provided him a lot of consolation, all his life.”&nbsp; 
 
When asked about his learnings from Bhagavad Gita, Cillian joked, “Well don’t grill me on it!” and added, “I just found it very beautiful.” 
 
WION's review on Oppenheimer: Film critic Kshitij Mohan Rawat writes, ''As Oppenheimer unfolds, Nolan presents us with a kaleidoscope of ethical dilemmas that transcend time. The film's resonance lies not only in its historical accuracy but also in its exploration of the human condition, the pursuit of knowledge, and the choices that shape our destinies. Oppenheimer is an unmissable cinematic event. I am not quite sure if it is indeed Nolan's best work as many have said, but it definitely comes close.'' <a href="https://www.wionews.com/entertainment/hollywood/news-oppenheimer-review-nolans-visually-stunning-epic-fuses-genius-and-guilt-618110">Read the full review here.</a>

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&nbsp;

Christopher Nolan's atomic bomb thriller Oppenheimer hit theatres worldwide on July 21. The most-anticipated film opened with outstanding reviews from critics and audiences alike.

Christopher Nolan's atomic bomb thriller Oppenheimer hit theatres worldwide on July 21. The most-anticipated film opened with outstanding reviews from critics and audiences alike. However, Nolan's film has caused major controversy in India with an objectionable scene mentioning the holy book Bhagavad Gita. The scene in question? The scene that didn't land well with the Indian audience shows the mention of holy verses from Bhagavad Gita during the sex scene. The scene in question shows J. Robert Oppenheimer, played by Cillian Murphy, quoting a line from the book while having sex with Jean Tatlock (Florence Pugh) as the latter holds up the manuscript. The controversial scene has angered the audience, who have called out Nolan for hurting religious sentiments and the Central Board of Film Certification (CBFC) for not putting a cut on the objectionable scene. Expressing displeasure over the scene, one Twitter user wrote, ''Hindus have been celebrating the mention of the Bhagavad Gita in the Oppenheimer movie, but they are left angry and perplexed at the blatant disrespect of the Gita by Hollywood. Mentioning holy verses while having sex is considered disrespectful and racist.#BoycottOpenheimer.'' The studios are now assuming CBFC’s stance and self-censoring, even though in Oppenheimer CBFC didn’t ask for a controversial scene involving the Gita to be cut. They should have taken a chance. (Context: the blurred sex scene in Oppenheimer) pic.twitter.com/9QuiQXDApG — Abhijeet Mukherjee (@abhijeetmk) July 21, 2023 × The audience was left perplexed when they saw the nude scene in the film with a blurred patch and objectionable words like as****e muted. But the scene in which Murphy reads the verses while making love was kept without any cuts, as it's a bit obvious that the blasphemy scene could create a major controversy among Indian movie buffs. Hindus have been celebrating the mention of the Bhagwad Gita in the Oppenheimer movie, but they are left angry and perplexed at the blatant disrespect of the Gita by Hollywood. Mentioning holy verses while having sex is considered disrespectful and racist. #BoycottOpenheimer pic.twitter.com/Gvgi5Brsx4 — Harris Sultan (@TheHarrisSultan) July 21, 2023 × A Twitter user also claimed that CBFC only asked for the word "as****e" to be muted. And the blurring of the sex scene was done by the makers before it was shown to the certification members. #Oppenheimer (2023) : Movie Review- Christopher Nolan’s Cinematic Bomb Blasts On & Off Screen RATING - 7/10*#ChristopherNolan #CillianMurphy #MattDamon #RobertDowneyJr #FlorencePugh #EmilyBlunt #JoshHartnett #CaseyAffleck #JRobertOppenheimer #RamiMalek #KennethBranagh pic.twitter.com/BNI7DdDd2S — $@M (@SAMTHEBESTEST_) July 21, 2023 × ''The studios are now assuming CBFC’s stance and self-censoring, even though in Oppenheimer CBFC didn’t ask for a controversial scene involving the Gita to be cut. They should have taken a chance,'' a Twitter user wrote Another user wrote, ''Censor board has chopped the abusive words in Oppenheimer movie but it has allowed the scene where the main lead actor is having sex while reading Bhagavad Gita.'' The studios are now assuming CBFC’s stance and self-censoring, even though in Oppenheimer CBFC didn’t ask for a controversial scene involving the Gita to be cut. They should have taken a chance. (Context: the blurred sex scene in Oppenheimer) pic.twitter.com/9QuiQXDApG — Abhijeet Mukherjee (@abhijeetmk) July 21, 2023 × Soon after the scene went viral, #BoycottOppenheimer started trending. Calling out the scene, another user tweeted, “I’m calling for a boycott of the movie Oppenheimer. I just learned there is a highly offensive scene involving the Bhagavad Gita in it. I will not repeat it here, but it involves something explicit. Never trust Hollywood and West to depict Hinduism positively and accurately.'' #Oppenheimer (2023) : Movie Review- Christopher Nolan’s Cinematic Bomb Blasts On & Off Screen RATING - 7/10*#ChristopherNolan #CillianMurphy #MattDamon #RobertDowneyJr #FlorencePugh #EmilyBlunt #JoshHartnett #CaseyAffleck #JRobertOppenheimer #RamiMalek #KennethBranagh pic.twitter.com/BNI7DdDd2S — $@M (@SAMTHEBESTEST_) July 21, 2023 × Apart from the controversial scene, the Bhagavad Gita has been mentioned several times in the film. Oppenheimer and Gita's connection The film is based on the life of theoretical physicist J. Robert Oppenheimer, aka the father of the atomic bomb, who was greatly influenced by the Bhagavad Gita. It is believed that he always kept a copy of the book by his bedside. Oppenheimer even learned the Sanskrit language to read the book in its original text. After he witnessed the world’s first atomic bomb in 1945, J. Robert Oppenheimer quoted a verse from the Bhagavad Gita: "Now I become Death, destroyer of the worlds". Cillian Murphy read the Bhagavad Gita for preparation While preparing for the role, Murphy also read the book and drew inspiration from the Hindu sacred book. In an interview with journalist Sucharita Tyagi, Cillian Murphy revealed that he read the book and found it really helpful. “I did read the Bhagavad Gita in preparation, and I thought it was an absolutely beautiful text, very inspiring. I think it was a consolation to him, he kind of needed it and it provided him a lot of consolation, all his life.” When asked about his learnings from Bhagavad Gita, Cillian joked, “Well don’t grill me on it!” and added, “I just found it very beautiful.” WION's review on Oppenheimer: Film critic Kshitij Mohan Rawat writes, ''As Oppenheimer unfolds, Nolan presents us with a kaleidoscope of ethical dilemmas that transcend time. The film's resonance lies not only in its historical accuracy but also in its exploration of the human condition, the pursuit of knowledge, and the choices that shape our destinies. Oppenheimer is an unmissable cinematic event. I am not quite sure if it is indeed Nolan's best work as many have said, but it definitely comes close.'' Read the full review here. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Oppenheimer controversy: Netizens slam Nolan's film for placing Bhagavad Gita in a sex scene

It's Barbie and Oppenheimer week! The most-awaited movies of the year arrived at theatres worldwide together on July 21. The release of both films has been touted as the biggest box office clash fans have ever witnessed in recent years. Both Barbie and Oppenheimer are doing great business across the world, but as was expected, Greta Gerwig's film is a step ahead of Nolan's atomic bomb thriller.&nbsp;

Gerwig's film on the famous doll line has earned a whopping $22.3 million in Wednesday and Thursday box office previews. Meanwhile, Nolan's film made $10.5 million in previews, per Variety.&nbsp;

Both films are expected to attract a huge audience worldwide.

With the outstanding start, Margot Robbie's film has outperformed Marvel's Guardians of the Galaxy Vol. 3 previews, which earned $17.5 million.

<h2>Huge box office expectations</h2>

The release of Warner Bros. Barbie and Universal’s Oppenheimer has been seen as the biggest week post-pandemic. As per early estimates, Margot Robbie's film is expected to earn more than $100 million in the first three days of its release. Many reports are suggesting that it may earn more than $150 million.&nbsp;

Meanwhile, Cillian Murphy’s star-studded thriller will take the second spot, with estimates suggesting that the movie is eyeing $77 million&nbsp;in the first three days, per Deadline.&nbsp;

If we look at the critics' reaction, Nolan's Oppenheimer is the winner. The film garnered a 92 per cent score on the review aggregation platform, Rotten Tomatoes. Meanwhile, Greta Gerwig's film, starring Margot Robbie and Ryan Gosling, has garnered an impressive 89 per cent&nbsp;positive rating on Rotten Tomatoes.&nbsp;

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What is Barbie all about? 
 
Directed by Greta, the movie follows the story of Barbie and Ken, who are expelled from Barbie Land due to their imperfections, and together they will explore the real world. The movie is co-written by Gerwig and Noah Baumbach. 
 
WION's review on Barbie: Film critic Shomini Sen writes, ''I would still say that the film very smartly shows how society is and humanises the iconic doll. For decades Barbie has been one of the most popular toys for young girls, setting unrealistic standards of beauty. Sure, Mattel has reinvented the doll and made every girl believe that they can be whatever they want to be - just like their favourite doll, but the narrative of everything being overtly perfect has also done damage to several. Greta, in that sense, spins the narrative and adds a layer of cynicism to Barbie land to show how things are in real. Flawed, depressed, and definitely not perfect- even though the plastic remains constant.'' <a href="https://www.wionews.com/entertainment/hollywood/news-barbie-review-a-robbie-ryan-goslings-film-smart-funny-and-very-woke-618109">Read the full review here:&nbsp;</a> 
 
More about Oppenheimer: 
 
Oppenheimer is based on the biopic of J. Robert Oppenheimer, the physicist who is known as the "father of the atomic bomb," The film is dark, thrilling, and serious. 
 
The movie stars &nbsp;Cillian Murphy as Oppenheimer, Emily Blunt as the wife of Murphy and biologist Katherine Oppenheimer, Matt Damon as director of the Manhattan Project General Leslie Groves Jr., Robert Downey Jr. as Lewis Strauss, the founding commissioner of the US Atomic Energy Commission, and Florence Pugh as Jean Tatlock.&nbsp; 
 
WION's review on Oppenheimer: Film critic Kshitij Mohan Rawat writes, ''As Oppenheimer unfolds, Nolan presents us with a kaleidoscope of ethical dilemmas that transcend time. The film's resonance lies not only in its historical accuracy but also in its exploration of the human condition, the pursuit of knowledge, and the choices that shape our destinies. Oppenheimer is an unmissable cinematic event. I am not quite sure if it is indeed Nolan's best work as many have said, but it definitely comes close.''<a href="http://13.235.153.162/entertainment/oAppenheimer-controversy-netizens-slam-nolans-film-over-a-reference-of-bhagavad-gita-during-a-sex-scene-618591">&nbsp;Read the full review here.</a>

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It's Barbie and Oppenheimer week! The most-awaited movies of the year arrived at theatres worldwide together on July 21. The release of both films has been touted as the biggest box office clash fans have ever witnessed in recent years.

It's Barbie and Oppenheimer week! The most-awaited movies of the year arrived at theatres worldwide together on July 21. The release of both films has been touted as the biggest box office clash fans have ever witnessed in recent years. Both Barbie and Oppenheimer are doing great business across the world, but as was expected, Greta Gerwig's film is a step ahead of Nolan's atomic bomb thriller. Gerwig's film on the famous doll line has earned a whopping $22.3 million in Wednesday and Thursday box office previews. Meanwhile, Nolan's film made $10.5 million in previews, per Variety. Both films are expected to attract a huge audience worldwide. With the outstanding start, Margot Robbie's film has outperformed Marvel's Guardians of the Galaxy Vol. 3 previews, which earned $17.5 million. Huge box office expectations The release of Warner Bros. Barbie and Universal’s Oppenheimer has been seen as the biggest week post-pandemic. As per early estimates, Margot Robbie's film is expected to earn more than $100 million in the first three days of its release. Many reports are suggesting that it may earn more than $150 million. Meanwhile, Cillian Murphy’s star-studded thriller will take the second spot, with estimates suggesting that the movie is eyeing $77 million in the first three days, per Deadline. If we look at the critics' reaction, Nolan's Oppenheimer is the winner. The film garnered a 92 per cent score on the review aggregation platform, Rotten Tomatoes. Meanwhile, Greta Gerwig's film, starring Margot Robbie and Ryan Gosling, has garnered an impressive 89 per cent positive rating on Rotten Tomatoes. What is Barbie all about? Directed by Greta, the movie follows the story of Barbie and Ken, who are expelled from Barbie Land due to their imperfections, and together they will explore the real world. The movie is co-written by Gerwig and Noah Baumbach. WION's review on Barbie: Film critic Shomini Sen writes, ''I would still say that the film very smartly shows how society is and humanises the iconic doll. For decades Barbie has been one of the most popular toys for young girls, setting unrealistic standards of beauty. Sure, Mattel has reinvented the doll and made every girl believe that they can be whatever they want to be - just like their favourite doll, but the narrative of everything being overtly perfect has also done damage to several. Greta, in that sense, spins the narrative and adds a layer of cynicism to Barbie land to show how things are in real. Flawed, depressed, and definitely not perfect- even though the plastic remains constant.'' Read the full review here: More about Oppenheimer: Oppenheimer is based on the biopic of J. Robert Oppenheimer, the physicist who is known as the "father of the atomic bomb," The film is dark, thrilling, and serious. The movie stars Cillian Murphy as Oppenheimer, Emily Blunt as the wife of Murphy and biologist Katherine Oppenheimer, Matt Damon as director of the Manhattan Project General Leslie Groves Jr., Robert Downey Jr. as Lewis Strauss, the founding commissioner of the US Atomic Energy Commission, and Florence Pugh as Jean Tatlock. WION's review on Oppenheimer: Film critic Kshitij Mohan Rawat writes, ''As Oppenheimer unfolds, Nolan presents us with a kaleidoscope of ethical dilemmas that transcend time. The film's resonance lies not only in its historical accuracy but also in its exploration of the human condition, the pursuit of knowledge, and the choices that shape our destinies. Oppenheimer is an unmissable cinematic event. I am not quite sure if it is indeed Nolan's best work as many have said, but it definitely comes close.'' Read the full review here. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Barbie vs Oppenheimer: Here's how much both films have earned at the box office

It appears that the the Barbenheimer showdown will not play out in China. Barbenheimer, if you do not know already, is a portmanteau of two big studio films (albeit of a very different kind) that are clashing at the box office thanks to same-day release (on July 21) — Greta Gerwig's Barbie and Christopher Nolan's Oppenheimer. Despite the considerable excitement surrounding Barbie upon its release in China, the movie's pink appeal is facing tough competition from a series of locally produced Chinese blockbusters. As of 12 pm local time on its opening day in China, the Warner Bros comedy-fantasy based on M is projected to finish in fifth place, having garnered a modest $670,000 (RMB 4.8 million) in earnings, as per The Hollywood Reporter.&nbsp;

On the other hand, Christopher Nolan's Oppenheimer has received approval from China's censors for its release. However, regulators have yet to assign a specific release date, making it likely that the Universal Pictures historical thriller will not hit Chinese theatres for at least another month.

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<h2>What is behind Barbie's poor box office performance</h2>

The lacklustre performance of Barbie in China is indicative of a trend where Hollywood films are not earning as much in the country as they once did. For example, Tom Cruise's Mission: Impossible - Dead Reckoning Part One faced disappointing results last weekend, landing in third place during its opening weekend, falling behind a pair of successful Chinese films.

While Hollywood films have been making a comeback in Chinese cinemas at a healthy rate, the total ticket sales for US movies during the first half of 2023 amounted to just $592 million. This reflects a significant 69 per cent decline from the $1.9 billion earned during the same period in 2019, before the pandemic. In contrast, local Chinese movies are thriving, with ticket revenue for Chinese titles surging to $2.8 billion during the first half of the year, an impressive 27 percent increase from the equivalent period in 2019.

<h2>Barbie review</h2>

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-barbie-review-margot-robbie-ryan-goslings-film-smart-funny-and-very-woke-618109">Barbie review: Margot Robbie, Ryan Gosling's film smart, funny and very woke</a>

WION's Shomini Sen wrote in her review of Barbie, "I would still say that the film very smartly shows how society is and humanises the iconic doll. For decades Barbie has been one of the most popular toys for young girls, setting unrealistic standards of beauty. Sure, Mattel has reinvented the doll and made every girl believe that they can be whatever they want to be - just like their favourite doll, but the narrative of everything being overtly perfect has also done damage to several. Greta, in that sense, spins the narrative and adds a layer of cynicism to Barbieland to show how things are in real. Flawed, depressed, and definitely not perfect- even though the plastic remains constant."&nbsp;

<div class="videoWrapper trancodeVideo"><iframe allowfullscreen="" autoplay="1" class="includeVideo" frameborder="0" height="350" src="https://www.wionews.com/videos/wion-e-club-barbie-runs-into-controversies-616081/embed" style="width:100%;max-width:560px;" width="560"></iframe></div>

<h2>Oppenheimer review</h2>

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-oppenheimer-review-nolans-visually-stunning-epic-fuses-genius-and-guilt-618110">Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt</a>

WION's Kshitij Rawat wrote in his review of Oppenheimer, "As Oppenheimer unfolds, Nolan presents us with a kaleidoscope of ethical dilemmas that transcend time. The film's resonance lies not only in its historical accuracy but also in its exploration of the human condition, the pursuit of knowledge, and the choices that shape our destinies. Oppenheimer is an unmissable cinematic event. I am not quite sure if it is indeed Nolan's best work as many have said, but it definitely comes close."

WATCH WION LIVE HERE

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You can now write for wionews.com and be a part of the community. Share your stories and opinions with us <a href="https://www.wionews.com/content-contribution-registration-form">here</a>.

It appears that the the Barbenheimer showdown will not play out in China. Barbenheimer, if you do not know already, is a portmanteau of two big studio films (albeit of a very different kind) that are clashing at the box office thanks to same-day release (on July 21) — Greta Gerwig's Barbie and Christopher Nolan's Oppenheimer.

It appears that the the Barbenheimer showdown will not play out in China. Barbenheimer, if you do not know already, is a portmanteau of two big studio films (albeit of a very different kind) that are clashing at the box office thanks to same-day release (on July 21) — Greta Gerwig's Barbie and Christopher Nolan's Oppenheimer. Despite the considerable excitement surrounding Barbie upon its release in China, the movie's pink appeal is facing tough competition from a series of locally produced Chinese blockbusters. As of 12 pm local time on its opening day in China, the Warner Bros comedy-fantasy based on M is projected to finish in fifth place, having garnered a modest $670,000 (RMB 4.8 million) in earnings, as per The Hollywood Reporter. On the other hand, Christopher Nolan's Oppenheimer has received approval from China's censors for its release. However, regulators have yet to assign a specific release date, making it likely that the Universal Pictures historical thriller will not hit Chinese theatres for at least another month. What is behind Barbie's poor box office performance The lacklustre performance of Barbie in China is indicative of a trend where Hollywood films are not earning as much in the country as they once did. For example, Tom Cruise's Mission: Impossible - Dead Reckoning Part One faced disappointing results last weekend, landing in third place during its opening weekend, falling behind a pair of successful Chinese films. While Hollywood films have been making a comeback in Chinese cinemas at a healthy rate, the total ticket sales for US movies during the first half of 2023 amounted to just $592 million. This reflects a significant 69 per cent decline from the $1.9 billion earned during the same period in 2019, before the pandemic. In contrast, local Chinese movies are thriving, with ticket revenue for Chinese titles surging to $2.8 billion during the first half of the year, an impressive 27 percent increase from the equivalent period in 2019. Barbie review Also Read: Barbie review: Margot Robbie, Ryan Gosling's film smart, funny and very woke WION's Shomini Sen wrote in her review of Barbie, "I would still say that the film very smartly shows how society is and humanises the iconic doll. For decades Barbie has been one of the most popular toys for young girls, setting unrealistic standards of beauty. Sure, Mattel has reinvented the doll and made every girl believe that they can be whatever they want to be - just like their favourite doll, but the narrative of everything being overtly perfect has also done damage to several. Greta, in that sense, spins the narrative and adds a layer of cynicism to Barbieland to show how things are in real. Flawed, depressed, and definitely not perfect- even though the plastic remains constant." Oppenheimer review Also Read: Oppenheimer review: Nolan's visually stunning epic fuses genius and guilt WION's Kshitij Rawat wrote in his review of Oppenheimer, "As Oppenheimer unfolds, Nolan presents us with a kaleidoscope of ethical dilemmas that transcend time. The film's resonance lies not only in its historical accuracy but also in its exploration of the human condition, the pursuit of knowledge, and the choices that shape our destinies. Oppenheimer is an unmissable cinematic event. I am not quite sure if it is indeed Nolan's best work as many have said, but it definitely comes close." WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Barbenheimer fizzles out in China as Barbie flops, Oppenheimer not releasing

Christopher Nolan's atomic bomb thriller Oppenheimer is set to leave a lasting impression on fans. The thriller is based on a biography titled, American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer, written by Kai Bird and Martin J. Sherwin.

As the release date of the movie nears, the team of the movie is taking the fans'&nbsp;excitement to a whole new level, with interesting revelations about Nolan's movie, and most recently the lead star of the movie&nbsp;Cillian Murphy has shared a brief description of the movie.&nbsp;

Murphy calls Oppenheimer a 'very provocative and powerful'

During his interview with The Guardian, Murphy says that Oppenheimer will 'knock people out'. Further revealing that he has not watched the movie yet, the actor said, "I don’t like watching myself, it’s like, ‘Oh, f**king hell, but it’s an extraordinary piece of work. Very provocative and powerful.''

''It feels sometimes like a biopic, sometimes like a thriller, sometimes like a horror. It’s going to knock people out. What Christopher Nolan does with film, it fucks you up a little bit," he added, via Pinkvilla.&nbsp;

No CGI in Oppenheimer

Like Nolan's previous works, Oppenheimer is going to be a visual delight, with some stating that the ace director has taken his project to the next level. Nolan has always believed in the work of real cameras and has never believed in CGI shots, and talking about the same, the director revealed that Oppenheimer contains zero CGI shots.

More about Oppenheimer

The movie tells the engaging story of physicist J&nbsp;Robert Oppenheimer, aka the "father of the atomic bomb''. The movie also stars Emily Blunt as the wife of Murphy and biologist Katherine Oppenheimer, Matt Damon as director of the Manhattan Project General Leslie Groves Jr., Robert Downey Jr. as Lewis Strauss, the founding commissioner of the US&nbsp;Atomic Energy Commission, and Florence Pugh as Jean Tatlock.

Oppenheimer will be released in theatres on July 21, 2023.

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Christopher Nolan's atomic bomb thriller Oppenheimer is set to leave a lasting impression on fans. The thriller is based on a biography titled, American Prometheus: The Triumph and Tragedy of J.

Christopher Nolan's atomic bomb thriller Oppenheimer is set to leave a lasting impression on fans. The thriller is based on a biography titled, American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer, written by Kai Bird and Martin J. Sherwin. As the release date of the movie nears, the team of the movie is taking the fans' excitement to a whole new level, with interesting revelations about Nolan's movie, and most recently the lead star of the movie Cillian Murphy has shared a brief description of the movie. Murphy calls Oppenheimer a 'very provocative and powerful' During his interview with The Guardian, Murphy says that Oppenheimer will 'knock people out'. Further revealing that he has not watched the movie yet, the actor said, "I don’t like watching myself, it’s like, ‘Oh, f**king hell, but it’s an extraordinary piece of work. Very provocative and powerful.'' ''It feels sometimes like a biopic, sometimes like a thriller, sometimes like a horror. It’s going to knock people out. What Christopher Nolan does with film, it fucks you up a little bit," he added, via Pinkvilla. No CGI in Oppenheimer Like Nolan's previous works, Oppenheimer is going to be a visual delight, with some stating that the ace director has taken his project to the next level. Nolan has always believed in the work of real cameras and has never believed in CGI shots, and talking about the same, the director revealed that Oppenheimer contains zero CGI shots. More about Oppenheimer The movie tells the engaging story of physicist J Robert Oppenheimer, aka the "father of the atomic bomb''. The movie also stars Emily Blunt as the wife of Murphy and biologist Katherine Oppenheimer, Matt Damon as director of the Manhattan Project General Leslie Groves Jr., Robert Downey Jr. as Lewis Strauss, the founding commissioner of the US Atomic Energy Commission, and Florence Pugh as Jean Tatlock. Oppenheimer will be released in theatres on July 21, 2023. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Cillian Murphy hails Christopher Nolan's Oppenheimer, says it will 'knock people out'

It's official. Or maybe it is not yet. But as per projections, Margot Robbie-led upcoming Barbie movie is on track to defeat Christopher Nolan's biopic-thriller Oppenheimer at the box office. As per Deadline, Barbie, based on Mattel's fashion toy, is tracking for an impressive sum of $80 to $100 million in its opening weekend. This is double the projected collections of Oppenheimer. For months now, film buffs have been eagerly awaiting the release of both movies to see which one comes out on top. While Barbie was always considered to have&nbsp;more value for commercial moviegoers, it is wise never to underestimate Nolan, whose movie releases are events unto themselves.&nbsp;

Thus far, though, it appears the Greta Gerwig directorial will win. Both movies, it must be noted, have a production budget of $100 million.

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<h2>What is Barbie all about?</h2>

Barbie and Ken, having faced expulsion from the idyllic Barbie Land due to their imperfections, embark on an adventure of self-exploration in the realm of reality. The official synopsis of the film reads, "To live in Barbie Land is to be a perfect being in a perfect place. Unless you have a full-on existential crisis. Or you’re a Ken." Directed by Greta Gerwig and written by her and her filmmaker husband Noah Baumbach, the film has a huge cast with well-known names, including Will Ferrell, Kate McKinnon, Michael Cera, Emma Mackey, America Ferrera, Alexandra Shipp, Ariana Greenblatt, Emerald Fennell, Kingsley Ben-Adir, Sharon Rooney, Anna Cruz Kanye, Ritu Arya, Conor Swindell, Jamie Demetriou, Marisa Abela, Issa Rae, Hari Nef, and Ncuti Gatwa.&nbsp;

<iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/uYPbbksJxIg" title="YouTube video player" width="560"></iframe>

<h2>What is Oppenheimer all about?</h2>

Nolan's star-studded film follows the life and times of one J Robert Oppenheimer, an American theoretical physicist who is called the "father of the atomic bomb" for his contribution to the Manhattan Project, which led to the invention of the atomic bomb. Cillian Murphy essays the role of Oppenheimer. But the film has a veritable army of big names in the supporting cast, including Emily Blunt, Robert Downey Jr., Matt Damon, Rami Malek, Florence Pugh, Benny Safdie, Michael Angarano, Josh Hartnett and Kenneth Branagh.

Both Barbie and Oppenheimer will&nbsp;release&nbsp;on July 21.

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It's official. Or maybe it is not yet. But as per projections, Margot Robbie-led upcoming Barbie movie is on track to defeat Christopher Nolan's biopic-thriller Oppenheimer at the box office.

It's official. Or maybe it is not yet. But as per projections, Margot Robbie-led upcoming Barbie movie is on track to defeat Christopher Nolan's biopic-thriller Oppenheimer at the box office. As per Deadline, Barbie, based on Mattel's fashion toy, is tracking for an impressive sum of $80 to $100 million in its opening weekend. This is double the projected collections of Oppenheimer. For months now, film buffs have been eagerly awaiting the release of both movies to see which one comes out on top. While Barbie was always considered to have more value for commercial moviegoers, it is wise never to underestimate Nolan, whose movie releases are events unto themselves. Thus far, though, it appears the Greta Gerwig directorial will win. Both movies, it must be noted, have a production budget of $100 million. What is Barbie all about? Barbie and Ken, having faced expulsion from the idyllic Barbie Land due to their imperfections, embark on an adventure of self-exploration in the realm of reality. The official synopsis of the film reads, "To live in Barbie Land is to be a perfect being in a perfect place. Unless you have a full-on existential crisis. Or you’re a Ken." Directed by Greta Gerwig and written by her and her filmmaker husband Noah Baumbach, the film has a huge cast with well-known names, including Will Ferrell, Kate McKinnon, Michael Cera, Emma Mackey, America Ferrera, Alexandra Shipp, Ariana Greenblatt, Emerald Fennell, Kingsley Ben-Adir, Sharon Rooney, Anna Cruz Kanye, Ritu Arya, Conor Swindell, Jamie Demetriou, Marisa Abela, Issa Rae, Hari Nef, and Ncuti Gatwa. What is Oppenheimer all about? Nolan's star-studded film follows the life and times of one J Robert Oppenheimer, an American theoretical physicist who is called the "father of the atomic bomb" for his contribution to the Manhattan Project, which led to the invention of the atomic bomb. Cillian Murphy essays the role of Oppenheimer. But the film has a veritable army of big names in the supporting cast, including Emily Blunt, Robert Downey Jr., Matt Damon, Rami Malek, Florence Pugh, Benny Safdie, Michael Angarano, Josh Hartnett and Kenneth Branagh. Both Barbie and Oppenheimer will release on July 21. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Barbie vs Oppenheimer: Margot Robbie movie to beat Christopher Nolan's epic at box office?