<p>After four years of sweaty palms and even sweatier conversations, I'm thrilled to say that <em>Sex Education</em> is back with a bang — or should I say, a "banging final season." As I reluctantly bid adieu to the wacky world of Moordale Secondary School, Season 4 delivered a bittersweet yet thoroughly satisfying conclusion to this rollercoaster of hormones and hijinks.</p>

<p>Laurie Nunn's brainchild has evolved from its humble beginnings as a British answer to woefully inadequate sex education to a kaleidoscope of pastel walls, Fifties Americana interiors, and a whole lot of sexual and gender expression. This ain't your older sibling's Skins; it's Gen Z's unapologetic, inclusive, and hilarious take on the growing pains of adolescence.</p>

<p>Also Read |&nbsp;<strong><a href="https://www.wionews.com/entertainment/hollywood/news-the-continental-review-a-lackluster-stay-in-john-wicks-world-638515">The Continental review: A lacklustre stay in John Wick's world</a></strong></p>

<p>This season, our beloved characters are off to Cavendish Sixth Form College, and let me tell you, it's a culture shock for these sex-crazed Moordale students. The uptight Otis (played by Asa Butterfield) dreams of restarting his sex clinic but faces a formidable adversary in the form of Thaddea Graham's O, a professional sex therapist ruling Cavendish with an iron fist. Talk about a clash of the titans!</p>

<p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/TJjMJmYLMWs?si=ln9iOftZli0V7hi0" title="YouTube video player" width="560"></iframe></p>

<p>In a whirlwind of storylines, new characters, and old favourites, Season 4 does its best to tie up more loose ends than a faulty condom. With over ten character arcs to follow in just eight episodes, I needed a flowchart to keep up. Some storylines shine brilliantly, like Eric's struggle to reconcile his faith with his proud gay identity. Ncuti Gatwa's performance is magnetic, and a solo spin-off with Eric sounds like a golden idea.</p>

<p>Also Read |&nbsp;<strong><a href="https://www.wionews.com/entertainment/hollywood/news-expend4bles-movie-review-sylvester-stallones-film-is-more-fizzle-than-sizzle-638475">Expend4bles movie review: Sylvester Stallone's film is more fizzle than sizzle</a></strong></p>

<p>But, alas, not all storylines receive equal screen time. Emma Mackey's Maeve is shipped off to America for a significant chunk of the season, leaving a void that even Dan Levy's snobbish writing tutor cameo can't fully fill. It's like having the cherry without the sundae.</p>

<p>Also Read |<strong><a href="https://www.wionews.com/entertainment/hollywood/news-asteroid-city-review-wes-andersons-latest-is-a-feast-for-the-senses-628933">&nbsp;Asteroid City review: Wes Anderson`s latest is a feast for the senses</a></strong></p>

<p>And what happened to Jakob and Ola, you ask? Good question! They're mysteriously absent, their absence explained with hints that feel shoehorned at best. It's like they pulled a vanishing act worthy of Houdini.</p>

<p>Despite its breakneck pace, <em>Sex Education</em> continues to deliver both meaningful and eye-watering moments. From post-natal depression to accidental dick pics, the show covers it all, reminding us that growing up comes with its fair share of awkward, hilarious, and heartfelt moments.</p>

<p>The chemistry among the cast remains as electric as ever, and you can't help but root for these endearing characters. Thankfully, the series resists the temptation of tidy, predictable endings and chooses to embrace the ever-changing nature of adolescence.</p>

<p>As I bid farewell to Moordale, I'm left with a mix of laughter and tears. While the final bell may have rung for <em>Sex Education</em>, the valuable lessons it's taught us about love, acceptance, and, yes, communication, will linger on.</p>

<p>Laurie Nunn's hint about the potential for more Moordale stories leaves me hopeful. While we may have to say goodbye to the current cast, the legacy of this groundbreaking series is bound to linger in our hearts — and minds — for a long time.</p>

<p><strong>WATCH WION LIVE HERE</strong></p>

<p><iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="350" loading="”lazy”" src="https://www.wionews.com/live-tv/embed?autoplay=1&amp;mute=1" width="100%"></iframe></p>

<p>You can <strong>now write for wionews.com</strong> and be a part of the community. Share your stories and opinions with us <strong><a href="https://www.wionews.com/content-contribution-registration-form">here</a>.</strong></p>


After four years of sweaty palms and even sweatier conversations, I'm thrilled to say that Sex Education is back with a bang — or should I say, a "banging final season.

After four years of sweaty palms and even sweatier conversations, I'm thrilled to say that Sex Education is back with a bang — or should I say, a "banging final season." As I reluctantly bid adieu to the wacky world of Moordale Secondary School, Season 4 delivered a bittersweet yet thoroughly satisfying conclusion to this rollercoaster of hormones and hijinks. Laurie Nunn's brainchild has evolved from its humble beginnings as a British answer to woefully inadequate sex education to a kaleidoscope of pastel walls, Fifties Americana interiors, and a whole lot of sexual and gender expression. This ain't your older sibling's Skins; it's Gen Z's unapologetic, inclusive, and hilarious take on the growing pains of adolescence. Also Read | The Continental review: A lacklustre stay in John Wick's world This season, our beloved characters are off to Cavendish Sixth Form College, and let me tell you, it's a culture shock for these sex-crazed Moordale students. The uptight Otis (played by Asa Butterfield) dreams of restarting his sex clinic but faces a formidable adversary in the form of Thaddea Graham's O, a professional sex therapist ruling Cavendish with an iron fist. Talk about a clash of the titans! In a whirlwind of storylines, new characters, and old favourites, Season 4 does its best to tie up more loose ends than a faulty condom. With over ten character arcs to follow in just eight episodes, I needed a flowchart to keep up. Some storylines shine brilliantly, like Eric's struggle to reconcile his faith with his proud gay identity. Ncuti Gatwa's performance is magnetic, and a solo spin-off with Eric sounds like a golden idea. Also Read | Expend4bles movie review: Sylvester Stallone's film is more fizzle than sizzle But, alas, not all storylines receive equal screen time. Emma Mackey's Maeve is shipped off to America for a significant chunk of the season, leaving a void that even Dan Levy's snobbish writing tutor cameo can't fully fill. It's like having the cherry without the sundae. Also Read | Asteroid City review: Wes Anderson`s latest is a feast for the senses And what happened to Jakob and Ola, you ask? Good question! They're mysteriously absent, their absence explained with hints that feel shoehorned at best. It's like they pulled a vanishing act worthy of Houdini. Despite its breakneck pace, Sex Education continues to deliver both meaningful and eye-watering moments. From post-natal depression to accidental dick pics, the show covers it all, reminding us that growing up comes with its fair share of awkward, hilarious, and heartfelt moments. The chemistry among the cast remains as electric as ever, and you can't help but root for these endearing characters. Thankfully, the series resists the temptation of tidy, predictable endings and chooses to embrace the ever-changing nature of adolescence. As I bid farewell to Moordale, I'm left with a mix of laughter and tears. While the final bell may have rung for Sex Education, the valuable lessons it's taught us about love, acceptance, and, yes, communication, will linger on. Laurie Nunn's hint about the potential for more Moordale stories leaves me hopeful. While we may have to say goodbye to the current cast, the legacy of this groundbreaking series is bound to linger in our hearts — and minds — for a long time. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Sex Education Season 4 review: A hilarious, heartfelt farewell to Moordale

<p>Rupert Murdoch's announcement of his retirement from the positions of chairman at both Fox Corporation and News Corporation has sent shockwaves through the media, news, and entertainment industries. The departure of the 98-year-old mogul,&nbsp;a towering figure in global media, is a pivotal moment in the evolution of media empires and their roles in shaping political and social discourse, influencing public opinion, and navigating the ongoing digital transformation.</p>

<h2><strong>End of an era?</strong></h2>

<p>Rupert Murdoch's career in the media business spans some seven decades, which saw him build a sprawling empire of television networks, newspapers, film studios, and digital platforms. His influence has been far-reaching, impacting not only the media landscape but also the political and social fabric of nations.</p>

<p>He has been a dominant and often polarising figure in global media, known for his conservative editorial stances and his ability to shape public discourse. His companies have played pivotal roles in elections, policy debates, and cultural movements.</p>

<p>Also Read |&nbsp;<strong><a href="https://www.wionews.com/entertainment/rupert-murdoch-steps-down-social-media-abuzz-with-succession-memes-and-jokes-as-lachlan-takes-over-638538">Rupert Murdoch steps down: Social media abuzz with Succession memes and jokes as Lachlan takes over</a></strong></p>

<h2>Lachlan Murdoch's ascension</h2>

<p>Stepping into his father's shoes is Lachlan Murdoch, who has already been serving as the chief executive of Fox Corporation. Lachlan's ascension to sole chairman of both Fox and News Corporation raises questions about the continuity of the Murdoch legacy and the potential changes in editorial direction and strategic priorities.</p>

<p>A key question is whether there will be a shift in the editorial direction of Murdoch-owned media outlets, especially Fox News, known for its right-wing editorial stance, often promoting conservative viewpoints and policies. Lachlan's commitment to maintaining this ideological alignment is uncertain, as there have been reports of his private criticisms of former President Donald Trump.</p>

<p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/_oPLClE4g1I?si=kP5y__kjnwywFRY9" title="YouTube video player" width="560"></iframe></p>

<p>Fox News played a significant role in shaping conservative politics in the US. During the Trump era, it became a staunch supporter of the administration, which led to accusations of promoting right-wing propaganda and misinformation. The network's coverage of the 2020 election and its handling of election-related controversies, including false claims of voter fraud, have resulted in ongoing legal battles and defamation lawsuits.</p>

<p>Also Read |&nbsp;<strong><a href="https://www.wionews.com/business-economy/rupert-murdoch-steps-down-as-fox-chairman-after-seven-decade-career-638290">Rupert Murdoch, 92, steps down as Fox chairman after seven-decade career, hands reigns to son Lachlan</a></strong></p>

<p>As Lachlan takes the reins, he will need to carefully navigate the balance between maintaining the loyal conservative audience that Fox News has cultivated and addressing concerns about journalistic integrity and ethical standards.&nbsp;</p>

<p>Any significant editorial shift could have far-reaching consequences not only for Fox News but also for the broader landscape of conservative media in the US.</p>

<h2>The evolving media landscape: From print-audiovisual to digital</h2>

<p>Lachlan Murdoch will need to contend with the broader transformations in the media industry. The traditional television and print sectors have been grappling with declining audiences and revenues, as consumers increasingly turn to digital streaming services and online news platforms.</p>

<p>Rupert Murdoch's retirement coincides with a period of intense disruption. The rise of streaming giants like Netflix, Amazon Prime Video, and Disney+ has challenged the dominance of traditional television networks. Digital news platforms have altered the way people consume news, with many now accessing information through social media and aggregator websites.</p>

<p>To remain competitive, Murdoch-owned media companies will need to adapt to these changes by investing in digital strategies, exploring new revenue models, and potentially reimagining their content distribution channels.&nbsp;</p>

<p>The fate of print publications owned by the company, such as The Wall Street Journal and the New York Post in the US and The Sun in the UK, will be a significant consideration in this evolving media ecosystem. While it's unlikely that these publications will be abruptly discontinued, their long-term viability will depend on their ability to pivot toward digital platforms and engage a new generation of readers.</p>

<h2>Legal and ethical challenges</h2>

<p>Another critical aspect of the transition is the legal and ethical challenges that have plagued Murdoch's media empire.&nbsp;</p>

<p>Fox News, in particular, faced defamation lawsuits related to its US election coverage, with Dominion Voting Systems and Smartmatic pursuing legal action against the network. Fox News settled the Dominion lawsuit for a historic $787.5 million, while also axing its popular anchor Tucker Carlson possibly as part of the settlement, but the Smartmatic lawsuit continues.</p>

<p>Lachlan Murdoch will inherit these legal challenges and will be responsible for managing the fallout. He will need to ensure that the companies under his leadership uphold rigorous journalistic standards, adhere to fact-checking practices, and maintain ethical reporting practices.&nbsp;</p>

<p>The handling of these lawsuits will impact the credibility and public perception of Murdoch-owned media outlets.</p>

<p>Also Read |&nbsp;<strong><a href="https://www.wionews.com/world/who-is-lachlan-murdoc-five-things-to-know-about-the-inheritor-of-rupert-murdochs-media-empire-638469">Who is Lachlan Murdoch? Five things to know about the inheritor of Rupert Murdoch's media empire</a></strong></p>

<h2>The global impact</h2>

<p>Rupert Murdoch's influence extends beyond the borders of the United States. His media empire encompasses assets in the United Kingdom and Australia, where his newspapers and television networks have played influential roles in shaping public opinion and politics for decades.&nbsp;</p>

<p>Murdoch's foray into British media gave him unparalleled reach and political influence in the United Kingdom.&nbsp;In his native Australia, Murdoch's News Corp holds a significant share of the media market, and his influence has been a subject of debate and scrutiny.&nbsp;</p>

<p>Lachlan Murdoch's leadership will have implications not only for the Australian media landscape but also for the broader global media, particularly in countries where Murdoch-owned outlets operate.</p>

<h2>Legacy and controversies</h2>

<p>Rupert Murdoch's career has been marked by significant acquisitions, expansions, and controversies.&nbsp;</p>

<p>He made a substantial impact on the film industry by acquiring 20th Century Fox and played a crucial role in the rise of cable news with the launch of Fox News in 1996.&nbsp;</p>

<p>His ownership of newspapers like The New York Post and The Wall Street Journal has shaped the trajectory of print journalism in the digital age.</p>

<p>However, Murdoch's legacy is not without its controversies. His media outlets have been accused of downplaying climate science and promoting climate change denial. The network's promotion of conspiracy theories, particularly during the Trump era, has drawn criticism from media watchdogs and fact-checkers.</p>

<p>Murdoch's retirement and the transition to Lachlan Murdoch represent a momentous shift in the media landscape. As media companies grapple with changing consumer preferences and technological advancements, the future direction of Murdoch-owned media entities will be closely watched.</p>

<p><strong>WATCH WION LIVE HERE</strong></p>

<p><iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="350" loading="”lazy”" src="https://www.wionews.com/live-tv/embed?autoplay=1&amp;mute=1" width="100%"></iframe></p>

<p>You can <strong>now write for wionews.com</strong> and be a part of the community. Share your stories and opinions with us <strong><a href="https://www.wionews.com/content-contribution-registration-form">here</a>.</strong></p>


Rupert Murdoch's announcement of his retirement from the positions of chairman at both Fox Corporation and News Corporation has sent shockwaves through the media, news, and entertainment industries.

Rupert Murdoch's announcement of his retirement from the positions of chairman at both Fox Corporation and News Corporation has sent shockwaves through the media, news, and entertainment industries. The departure of the 98-year-old mogul, a towering figure in global media, is a pivotal moment in the evolution of media empires and their roles in shaping political and social discourse, influencing public opinion, and navigating the ongoing digital transformation. End of an era? Rupert Murdoch's career in the media business spans some seven decades, which saw him build a sprawling empire of television networks, newspapers, film studios, and digital platforms. His influence has been far-reaching, impacting not only the media landscape but also the political and social fabric of nations. He has been a dominant and often polarising figure in global media, known for his conservative editorial stances and his ability to shape public discourse. His companies have played pivotal roles in elections, policy debates, and cultural movements. Also Read | Rupert Murdoch steps down: Social media abuzz with Succession memes and jokes as Lachlan takes over Lachlan Murdoch's ascension Stepping into his father's shoes is Lachlan Murdoch, who has already been serving as the chief executive of Fox Corporation. Lachlan's ascension to sole chairman of both Fox and News Corporation raises questions about the continuity of the Murdoch legacy and the potential changes in editorial direction and strategic priorities. A key question is whether there will be a shift in the editorial direction of Murdoch-owned media outlets, especially Fox News, known for its right-wing editorial stance, often promoting conservative viewpoints and policies. Lachlan's commitment to maintaining this ideological alignment is uncertain, as there have been reports of his private criticisms of former President Donald Trump. Fox News played a significant role in shaping conservative politics in the US. During the Trump era, it became a staunch supporter of the administration, which led to accusations of promoting right-wing propaganda and misinformation. The network's coverage of the 2020 election and its handling of election-related controversies, including false claims of voter fraud, have resulted in ongoing legal battles and defamation lawsuits. Also Read | Rupert Murdoch, 92, steps down as Fox chairman after seven-decade career, hands reigns to son Lachlan As Lachlan takes the reins, he will need to carefully navigate the balance between maintaining the loyal conservative audience that Fox News has cultivated and addressing concerns about journalistic integrity and ethical standards. Any significant editorial shift could have far-reaching consequences not only for Fox News but also for the broader landscape of conservative media in the US. The evolving media landscape: From print-audiovisual to digital Lachlan Murdoch will need to contend with the broader transformations in the media industry. The traditional television and print sectors have been grappling with declining audiences and revenues, as consumers increasingly turn to digital streaming services and online news platforms. Rupert Murdoch's retirement coincides with a period of intense disruption. The rise of streaming giants like Netflix, Amazon Prime Video, and Disney+ has challenged the dominance of traditional television networks. Digital news platforms have altered the way people consume news, with many now accessing information through social media and aggregator websites. To remain competitive, Murdoch-owned media companies will need to adapt to these changes by investing in digital strategies, exploring new revenue models, and potentially reimagining their content distribution channels. The fate of print publications owned by the company, such as The Wall Street Journal and the New York Post in the US and The Sun in the UK, will be a significant consideration in this evolving media ecosystem. While it's unlikely that these publications will be abruptly discontinued, their long-term viability will depend on their ability to pivot toward digital platforms and engage a new generation of readers. Legal and ethical challenges Another critical aspect of the transition is the legal and ethical challenges that have plagued Murdoch's media empire. Fox News, in particular, faced defamation lawsuits related to its US election coverage, with Dominion Voting Systems and Smartmatic pursuing legal action against the network. Fox News settled the Dominion lawsuit for a historic $787.5 million, while also axing its popular anchor Tucker Carlson possibly as part of the settlement, but the Smartmatic lawsuit continues. Lachlan Murdoch will inherit these legal challenges and will be responsible for managing the fallout. He will need to ensure that the companies under his leadership uphold rigorous journalistic standards, adhere to fact-checking practices, and maintain ethical reporting practices. The handling of these lawsuits will impact the credibility and public perception of Murdoch-owned media outlets. Also Read | Who is Lachlan Murdoch? Five things to know about the inheritor of Rupert Murdoch's media empire The global impact Rupert Murdoch's influence extends beyond the borders of the United States. His media empire encompasses assets in the United Kingdom and Australia, where his newspapers and television networks have played influential roles in shaping public opinion and politics for decades. Murdoch's foray into British media gave him unparalleled reach and political influence in the United Kingdom. In his native Australia, Murdoch's News Corp holds a significant share of the media market, and his influence has been a subject of debate and scrutiny. Lachlan Murdoch's leadership will have implications not only for the Australian media landscape but also for the broader global media, particularly in countries where Murdoch-owned outlets operate. Legacy and controversies Rupert Murdoch's career has been marked by significant acquisitions, expansions, and controversies. He made a substantial impact on the film industry by acquiring 20th Century Fox and played a crucial role in the rise of cable news with the launch of Fox News in 1996. His ownership of newspapers like The New York Post and The Wall Street Journal has shaped the trajectory of print journalism in the digital age. However, Murdoch's legacy is not without its controversies. His media outlets have been accused of downplaying climate science and promoting climate change denial. The network's promotion of conspiracy theories, particularly during the Trump era, has drawn criticism from media watchdogs and fact-checkers. Murdoch's retirement and the transition to Lachlan Murdoch represent a momentous shift in the media landscape. As media companies grapple with changing consumer preferences and technological advancements, the future direction of Murdoch-owned media entities will be closely watched. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Explained | Son also rises: Will Rupert Murdoch's media empire change after Lachlan takes over?

<p>The Continental: From the World of John Wick is a television miniseries spin-off aiming to whet the appetite of fans of the action-packed John Wick film franchise. Developed by Greg Coolidge, Kirk Ward, and Shawn Simmons, this prequel offers a glimpse into the world of assassins through the eyes of Winston Scott, the enigmatic proprietor of the Continental hotels. While it's not a complete disaster, it falls short of capturing the excellence associated with the film series. It feels more like the middle seat on a long flight —functional but not exciting, with scattered moments of brilliance amidst a somewhat shaky narrative.</p>

<p>Set in an alternate history 1970s New York City, the show explores a world where assassins operate within the confines of the Continental hotels, sanctuaries where no violence is allowed. The series attempts to blend real-world events like the Winter of Discontent and the American Mafia's rise to power with its fantastical assassin universe, which, when it works, provides an intriguing perspective. However, at times, this blending feels like an overly complex attempt to merge two disparate worlds.</p>

<p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/y3FzXBkCUAg?si=G-XKAJ8R6QWaz-fS" title="YouTube video player" width="560"></iframe></p>

<p>The action sequences, a trademark of the John Wick franchise, are a mixed bag in The Continental. While it strives to replicate the meticulously choreographed fights, it often lacks the intensity and fluidity of the films. It feels like an attempt to recreate a masterpiece with only a sketch as a reference.</p>

<p>World-building and the intricate set of rules governing the assassin society are key attractions of John Wick films. The Continental attempts to delve into this rich lore but struggles to create the same sense of intrigue and mystique. It doesn't quite capture the gritty, lived-in atmosphere that made the Continental hotels and their services so believable.</p>

<div class="videoWrapper trancodeVideo"><iframe allowfullscreen="" autoplay="1" class="includeVideo" frameborder="0" height="350" src="https://www.wionews.com/videos/john-wick-4-movie-review-keanu-reeves-baba-yaga-wreaks-mayhem-critically-speaking-575558/embed" style="width:100%;max-width:560px;" width="560"></iframe></div>

<p>A significant challenge faced by The Continental is the absence of Keanu Reeves as John Wick. The talented cast, including Colin Woodell as Scott, can't fully fill the void left by him. Woodell does bring a different energy to the character, which works in some moments but feels off in others. This absence of the central, enigmatic figure leaves the series lacking an emotional anchor.</p>

<p>Also Read |&nbsp;<strong><a href="https://www.wionews.com/entertainment/hollywood/news-expend4bles-movie-review-sylvester-stallones-film-is-more-fizzle-than-sizzle-638475">Expend4bles movie review: Sylvester Stallone's film is more fizzle than sizzle</a></strong></p>

<p>On the positive side, the production values are commendable. The 1970s setting is convincingly recreated with period-appropriate costumes, props, and set design. The cinematography captures the essence of the era, enhancing the overall ambience.</p>

<p>The supporting cast, a mix of familiar faces and newcomers, contributes to the ensemble, but none of the characters manage to stand out like John Wick. Without a central figure to root for, the series often lacks the emotional depth that could draw viewers deeper into its world.</p>

<p>Also Read |<strong><a href="https://www.wionews.com/entertainment/hollywood/news-asteroid-city-review-wes-andersons-latest-is-a-feast-for-the-senses-628933">&nbsp;Asteroid City review: Wes Anderson`s latest is a feast for the senses</a></strong></p>

<p>In summary, The Continental: From the World of John Wick is quite middling. It provides glimpses into the John Wick universe's history and mythology, with moments that shine. However, it falls way short of capturing the magic and intensity of the film series. The action sequences, while ambitious, don't reach the heights set by the films, and the absence of John Wick is keenly felt.</p>

<p>The series has its moments of brilliance, like a well-executed hit in a dimly lit alley, but it also has its missteps. It's watchable, I feel, especially for die-hard John Wick fans hungry for more, but it doesn't match the cinematic predecessors' excellence. The Continental is a serviceable addition to the franchise, but it leaves you craving the next John Wick film, where you know you'll get a first-class ticket to action-packed excellence.</p>

<p><strong>WATCH WION LIVE HERE</strong></p>

<p><iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="350" loading="”lazy”" src="https://www.wionews.com/live-tv/embed?autoplay=1&amp;mute=1" width="100%"></iframe></p>

<p>You can <strong>now write for wionews.com</strong> and be a part of the community. Share your stories and opinions with us <strong><a href="https://www.wionews.com/content-contribution-registration-form">here</a>.</strong></p>


The Continental: From the World of John Wick is a television miniseries spin-off aiming to whet the appetite of fans of the action-packed John Wick film franchise.

The Continental: From the World of John Wick is a television miniseries spin-off aiming to whet the appetite of fans of the action-packed John Wick film franchise. Developed by Greg Coolidge, Kirk Ward, and Shawn Simmons, this prequel offers a glimpse into the world of assassins through the eyes of Winston Scott, the enigmatic proprietor of the Continental hotels. While it's not a complete disaster, it falls short of capturing the excellence associated with the film series. It feels more like the middle seat on a long flight —functional but not exciting, with scattered moments of brilliance amidst a somewhat shaky narrative. Set in an alternate history 1970s New York City, the show explores a world where assassins operate within the confines of the Continental hotels, sanctuaries where no violence is allowed. The series attempts to blend real-world events like the Winter of Discontent and the American Mafia's rise to power with its fantastical assassin universe, which, when it works, provides an intriguing perspective. However, at times, this blending feels like an overly complex attempt to merge two disparate worlds. The action sequences, a trademark of the John Wick franchise, are a mixed bag in The Continental. While it strives to replicate the meticulously choreographed fights, it often lacks the intensity and fluidity of the films. It feels like an attempt to recreate a masterpiece with only a sketch as a reference. World-building and the intricate set of rules governing the assassin society are key attractions of John Wick films. The Continental attempts to delve into this rich lore but struggles to create the same sense of intrigue and mystique. It doesn't quite capture the gritty, lived-in atmosphere that made the Continental hotels and their services so believable. A significant challenge faced by The Continental is the absence of Keanu Reeves as John Wick. The talented cast, including Colin Woodell as Scott, can't fully fill the void left by him. Woodell does bring a different energy to the character, which works in some moments but feels off in others. This absence of the central, enigmatic figure leaves the series lacking an emotional anchor. Also Read | Expend4bles movie review: Sylvester Stallone's film is more fizzle than sizzle On the positive side, the production values are commendable. The 1970s setting is convincingly recreated with period-appropriate costumes, props, and set design. The cinematography captures the essence of the era, enhancing the overall ambience. The supporting cast, a mix of familiar faces and newcomers, contributes to the ensemble, but none of the characters manage to stand out like John Wick. Without a central figure to root for, the series often lacks the emotional depth that could draw viewers deeper into its world. Also Read | Asteroid City review: Wes Anderson`s latest is a feast for the senses In summary, The Continental: From the World of John Wick is quite middling. It provides glimpses into the John Wick universe's history and mythology, with moments that shine. However, it falls way short of capturing the magic and intensity of the film series. The action sequences, while ambitious, don't reach the heights set by the films, and the absence of John Wick is keenly felt. The series has its moments of brilliance, like a well-executed hit in a dimly lit alley, but it also has its missteps. It's watchable, I feel, especially for die-hard John Wick fans hungry for more, but it doesn't match the cinematic predecessors' excellence. The Continental is a serviceable addition to the franchise, but it leaves you craving the next John Wick film, where you know you'll get a first-class ticket to action-packed excellence. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

The Continental review: A lacklustre stay in John Wick's world

<p><strong><em>Expend4bles </em>movie review: </strong>I've never been particularly enamoured with the <em>Expendables </em>movies, but I must admit there's something oddly comforting about their presence in our cinematic landscape. They offer a window into a bygone era of gleefully over-the-top, nostalgia-driven action flicks, like a treasure chest of cheesy one-liners and explosive showdowns from the '80s and '90s. With this in mind, I approached <em>Expend4bles</em>, the fourth instalment in Sylvester Stallone's action-hero extravaganza, with a mix of curiosity and hope, seeking that familiar adrenaline-fueled escapism. Little did I know that what awaited me would be more disillusionment than excitement.</p>

<p>The film kicks off with a promising premise, as the titular team of mercenaries is dispatched to Libya on a mission to thwart the theft of nuclear warheads by the enigmatic Ocelot, a shadowy antagonist with world-altering ambitions. It's a classic action setup, seemingly tailor-made for delivering explosive set pieces and witty one-liners that should crackle with humour. Unfortunately, the plot quickly swerves off course, like a GPS navigating a detour into the Bermuda Triangle, and the one-liners turn out to be more cringe-worthy than clever.</p>

<p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/DhlaBO-SwVE?si=611AX_BeH7Hz4G1v" title="YouTube video player" width="560"></iframe></p>

<p>One of <em>Expend4bles</em>' most glaring missteps is its baffling reliance on lacklustre visual effects. It's as if the filmmakers decided to raid the bargain bin for special effects, opting for green screens and CGI that leave action sequences looking like they belong in a budget video game. Car chases become pixelated chaos, and characters appear to be trapped in a glitch-ridden virtual world.</p>

<p>As for the performances, even the star-studded cast can't rescue this sinking ship. Jason Statham, a magnet of charisma in his own right, is saddled with dialogue that feels like it was pieced together during a lunch break. Curtis "50 Cent" Jackson's presence seems more like an attempt at stunt casting than a genuine addition to the ensemble.</p>

<p>Yet, amid the mediocrity, a few shining moments emerge. Megan Fox and Iko Uwais rise above the script's limitations with engaging performances. Fox injects some much-needed charisma into the proceedings, despite starting off as a rather one-dimensional "crazy lady" stereotype. Uwais, a martial arts master, dazzles with choreography that's as breathtaking as it is acrobatic.&nbsp;Tony Jaa also impresses.</p>

<p>Also Read |<strong><a href="https://www.wionews.com/entertainment/hollywood/news-asteroid-city-review-wes-andersons-latest-is-a-feast-for-the-senses-628933">&nbsp;Asteroid City review: Wes Anderson`s latest is a feast for the senses</a></strong></p>

<p>Still, these bright spots are like distant stars in a cinematic galaxy filled with dark matter. The script appears more interested in crass humour and shock value than in delivering a compelling story. The one-liners that should have been sharp and memorable feel like they were recycled from a '90s action movie reject bin.</p>

<p>While the action sequences do offer occasional relief from the chaos, they can't entirely salvage the film. Explosions and gunfights abound, but they often get lost in a sea of gratuitous violence that pushes the boundaries of taste. It's as if the filmmakers were trying to see just how far they could stretch the limits of shock, losing sight of the story and character development in the process.</p>

<p>In the end, <em>Expend4bles </em>leaves me with mixed feelings. As someone who's never been a fervent fan of the franchise, this instalment feels like a missed opportunity to recapture the magic that once made <em>The Expendables </em>a guilty pleasure for action aficionados. It's like ordering a gourmet meal and receiving a cold, soggy sandwich instead.&nbsp;</p>

<p><strong>WATCH WION LIVE HERE</strong></p>

<p><iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="350" loading="”lazy”" src="https://www.wionews.com/live-tv/embed?autoplay=1&amp;mute=1" width="100%"></iframe></p>

<p>You can <strong>now write for wionews.com</strong> and be a part of the community. Share your stories and opinions with us <strong><a href="https://www.wionews.com/content-contribution-registration-form">here</a>.</strong></p>


Expend4bles movie review: I've never been particularly enamoured with the Expendables movies, but I must admit there's something oddly comforting about their presence in our cinematic landscape.

Expend4bles movie review: I've never been particularly enamoured with the Expendables movies, but I must admit there's something oddly comforting about their presence in our cinematic landscape. They offer a window into a bygone era of gleefully over-the-top, nostalgia-driven action flicks, like a treasure chest of cheesy one-liners and explosive showdowns from the '80s and '90s. With this in mind, I approached Expend4bles, the fourth instalment in Sylvester Stallone's action-hero extravaganza, with a mix of curiosity and hope, seeking that familiar adrenaline-fueled escapism. Little did I know that what awaited me would be more disillusionment than excitement. The film kicks off with a promising premise, as the titular team of mercenaries is dispatched to Libya on a mission to thwart the theft of nuclear warheads by the enigmatic Ocelot, a shadowy antagonist with world-altering ambitions. It's a classic action setup, seemingly tailor-made for delivering explosive set pieces and witty one-liners that should crackle with humour. Unfortunately, the plot quickly swerves off course, like a GPS navigating a detour into the Bermuda Triangle, and the one-liners turn out to be more cringe-worthy than clever. One of Expend4bles' most glaring missteps is its baffling reliance on lacklustre visual effects. It's as if the filmmakers decided to raid the bargain bin for special effects, opting for green screens and CGI that leave action sequences looking like they belong in a budget video game. Car chases become pixelated chaos, and characters appear to be trapped in a glitch-ridden virtual world. As for the performances, even the star-studded cast can't rescue this sinking ship. Jason Statham, a magnet of charisma in his own right, is saddled with dialogue that feels like it was pieced together during a lunch break. Curtis "50 Cent" Jackson's presence seems more like an attempt at stunt casting than a genuine addition to the ensemble. Yet, amid the mediocrity, a few shining moments emerge. Megan Fox and Iko Uwais rise above the script's limitations with engaging performances. Fox injects some much-needed charisma into the proceedings, despite starting off as a rather one-dimensional "crazy lady" stereotype. Uwais, a martial arts master, dazzles with choreography that's as breathtaking as it is acrobatic. Tony Jaa also impresses. Also Read | Asteroid City review: Wes Anderson`s latest is a feast for the senses Still, these bright spots are like distant stars in a cinematic galaxy filled with dark matter. The script appears more interested in crass humour and shock value than in delivering a compelling story. The one-liners that should have been sharp and memorable feel like they were recycled from a '90s action movie reject bin. While the action sequences do offer occasional relief from the chaos, they can't entirely salvage the film. Explosions and gunfights abound, but they often get lost in a sea of gratuitous violence that pushes the boundaries of taste. It's as if the filmmakers were trying to see just how far they could stretch the limits of shock, losing sight of the story and character development in the process. In the end, Expend4bles leaves me with mixed feelings. As someone who's never been a fervent fan of the franchise, this instalment feels like a missed opportunity to recapture the magic that once made The Expendables a guilty pleasure for action aficionados. It's like ordering a gourmet meal and receiving a cold, soggy sandwich instead. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Expend4bles movie review: Sylvester Stallone's film is more fizzle than sizzle

Every American Horror Story season ranked: From Murder House to Apocalypse

<p>The era of artificial intelligence or AI&nbsp;has barged into our creative domain like an uninvited guest at a tea party. Suddenly, we have AI mimicking Drake and The Weeknd's vocal styles in a hit song, and even the mellifluous Stephen Fry found himself cloned by AI without his consent. It's like a sci-fi plot where machines steal the show, but it's our reality, and it's no laughing matter. We are facing a copyright conundrum of epic proportions, and our laws are just as befuddled as we are.</p>

<p>Let's explore how&nbsp;ill-prepared current copyright laws are to address the invasion of AI into creative works.</p>

<p>Also Read |<strong><a href="https://www.wionews.com/entertainment/hollywood/news-explained-from-the-matrix-to-the-terminator-how-artificial-intelligence-in-cinema-reflects-our-hopes-fears-577331">&nbsp;Explained: From The Matrix to The Terminator, how artificial intelligence in cinema reflects our hopes, fears</a></strong></p>

<h2><strong>The rise of AI</strong></h2>

<p>AI and AI-driven tools like ChatGPT have seemingly emerged out of nowhere, gaining wide prevalence in recent times. While discussions and advancements in AI technology have been ongoing for years, the sudden ubiquity of AI tools has taken many, including this scribe, by surprise. What was once a futuristic daydream is now our daily reality, infiltrating sectors from entertainment and healthcare to finance and education. &nbsp;And, for the most part, not for good. It is no longer a distant promise but a tangible reality that is shaping our world in profound ways.</p>

<h2>The Stephen Fry incident: A wake-up call with a British accent</h2>

<p>Stephen Fry's revelation at the CogX Festival about his voice being replicated by AI without his consent serves as a stark example of AI's potential misuse. This respected actor, comedian, and audiobook narrator found out that AI had decided to become the next Stephen Fry — a prospect almost as audacious as trying to replace James Bond with a robotic doppelgänger. Maybe the next Bond will not be Idris Elba or Tom Hardy. It will be the Terminator! But here's the kicker: Fry had the clout to make a fuss about it on a grand stage.</p>

<p>Also Read |&nbsp;<strong><a href="https://www.wionews.com/entertainment/hollywood/news-explained-how-digital-doubles-ai-generated-trailers-put-hollywood-in-quandary-599643">Explained: How digital doubles, AI-generated trailers put Hollywood in a quandary</a></strong></p>

<p>But what about hundreds of lesser-known voice actors, who narrate audiobooks, voice video games, and feature in commercials? They do not have the capability to highlight such infringements or the resources to fight back against misuse of their voice. They are particularly vulnerable to AI's incursion into their field. While their voices may be recognisable, they often lack the fame to control their voice's use sans consent. To make matters worse, their contracts often contain fine print that lets companies use their voices in every conceivable way until the sun burns out. Legal protection for these voice artists against AI voice replicas? About as scarce as a unicorn at a petting zoo. Laws offer little refuge for voice actors seeking protection against AI-generated replicas of their voices.</p>

<p>Popular AI tools have barely aged a year, and already they've unleashed a storm of voice cloning businesses that scavenge (I believe 'scrape' is the term) the internet for speech samples to create an AI orchestra of cloned voices. These companies offer lifelike voices at a fraction of the cost of hiring human professionals. As a result, voice actors face the prospect of losing their livelihoods as companies opt for cost-effective AI-generated voices.</p>

<div class="videoWrapper trancodeVideo"><iframe allowfullscreen="" autoplay="1" class="includeVideo" frameborder="0" height="350" src="https://www.wionews.com/videos/how-ai-is-changing-the-future-of-work-632079/embed" style="width:100%;max-width:560px;" width="560"></iframe></div>

<h2>Need for safeguards and regulations</h2>

<p>There is an urgent need for comprehensive legal safeguards and regulations to protect the rights and livelihoods of all individuals working in the creative industries. AI's indiscriminate voice replication is a threat not just to the big names but to the entire ecosystem of artists, actors, and creators who rely on their unique talents and voices to make a living.</p>

<p>A recent Washington Post report quoted an award-winning voice artist Remie Michelle Clarke who was alerted by her sound engineer that he had found a voice that sounded like hers on Revoicer.com (which calls itself 'The most realistic AI Text To Speech online') that could be used for the subscribers of the site.&nbsp;</p>

<p>She said, “It’s completely bizarre. When you see your voice has been shifted and tampered with … there’s something so invasive about it.”</p>

<p>Revoicer.com removed her voice after being contacted by The Washington Post, but who's to say it's the only culprit? Clarke rightly asks, "How many other companies... are using my voice and my work and my livelihood without ever factoring me in?" It's a question that should rattle our conscience.</p>

<h2>The role of AI in Hollywood</h2>

<p>AI has also become a focal point of recent strikes within the Writers Guild of America (WGA) and the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA). The entertainment industry is grappling with the threat of AI replication, which could, if the studios got their way, potentially replace human actors and writers. These concerns are not unwarranted, as AI technology can convincingly mimic human voices and generate creative content. AI has already been used to resurrect deceased actors like Carrie Fisher in <em>Star Wars: The Rise of Skywalker</em> and more recently, Christopher Reeve as Superman in <em>The Flash</em>.&nbsp;</p>

<p><em>Breaking Bad</em> star Bryan Cranston gave a passionate speech about AI's encroachment in Hollywood. While referring to Disney CEO, he said, “We’ve got a message to Mr Iger. I know, sir, that you look through things from a different lens. We don’t expect you to understand who we are but we ask you to hear us, and beyond that, to listen to us when we tell you we will not be having our jobs taken away and given to robots. We will not have you take away our right to work and earn a decent living.”</p>

<h2>Legal dilemmas: Copyright and AI</h2>

<p>A recent decision from a federal judge in the US did reinforce the well-established principle that copyrights are exclusively granted to works crafted by human creators, affirming the enduring nature of this fundamental concept. This noteworthy ruling emerged as part of a case in which Stephen Thaler sought to challenge the government's denial of copyright registration for AI-generated works. District Judge Beryl Howell's ruling was unequivocal: copyright law was never designed to protect works generated solely by emerging technologies without human involvement.</p>

<p>However, AI's breakneck progress has left copyright laws trailing far behind. We are stuck in a copyright quagmire, uncertain about how to handle situations where AI clones someone's voice or likeness for financial gain.<br />
&nbsp;</p>

<p><strong>WATCH WION LIVE HERE</strong></p>

<p><iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="350" loading="”lazy”" src="https://www.wionews.com/live-tv/embed?autoplay=1&amp;mute=1" width="100%"></iframe></p>

<p>You can <strong>now write for wionews.com</strong> and be a part of the community. Share your stories and opinions with us <strong><a href="https://www.wionews.com/content-contribution-registration-form">here</a>.</strong></p>


The era of artificial intelligence or AI has barged into our creative domain like an uninvited guest at a tea party. Suddenly, we have AI mimicking Drake and The Weeknd's vocal styles in a hit song, and even the mellifluous Stephen Fry found himself cloned by AI without his consent.

The era of artificial intelligence or AI has barged into our creative domain like an uninvited guest at a tea party. Suddenly, we have AI mimicking Drake and The Weeknd's vocal styles in a hit song, and even the mellifluous Stephen Fry found himself cloned by AI without his consent. It's like a sci-fi plot where machines steal the show, but it's our reality, and it's no laughing matter. We are facing a copyright conundrum of epic proportions, and our laws are just as befuddled as we are. Let's explore how ill-prepared current copyright laws are to address the invasion of AI into creative works. Also Read | Explained: From The Matrix to The Terminator, how artificial intelligence in cinema reflects our hopes, fears The rise of AI AI and AI-driven tools like ChatGPT have seemingly emerged out of nowhere, gaining wide prevalence in recent times. While discussions and advancements in AI technology have been ongoing for years, the sudden ubiquity of AI tools has taken many, including this scribe, by surprise. What was once a futuristic daydream is now our daily reality, infiltrating sectors from entertainment and healthcare to finance and education. And, for the most part, not for good. It is no longer a distant promise but a tangible reality that is shaping our world in profound ways. The Stephen Fry incident: A wake-up call with a British accent Stephen Fry's revelation at the CogX Festival about his voice being replicated by AI without his consent serves as a stark example of AI's potential misuse. This respected actor, comedian, and audiobook narrator found out that AI had decided to become the next Stephen Fry — a prospect almost as audacious as trying to replace James Bond with a robotic doppelgänger. Maybe the next Bond will not be Idris Elba or Tom Hardy. It will be the Terminator! But here's the kicker: Fry had the clout to make a fuss about it on a grand stage. Also Read | Explained: How digital doubles, AI-generated trailers put Hollywood in a quandary But what about hundreds of lesser-known voice actors, who narrate audiobooks, voice video games, and feature in commercials? They do not have the capability to highlight such infringements or the resources to fight back against misuse of their voice. They are particularly vulnerable to AI's incursion into their field. While their voices may be recognisable, they often lack the fame to control their voice's use sans consent. To make matters worse, their contracts often contain fine print that lets companies use their voices in every conceivable way until the sun burns out. Legal protection for these voice artists against AI voice replicas? About as scarce as a unicorn at a petting zoo. Laws offer little refuge for voice actors seeking protection against AI-generated replicas of their voices. Popular AI tools have barely aged a year, and already they've unleashed a storm of voice cloning businesses that scavenge (I believe 'scrape' is the term) the internet for speech samples to create an AI orchestra of cloned voices. These companies offer lifelike voices at a fraction of the cost of hiring human professionals. As a result, voice actors face the prospect of losing their livelihoods as companies opt for cost-effective AI-generated voices. Need for safeguards and regulations There is an urgent need for comprehensive legal safeguards and regulations to protect the rights and livelihoods of all individuals working in the creative industries. AI's indiscriminate voice replication is a threat not just to the big names but to the entire ecosystem of artists, actors, and creators who rely on their unique talents and voices to make a living. A recent Washington Post report quoted an award-winning voice artist Remie Michelle Clarke who was alerted by her sound engineer that he had found a voice that sounded like hers on Revoicer.com (which calls itself 'The most realistic AI Text To Speech online') that could be used for the subscribers of the site. She said, “It’s completely bizarre. When you see your voice has been shifted and tampered with … there’s something so invasive about it.” Revoicer.com removed her voice after being contacted by The Washington Post, but who's to say it's the only culprit? Clarke rightly asks, "How many other companies... are using my voice and my work and my livelihood without ever factoring me in?" It's a question that should rattle our conscience. The role of AI in Hollywood AI has also become a focal point of recent strikes within the Writers Guild of America (WGA) and the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA). The entertainment industry is grappling with the threat of AI replication, which could, if the studios got their way, potentially replace human actors and writers. These concerns are not unwarranted, as AI technology can convincingly mimic human voices and generate creative content. AI has already been used to resurrect deceased actors like Carrie Fisher in Star Wars: The Rise of Skywalker and more recently, Christopher Reeve as Superman in The Flash. Breaking Bad star Bryan Cranston gave a passionate speech about AI's encroachment in Hollywood. While referring to Disney CEO, he said, “We’ve got a message to Mr Iger. I know, sir, that you look through things from a different lens. We don’t expect you to understand who we are but we ask you to hear us, and beyond that, to listen to us when we tell you we will not be having our jobs taken away and given to robots. We will not have you take away our right to work and earn a decent living.” Legal dilemmas: Copyright and AI A recent decision from a federal judge in the US did reinforce the well-established principle that copyrights are exclusively granted to works crafted by human creators, affirming the enduring nature of this fundamental concept. This noteworthy ruling emerged as part of a case in which Stephen Thaler sought to challenge the government's denial of copyright registration for AI-generated works. District Judge Beryl Howell's ruling was unequivocal: copyright law was never designed to protect works generated solely by emerging technologies without human involvement. However, AI's breakneck progress has left copyright laws trailing far behind. We are stuck in a copyright quagmire, uncertain about how to handle situations where AI clones someone's voice or likeness for financial gain. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Explained | Are our copyright laws ready for the AI invasion?

<p>It's that time of the year again when we raise our glasses to the one and only Bill Murray, who turns 73 today. As we celebrate his birthday, it's only fitting to dive into one of his most iconic roles that showcases his timeless talent: Bob Harris in the unforgettable film, Lost in Translation. While most people dread the idea of growing older, Murray seems to have turned the ageing process into an art form. With every passing year, he seems to acquire a more profound sense of wit, charm, and wisdom. Perhaps that's why his performance in Lost in Translation, which was released two decades ago, feels just as fresh and relevant today as it did back in 2003.</p>

<p>In this Sofia Coppola film, Murray plays Bob Harris, a washed-up actor who finds himself adrift in the neon-lit, chaotic wonderland of Tokyo. While Bob's career is on a downward spiral, Murray's own star was rising to even greater heights. The result? A beautifully layered performance that captures the essence of isolation, longing, and the universal quest for connection.</p>

<p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/vGvDCmuDKKE?si=PzM3bdwpwV6wGCN3" title="YouTube video player" width="560"></iframe></p>

<p>Murray's portrayal of Bob is a masterclass in subtlety. With his trademark deadpan humour and a look that seems to say, "I've seen it all, and nothing can surprise me anymore," he takes us on a journey of self-discovery. As Bob navigates the labyrinthine corridors of a foreign culture and grapples with his own midlife crisis, Murray's nuanced expressions speak volumes. It's a performance that requires you to look beyond the surface, to read between the lines, and to savour every word and gesture.</p>

<p>He also shares a remarkable chemistry with Scarlett Johansson, who plays Charlotte, a young woman also grappling with the disorientation of life. Their relationship is built on mutual understanding, a shared sense of alienation, and a longing for something more.&nbsp;</p>

<p>Also Read |&nbsp;<strong><a href="https://www.wionews.com/entertainment/hollywood/news-happy-birthday-jason-momoa-how-the-hawaiian-star-made-khal-drogo-his-own-621332">Happy birthday, Jason Momoa! How the Hawaiian star made Khal Drogo his own</a></strong></p>

<p>In a film where silence often speaks louder than words, Murray's impeccable comedic timing shines through. Whether he's whispering his hilarious faux commercial lines or engaging in awkward encounters with quirky Japanese characters, his humour serves as a lifeline amidst the sea of melancholy (okay, some of those jokes have not aged well). It's a testament to his talent that he can make us laugh one moment and break our hearts the next.</p>

<p>Also Read |&nbsp;<strong><a href="https://www.wionews.com/entertainment/lifestyle/news-on-ruskin-bonds-89th-birthday-a-journey-through-his-timeless-tales-593997">On Ruskin Bond's 89th birthday, a journey through his timeless tales</a></strong></p>

<p>The film reminds us that the pursuit of happiness is a journey, not a destination. It's about those fleeting moments of connection, those stolen glances, and those whispers in the night that make life worth living.</p>

<p>So, here's to Bill Murray, the eternal charmer, the ageless sage, and the man who made us fall in love with the beauty of being Lost in Translation. As he continues to grace the silver screen, we can only anticipate more timeless performances and more reasons to cherish the wisdom that comes with each passing year. Happy 73rd, Bill!&nbsp;</p>

<p><strong>WATCH WION LIVE HERE</strong></p>

<p><iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="350" loading="”lazy”" src="https://www.wionews.com/live-tv/embed?autoplay=1&amp;mute=1" width="100%"></iframe></p>

<p>You can <strong>now write for wionews.com</strong> and be a part of the community. Share your stories and opinions with us <strong><a href="https://www.wionews.com/content-contribution-registration-form">here</a>.</strong></p>


It's that time of the year again when we raise our glasses to the one and only Bill Murray, who turns 73 today. As we celebrate his birthday, it's only fitting to dive into one of his most iconic roles that showcases his timeless talent: Bob Harris in the unforgettable film, Lost in Translation.

It's that time of the year again when we raise our glasses to the one and only Bill Murray, who turns 73 today. As we celebrate his birthday, it's only fitting to dive into one of his most iconic roles that showcases his timeless talent: Bob Harris in the unforgettable film, Lost in Translation. While most people dread the idea of growing older, Murray seems to have turned the ageing process into an art form. With every passing year, he seems to acquire a more profound sense of wit, charm, and wisdom. Perhaps that's why his performance in Lost in Translation, which was released two decades ago, feels just as fresh and relevant today as it did back in 2003. In this Sofia Coppola film, Murray plays Bob Harris, a washed-up actor who finds himself adrift in the neon-lit, chaotic wonderland of Tokyo. While Bob's career is on a downward spiral, Murray's own star was rising to even greater heights. The result? A beautifully layered performance that captures the essence of isolation, longing, and the universal quest for connection. Murray's portrayal of Bob is a masterclass in subtlety. With his trademark deadpan humour and a look that seems to say, "I've seen it all, and nothing can surprise me anymore," he takes us on a journey of self-discovery. As Bob navigates the labyrinthine corridors of a foreign culture and grapples with his own midlife crisis, Murray's nuanced expressions speak volumes. It's a performance that requires you to look beyond the surface, to read between the lines, and to savour every word and gesture. He also shares a remarkable chemistry with Scarlett Johansson, who plays Charlotte, a young woman also grappling with the disorientation of life. Their relationship is built on mutual understanding, a shared sense of alienation, and a longing for something more. Also Read | Happy birthday, Jason Momoa! How the Hawaiian star made Khal Drogo his own In a film where silence often speaks louder than words, Murray's impeccable comedic timing shines through. Whether he's whispering his hilarious faux commercial lines or engaging in awkward encounters with quirky Japanese characters, his humour serves as a lifeline amidst the sea of melancholy (okay, some of those jokes have not aged well). It's a testament to his talent that he can make us laugh one moment and break our hearts the next. Also Read | On Ruskin Bond's 89th birthday, a journey through his timeless tales The film reminds us that the pursuit of happiness is a journey, not a destination. It's about those fleeting moments of connection, those stolen glances, and those whispers in the night that make life worth living. So, here's to Bill Murray, the eternal charmer, the ageless sage, and the man who made us fall in love with the beauty of being Lost in Translation. As he continues to grace the silver screen, we can only anticipate more timeless performances and more reasons to cherish the wisdom that comes with each passing year. Happy 73rd, Bill! WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Aged to perfection: Bill Murray's timeless brilliance in Lost in Translation

<p>DC Comics' Batman, created in the late 1930s, is undoubtedly one of the most iconic superheroes globally, and it owes a significant part of its popularity to the unforgettable portrayal by Adam West. In the 1960s, the world was introduced to a Batman unlike any other, one that was campy, cheerful, and filled with deadpan humour. While numerous actors have since taken on the role of the Dark Knight, that rendition stands out as an enduring representation of the character. Let's explore why it continues to resonate with audiences.</p>

<h2><strong>The campy appeal of Adam West's Batman</strong></h2>

<p>Adam West's Batman was not the first live-action portrayal of the caped crusader, but it was his unique blend of campy charm that forever imprinted Batman on the collective consciousness. In an era when superheroes were still finding their place in pop culture, West's Batman was a breath of fresh air. His portrayal was marked by deadpan humour, brightly coloured costumes, and knew how to shake a leg (embodied in the iconic Batusi dance).</p>

<p>Also Read |&nbsp;<strong><a href="https://www.wionews.com/entertainment/hollywood/news-batman-day-2023-celebrate-the-dark-knight-with-these-10-must-read-storylines-636663">Batman Day 2023: Celebrate the Dark Knight with these 10 must-read storylines</a></strong></p>

<p>Unlike modern interpretations of Batman that focus too much on the character's tortured psyche, West's Batman was unafraid to laugh, crack jokes, and deliver puns. Alongside his trusty sidekick, Robin, they fought against criminals without resorting to excessive violence. Instead, their modus operandi involved capturing wrongdoers and turning them over to the authorities. This light-hearted approach provided a stark contrast to the dark and brooding Batmen that would follow.</p>

<div class="videoWrapper trancodeVideo"><iframe allowfullscreen="" autoplay="1" class="includeVideo" frameborder="0" height="350" src="https://www.wionews.com/videos/10-marvel-dc-characters-who-need-their-own-movies-511168/embed" style="width:100%;max-width:560px;" width="560"></iframe></div>

<p>The enduring appeal of Adam West's Batman lies in its ability to evoke nostalgia and innocence. It seems to say that the superhero genre is about inspiring hope, justice, and the belief that good will ultimately prevail. It transports us to a simpler era when distinguishing between heroes and villains was straightforward, and the triumph of good over evil was a given. While West's suit may not have been a perfect fit, and he may not have possessed the chiseled physique of a traditional superhero, his portrayal embodied the essence of a hero who relied on intelligence and determination rather than brute force.</p>

<p>Also Read |&nbsp;<strong><a href="https://www.wionews.com/entertainment/hollywood/news-batman-day-2023-what-keeps-the-dark-knight-shining-bright-after-84-years-636526">Batman Day 2023: What keeps the Dark Knight shining bright after 84 years?</a></strong></p>

<p>This iteration remains a beloved and iconic representation of the character. It offers a unique and enduring perspective on the superhero genre, which has aged surprisingly well. It emphasises humour, optimism, and the unwavering conviction that righteousness will conquer evil.</p>

<p>This Batman continues to remind us that, no matter the circumstances, the world of superheroes should be a place where hope shines bright, and justice is delivered with a smile.</p>

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DC Comics' Batman, created in the late 1930s, is undoubtedly one of the most iconic superheroes globally, and it owes a significant part of its popularity to the unforgettable portrayal by Adam West.

DC Comics' Batman, created in the late 1930s, is undoubtedly one of the most iconic superheroes globally, and it owes a significant part of its popularity to the unforgettable portrayal by Adam West. In the 1960s, the world was introduced to a Batman unlike any other, one that was campy, cheerful, and filled with deadpan humour. While numerous actors have since taken on the role of the Dark Knight, that rendition stands out as an enduring representation of the character. Let's explore why it continues to resonate with audiences. The campy appeal of Adam West's Batman Adam West's Batman was not the first live-action portrayal of the caped crusader, but it was his unique blend of campy charm that forever imprinted Batman on the collective consciousness. In an era when superheroes were still finding their place in pop culture, West's Batman was a breath of fresh air. His portrayal was marked by deadpan humour, brightly coloured costumes, and knew how to shake a leg (embodied in the iconic Batusi dance). Also Read | Batman Day 2023: Celebrate the Dark Knight with these 10 must-read storylines Unlike modern interpretations of Batman that focus too much on the character's tortured psyche, West's Batman was unafraid to laugh, crack jokes, and deliver puns. Alongside his trusty sidekick, Robin, they fought against criminals without resorting to excessive violence. Instead, their modus operandi involved capturing wrongdoers and turning them over to the authorities. This light-hearted approach provided a stark contrast to the dark and brooding Batmen that would follow. The enduring appeal of Adam West's Batman lies in its ability to evoke nostalgia and innocence. It seems to say that the superhero genre is about inspiring hope, justice, and the belief that good will ultimately prevail. It transports us to a simpler era when distinguishing between heroes and villains was straightforward, and the triumph of good over evil was a given. While West's suit may not have been a perfect fit, and he may not have possessed the chiseled physique of a traditional superhero, his portrayal embodied the essence of a hero who relied on intelligence and determination rather than brute force. Also Read | Batman Day 2023: What keeps the Dark Knight shining bright after 84 years? This iteration remains a beloved and iconic representation of the character. It offers a unique and enduring perspective on the superhero genre, which has aged surprisingly well. It emphasises humour, optimism, and the unwavering conviction that righteousness will conquer evil. This Batman continues to remind us that, no matter the circumstances, the world of superheroes should be a place where hope shines bright, and justice is delivered with a smile. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

On Batman Day 2023, celebrating the timeless charm of Adam West's Batman

<p>Happy Batman Day 2023! Batman has had a rich history in the world of comics, with numerous iconic storylines that have captivated fans for decades. Here are 10 of the best Batman comic storylines you should read. These storylines showcase the diversity of Batman's adventures, from gritty crime noir to epic battles with supervillains. They are essential reads for any Batman fan looking to dive into the Dark Knight's world.</p>

<h2><strong><em>The Dark Knight Returns</em> (1986)</strong></h2>

<p>Written by Frank Miller, this groundbreaking storyline explores an older, retired Batman coming out of retirement to save Gotham City from chaos. It's a gritty and introspective tale that redefined the character.</p>

<h2><strong><em>Year One</em> (1987)</strong></h2>

<p>Also by Frank Miller, this storyline explores Batman's early days as a vigilante and his transformation from an inexperienced crimefighter into the Dark Knight we know today.</p>

<h2><strong><em>The Killing Joke </em>(1988)</strong></h2>

<p>Written by Alan Moore, this graphic novel delves into the origin of the Joker and his complex relationship with Batman. It's a dark and psychologically intense story.</p>

<h2><strong><em>Knightfall </em>(1993-1994)</strong></h2>

<p>This epic crossover event features the villain Bane breaking Batman's back, leading to a new Batman, Jean-Paul Valley, taking over the cowl. It's a high-stakes storyline with lasting consequences.</p>

<p>Also Read |&nbsp;<strong><a href="https://www.wionews.com/entertainment/hollywood/news-batman-day-2023-what-keeps-the-dark-knight-shining-bright-after-84-years-636526">Batman Day 2023: What keeps the Dark Knight shining bright after 84 years?</a></strong></p>

<h2><strong><em>Hush</em> (2002-2003)</strong></h2>

<p>Written by Jeph Loeb and illustrated by Jim Lee, this storyline introduces a mysterious new villain called Hush, who has a personal vendetta against Batman. It's a visually stunning and suspenseful tale.</p>

<h2><em>Under the Red Hood</em> (2004-2006)</h2>

<p>This storyline explores the return of Jason Todd, the second Robin, from the dead and his transformation into the vigilante Red Hood. It's a gripping exploration of the consequences of Batman's actions.</p>

<div class="videoWrapper trancodeVideo"><iframe allowfullscreen="" autoplay="1" class="includeVideo" frameborder="0" height="350" src="https://www.wionews.com/videos/uk-london-celebrates-batman-day-ben-afflecks-justice-league-costume-on-display-wion-636649/embed" style="width:100%;max-width:560px;" width="560"></iframe></div>

<h2><strong><em>The Court of Owls </em>(2011)</strong></h2>

<p>Written by Scott Snyder and illustrated by Greg Capullo, this storyline introduces the Court of Owls, a secret society that has secretly controlled Gotham City for centuries. It's a thrilling and atmospheric mystery.</p>

<h2><em>Endgame </em>(2014-2015)</h2>

<p>Also by Scott Snyder and Greg Capullo, this storyline sees Batman facing off against the Joker in a battle that threatens to destroy Gotham City. It's a fitting climax to their long-running feud.</p>

<h2><em>The War of Jokes and Riddles</em> (2017)</h2>

<p>Written by Tom King, this story takes place during Batman's early years and chronicles a war between the Joker and the Riddler. It offers a unique perspective on Batman's rogues' gallery.</p>

<h2><em>White Knight</em> (2017-2018)</h2>

<p>In this alternate reality storyline by Sean Murphy, the Joker becomes a reformed individual, and Batman is portrayed as the villain. It's a thought-provoking exploration of the roles of hero and villain.</p>

<p><strong>WATCH WION LIVE HERE</strong></p>

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Happy Batman Day 2023! Batman has had a rich history in the world of comics, with numerous iconic storylines that have captivated fans for decades. Here are 10 of the best Batman comic storylines you should read.

Happy Batman Day 2023! Batman has had a rich history in the world of comics, with numerous iconic storylines that have captivated fans for decades. Here are 10 of the best Batman comic storylines you should read. These storylines showcase the diversity of Batman's adventures, from gritty crime noir to epic battles with supervillains. They are essential reads for any Batman fan looking to dive into the Dark Knight's world. The Dark Knight Returns (1986) Written by Frank Miller, this groundbreaking storyline explores an older, retired Batman coming out of retirement to save Gotham City from chaos. It's a gritty and introspective tale that redefined the character. Year One (1987) Also by Frank Miller, this storyline explores Batman's early days as a vigilante and his transformation from an inexperienced crimefighter into the Dark Knight we know today. The Killing Joke (1988) Written by Alan Moore, this graphic novel delves into the origin of the Joker and his complex relationship with Batman. It's a dark and psychologically intense story. Knightfall (1993-1994) This epic crossover event features the villain Bane breaking Batman's back, leading to a new Batman, Jean-Paul Valley, taking over the cowl. It's a high-stakes storyline with lasting consequences. Also Read | Batman Day 2023: What keeps the Dark Knight shining bright after 84 years? Hush (2002-2003) Written by Jeph Loeb and illustrated by Jim Lee, this storyline introduces a mysterious new villain called Hush, who has a personal vendetta against Batman. It's a visually stunning and suspenseful tale. Under the Red Hood (2004-2006) This storyline explores the return of Jason Todd, the second Robin, from the dead and his transformation into the vigilante Red Hood. It's a gripping exploration of the consequences of Batman's actions. The Court of Owls (2011) Written by Scott Snyder and illustrated by Greg Capullo, this storyline introduces the Court of Owls, a secret society that has secretly controlled Gotham City for centuries. It's a thrilling and atmospheric mystery. Endgame (2014-2015) Also by Scott Snyder and Greg Capullo, this storyline sees Batman facing off against the Joker in a battle that threatens to destroy Gotham City. It's a fitting climax to their long-running feud. The War of Jokes and Riddles (2017) Written by Tom King, this story takes place during Batman's early years and chronicles a war between the Joker and the Riddler. It offers a unique perspective on Batman's rogues' gallery. White Knight (2017-2018) In this alternate reality storyline by Sean Murphy, the Joker becomes a reformed individual, and Batman is portrayed as the villain. It's a thought-provoking exploration of the roles of hero and villain. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Batman Day 2023: Celebrate the Dark Knight with these 10 must-read storylines

<p>Today, September 16,&nbsp;Saturday, is Batman Day. On this special occasion, we celebrate the enduring legacy of the Dark Knight, one of the most iconic and beloved superheroes in the realm of pop culture. Created by artist Bob Kane and writer Bill Finger, Batman made his first appearance in Detective Comics #27 in May 1939. Since then, he has captured the hearts and imaginations of fans worldwide for over eight decades. As we pay homage to this legendary character, let's look into what makes Batman so iconic and why he continues to stand tall as a symbol of justice, vigilance, and unwavering determination.</p>

<h2><strong>Human relatability</strong></h2>

<p>Unlike many superheroes, Batman has no superhuman powers. He is, in essence, a regular human being who has honed his mind and body to the peak of human potential. This relatability makes Batman an aspirational figure for many. Fans see in him the potential for greatness through dedication, discipline, and determination.</p>

<div class="videoWrapper trancodeVideo"><iframe allowfullscreen="" autoplay="1" class="includeVideo" frameborder="0" height="350" src="https://www.wionews.com/videos/10-marvel-dc-characters-who-need-their-own-movies-511168/embed" style="width:100%;max-width:560px;" width="560"></iframe></div>

<h2><strong>Complex psychology</strong></h2>

<p>Batman's alter ego, Bruce Wayne, is a deeply complex character. His dual identity as a billionaire playboy and a brooding vigilante creates a rich tapestry of psychological complexity. His inner turmoil, stemming from the trauma of witnessing his parents' murder, adds depth and relatability to his character.</p>

<h2><strong>Nocturnal justice</strong></h2>

<p>The imagery of Batman prowling the dark alleys of Gotham City is both iconic and visually striking. His choice of becoming a creature of the night, accentuated by the bat motif, has cemented his place as a symbol of fear and justice.</p>

<h2><strong>Rogues' gallery</strong></h2>

<p>Batman boasts one of the most memorable rogues' galleries in the comic book world. From the chaotic Joker to the tragic Two-Face and the enigmatic Riddler, his adversaries are as compelling and enduring as the hero himself. These villains challenge Batman's intellect and principles, making his battles both physical and moral.</p>

<h2><strong>Moral code</strong></h2>

<p>Batman's strict no-killing rule is a defining characteristic. In a genre where many heroes use lethal force, his unwavering commitment to preserving life stands out. It showcases a moral code and sense of responsibility that resonate with many fans.</p>

<h2><strong>Adaptability</strong></h2>

<p>Batman has demonstrated an uncanny ability to adapt to changing times and storytelling styles. From the campy 1960s TV series to the dark and gritty iterations of recent movies, Batman has successfully spanned various tones and genres while staying true to his core character.</p>

<h2><strong>The Bat-family</strong></h2>

<p>Batman's role as a mentor and leader within the Bat-Family expands his appeal. Characters like Robin, Nightwing, Batgirl, and Alfred add depth to the Batman mythos. They not only serve as sidekicks and allies but also as a reflection of his capacity to inspire and nurture others.</p>

<h2><strong>Impactful symbolism</strong></h2>

<p>Batman's iconic bat symbol is universally recognised. It embodies themes of fear, hope, and justice. The silhouette striking against the backdrop of Gotham City has become a symbol of vigilante heroism and the fight against crime.</p>

<h2>Influence beyond comics</h2>

<p>Batman's influence extends far beyond the comic book pages. He has had a profound impact on cinema, television, literature, and even psychology. Christopher Nolan's The Dark Knight Trilogy and the acclaimed animated series Batman: The Animated Series are prime examples of his cultural influence.</p>

<h2><strong>Enduring legacy</strong></h2>

<p>Batman's timeless quality is a testament to the character's versatility and appeal. He has consistently reinvented himself to remain relevant while retaining his core principles and traits.</p>

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Today, September 16, Saturday, is Batman Day. On this special occasion, we celebrate the enduring legacy of the Dark Knight, one of the most iconic and beloved superheroes in the realm of pop culture.

Today, September 16, Saturday, is Batman Day. On this special occasion, we celebrate the enduring legacy of the Dark Knight, one of the most iconic and beloved superheroes in the realm of pop culture. Created by artist Bob Kane and writer Bill Finger, Batman made his first appearance in Detective Comics #27 in May 1939. Since then, he has captured the hearts and imaginations of fans worldwide for over eight decades. As we pay homage to this legendary character, let's look into what makes Batman so iconic and why he continues to stand tall as a symbol of justice, vigilance, and unwavering determination. Human relatability Unlike many superheroes, Batman has no superhuman powers. He is, in essence, a regular human being who has honed his mind and body to the peak of human potential. This relatability makes Batman an aspirational figure for many. Fans see in him the potential for greatness through dedication, discipline, and determination. Complex psychology Batman's alter ego, Bruce Wayne, is a deeply complex character. His dual identity as a billionaire playboy and a brooding vigilante creates a rich tapestry of psychological complexity. His inner turmoil, stemming from the trauma of witnessing his parents' murder, adds depth and relatability to his character. Nocturnal justice The imagery of Batman prowling the dark alleys of Gotham City is both iconic and visually striking. His choice of becoming a creature of the night, accentuated by the bat motif, has cemented his place as a symbol of fear and justice. Rogues' gallery Batman boasts one of the most memorable rogues' galleries in the comic book world. From the chaotic Joker to the tragic Two-Face and the enigmatic Riddler, his adversaries are as compelling and enduring as the hero himself. These villains challenge Batman's intellect and principles, making his battles both physical and moral. Moral code Batman's strict no-killing rule is a defining characteristic. In a genre where many heroes use lethal force, his unwavering commitment to preserving life stands out. It showcases a moral code and sense of responsibility that resonate with many fans. Adaptability Batman has demonstrated an uncanny ability to adapt to changing times and storytelling styles. From the campy 1960s TV series to the dark and gritty iterations of recent movies, Batman has successfully spanned various tones and genres while staying true to his core character. The Bat-family Batman's role as a mentor and leader within the Bat-Family expands his appeal. Characters like Robin, Nightwing, Batgirl, and Alfred add depth to the Batman mythos. They not only serve as sidekicks and allies but also as a reflection of his capacity to inspire and nurture others. Impactful symbolism Batman's iconic bat symbol is universally recognised. It embodies themes of fear, hope, and justice. The silhouette striking against the backdrop of Gotham City has become a symbol of vigilante heroism and the fight against crime. Influence beyond comics Batman's influence extends far beyond the comic book pages. He has had a profound impact on cinema, television, literature, and even psychology. Christopher Nolan's The Dark Knight Trilogy and the acclaimed animated series Batman: The Animated Series are prime examples of his cultural influence. Enduring legacy Batman's timeless quality is a testament to the character's versatility and appeal. He has consistently reinvented himself to remain relevant while retaining his core principles and traits. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Batman Day 2023: What keeps the Dark Knight shining bright after 84 years?

<p>To be upfront, I have never been a big admirer of Hasan Minhaj's comedy right from the start. It might not be important, but I wanted to make it clear. His brand of humour just didn't resonate me like it did with others. However, there was something touching about the emotional tales he incorporated into his stand-up routine. They felt personal, relatable, and authentic. That was my perception at least until it was revealed by a New Yorker exposé that these heartfelt stories were, in reality, utter lies.</p>

<p>It's like thinking you've stumbled upon a hidden gem only to discover it's a well-polished piece of costume jewelry.</p>

<p>The manner in which Hasan Minhaj employed his comedy has been met with a degree of scepticism by some observers, to say the least. Comedy, fundamentally, is centred around the pursuit of evoking laughter, the sharing of universally recognisable anecdotes, the playful examination of life's idiosyncrasies, and occasionally the delivery of poignant truths through a humorous lens.&nbsp;</p>

<p>Also Read |&nbsp;<strong><a href="https://www.wionews.com/entertainment/hasan-minhajs-comedy-confession-lies-or-creative-exaggeration-636612">Hasan Minhaj's comedy confession: Lies or creative exaggeration?</a></strong></p>

<p>Minhaj, akin to numerous comedians, was aware that a touch of embellishment can enhance the flavour of a comedic tale. It is a customary practice in comedy to blend a modicum of truth with a sprinkling of fiction to amuse the audience. However, what distinguishes Minhaj is his utilisation of these fabricated stories to garner admiration and sympathy from his audience. He often portrayed himself as a fearless truth-teller who had the audacity to challenge powerful figures like Mohammed bin Salman, Saudi Arabia's Crown Prince. He tried to exude an aura of coolness that extended even to his wardrobe choices, presenting himself as a hip champion of social justice and an icon of contemporary wit.&nbsp;</p>

<p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/KDHV7nHMmIk?si=wO2u8pmwOgdd_gde" title="YouTube video player" width="560"></iframe></p>

<p>He didn't push the envelope; he tore it to shreds.</p>

<p>Consider, for instance, the concocted narrative regarding his purported role as an FBI informant. On the surface, it presents a compelling narrative that delves into the anxieties experienced by Muslim communities in the wake of 9/11 while simultaneously raising ethical quandaries. However, it was, like many stories that Minhaj told, entirely fabricated. His defence (something vague like a punch line is worth the fictitious premise) does not hold water. It is not based on what he calls an "emotional truth" (more on that later).&nbsp;</p>

<p>Minhaj, despite his attempts to paint himself as a relatable figure within the Muslim community, is, in reality, a privileged individual. His background, upbringing, and career trajectory differ significantly from the average American Muslim. It is, therefore, extremely disingenuous for him to present himself as a spokesperson for a community that he may not fully understand or be able to accurately depict.</p>

<p>Also Read |&nbsp;<strong><a href="https://www.wionews.com/entertainment/hasan-minhaj-admits-fabricating-details-in-comedy-hyperbole-exaggeration-fiction-636546">Hasan Minhaj admits fabricating details in comedy: Hyperbole, exaggeration, fiction</a></strong></p>

<p>Such deception is patently unjust.</p>

<h2>Hasan Minhaj's 70-30 formula</h2>

<p>And then there's the whole "70-30 formula" he talks about. Seventy per cent truth and thirty per cent exaggeration, he says. On the surface, it appears to be an ingenious method for harmonising reality and embellishment in his comedy. He posits a seventy per cent basis in truth, paired with a thirty per cent allowance for exaggeration. However, when that thirty per cent encompasses the creation of entirely fabricated narratives, particularly those involving potentially dangerous situations, which he then presents on stage as irrefutable truths, often with a touch of sentimentality... It's not just bending the truth; it's contorting it into a pretzel.</p>

<p>Authenticity is a big deal in comedy. You see the funny side to things only when you detect a kernel of truth within them. Audiences want to connect with comedians, to feel like they are sharing a moment of truth, even if it's wrapped in comedy. When a comedian engages in the practices exemplified by Minhaj, it erodes that trust.</p>

<p><em>Patriot Act,</em> Minhaj's Netflix show, got props for tackling important issues with humour and did, I admit, annoy some powerful people, but now that we know he's been fudging the facts, its successes taste bitter now.</p>

<p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/LUhbZdvtzcw?si=vyNRKdBEvFjHy1kT" title="YouTube video player" width="560"></iframe></p>

<h2>Emotional truths</h2>

<p>Minhaj in the New Yorker piece returns again and again to this feeble defence that those stories were based not on "emotional truth", whatever that means. It's either the truth or a lie. He says and I am paraphrasing, "Yeah, maybe the events didn't happen exactly as I said, but the emotions behind them are real." If you are not accurately presenting the events or if it didn't happen to you at all, you are not the appropriate individual to tell these stories in the first place. When you're presenting these lies as if they are gospel truth — and Minhaj does that — it's misleading, plain and simple. It's not what your audience signed up for.</p>

<p>Although Minhaj's comedy may have brought laughter to many, it has also raised a significant question mark regarding the boundary between humour and truthfulness. Comedy should resemble a funhouse mirror, not a chamber of illusions.</p>

<p><em><strong>(Disclaimer: The views of the writer do not represent the views of WION or ZMCL. Nor does WION or ZMCL endorse the views of the writer.)</strong></em></p>

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To be upfront, I have never been a big admirer of Hasan Minhaj's comedy right from the start. It might not be important, but I wanted to make it clear. His brand of humour just didn't resonate me like it did with others.

To be upfront, I have never been a big admirer of Hasan Minhaj's comedy right from the start. It might not be important, but I wanted to make it clear. His brand of humour just didn't resonate me like it did with others. However, there was something touching about the emotional tales he incorporated into his stand-up routine. They felt personal, relatable, and authentic. That was my perception at least until it was revealed by a New Yorker exposé that these heartfelt stories were, in reality, utter lies. It's like thinking you've stumbled upon a hidden gem only to discover it's a well-polished piece of costume jewelry. The manner in which Hasan Minhaj employed his comedy has been met with a degree of scepticism by some observers, to say the least. Comedy, fundamentally, is centred around the pursuit of evoking laughter, the sharing of universally recognisable anecdotes, the playful examination of life's idiosyncrasies, and occasionally the delivery of poignant truths through a humorous lens. Also Read | Hasan Minhaj's comedy confession: Lies or creative exaggeration? Minhaj, akin to numerous comedians, was aware that a touch of embellishment can enhance the flavour of a comedic tale. It is a customary practice in comedy to blend a modicum of truth with a sprinkling of fiction to amuse the audience. However, what distinguishes Minhaj is his utilisation of these fabricated stories to garner admiration and sympathy from his audience. He often portrayed himself as a fearless truth-teller who had the audacity to challenge powerful figures like Mohammed bin Salman, Saudi Arabia's Crown Prince. He tried to exude an aura of coolness that extended even to his wardrobe choices, presenting himself as a hip champion of social justice and an icon of contemporary wit. He didn't push the envelope; he tore it to shreds. Consider, for instance, the concocted narrative regarding his purported role as an FBI informant. On the surface, it presents a compelling narrative that delves into the anxieties experienced by Muslim communities in the wake of 9/11 while simultaneously raising ethical quandaries. However, it was, like many stories that Minhaj told, entirely fabricated. His defence (something vague like a punch line is worth the fictitious premise) does not hold water. It is not based on what he calls an "emotional truth" (more on that later). Minhaj, despite his attempts to paint himself as a relatable figure within the Muslim community, is, in reality, a privileged individual. His background, upbringing, and career trajectory differ significantly from the average American Muslim. It is, therefore, extremely disingenuous for him to present himself as a spokesperson for a community that he may not fully understand or be able to accurately depict. Also Read | Hasan Minhaj admits fabricating details in comedy: Hyperbole, exaggeration, fiction Such deception is patently unjust. Hasan Minhaj's 70-30 formula And then there's the whole "70-30 formula" he talks about. Seventy per cent truth and thirty per cent exaggeration, he says. On the surface, it appears to be an ingenious method for harmonising reality and embellishment in his comedy. He posits a seventy per cent basis in truth, paired with a thirty per cent allowance for exaggeration. However, when that thirty per cent encompasses the creation of entirely fabricated narratives, particularly those involving potentially dangerous situations, which he then presents on stage as irrefutable truths, often with a touch of sentimentality... It's not just bending the truth; it's contorting it into a pretzel. Authenticity is a big deal in comedy. You see the funny side to things only when you detect a kernel of truth within them. Audiences want to connect with comedians, to feel like they are sharing a moment of truth, even if it's wrapped in comedy. When a comedian engages in the practices exemplified by Minhaj, it erodes that trust. Patriot Act, Minhaj's Netflix show, got props for tackling important issues with humour and did, I admit, annoy some powerful people, but now that we know he's been fudging the facts, its successes taste bitter now. Emotional truths Minhaj in the New Yorker piece returns again and again to this feeble defence that those stories were based not on "emotional truth", whatever that means. It's either the truth or a lie. He says and I am paraphrasing, "Yeah, maybe the events didn't happen exactly as I said, but the emotions behind them are real." If you are not accurately presenting the events or if it didn't happen to you at all, you are not the appropriate individual to tell these stories in the first place. When you're presenting these lies as if they are gospel truth — and Minhaj does that — it's misleading, plain and simple. It's not what your audience signed up for. Although Minhaj's comedy may have brought laughter to many, it has also raised a significant question mark regarding the boundary between humour and truthfulness. Comedy should resemble a funhouse mirror, not a chamber of illusions. (Disclaimer: The views of the writer do not represent the views of WION or ZMCL. Nor does WION or ZMCL endorse the views of the writer.) WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Hasan Minhaj's undoing: The deception beneath the laughter

<p>Unlike most critics who have been rather meh on Kenneth Branagh's adaptations of Agatha Christie's mysteries, I have unironically loved them. For one, they are charmingly old-school. They truly embody the era and do not try to "modernise" the stories — which are, frankly, ageless. (Perhaps not in terms of their politics and gender dynamics, but they do resonate even today in the way they evoke how everyday ordinary-seeming humans end up committing unspeakable atrocities. Christie had a lot to say about the human race, most of it not good shall we say. Still, cynical as she was, and as outlandish as her settings were, her novels rang with truth).&nbsp;</p>

<p>And for another, I do not much care about the fidelity of Branagh's Hercule Poirot portrayal as many seem to as I was not as interested in the character as I was in the mysteries he was tasked to solve. He is a jolly man with a funny moustache and a funnier accent with a keen insight into the criminal mind. That is all there is to it.&nbsp;</p>

<p>I do not even mind the divergences. I have never been a stickler, so long as the choices work within the framework of the story.</p>

<p>Also Read |&nbsp;<strong><a href="https://www.wionews.com/entertainment/hollywood/news-the-nun-ii-review-a-familiar-haunting-633229">The Nun II review: A familiar haunting</a></strong></p>

<h2><strong>What is A Haunting In Venice all about?</strong></h2>

<p>So, <em>A Haunting In Venice</em> is a followup to 2017's M<em>urder on the Orient Express </em>and 2022's <em>Death on the Nile </em>and finds Poirot in Venice. Now retired, he has had enough of murderous criminals and does not want to involve himself in any more murder mysteries. He is brought out of retirement by Ariadne Oliver (Tina Fey), a successful writer of murder mysteries and a friend. She claims to have attended a seance where things actually happened. Even though she is not a believer in the supernatural, she was struck by what she saw and felt. Initially reluctant, she convinces him to attend another one scheduled on All Hallows' Eve, better known as Halloween.</p>

<p>The location is an old palazzo owned by one Rowena Drake (Kelly Reilly), a formerly well-known opera performer, whose young daughter Alicia Drake (Rowan Robinson) died after falling from her balcony into the water below before the story starts.&nbsp;</p>

<p>The seances, Rowena claims, are for her to talk to her dear daughter again. They are performed by a woman called Joyce Reynolds, played by Oscar-winner Michelle Yeoh of all people. There are also her assistants Nicholas and Desdemona Holland (Ali Khan and Emma Laird, respectively) the anxiety-ridden family doctor Leslie Ferrier (Jamie Dornan), his son Leopold Ferrier (Jude Hill), the dead girl's ex-fiancé Maxime Gerard (Kyle Allen), the house help Olga Seminoff (Camille Cottin), and an ex-cop Vitale Portfoglio (Riccardo Scamarcio).</p>

<p>Oh, and it is a stormy night. The stage is set for your typical Christie mystery. But where is the murder? Well, it happens soon enough.</p>

<h2><strong>Is A Haunting In Venice any good?</strong></h2>

<p>I loved <em>A Haunting In Venice</em>. I will wait for the dust to settle to say for certain, but I believe this is my favourite&nbsp;Branagh-directed Christie movie. It is most well-directed, and written, and I wager though it deviates quite radically from its source material, most fans of the Dame would not mind it. It is true in the spirit of the text if not in literal terms. It is also extremely taut, and at a little over 100 minutes, it feels both substantial and does not overstay its welcome.&nbsp;</p>

<p>The film is also extremely well-shot. We do not see a lot of Venice, but the palazzo (which I believe is a set custom-built for the film). The setting of the film goes a long way in creating a sense of mystery and intrigue within the confines. In this opulent yet foreboding setting, the dark, ornate interiors and labyrinthine hallways provide a rich and atmospheric backdrop to the unfolding mystery, casting an eerie spell over the proceedings. The film's attention to detail in its setting and production design is simply outstanding, something I did not expect.&nbsp;</p>

<p>As he investigates the crime and questions the colourful cast of characters, Poirot is haunted by an eerie voice, as though of a child. He even gets visions of a girl, her clothes dripping, her skin pale like that of a cadaver. Now, Poirot has always been a man of science so he struggles to come to terms with what his eyes appear to be seeing and ears appear to be listening. The visions and sounds challenge Poirot's rationality, inviting both him and the audience to question the boundaries between the natural and the supernatural.&nbsp;</p>

<p>Using a stunning yet sparing score by Hildur Guðnadóttir (who won an Oscar for 2019's Joker) and sound effects, Branagh weaves eerie whispers and ghostly apparitions without explicitly making the film a horror film. I say that not because it does not have the potential to be scary, but because it is not very interested in answering the question as to whether ghosts exist than it is in what humans really are capable of, particularly if they believe they can get away with it. It is a recurring theme in Christie's works like And Then There Were None that Branagh absolutely nails here.&nbsp;</p>

<p>As the storm rages outside, the tension inside the palazzo tightens like a noose. Branagh skillfully choreographs a dance of secrets, motives, and hidden agendas, leaving the audience mostly in suspense until the final revelation, though I think those well-versed in mystery fiction might guess the culprit before Poirot announces the name. It is still worth it.</p>

<p><em>A Haunting in Venice</em> works as both a compelling, if a little predictable, mystery, and also as a pretty good horror film.</p>

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Unlike most critics who have been rather meh on Kenneth Branagh's adaptations of Agatha Christie's mysteries, I have unironically loved them. For one, they are charmingly old-school.

Unlike most critics who have been rather meh on Kenneth Branagh's adaptations of Agatha Christie's mysteries, I have unironically loved them. For one, they are charmingly old-school. They truly embody the era and do not try to "modernise" the stories — which are, frankly, ageless. (Perhaps not in terms of their politics and gender dynamics, but they do resonate even today in the way they evoke how everyday ordinary-seeming humans end up committing unspeakable atrocities. Christie had a lot to say about the human race, most of it not good shall we say. Still, cynical as she was, and as outlandish as her settings were, her novels rang with truth). And for another, I do not much care about the fidelity of Branagh's Hercule Poirot portrayal as many seem to as I was not as interested in the character as I was in the mysteries he was tasked to solve. He is a jolly man with a funny moustache and a funnier accent with a keen insight into the criminal mind. That is all there is to it. I do not even mind the divergences. I have never been a stickler, so long as the choices work within the framework of the story. Also Read | The Nun II review: A familiar haunting What is A Haunting In Venice all about? So, A Haunting In Venice is a followup to 2017's Murder on the Orient Express and 2022's Death on the Nile and finds Poirot in Venice. Now retired, he has had enough of murderous criminals and does not want to involve himself in any more murder mysteries. He is brought out of retirement by Ariadne Oliver (Tina Fey), a successful writer of murder mysteries and a friend. She claims to have attended a seance where things actually happened. Even though she is not a believer in the supernatural, she was struck by what she saw and felt. Initially reluctant, she convinces him to attend another one scheduled on All Hallows' Eve, better known as Halloween. The location is an old palazzo owned by one Rowena Drake (Kelly Reilly), a formerly well-known opera performer, whose young daughter Alicia Drake (Rowan Robinson) died after falling from her balcony into the water below before the story starts. The seances, Rowena claims, are for her to talk to her dear daughter again. They are performed by a woman called Joyce Reynolds, played by Oscar-winner Michelle Yeoh of all people. There are also her assistants Nicholas and Desdemona Holland (Ali Khan and Emma Laird, respectively) the anxiety-ridden family doctor Leslie Ferrier (Jamie Dornan), his son Leopold Ferrier (Jude Hill), the dead girl's ex-fiancé Maxime Gerard (Kyle Allen), the house help Olga Seminoff (Camille Cottin), and an ex-cop Vitale Portfoglio (Riccardo Scamarcio). Oh, and it is a stormy night. The stage is set for your typical Christie mystery. But where is the murder? Well, it happens soon enough. Is A Haunting In Venice any good? I loved A Haunting In Venice. I will wait for the dust to settle to say for certain, but I believe this is my favourite Branagh-directed Christie movie. It is most well-directed, and written, and I wager though it deviates quite radically from its source material, most fans of the Dame would not mind it. It is true in the spirit of the text if not in literal terms. It is also extremely taut, and at a little over 100 minutes, it feels both substantial and does not overstay its welcome. The film is also extremely well-shot. We do not see a lot of Venice, but the palazzo (which I believe is a set custom-built for the film). The setting of the film goes a long way in creating a sense of mystery and intrigue within the confines. In this opulent yet foreboding setting, the dark, ornate interiors and labyrinthine hallways provide a rich and atmospheric backdrop to the unfolding mystery, casting an eerie spell over the proceedings. The film's attention to detail in its setting and production design is simply outstanding, something I did not expect. As he investigates the crime and questions the colourful cast of characters, Poirot is haunted by an eerie voice, as though of a child. He even gets visions of a girl, her clothes dripping, her skin pale like that of a cadaver. Now, Poirot has always been a man of science so he struggles to come to terms with what his eyes appear to be seeing and ears appear to be listening. The visions and sounds challenge Poirot's rationality, inviting both him and the audience to question the boundaries between the natural and the supernatural. Using a stunning yet sparing score by Hildur Guðnadóttir (who won an Oscar for 2019's Joker) and sound effects, Branagh weaves eerie whispers and ghostly apparitions without explicitly making the film a horror film. I say that not because it does not have the potential to be scary, but because it is not very interested in answering the question as to whether ghosts exist than it is in what humans really are capable of, particularly if they believe they can get away with it. It is a recurring theme in Christie's works like And Then There Were None that Branagh absolutely nails here. As the storm rages outside, the tension inside the palazzo tightens like a noose. Branagh skillfully choreographs a dance of secrets, motives, and hidden agendas, leaving the audience mostly in suspense until the final revelation, though I think those well-versed in mystery fiction might guess the culprit before Poirot announces the name. It is still worth it. A Haunting in Venice works as both a compelling, if a little predictable, mystery, and also as a pretty good horror film. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

A Haunting in Venice review: Kenneth Branagh conjures a riveting blend of mystery and horror

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