<p><em>Gen V</em>, the devilishly entertaining spinoff from the twisted minds behind <em>The Boys</em>, doesn't just break boundaries — it gleefully smashes them with a sledgehammer of dark humour and mind-bending action. Nestled between <em>The Boys</em>' third and fourth seasons, this series propels us into the world of Godolkin University, where young supes-to-be battle it out in a blood-soaked college experience unlike any other. It's a rollercoaster ride through a carnival of chaos, and we are all invited.</p>

<p>The blood-drenched saga begins with Marie Moreau (Jaz Sinclair), whose introduction to her powers involves an uncomfortably graphic family reunion and a lot of crimson splatter. If you've ever wondered about the worst possible timing for discovering your blood can be turned into weaponry, <em>Gen V </em>has you covered. From that jaw-dropping opener, it's clear that creators Eric Kripke, Evan Goldberg, and Craig Rosenberg are determined to maintain <em>The Boys</em>' reputation for pushing the envelope.</p>

<p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/uhjJ5brX-bY?si=ko0djkXTR90cmSoa" title="YouTube video player" width="560"></iframe></p>

<p>Marie's journey takes her to the hallowed halls of Godolkin University, where she joins a colorful cast of aspiring superheroes, each with their own peculiar abilities and quirks. There's Luke (Patrick Schwarzenegger, indeed), who can set himself on fire and is the undisputed champion of the school's all-important leaderboard. Then there's shapeshifter Jordan (Derek Luh and London Thor), metal-bender Andre (Chance Perdomo), mind-bending empath Cate (Maddie Phillips), miniaturising Emma (Lizzie Broadway), and obligatory mean girl Justine (Maia Jae Bastidas). Together, they stumble upon a web of mysteries involving Luke's supposedly deceased brother, a shadowy facility known as The Woods, and the ever-corrupt Vought.</p>

<p>Also Read |&nbsp;<strong><a href="https://www.wionews.com/entertainment/hollywood/news-saw-x-review-this-horror-sequel-is-a-riveting-blood-soaked-blast-from-the-past-640610">Saw X review: This horror sequel is a riveting, blood-soaked blast from the past</a></strong></p>

<p>In <em>Gen V</em>, the creators seamlessly weave themes of power, media influence, race, class, and identity into the fabric of the story. Marie's struggle to climb the ranks in a world where privilege dictates success is both poignant and relatable. Meanwhile, non-binary character Jordan's ability to change sex is a metaphorical rollercoaster through the complexities of identity. Emma's unique talent — shrinking herself through a rather unconventional method — offers a dark commentary on societal pressures and self-destructive behaviour.</p>

<p>Also Read |&nbsp;<strong><a href="https://www.wionews.com/entertainment/hollywood/news-talk-to-me-review-a-psychological-horror-film-that-will-chill-you-to-the-bone-622402">Talk to Me review: A psychological horror film that will chill you to the bone</a></strong></p>

<p>But beyond its social commentary, <em>Gen V</em> is a clever concoction of supernatural mayhem. While the character work isn't quite at its zenith yet, with some players feeling like they are still finding their superhero identities, there's promise of deeper exploration in future seasons.</p>

<p><em>Gen V</em> strikes a careful balance between laugh-out-loud comedy and biting social commentary, much like its predecessor,<em> The Boys</em>. It challenges the genre's conventions while providing a fresh perspective on the superhero mythos. The show's creators have succeeded in expanding the universe of<em> The Boys</em> while crafting a narrative that stands on its own. I admit I was a little sceptical of the series, suspecting it might be an attempt to capitalise on the success of the original series.</p>

<p>Also Read:&nbsp;<strong><a href="https://www.wionews.com/entertainment/hollywood/news-meg-2-review-jason-stathams-giant-shark-movie-is-glorious-b-movie-fun-622217"><em>Meg 2</em>&nbsp;review: Jason Statham's giant shark movie is glorious B-movie fun</a></strong></p>

<p>In a world filled with cookie-cutter superhero series, <em>Gen V </em>dares to be different. It's a raucous, blood-soaked symphony of satire and spectacle, offering a fresh perspective on the superhero genre. So, as we eagerly await the return of <em>The Boys </em>and prepare to guard our prostates, don't forget to keep an eye on Gen V — it might just be the superhero show you never knew you craved.</p>

<p><strong>WATCH WION LIVE HERE</strong></p>

<p><iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="350" loading="”lazy”" src="https://www.wionews.com/live-tv/embed?autoplay=1&amp;mute=1" width="100%"></iframe></p>

<p>You can <strong>now write for wionews.com</strong> and be a part of the community. Share your stories and opinions with us <strong><a href="https://www.wionews.com/content-contribution-registration-form">here</a>.</strong></p>


Gen V, the devilishly entertaining spinoff from the twisted minds behind The Boys, doesn't just break boundaries — it gleefully smashes them with a sledgehammer of dark humour and mind-bending action.

Gen V, the devilishly entertaining spinoff from the twisted minds behind The Boys, doesn't just break boundaries — it gleefully smashes them with a sledgehammer of dark humour and mind-bending action. Nestled between The Boys' third and fourth seasons, this series propels us into the world of Godolkin University, where young supes-to-be battle it out in a blood-soaked college experience unlike any other. It's a rollercoaster ride through a carnival of chaos, and we are all invited. The blood-drenched saga begins with Marie Moreau (Jaz Sinclair), whose introduction to her powers involves an uncomfortably graphic family reunion and a lot of crimson splatter. If you've ever wondered about the worst possible timing for discovering your blood can be turned into weaponry, Gen V has you covered. From that jaw-dropping opener, it's clear that creators Eric Kripke, Evan Goldberg, and Craig Rosenberg are determined to maintain The Boys' reputation for pushing the envelope. Marie's journey takes her to the hallowed halls of Godolkin University, where she joins a colorful cast of aspiring superheroes, each with their own peculiar abilities and quirks. There's Luke (Patrick Schwarzenegger, indeed), who can set himself on fire and is the undisputed champion of the school's all-important leaderboard. Then there's shapeshifter Jordan (Derek Luh and London Thor), metal-bender Andre (Chance Perdomo), mind-bending empath Cate (Maddie Phillips), miniaturising Emma (Lizzie Broadway), and obligatory mean girl Justine (Maia Jae Bastidas). Together, they stumble upon a web of mysteries involving Luke's supposedly deceased brother, a shadowy facility known as The Woods, and the ever-corrupt Vought. Also Read | Saw X review: This horror sequel is a riveting, blood-soaked blast from the past In Gen V, the creators seamlessly weave themes of power, media influence, race, class, and identity into the fabric of the story. Marie's struggle to climb the ranks in a world where privilege dictates success is both poignant and relatable. Meanwhile, non-binary character Jordan's ability to change sex is a metaphorical rollercoaster through the complexities of identity. Emma's unique talent — shrinking herself through a rather unconventional method — offers a dark commentary on societal pressures and self-destructive behaviour. Also Read | Talk to Me review: A psychological horror film that will chill you to the bone But beyond its social commentary, Gen V is a clever concoction of supernatural mayhem. While the character work isn't quite at its zenith yet, with some players feeling like they are still finding their superhero identities, there's promise of deeper exploration in future seasons. Gen V strikes a careful balance between laugh-out-loud comedy and biting social commentary, much like its predecessor, The Boys. It challenges the genre's conventions while providing a fresh perspective on the superhero mythos. The show's creators have succeeded in expanding the universe of The Boys while crafting a narrative that stands on its own. I admit I was a little sceptical of the series, suspecting it might be an attempt to capitalise on the success of the original series. Also Read: Meg 2 review: Jason Statham's giant shark movie is glorious B-movie fun In a world filled with cookie-cutter superhero series, Gen V dares to be different. It's a raucous, blood-soaked symphony of satire and spectacle, offering a fresh perspective on the superhero genre. So, as we eagerly await the return of The Boys and prepare to guard our prostates, don't forget to keep an eye on Gen V — it might just be the superhero show you never knew you craved. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Gen V review: The Boys spinoff is raunchy, blood-soaked, & devilishly entertaining

<p>As time has passed, my scepticism toward movies has waned. These days, a film doesn't require groundbreaking or innovative concepts to leave an impression on me; it just needs to exhibit a certain level of competence in fulfilling its intended objectives. Offer me a well-executed, dependable film, even if it doesn't break new ground, and I'd be content. Take Gareth Edwards' new film, <em>The Creator</em>, for instance. If it had been released a few years ago, I might have found it unexciting, which, upon reflection, would have been unjust. It's interesting how a shift in perspective towards certain movies can significantly affect our enjoyment of them.</p>

<p>Anyway, I had high expectations for <em>The Creator</em> because I liked the trailer, and I know Edwards as the director of the best Star Wars movie since the original trilogy (<em>Rogue One</em>). Oh, and <em>Godzilla </em>(2014) wasn't too shabby either.</p>

<p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/ex3C1-5Dhb8?si=p2vjfsS1Hd6quQZe" title="YouTube video player" width="560"></iframe></p>

<h2><strong>What's <em>The Creator</em> all about?</strong></h2>

<p>In the near-future, humanity is embroiled in a conflict with the artificial intelligence they initially created. This war ignited after a catastrophic atomic bomb detonation in New York City. The Western powers, led by the United States, find themselves pitted against AI rebels and their human allies based in Southeast Asia.</p>

<p>To gain a decisive advantage, the US military deploys a formidable weapons platform called Nomad, a missile station positioned in Earth's upper atmosphere, giving the Western forces an almost insurmountable edge.</p>

<p>The story revolves around ex-special forces operative Joshua (played by John David Washington), who is on a covert mission behind enemy lines. His objective is to uncover the identity of the AI's leader, known as Nirmata or<em> The Creator.</em> This enigmatic figure is a human scientist secretly developing a weapon capable of shifting the balance of power in the ongoing war.</p>

<p>Also Read |&nbsp;<strong><a href="https://www.wionews.com/entertainment/hollywood/news-saw-x-review-this-horror-sequel-is-a-riveting-blood-soaked-blast-from-the-past-640610">Saw X review: This horror sequel is a riveting, blood-soaked blast from the past</a></strong></p>

<p>However, Joshua's perspective begins to shift when he believes his wife, Maya (portrayed by Gemma Chan), is killed in an air strike. Doubts about whether he's fighting for the right cause start to plague him. Even when Colonel Howell (played by Allison Janney) and General Andrews (portrayed by Ralph Ineson) persuade him to come out of retirement for one last mission, Joshua's uncertainty persists. The mission, meanwhile, is to locate and destroy a weapon that may turn the tide of war in favour of AI.</p>

<p>But the said weapon turns out to be an unexpectedly adorable child (played by Madeleine Yuna Voyles).</p>

<p>Visually, <em>The Creator&nbsp;</em>is a feast for the eyes.</p>

<p>Also Read |&nbsp;<strong><a href="https://www.wionews.com/entertainment/hollywood/news-talk-to-me-review-a-psychological-horror-film-that-will-chill-you-to-the-bone-622402">Talk to Me review: A psychological horror film that will chill you to the bone</a></strong></p>

<p><em>The Creator</em> has some of this year's most impressive visual effects so far, particularly considering its relatively modest $80 million budget — a rather conservative figure for a sci-fi epic of its calibre. Cinematographers Greig Fraser and Oren Soffer expertly capture breathtaking landscapes in Southeast Asia using a Sony FX3, a surprisingly economical choice of camera for a production of this magnitude.&nbsp;</p>

<p>The skillful use of lighting enhances the film's natural aesthetic. The film is not too vibrant of colourful, because, well, it is set in a dystopian future, but it is also not drowning in darkness. The extensive use of visual effects in such a film becomes not just a luxury but a necessity. Fortunately, the quality of these visual effects is exceptional, setting them apart from the mediocrity often witnessed in most commercial films. They complement, and not overpower, the captured images. The result is an incredibly good-looking film with a distinct and pleasing visual language.&nbsp;</p>

<p>Also Read:&nbsp;<strong><a href="https://www.wionews.com/entertainment/hollywood/news-meg-2-review-jason-stathams-giant-shark-movie-is-glorious-b-movie-fun-622217"><em>Meg 2</em>&nbsp;review: Jason Statham's giant shark movie is glorious B-movie fun</a></strong></p>

<h2><strong><em>The Creator</em> has an intriguing but occasionally convoluted plot</strong></h2>

<p>The story at the centre of the movie is not very original but mostly works due to the emotional core: the relationship that develops between Joshua and the child. It teeters on the edge of being interesting, but at times, it becomes muddled. I suspect it's the result of trying to cram it all into a two-hour time slot. While the plot introduces some tantalising ideas and brain-tickling themes, it does a little dance on the tightrope of clarity, occasionally leaving the audience in a state of "Wait, what just happened?" It's like trying to assemble a jigsaw puzzle but a few pieces are missing.</p>

<p>However, <em>The Creator</em> isn't undone by these flaws. As I mentioned, I loved the film. Thanks to the central relationship, it does keep up your interest throughout. However, its execution, especially in the department of plot development and character motivations, can leave you yearning for a more streamlined and less labyrinthine storyline. It sometimes feels like it's doing too much at the same time, leaving you both impressed and wondering if it could have stuck the landing a bit more gracefully.</p>

<p>Also Read:&nbsp;<strong><a href="https://www.wionews.com/entertainment/hollywood/news-insidious-the-red-door-review-patrick-wilsons-horror-film-fails-to-deliver-genuine-scares-612619"><em>Insidious The Red Door</em>&nbsp;review: Patrick Wilson's horror film fails to deliver genuine scares</a></strong></p>

<h2><strong>The performances elevate <em>The Creator</em></strong></h2>

<p>While the plot is somewhat messy and the visuals do much of the heavy lifting, it's the exceptional performances that truly shine in the movie. Washington, carrying thespian genes from his celebrated father, is very fine here in a role laden with emotional depth. It is a departure from what he has done earlier, particularly his pokerfaced performances in Tenet and BlacKkKlansman. And it was frankly a surprise that he was so good here. Chan also leaves a strong impression with her brief yet impactful role. However, the real standout for me was Voyles. It is a very complex performance to nail and yet, this pint-sized child makes it seem like a walk in the park. In this single film, she conveys a spectrum of emotions that some adult actors may take decades in their careers to achieve.</p>

<h2><strong><em>The Creator</em>&nbsp;presents its themes and parallels with an in-your-face way</strong></h2>

<p><em>The Creator</em> draws unmistakable parallels to historical events like the American invasion of Iraq and the Vietnam War, and it doesn't shy away from making these connections blatantly evident. The Americans are invading a coalition of Asian countries because of the existence of the weapon. There are dialogues saying (and I am paraphrasing) about robots, "They are not real people, they are programmed" and so on.</p>

<p>These parallels are presented in an unapologetically forthright manner. Despite the lack of nuance, I believe the film does an important thing in highlighting, in its own clumsy way, the repercussions of military interventions and the lasting impact they have on both communities and individuals. They serve as a stark reminder of the real-world consequences of war and the complexities of global conflicts. It's an unflinching approach that challenges the audience to reflect on the lessons of history and the responsibilities that come with wielding power on a global scale.</p>

<p><em>The Creator</em>, for all its flaws, succeeds in delivering a visually stunning and emotionally resonant experience.&nbsp;</p>

<p><strong>WATCH WION LIVE HERE</strong></p>

<p><iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="350" loading="”lazy”" src="https://www.wionews.com/live-tv/embed?autoplay=1&amp;mute=1" width="100%"></iframe></p>

<p>You can <strong>now write for wionews.com</strong> and be a part of the community. Share your stories and opinions with us <strong><a href="https://www.wionews.com/content-contribution-registration-form">here</a>.</strong></p>


As time has passed, my scepticism toward movies has waned. These days, a film doesn't require groundbreaking or innovative concepts to leave an impression on me; it just needs to exhibit a certain level of competence in fulfilling its intended objectives.

As time has passed, my scepticism toward movies has waned. These days, a film doesn't require groundbreaking or innovative concepts to leave an impression on me; it just needs to exhibit a certain level of competence in fulfilling its intended objectives. Offer me a well-executed, dependable film, even if it doesn't break new ground, and I'd be content. Take Gareth Edwards' new film, The Creator, for instance. If it had been released a few years ago, I might have found it unexciting, which, upon reflection, would have been unjust. It's interesting how a shift in perspective towards certain movies can significantly affect our enjoyment of them. Anyway, I had high expectations for The Creator because I liked the trailer, and I know Edwards as the director of the best Star Wars movie since the original trilogy (Rogue One). Oh, and Godzilla (2014) wasn't too shabby either. What's The Creator all about? In the near-future, humanity is embroiled in a conflict with the artificial intelligence they initially created. This war ignited after a catastrophic atomic bomb detonation in New York City. The Western powers, led by the United States, find themselves pitted against AI rebels and their human allies based in Southeast Asia. To gain a decisive advantage, the US military deploys a formidable weapons platform called Nomad, a missile station positioned in Earth's upper atmosphere, giving the Western forces an almost insurmountable edge. The story revolves around ex-special forces operative Joshua (played by John David Washington), who is on a covert mission behind enemy lines. His objective is to uncover the identity of the AI's leader, known as Nirmata or The Creator. This enigmatic figure is a human scientist secretly developing a weapon capable of shifting the balance of power in the ongoing war. Also Read | Saw X review: This horror sequel is a riveting, blood-soaked blast from the past However, Joshua's perspective begins to shift when he believes his wife, Maya (portrayed by Gemma Chan), is killed in an air strike. Doubts about whether he's fighting for the right cause start to plague him. Even when Colonel Howell (played by Allison Janney) and General Andrews (portrayed by Ralph Ineson) persuade him to come out of retirement for one last mission, Joshua's uncertainty persists. The mission, meanwhile, is to locate and destroy a weapon that may turn the tide of war in favour of AI. But the said weapon turns out to be an unexpectedly adorable child (played by Madeleine Yuna Voyles). Visually, The Creator is a feast for the eyes. Also Read | Talk to Me review: A psychological horror film that will chill you to the bone The Creator has some of this year's most impressive visual effects so far, particularly considering its relatively modest $80 million budget — a rather conservative figure for a sci-fi epic of its calibre. Cinematographers Greig Fraser and Oren Soffer expertly capture breathtaking landscapes in Southeast Asia using a Sony FX3, a surprisingly economical choice of camera for a production of this magnitude. The skillful use of lighting enhances the film's natural aesthetic. The film is not too vibrant of colourful, because, well, it is set in a dystopian future, but it is also not drowning in darkness. The extensive use of visual effects in such a film becomes not just a luxury but a necessity. Fortunately, the quality of these visual effects is exceptional, setting them apart from the mediocrity often witnessed in most commercial films. They complement, and not overpower, the captured images. The result is an incredibly good-looking film with a distinct and pleasing visual language. Also Read: Meg 2 review: Jason Statham's giant shark movie is glorious B-movie fun The Creator has an intriguing but occasionally convoluted plot The story at the centre of the movie is not very original but mostly works due to the emotional core: the relationship that develops between Joshua and the child. It teeters on the edge of being interesting, but at times, it becomes muddled. I suspect it's the result of trying to cram it all into a two-hour time slot. While the plot introduces some tantalising ideas and brain-tickling themes, it does a little dance on the tightrope of clarity, occasionally leaving the audience in a state of "Wait, what just happened?" It's like trying to assemble a jigsaw puzzle but a few pieces are missing. However, The Creator isn't undone by these flaws. As I mentioned, I loved the film. Thanks to the central relationship, it does keep up your interest throughout. However, its execution, especially in the department of plot development and character motivations, can leave you yearning for a more streamlined and less labyrinthine storyline. It sometimes feels like it's doing too much at the same time, leaving you both impressed and wondering if it could have stuck the landing a bit more gracefully. Also Read: Insidious The Red Door review: Patrick Wilson's horror film fails to deliver genuine scares The performances elevate The Creator While the plot is somewhat messy and the visuals do much of the heavy lifting, it's the exceptional performances that truly shine in the movie. Washington, carrying thespian genes from his celebrated father, is very fine here in a role laden with emotional depth. It is a departure from what he has done earlier, particularly his pokerfaced performances in Tenet and BlacKkKlansman. And it was frankly a surprise that he was so good here. Chan also leaves a strong impression with her brief yet impactful role. However, the real standout for me was Voyles. It is a very complex performance to nail and yet, this pint-sized child makes it seem like a walk in the park. In this single film, she conveys a spectrum of emotions that some adult actors may take decades in their careers to achieve. The Creator presents its themes and parallels with an in-your-face way The Creator draws unmistakable parallels to historical events like the American invasion of Iraq and the Vietnam War, and it doesn't shy away from making these connections blatantly evident. The Americans are invading a coalition of Asian countries because of the existence of the weapon. There are dialogues saying (and I am paraphrasing) about robots, "They are not real people, they are programmed" and so on. These parallels are presented in an unapologetically forthright manner. Despite the lack of nuance, I believe the film does an important thing in highlighting, in its own clumsy way, the repercussions of military interventions and the lasting impact they have on both communities and individuals. They serve as a stark reminder of the real-world consequences of war and the complexities of global conflicts. It's an unflinching approach that challenges the audience to reflect on the lessons of history and the responsibilities that come with wielding power on a global scale. The Creator, for all its flaws, succeeds in delivering a visually stunning and emotionally resonant experience. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

The Creator movie review: A visually stunning, emotionally resonant sci-fi epic

<p>Today, the world lost a true acting legend, Michael Gambon. While the Irish–English actor's body of work was vast and diverse, one role, for millions around the world, stands out as a defining moment in his illustrious career — his portrayal of Professor Albus Dumbledore in the <em>Harry Potter</em> film series. As we pay tribute to this remarkable actor, we delve into the magic and depth he brought to one of the most beloved characters in cinematic history.</p>

<p>Also Read |&nbsp;<strong><a href="https://www.wionews.com/entertainment/hollywood/news-michael-gambon-the-actor-who-played-dumbledore-in-harry-potter-films-dead-at-82-640575">Michael Gambon, the actor who played Dumbledore in Harry Potter films, dies at 82</a></strong></p>

<p>When Gambon assumed the mantle of Albus Dumbledore in <em>Harry Potter and the Prisoner of Azkaban</em>, he faced the daunting task of stepping into the formidable shoes left behind by the late Richard Harris, the original Dumbledore. His casting was met with a mixture of eager anticipation and anxious trepidation among fans. However, the instant he graced the screen, it became abundantly clear that Gambon possessed the charisma and talent to make the role uniquely his own.</p>

<p>Gambon's Dumbledore exuded an aura of wisdom and mystery, combined with a quiet strength. He effortlessly conveyed the sense that Dumbledore was a man of immense power, yet he was approachable and caring. This juxtaposition breathed new life into the character, especially as the <em>Harry Potter</em> series delved into darker and more complex themes.</p>

<p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/8paBdlZBPwQ?si=FRNUbaQUpSaVkIal" title="YouTube video player" width="560"></iframe></p>

<p>One of the defining moments of Gambon's tenure as Dumbledore was the epic duel between the headmaster and Lord Voldemort in<em> Harry Potter and the Order of the Phoenix</em>. In this intense showdown, Gambon's portrayal was nothing short of mesmerising. He imbued Dumbledore with a steely resolve, demonstrating his unparalleled magical prowess and unwavering commitment to the fight against evil. It was a scene that left audiences — &nbsp;pardon the pun — spellbound, and cemented Gambon's status as the Dumbledore for a new generation.</p>

<p>As the series progressed, Gambon's Dumbledore continued to evolve. In <em>Harry Potter and the Half-Blood Prince</em>, he masterfully portrayed the vulnerability and humanity of the character during his final moments. His subtle yet powerful acting during Dumbledore's tragic end was deeply moving, reducing many, including this scribe, to tears. Gambon's ability to convey complex emotions with nuance and depth added a layer of richness to the character that resonated with fans worldwide.</p>

<p>Throughout his remarkable six-film portrayal of Dumbledore, Gambon brought forth a multifaceted and dynamic interpretation of the character that transcended the pages of the script. He was not merely an actor reciting lines; he became Dumbledore, a guiding beacon in the enchanting world of wizards, a mentor to Harry Potter, and a symbol of unwavering hope in the face of encroaching darkness. The legend's legacy as Dumbledore remains a testament to his exceptional talent and his lasting impact on the realm of cinematic storytelling.</p>

<p><strong>WATCH WION LIVE HERE</strong></p>

<p><iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="350" loading="”lazy”" src="https://www.wionews.com/live-tv/embed?autoplay=1&amp;mute=1" width="100%"></iframe></p>

<p>You can <strong>now write for wionews.com</strong> and be a part of the community. Share your stories and opinions with us <strong><a href="https://www.wionews.com/content-contribution-registration-form">here</a>.</strong></p>


Today, the world lost a true acting legend, Michael Gambon. While the Irish–English actor's body of work was vast and diverse, one role, for millions around the world, stands out as a defining moment in his illustrious career — his portrayal of Professor Albus Dumbledore in the Harry Potter film series.

Today, the world lost a true acting legend, Michael Gambon. While the Irish–English actor's body of work was vast and diverse, one role, for millions around the world, stands out as a defining moment in his illustrious career — his portrayal of Professor Albus Dumbledore in the Harry Potter film series. As we pay tribute to this remarkable actor, we delve into the magic and depth he brought to one of the most beloved characters in cinematic history. Also Read | Michael Gambon, the actor who played Dumbledore in Harry Potter films, dies at 82 When Gambon assumed the mantle of Albus Dumbledore in Harry Potter and the Prisoner of Azkaban, he faced the daunting task of stepping into the formidable shoes left behind by the late Richard Harris, the original Dumbledore. His casting was met with a mixture of eager anticipation and anxious trepidation among fans. However, the instant he graced the screen, it became abundantly clear that Gambon possessed the charisma and talent to make the role uniquely his own. Gambon's Dumbledore exuded an aura of wisdom and mystery, combined with a quiet strength. He effortlessly conveyed the sense that Dumbledore was a man of immense power, yet he was approachable and caring. This juxtaposition breathed new life into the character, especially as the Harry Potter series delved into darker and more complex themes. One of the defining moments of Gambon's tenure as Dumbledore was the epic duel between the headmaster and Lord Voldemort in Harry Potter and the Order of the Phoenix. In this intense showdown, Gambon's portrayal was nothing short of mesmerising. He imbued Dumbledore with a steely resolve, demonstrating his unparalleled magical prowess and unwavering commitment to the fight against evil. It was a scene that left audiences — pardon the pun — spellbound, and cemented Gambon's status as the Dumbledore for a new generation. As the series progressed, Gambon's Dumbledore continued to evolve. In Harry Potter and the Half-Blood Prince, he masterfully portrayed the vulnerability and humanity of the character during his final moments. His subtle yet powerful acting during Dumbledore's tragic end was deeply moving, reducing many, including this scribe, to tears. Gambon's ability to convey complex emotions with nuance and depth added a layer of richness to the character that resonated with fans worldwide. Throughout his remarkable six-film portrayal of Dumbledore, Gambon brought forth a multifaceted and dynamic interpretation of the character that transcended the pages of the script. He was not merely an actor reciting lines; he became Dumbledore, a guiding beacon in the enchanting world of wizards, a mentor to Harry Potter, and a symbol of unwavering hope in the face of encroaching darkness. The legend's legacy as Dumbledore remains a testament to his exceptional talent and his lasting impact on the realm of cinematic storytelling. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Remembering Michael Gambon: The iconic Dumbledore who enchanted the world

<p>As I sat down to watch<em> Saw X</em>, the tenth installment in a horror franchise that has defied all expectations and endured through the years, I couldn't help but reflect on the journey I've taken with this series. It's a journey that began in 2004 and has seen me question the very essence of horror, morality, and the human psyche. And now, here I am, once again willingly subjecting myself to the macabre machinations of John "Jigsaw" Kramer.</p>

<p>This time around, it's not just about the traps; it's about the nostalgia. <em>Saw X</em> slides right back into the chronological blender between the original Saw and its sequel, giving us a chance to revisit the heyday of Jigsaw's morally murky masterminding. John Kramer, played once again with grim charm by Tobin Bell, faces a terminal diagnosis and a slim shot at salvation, all thanks to a sketchy medical program in sunny Mexico City promising a miracle cure.</p>

<p>As Kramer inches closer to finding that elusive cure, I discover that things are too good to be true. Cue the traps, the screams, and the kind of elaborate murder devices that would make MacGyver's head spin.</p>

<p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/t3PzUo4P21c?si=i_kfvTup31JlX8dH" title="YouTube video player" width="560"></iframe></p>

<p>Director Greutert knows this franchise like Jigsaw knows how to make a reverse bear trap look fashionable. He takes his sweet time setting up the narrative, allowing the tension to simmer, much like a pot of Jigsaw's favourite torture soup. Yes, it means you will have to wait a bit for the bloodbath bonanza, but it's all in the name of character development.</p>

<p>And when the gore does hit the fan,&nbsp;it's a grotesque spectacle that defies description. It's as if Hell itself has erupted in a fireworks display, orchestrated by the sadistic geniuses at Fractured FX. The new faces in the torture chamber exhibit a commitment to their roles that borders on masochism.</p>

<p>Also Read |&nbsp;<strong><a href="https://www.wionews.com/entertainment/hollywood/news-talk-to-me-review-a-psychological-horror-film-that-will-chill-you-to-the-bone-622402">Talk to Me review: A psychological horror film that will chill you to the bone</a></strong></p>

<p>The torture scenes in <em>Saw X</em> are nothing short of visceral artistry. Each trap is a diabolical masterpiece, designed with a malevolent creativity that could only come from the dark recesses of Jigsaw's mind. These devices are not merely instruments of pain; they are works of sadistic genius.</p>

<p>The gore flows freely, like a crimson river of despair, meticulously crafted by the skilled artisans at Fractured FX. Every slice, every puncture, every bone-chilling scream is rendered with such unsettling realism that I found myself wincing in sheer disbelief. I was squirming in my chair, and let me tell you, I can handle my gore just fine. Despite all the misery and blood, you will yourself myself riveted by a sick fascination, unable to tear my eyes away from the screen.</p>

<p>Also Read:&nbsp;<strong><a href="https://www.wionews.com/entertainment/hollywood/news-meg-2-review-jason-stathams-giant-shark-movie-is-glorious-b-movie-fun-622217"><em>Meg 2</em>&nbsp;review: Jason Statham's giant shark movie is glorious B-movie fun</a></strong></p>

<p>But what sets<em> Saw X</em> apart is not the gratuitous gore; it's the emotional weight that accompanies each excruciating moment. The characters caught in these nightmarish contraptions are not faceless victims; they are complex individuals with their own hopes, fears, and desperate desires to survive. And some of them are downright vicious and their comeuppance when it comes is infinitely satisfying.&nbsp;</p>

<p>Yes, <em>Saw X</em> pushes the boundaries of graphic horror, taking one on a harrowing journey into the darkest corners of human suffering. It's a masterclass in the art of the grotesque. For those who crave the visceral thrill of unrelenting horror, this installment delivers in spades. In the world of Saw, there is no escape from the exquisite torment of the human soul.</p>

<p>Also Read:&nbsp;<strong><a href="https://www.wionews.com/entertainment/hollywood/news-insidious-the-red-door-review-patrick-wilsons-horror-film-fails-to-deliver-genuine-scares-612619"><em>Insidious The Red Door</em>&nbsp;review: Patrick Wilson's horror film fails to deliver genuine scares</a></strong></p>

<p>Ultimately, Saw X left me both horrified and mesmerised. I it a complex mix of emotions that I feel and it&nbsp;forces me to confront my own appetite for darkness. If you find yourself, like me, a fanatic of the series, I implore you to rush to your nearest theatre at this very instant.&nbsp;</p>

<p><strong>WATCH WION LIVE HERE</strong></p>

<p><iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="350" loading="”lazy”" src="https://www.wionews.com/live-tv/embed?autoplay=1&amp;mute=1" width="100%"></iframe></p>

<p>You can <strong>now write for wionews.com</strong> and be a part of the community. Share your stories and opinions with us <strong><a href="https://www.wionews.com/content-contribution-registration-form">here</a>.</strong></p>


As I sat down to watch Saw X, the tenth installment in a horror franchise that has defied all expectations and endured through the years, I couldn't help but reflect on the journey I've taken with this series.

As I sat down to watch Saw X, the tenth installment in a horror franchise that has defied all expectations and endured through the years, I couldn't help but reflect on the journey I've taken with this series. It's a journey that began in 2004 and has seen me question the very essence of horror, morality, and the human psyche. And now, here I am, once again willingly subjecting myself to the macabre machinations of John "Jigsaw" Kramer. This time around, it's not just about the traps; it's about the nostalgia. Saw X slides right back into the chronological blender between the original Saw and its sequel, giving us a chance to revisit the heyday of Jigsaw's morally murky masterminding. John Kramer, played once again with grim charm by Tobin Bell, faces a terminal diagnosis and a slim shot at salvation, all thanks to a sketchy medical program in sunny Mexico City promising a miracle cure. As Kramer inches closer to finding that elusive cure, I discover that things are too good to be true. Cue the traps, the screams, and the kind of elaborate murder devices that would make MacGyver's head spin. Director Greutert knows this franchise like Jigsaw knows how to make a reverse bear trap look fashionable. He takes his sweet time setting up the narrative, allowing the tension to simmer, much like a pot of Jigsaw's favourite torture soup. Yes, it means you will have to wait a bit for the bloodbath bonanza, but it's all in the name of character development. And when the gore does hit the fan, it's a grotesque spectacle that defies description. It's as if Hell itself has erupted in a fireworks display, orchestrated by the sadistic geniuses at Fractured FX. The new faces in the torture chamber exhibit a commitment to their roles that borders on masochism. Also Read | Talk to Me review: A psychological horror film that will chill you to the bone The torture scenes in Saw X are nothing short of visceral artistry. Each trap is a diabolical masterpiece, designed with a malevolent creativity that could only come from the dark recesses of Jigsaw's mind. These devices are not merely instruments of pain; they are works of sadistic genius. The gore flows freely, like a crimson river of despair, meticulously crafted by the skilled artisans at Fractured FX. Every slice, every puncture, every bone-chilling scream is rendered with such unsettling realism that I found myself wincing in sheer disbelief. I was squirming in my chair, and let me tell you, I can handle my gore just fine. Despite all the misery and blood, you will yourself myself riveted by a sick fascination, unable to tear my eyes away from the screen. Also Read: Meg 2 review: Jason Statham's giant shark movie is glorious B-movie fun But what sets Saw X apart is not the gratuitous gore; it's the emotional weight that accompanies each excruciating moment. The characters caught in these nightmarish contraptions are not faceless victims; they are complex individuals with their own hopes, fears, and desperate desires to survive. And some of them are downright vicious and their comeuppance when it comes is infinitely satisfying. Yes, Saw X pushes the boundaries of graphic horror, taking one on a harrowing journey into the darkest corners of human suffering. It's a masterclass in the art of the grotesque. For those who crave the visceral thrill of unrelenting horror, this installment delivers in spades. In the world of Saw, there is no escape from the exquisite torment of the human soul. Also Read: Insidious The Red Door review: Patrick Wilson's horror film fails to deliver genuine scares Ultimately, Saw X left me both horrified and mesmerised. I it a complex mix of emotions that I feel and it forces me to confront my own appetite for darkness. If you find yourself, like me, a fanatic of the series, I implore you to rush to your nearest theatre at this very instant. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Saw X review: This horror sequel is a riveting, blood-soaked blast from the past

<p>Wes Anderson, that master of meticulous whimsy and creator of cinematic storybook worlds, has graced us with <em>The Wonderful Story of Henry Sugar</em>. His second film this year, this miniature marvel clocks in at a mere 39 minutes, and is a bite-sized piece of Anderson's signature storytelling magic. Like a magician pulling a rabbit from a hat, he takes Roald Dahl's 1977 short story and conjures a film that's both reverent and inventive, turning the act of storytelling into an art form within an art form. It's a sleight of hand that showcases Anderson's uncanny ability to make the improbable seem utterly plausible.</p>

<p>As the curtains part, Anderson ushers us into a world that resembles a living, breathing storybook. Each frame unfolds like a meticulously crafted tableau (Anderson veterans would know that I am not exaggerating here), alive with a symphony of colours and intricate details that beckon exploration. In the movie, Anderson transforms the screen into a gallery of exquisite pop-up art, where every visual revelation is a stroke of pure enchantment.</p>

<p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/4RdncisZ_QA?si=L_pKJPOaBKVpOQXD" title="YouTube video player" width="560"></iframe></p>

<p>Henry, a wealthy man in his forties played by Benedict Cumberbatch, lives a life of opulent excess, surrounded by others of his kind. Dahl aptly describes them as neither good nor bad, simply part of the decor of life. It's a life marked by indulgence and hedonism, until a twist of fate leads Henry to a mysterious book that reveals the astounding tale of Imdad Khan (Ben Kingsley), a circus performer with a unique gift — seeing without the use of his eyes.</p>

<p>Also Read |&nbsp;<strong><a href="https://www.wionews.com/entertainment/hollywood/news-asteroid-city-review-wes-andersons-latest-is-a-feast-for-the-senses-628933">Asteroid City review: Wes Anderson's latest is a feast for the senses</a></strong></p>

<p>This piece of news, like a spark in the night, ignites Henry's imagination. Initially merely aiming to uncover the secrets of this unique skill for personal gain, his curiosity soon transforms into a quest for something far more profound. He sets forth on a journey, both literal and metaphorical, to unlock these mysterious powers, embarking on an adventure that will lead him into uncharted territory and reshape the very essence of his existence. He becomes a better version of himself in the process.</p>

<div class="videoWrapper trancodeVideo"><iframe allowfullscreen="" autoplay="1" class="includeVideo" frameborder="0" height="350" src="https://www.wionews.com/videos/asteroid-city-review-wes-andersons-latest-is-a-feast-for-the-senses-629239/embed" style="width:100%;max-width:560px;" width="560"></iframe></div>

<p>Anderson's narrative structure seamlessly connects each character's story, creating a mesmerising whirlwind of dialogue and events. This whirlwind, juxtaposed with the theme of focused attention, is intended, I believe, to be a poignant reminder of the value of slowing down in our fast-paced world.</p>

<p>The film's rapid tempo, with characters often speaking in a frenzy, adds to its distinct charm. So much so that the movie seems to be in a hurry to convey its message, mirroring the central theme of transcendent focus. It also allows Anderson to squeeze in a lot of story in its limited runtime. Walls slide away to reveal new settings, time accelerates at a dizzying pace, and actors seamlessly take on multiple roles without any character commenting upon it.&nbsp;</p>

<p>The film, and this was not at all a surprise, is a visual delight, with every scene so well-constructed that it often resembles a theatrical performance. Anderson's precision and creativity shine through in every frame, reminding me that his films demand active engagement from the audience.</p>

<p>At its core, <em>The Wonderful Story of Henry Sugar</em> is a tale of transformation, where the pursuit of the extraordinary leads to personal growth and enlightenment. It's a reflection on the limits of knowledge and the boundless potential of imagination.</p>

<p><strong>WATCH WION LIVE HERE</strong></p>

<p><iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="350" loading="”lazy”" src="https://www.wionews.com/live-tv/embed?autoplay=1&amp;mute=1" width="100%"></iframe></p>

<p>You can <strong>now write for wionews.com</strong> and be a part of the community. Share your stories and opinions with us <strong><a href="https://www.wionews.com/content-contribution-registration-form">here</a>.</strong></p>


Wes Anderson, that master of meticulous whimsy and creator of cinematic storybook worlds, has graced us with The Wonderful Story of Henry Sugar. His second film this year, this miniature marvel clocks in at a mere 39 minutes, and is a bite-sized piece of Anderson's signature storytelling magic.

Wes Anderson, that master of meticulous whimsy and creator of cinematic storybook worlds, has graced us with The Wonderful Story of Henry Sugar. His second film this year, this miniature marvel clocks in at a mere 39 minutes, and is a bite-sized piece of Anderson's signature storytelling magic. Like a magician pulling a rabbit from a hat, he takes Roald Dahl's 1977 short story and conjures a film that's both reverent and inventive, turning the act of storytelling into an art form within an art form. It's a sleight of hand that showcases Anderson's uncanny ability to make the improbable seem utterly plausible. As the curtains part, Anderson ushers us into a world that resembles a living, breathing storybook. Each frame unfolds like a meticulously crafted tableau (Anderson veterans would know that I am not exaggerating here), alive with a symphony of colours and intricate details that beckon exploration. In the movie, Anderson transforms the screen into a gallery of exquisite pop-up art, where every visual revelation is a stroke of pure enchantment. Henry, a wealthy man in his forties played by Benedict Cumberbatch, lives a life of opulent excess, surrounded by others of his kind. Dahl aptly describes them as neither good nor bad, simply part of the decor of life. It's a life marked by indulgence and hedonism, until a twist of fate leads Henry to a mysterious book that reveals the astounding tale of Imdad Khan (Ben Kingsley), a circus performer with a unique gift — seeing without the use of his eyes. Also Read | Asteroid City review: Wes Anderson's latest is a feast for the senses This piece of news, like a spark in the night, ignites Henry's imagination. Initially merely aiming to uncover the secrets of this unique skill for personal gain, his curiosity soon transforms into a quest for something far more profound. He sets forth on a journey, both literal and metaphorical, to unlock these mysterious powers, embarking on an adventure that will lead him into uncharted territory and reshape the very essence of his existence. He becomes a better version of himself in the process. Anderson's narrative structure seamlessly connects each character's story, creating a mesmerising whirlwind of dialogue and events. This whirlwind, juxtaposed with the theme of focused attention, is intended, I believe, to be a poignant reminder of the value of slowing down in our fast-paced world. The film's rapid tempo, with characters often speaking in a frenzy, adds to its distinct charm. So much so that the movie seems to be in a hurry to convey its message, mirroring the central theme of transcendent focus. It also allows Anderson to squeeze in a lot of story in its limited runtime. Walls slide away to reveal new settings, time accelerates at a dizzying pace, and actors seamlessly take on multiple roles without any character commenting upon it. The film, and this was not at all a surprise, is a visual delight, with every scene so well-constructed that it often resembles a theatrical performance. Anderson's precision and creativity shine through in every frame, reminding me that his films demand active engagement from the audience. At its core, The Wonderful Story of Henry Sugar is a tale of transformation, where the pursuit of the extraordinary leads to personal growth and enlightenment. It's a reflection on the limits of knowledge and the boundless potential of imagination. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

The Wonderful Story of Henry Sugar review: Wes Anderson's miniature masterpiece

<p>Hollywood was under the shadow of a historic labour strike since May 2. This protracted standoff pitted the Writers Guild of America (WGA) against the influential Alliance of Motion Picture and Television Producers (AMPTP), representing major film and television studios. Later, in July, actors' union SAG-AFTRA also kicked off a strike of their own, making it the first 'double strike' since 1960s. The WGA strike meanwhile was marked by its duration and far-reaching implications, and also cast a spotlight on critical issues such as wage disparities and apprehensions surrounding the burgeoning role of artificial intelligence (AI) in creative processes. Now, an agreement brokered by the writers with Hollywood holds the potential to serve as a guiding model for &nbsp;SAG-AFTRA's ongoing negotiations with AMPTP.</p>

<p>Also Read |&nbsp;<strong><a href="https://www.wionews.com/entertainment/hollywood/news-hollywood-writers-guild-officially-calls-off-months-long-strike-639986">Hollywood writers' guild officially calls off months-long strike</a></strong></p>

<h2><strong>WGA's deal and its implications for SAG-AFTRA strike</strong></h2>

<p>WGA achieved a significant breakthrough when they reached an agreement with the studios on September 24. The agreement includes provisions for improved minimum pay, augmented streaming residuals, and essential safeguards to ensure that AI cannot undermine a writer's credit. This development has sparked optimism among the striking actors, hinting at the possibility of resolving their differences with the studios.</p>

<p>Historically, deals struck by one union within the entertainment industry have often set a template for subsequent negotiations with other unions. This practice has evolved from the desire for equitable treatment and fair compensation for all industry professionals. As writer and actor Mel Shimkovitz stated to Reuters while picketing outside Netflix, "I hear it's an exceptional deal and historically, whatever deal they give to one union, the next union uses as a template for their own deal."</p>

<h2><strong>Writers' potential return to work</strong></h2>

<p>With the agreement in place, the WGA has indicated that writers could potentially return to work as early as the following Wednesday, pending a final vote to ratify the contract. This development would signal the resumption of talk shows and writing activities. However, the resumption of filming remains contingent on the actors reaching their own labour agreement.</p>

<p>Negotiators for the SAG-AFTRA have not engaged in talks with AMPTP. Nonetheless, entertainment industry executives remain hopeful that negotiations will resume soon, possibly within the coming week.</p>

<div class="videoWrapper trancodeVideo"><iframe allowfullscreen="" autoplay="1" class="includeVideo" frameborder="0" height="350" src="https://www.wionews.com/videos/writers-strike-could-soon-end-as-both-sides-reach-agreement-639381/embed" style="width:100%;max-width:560px;" width="560"></iframe></div>

<h2><strong>Shared concerns between writers and actors</strong></h2>

<p>Actors and writers have been vocal about shared concerns during these labour disputes. A prominent issue revolves around safeguarding their contributions from being supplanted by "digital replicas" generated through AI.&nbsp;</p>

<p>Both groups are also seeking compensation that accurately reflects their value in the era of streaming, with a focus on revenue sharing. The rise of streaming platforms has fundamentally transformed the entertainment landscape. While it has brought new opportunities and a vast array of content to audiences worldwide, it has also posed challenges regarding compensation and job security for those who create this content. Writers and actors alike are grappling with the question of how to fairly distribute the revenues generated in this digital era.</p>

<p>One of the other core issues at the heart of these labour disputes is residuals — the additional payments made to writers and actors when their work is reused or streamed. Residuals have been a traditional source of income for industry professionals, but the shift to streaming platforms has raised questions about the adequacy of these payments. Both writers and actors are seeking a more equitable share of the revenue generated by their content on streaming services.</p>

<div class="videoWrapper trancodeVideo"><iframe allowfullscreen="" autoplay="1" class="includeVideo" frameborder="0" height="350" src="https://www.wionews.com/videos/hollywood-writers-strike-officially-ends-after-148-days-640045/embed" style="width:100%;max-width:560px;" width="560"></iframe></div>

<p>Another pressing concern that writers and actors share is the encroachment of AI in the creative process. While AI has the potential to streamline certain aspects of content creation, it also raises fears of job displacement and the erosion of creative autonomy. Both groups are keen to ensure that AI remains a tool to assist human creativity rather than a replacement for it.</p>

<p>Also Read |&nbsp;<strong><a href="https://www.wionews.com/entertainment/hollywood/news-explained--hollywood-writers-strike-nears-its-end-what-happens-now-639896">Explained | Hollywood writers' strike nears its end: What happens now?</a></strong></p>

<h2>Additional actor demands</h2>

<p>In addition to these shared concerns, SAG-AFTRA has articulated other demands. Actors are pushing for limitations on self-taped auditions in casting, asserting that these are more costly than in-person readings. They are also advocating for increased diversity and inclusivity in the industry, specifically by seeking hair and makeup artists capable of working with various hair textures and skin tones to ensure equitable treatment. Moreover, actors are striving for greater flexibility in working during extended breaks between TV show seasons.</p>

<p>Within SAG-AFTRA, there are various categories of performers, each with its unique demands. Dancers, singers, background actors, and stunt performers, for instance, have their specific requirements, adding complexity to the negotiations.</p>

<h2><strong>A unified resolve</strong></h2>

<p>Despite the challenges and diverse demands, SAG-AFTRA remains unified in its pursuit of a fair contract. As they posted on Tuesday night, accompanied by pictures of Pedro Pascal, Bob Odenkirk, and others on the picket lines, "Our fight isn't over — it's just heating up! We're committed to securing a fair contract because we deserve nothing less. Let's keep pushing, keep fighting, and show the world our determination!"</p>

<p>Also Read |&nbsp;<strong><a href="https://www.wionews.com/entertainment/hollywood-writers-and-studies-reach-tentative-deal-to-end-months-long-strike-639285">Hollywood writers and studios reach tentative deal to end months-long strike</a></strong></p>

<h2><strong>A blueprint for future negotiations</strong></h2>

<p>As the writers' tentative agreement now stands as a potential blueprint for future negotiations, its terms and provisions will be scrutinised closely by both actors and industry insiders. The implications of the deal, especially in the context of the streaming era and the evolving role of AI, will reverberate throughout Hollywood.</p>

<h2><strong>What does the future hold?</strong></h2>

<p>As the writers' strike approaches resolution, the entertainment industry watches closely, anticipating how this milestone may shape the future for actors and all stakeholders in Hollywood. These developments mark not just a chapter in Hollywood's history but a critical juncture in the ongoing evolution of the entertainment industry in the digital age.</p>

<p><strong>WATCH WION LIVE HERE</strong></p>

<p><iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="350" loading="”lazy”" src="https://www.wionews.com/live-tv/embed?autoplay=1&amp;mute=1" width="100%"></iframe></p>

<p>You can <strong>now write for wionews.com</strong> and be a part of the community. Share your stories and opinions with us <strong><a href="https://www.wionews.com/content-contribution-registration-form">here</a>.</strong></p>


Hollywood was under the shadow of a historic labour strike since May 2. This protracted standoff pitted the Writers Guild of America (WGA) against the influential Alliance of Motion Picture and Television Producers (AMPTP), representing major film and television studios.

Hollywood was under the shadow of a historic labour strike since May 2. This protracted standoff pitted the Writers Guild of America (WGA) against the influential Alliance of Motion Picture and Television Producers (AMPTP), representing major film and television studios. Later, in July, actors' union SAG-AFTRA also kicked off a strike of their own, making it the first 'double strike' since 1960s. The WGA strike meanwhile was marked by its duration and far-reaching implications, and also cast a spotlight on critical issues such as wage disparities and apprehensions surrounding the burgeoning role of artificial intelligence (AI) in creative processes. Now, an agreement brokered by the writers with Hollywood holds the potential to serve as a guiding model for SAG-AFTRA's ongoing negotiations with AMPTP. Also Read | Hollywood writers' guild officially calls off months-long strike WGA's deal and its implications for SAG-AFTRA strike WGA achieved a significant breakthrough when they reached an agreement with the studios on September 24. The agreement includes provisions for improved minimum pay, augmented streaming residuals, and essential safeguards to ensure that AI cannot undermine a writer's credit. This development has sparked optimism among the striking actors, hinting at the possibility of resolving their differences with the studios. Historically, deals struck by one union within the entertainment industry have often set a template for subsequent negotiations with other unions. This practice has evolved from the desire for equitable treatment and fair compensation for all industry professionals. As writer and actor Mel Shimkovitz stated to Reuters while picketing outside Netflix, "I hear it's an exceptional deal and historically, whatever deal they give to one union, the next union uses as a template for their own deal." Writers' potential return to work With the agreement in place, the WGA has indicated that writers could potentially return to work as early as the following Wednesday, pending a final vote to ratify the contract. This development would signal the resumption of talk shows and writing activities. However, the resumption of filming remains contingent on the actors reaching their own labour agreement. Negotiators for the SAG-AFTRA have not engaged in talks with AMPTP. Nonetheless, entertainment industry executives remain hopeful that negotiations will resume soon, possibly within the coming week. Shared concerns between writers and actors Actors and writers have been vocal about shared concerns during these labour disputes. A prominent issue revolves around safeguarding their contributions from being supplanted by "digital replicas" generated through AI. Both groups are also seeking compensation that accurately reflects their value in the era of streaming, with a focus on revenue sharing. The rise of streaming platforms has fundamentally transformed the entertainment landscape. While it has brought new opportunities and a vast array of content to audiences worldwide, it has also posed challenges regarding compensation and job security for those who create this content. Writers and actors alike are grappling with the question of how to fairly distribute the revenues generated in this digital era. One of the other core issues at the heart of these labour disputes is residuals — the additional payments made to writers and actors when their work is reused or streamed. Residuals have been a traditional source of income for industry professionals, but the shift to streaming platforms has raised questions about the adequacy of these payments. Both writers and actors are seeking a more equitable share of the revenue generated by their content on streaming services. Another pressing concern that writers and actors share is the encroachment of AI in the creative process. While AI has the potential to streamline certain aspects of content creation, it also raises fears of job displacement and the erosion of creative autonomy. Both groups are keen to ensure that AI remains a tool to assist human creativity rather than a replacement for it. Also Read | Explained | Hollywood writers' strike nears its end: What happens now? Additional actor demands In addition to these shared concerns, SAG-AFTRA has articulated other demands. Actors are pushing for limitations on self-taped auditions in casting, asserting that these are more costly than in-person readings. They are also advocating for increased diversity and inclusivity in the industry, specifically by seeking hair and makeup artists capable of working with various hair textures and skin tones to ensure equitable treatment. Moreover, actors are striving for greater flexibility in working during extended breaks between TV show seasons. Within SAG-AFTRA, there are various categories of performers, each with its unique demands. Dancers, singers, background actors, and stunt performers, for instance, have their specific requirements, adding complexity to the negotiations. A unified resolve Despite the challenges and diverse demands, SAG-AFTRA remains unified in its pursuit of a fair contract. As they posted on Tuesday night, accompanied by pictures of Pedro Pascal, Bob Odenkirk, and others on the picket lines, "Our fight isn't over — it's just heating up! We're committed to securing a fair contract because we deserve nothing less. Let's keep pushing, keep fighting, and show the world our determination!" Also Read | Hollywood writers and studios reach tentative deal to end months-long strike A blueprint for future negotiations As the writers' tentative agreement now stands as a potential blueprint for future negotiations, its terms and provisions will be scrutinised closely by both actors and industry insiders. The implications of the deal, especially in the context of the streaming era and the evolving role of AI, will reverberate throughout Hollywood. What does the future hold? As the writers' strike approaches resolution, the entertainment industry watches closely, anticipating how this milestone may shape the future for actors and all stakeholders in Hollywood. These developments mark not just a chapter in Hollywood's history but a critical juncture in the ongoing evolution of the entertainment industry in the digital age. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Explained | WGA deal — a blueprint for Hollywood actors' strike resolution?

Top 10 UFO movies ever made: From Close Encounters to War of the Worlds

<p><em>Gunpowder Milkshake,</em> the 2021 action thriller which released in India this week, is like a cool mashup of awesome stars, feminist vibes, and a touch of neo-noir flair. Directed by Navot Papushado and featuring Karen Gillan, Lena Headey, Carla Gugino, Michelle Yeoh, and Angela Bassett, it promises a high-octane experience. Yet, while it packs a punch, this assassin-filled adventure often falls short of its potential.</p>

<p>The film's premise centers around Sam (Karen Gillan), a skilled assassin working for a shadowy organisation known as The Firm. The plot kicks off when Sam decides to protect a young girl named Emily (Chloe Coleman) after a mission gone awry, setting off a chain of events that lead her to reunite with her estranged mother, Scarlet (Lena Headey), and her mother's former associates.</p>

<p>Also Read |&nbsp;<strong><a href="https://www.wionews.com/entertainment/hollywood/news-expend4bles-movie-review-sylvester-stallones-film-is-more-fizzle-than-sizzle-638475">Expend4bles movie review: Sylvester Stallone's film is more fizzle than sizzle</a></strong></p>

<p>One of the film's undoubted strengths lies in its ensemble cast, with the fierce female triumvirate of Headey, Gugino, and Bassett injecting boundless energy and charisma into their roles as Scarlet's former comrades. Their on-screen camaraderie crackles with electricity, providing some of the film's most exhilarating moments.</p>

<p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/H7ZrjXuNgmA?si=vvJnNmwF8dqovV86" title="YouTube video player" width="560"></iframe></p>

<p>Where <em>Gunpowder Milkshake</em> struggles is in the execution of its action scenes. While the film attempts to showcase Sam's prowess as an assassin, it often feels slow-paced and lacks the fluidity and intensity one might expect from a modern action thriller. The choreography, at times, leaves much to be desired, diminishing the impact of the fight sequences.</p>

<p>The film also attempts to infuse humour into its violent world, and while there are moments of levity that work, some of the humour feels forced and out of place, detracting from the overall tone of the movie. The juxtaposition of violence and jokes can be jarring, making it quite a task to fully engage with the story.</p>

<p>Also Read |<strong><a href="https://www.wionews.com/entertainment/hollywood/news-asteroid-city-review-wes-andersons-latest-is-a-feast-for-the-senses-628933">&nbsp;Asteroid City review: Wes Anderson`s latest is a feast for the senses</a></strong></p>

<p>On a more positive note, the film's visual style is pretty striking, with vibrant colours and unique set designs creating an eye-catching aesthetic. It embraces a neo-noir atmosphere that adds an intriguing layer to the narrative.</p>

<p>The mother-daughter dynamic between Sam and Scarlet provides a central emotional anchor for the film, exploring themes of reconciliation and redemption. However, this aspect of the story often feels underdeveloped, with the film opting for action spectacle over deeper character exploration.</p>

<p>In the end, <em>Gunpowder Milkshake</em> left me with mixed feelings. It has moments of enjoyment, and that is largely thanks to its cast, but it struggles to find a consistent rhythm in terms of pacing, action, and tone.</p>

<p>While it attempts to offer a fresh take on the female-led action genre, it falls short of achieving the same impact as some of its predecessors. For those seeking a lighthearted action flick with some feminism peppered over it, <em>Gunpowder Milkshake </em>might satisfy, but it doesn't quite reach the heights of excellence in the genre.</p>

<p><em>Gunpowder Milkshake</em> is available to watch on Lionsgate Play.</p>

<p><strong>WATCH WION LIVE HERE</strong></p>

<p><iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="350" loading="”lazy”" src="https://www.wionews.com/live-tv/embed?autoplay=1&amp;mute=1" width="100%"></iframe></p>

<p>You can <strong>now write for wionews.com</strong> and be a part of the community. Share your stories and opinions with us <strong><a href="https://www.wionews.com/content-contribution-registration-form">here</a>.</strong></p>


Gunpowder Milkshake, the 2021 action thriller which released in India this week, is like a cool mashup of awesome stars, feminist vibes, and a touch of neo-noir flair.

Gunpowder Milkshake, the 2021 action thriller which released in India this week, is like a cool mashup of awesome stars, feminist vibes, and a touch of neo-noir flair. Directed by Navot Papushado and featuring Karen Gillan, Lena Headey, Carla Gugino, Michelle Yeoh, and Angela Bassett, it promises a high-octane experience. Yet, while it packs a punch, this assassin-filled adventure often falls short of its potential. The film's premise centers around Sam (Karen Gillan), a skilled assassin working for a shadowy organisation known as The Firm. The plot kicks off when Sam decides to protect a young girl named Emily (Chloe Coleman) after a mission gone awry, setting off a chain of events that lead her to reunite with her estranged mother, Scarlet (Lena Headey), and her mother's former associates. Also Read | Expend4bles movie review: Sylvester Stallone's film is more fizzle than sizzle One of the film's undoubted strengths lies in its ensemble cast, with the fierce female triumvirate of Headey, Gugino, and Bassett injecting boundless energy and charisma into their roles as Scarlet's former comrades. Their on-screen camaraderie crackles with electricity, providing some of the film's most exhilarating moments. Where Gunpowder Milkshake struggles is in the execution of its action scenes. While the film attempts to showcase Sam's prowess as an assassin, it often feels slow-paced and lacks the fluidity and intensity one might expect from a modern action thriller. The choreography, at times, leaves much to be desired, diminishing the impact of the fight sequences. The film also attempts to infuse humour into its violent world, and while there are moments of levity that work, some of the humour feels forced and out of place, detracting from the overall tone of the movie. The juxtaposition of violence and jokes can be jarring, making it quite a task to fully engage with the story. Also Read | Asteroid City review: Wes Anderson`s latest is a feast for the senses On a more positive note, the film's visual style is pretty striking, with vibrant colours and unique set designs creating an eye-catching aesthetic. It embraces a neo-noir atmosphere that adds an intriguing layer to the narrative. The mother-daughter dynamic between Sam and Scarlet provides a central emotional anchor for the film, exploring themes of reconciliation and redemption. However, this aspect of the story often feels underdeveloped, with the film opting for action spectacle over deeper character exploration. In the end, Gunpowder Milkshake left me with mixed feelings. It has moments of enjoyment, and that is largely thanks to its cast, but it struggles to find a consistent rhythm in terms of pacing, action, and tone. While it attempts to offer a fresh take on the female-led action genre, it falls short of achieving the same impact as some of its predecessors. For those seeking a lighthearted action flick with some feminism peppered over it, Gunpowder Milkshake might satisfy, but it doesn't quite reach the heights of excellence in the genre. Gunpowder Milkshake is available to watch on Lionsgate Play. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Gunpowder Milkshake review: A star-studded thriller that falls short of its potential

<p>Hollywood, the global epicentre of entertainment, has finally broken free from the shackles of an unprecedented 146-day-long strike that has sent shockwaves through the industry. This prolonged standoff, which began on May 2, 2023, pitted the Writers Guild of America (WGA) against the Alliance of Motion Picture and Television Producers (AMPTP), and has had far-reaching implications on the world of television and film. With the tentative deal now on the table, it is time to dissect the intricacies of the strike, the key players, and the potential ramifications of its conclusion.</p>

<h2><strong>The writers' strike decoded</strong></h2>

<p>As the&nbsp;clock struck midnight on May 2, 2023, the Writers Guild of America (WGA) took to the picket lines, embarking on a labour strike that will go down in history as one of the longest and most impactful to hit Hollywood in decades.</p>

<p>Representing 11,500 screenwriters, the WGA's decision to strike was a culmination of simmering tensions with the Alliance of Motion Picture and Television Producers (AMPTP), which represents the major film and television studios in Hollywood.</p>

<p>Also Read |&nbsp;<strong><a href="https://www.wionews.com/entertainment/hollywood-writers-and-studies-reach-tentative-deal-to-end-months-long-strike-639285">Hollywood writers and studios reach tentative deal to end months-long strike</a></strong></p>

<h2><strong>Parallel strikes and broader discontent</strong></h2>

<p>Notably, this strike was followed by a strike by 160,000 members of the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA), a powerful confluence of labour disputes rattling the entertainment industry.</p>

<p>The demands of both unions centred around similar issues like inadequate pay. Also in the mix was the use of artificial intelligence (AI) in the creative process, a hot-button issue in a rapidly evolving media landscape.</p>

<div class="videoWrapper trancodeVideo"><iframe allowfullscreen="" autoplay="1" class="includeVideo" frameborder="0" height="350" src="https://www.wionews.com/videos/writers-strike-could-soon-end-as-both-sides-reach-agreement-639381/embed" style="width:100%;max-width:560px;" width="560"></iframe></div>

<h2><strong>Fallout and economic ripples</strong></h2>

<p>The writers' strike had a domino effect, causing ripples far beyond the studio lots and writers' rooms. Studios were forced to halt productions or trim their staff, with some even resorting to closing doors temporarily.</p>

<p>Long-term contracts forged during the streaming boom were suddenly at risk. Studios could utilise "force majeure" clauses to terminate production deals with writers after 90 days, potentially saving millions of dollars.</p>

<p>Even peripheral sectors of the entertainment ecosystem felt the tremors. Visual effects (VFX) companies and prop-making studios, for instance, found their operations disrupted as a result of the strike.</p>

<h2><strong>High-profile interventions</strong></h2>

<p>The gravity of the situation prompted high-profile interventions. Mayor of Los Angeles Karen Bass and Governor of California Gavin Newsom offered their services as mediators to help bring an end to the strikes.</p>

<p>While these offers demonstrated the seriousness of the situation, a breakthrough seemed elusive for months.</p>

<p>Also Read |&nbsp;<strong><a href="https://www.wionews.com/entertainment/hollywood/news-explained--hollywood-strike---what-the-writers-want-588409">Explained | Hollywood strike - What the writers want</a></strong></p>

<h2>Negotiations and tentative resolution</h2>

<p>Fast forward to September 20-24, when a series of promising negotiations took place between the WGA and four prominent studio CEOs, including Bob Iger (Disney), David Zaslav (Warner Bros Discovery), Ted Sarandos (Netflix), and Donna Langley (Universal Pictures).</p>

<p>These discussions ultimately led to a tentative agreement that was announced on September 24. This development holds the promise of ending the protracted strike, though its full impact is yet to be felt.</p>

<h2><strong>A closer look at key issues</strong></h2>

<p>Central to the writers' strike was the matter of residuals from streaming media. The WGA argued that the AMPTP's share of these residuals significantly reduced writers' incomes compared to a decade ago.</p>

<p>The contentious issue of AI's role in content creation also loomed large. Writers sought to ensure that AI remained a tool to assist with research or spark script ideas, rather than a replacement for human creatives.</p>

<h2><strong>The crucial Minimum Basic Agreement (MBA)</strong></h2>

<p>The Minimum Basic Agreement (MBA) played a pivotal role in the strike. The 2020 MBA covered most of the work done by WGA writers and established a minimum wage for television and film writers.</p>

<p>However, it didn't apply to streaming television, creating disparities in pay between writers working on broadcast television shows and those on streaming platforms. These discrepancies fueled the discontent that eventually led to the strike.</p>

<div class="videoWrapper trancodeVideo"><iframe allowfullscreen="" autoplay="1" class="includeVideo" frameborder="0" height="350" src="https://www.wionews.com/videos/economic-impact-of-the-hollywood-writers-strike-610338/embed" style="width:100%;max-width:560px;" width="560"></iframe></div>

<h2><strong>Negotiating for better conditions</strong></h2>

<p>The WGA was determined to improve conditions for its members. Proposals aimed to establish requirements for "mandatory staffing" and "duration of employment," ensuring that shows would have a minimum number of writers for a specified time, "whether needed or not," according to the AMPTP.</p>

<p>Another critical proposal was to secure individual pension and health care funds for each member of a writing team, a demand rejected by the AMPTP.</p>

<h2><strong>A series of strike activity</strong></h2>

<p>The strike was punctuated by various activities and developments. On April 18, 2023, 97.85 per cent of WGA members voted to strike if a satisfactory agreement wasn't reached by May 1.</p>

<p>Picketing took place at numerous studios, with some prominent figures, including JJ Abrams, Greg Berlanti, and Shonda Rhimes, pledging substantial amounts to the Entertainment Community Fund to aid writers facing financial hardship.</p>

<h2><strong>The path to resolution</strong></h2>

<p>Negotiations between the WGA and AMPTP fluctuated in tone and progress throughout the strike. Meetings, cancellations, and conflicting statements from both parties added layers of complexity.</p>

<p>As September rolled around, the critical meetings between the WGA and studio CEOs resulted in a tentative agreement, potentially signaling the end of this prolonged labor dispute.</p>

<h2><strong>Potential fallout and future uncertainty</strong></h2>

<p>While the tentative agreement offers hope for an end to the strike, its full impact remains uncertain. Questions linger about how quickly the industry can rebound from the disruption, especially with the parallel SAG-AFTRA strike still ongoing.</p>

<p>Solidarity between the two unions may further delay the return to normalcy, as many writers might choose to stay off work until the actors' strike is also resolved.</p>

<h2><strong>Looking ahead</strong></h2>

<p>As the Hollywood writers' strike inches toward resolution, the entertainment industry braces itself for the aftermath. The contours of the new deal, its impact on writers' livelihoods, and the eventual end of the parallel actors' strike will all play pivotal roles in shaping the future of Hollywood.</p>

<p><strong>WATCH WION LIVE HERE</strong></p>

<p><iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="350" loading="”lazy”" src="https://www.wionews.com/live-tv/embed?autoplay=1&amp;mute=1" width="100%"></iframe></p>

<p>You can <strong>now write for wionews.com</strong> and be a part of the community. Share your stories and opinions with us <strong><a href="https://www.wionews.com/content-contribution-registration-form">here</a>.</strong></p>


Hollywood, the global epicentre of entertainment, has finally broken free from the shackles of an unprecedented 146-day-long strike that has sent shockwaves through the industry.

Hollywood, the global epicentre of entertainment, has finally broken free from the shackles of an unprecedented 146-day-long strike that has sent shockwaves through the industry. This prolonged standoff, which began on May 2, 2023, pitted the Writers Guild of America (WGA) against the Alliance of Motion Picture and Television Producers (AMPTP), and has had far-reaching implications on the world of television and film. With the tentative deal now on the table, it is time to dissect the intricacies of the strike, the key players, and the potential ramifications of its conclusion. The writers' strike decoded As the clock struck midnight on May 2, 2023, the Writers Guild of America (WGA) took to the picket lines, embarking on a labour strike that will go down in history as one of the longest and most impactful to hit Hollywood in decades. Representing 11,500 screenwriters, the WGA's decision to strike was a culmination of simmering tensions with the Alliance of Motion Picture and Television Producers (AMPTP), which represents the major film and television studios in Hollywood. Also Read | Hollywood writers and studios reach tentative deal to end months-long strike Parallel strikes and broader discontent Notably, this strike was followed by a strike by 160,000 members of the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA), a powerful confluence of labour disputes rattling the entertainment industry. The demands of both unions centred around similar issues like inadequate pay. Also in the mix was the use of artificial intelligence (AI) in the creative process, a hot-button issue in a rapidly evolving media landscape. Fallout and economic ripples The writers' strike had a domino effect, causing ripples far beyond the studio lots and writers' rooms. Studios were forced to halt productions or trim their staff, with some even resorting to closing doors temporarily. Long-term contracts forged during the streaming boom were suddenly at risk. Studios could utilise "force majeure" clauses to terminate production deals with writers after 90 days, potentially saving millions of dollars. Even peripheral sectors of the entertainment ecosystem felt the tremors. Visual effects (VFX) companies and prop-making studios, for instance, found their operations disrupted as a result of the strike. High-profile interventions The gravity of the situation prompted high-profile interventions. Mayor of Los Angeles Karen Bass and Governor of California Gavin Newsom offered their services as mediators to help bring an end to the strikes. While these offers demonstrated the seriousness of the situation, a breakthrough seemed elusive for months. Also Read | Explained | Hollywood strike - What the writers want Negotiations and tentative resolution Fast forward to September 20-24, when a series of promising negotiations took place between the WGA and four prominent studio CEOs, including Bob Iger (Disney), David Zaslav (Warner Bros Discovery), Ted Sarandos (Netflix), and Donna Langley (Universal Pictures). These discussions ultimately led to a tentative agreement that was announced on September 24. This development holds the promise of ending the protracted strike, though its full impact is yet to be felt. A closer look at key issues Central to the writers' strike was the matter of residuals from streaming media. The WGA argued that the AMPTP's share of these residuals significantly reduced writers' incomes compared to a decade ago. The contentious issue of AI's role in content creation also loomed large. Writers sought to ensure that AI remained a tool to assist with research or spark script ideas, rather than a replacement for human creatives. The crucial Minimum Basic Agreement (MBA) The Minimum Basic Agreement (MBA) played a pivotal role in the strike. The 2020 MBA covered most of the work done by WGA writers and established a minimum wage for television and film writers. However, it didn't apply to streaming television, creating disparities in pay between writers working on broadcast television shows and those on streaming platforms. These discrepancies fueled the discontent that eventually led to the strike. Negotiating for better conditions The WGA was determined to improve conditions for its members. Proposals aimed to establish requirements for "mandatory staffing" and "duration of employment," ensuring that shows would have a minimum number of writers for a specified time, "whether needed or not," according to the AMPTP. Another critical proposal was to secure individual pension and health care funds for each member of a writing team, a demand rejected by the AMPTP. A series of strike activity The strike was punctuated by various activities and developments. On April 18, 2023, 97.85 per cent of WGA members voted to strike if a satisfactory agreement wasn't reached by May 1. Picketing took place at numerous studios, with some prominent figures, including JJ Abrams, Greg Berlanti, and Shonda Rhimes, pledging substantial amounts to the Entertainment Community Fund to aid writers facing financial hardship. The path to resolution Negotiations between the WGA and AMPTP fluctuated in tone and progress throughout the strike. Meetings, cancellations, and conflicting statements from both parties added layers of complexity. As September rolled around, the critical meetings between the WGA and studio CEOs resulted in a tentative agreement, potentially signaling the end of this prolonged labor dispute. Potential fallout and future uncertainty While the tentative agreement offers hope for an end to the strike, its full impact remains uncertain. Questions linger about how quickly the industry can rebound from the disruption, especially with the parallel SAG-AFTRA strike still ongoing. Solidarity between the two unions may further delay the return to normalcy, as many writers might choose to stay off work until the actors' strike is also resolved. Looking ahead As the Hollywood writers' strike inches toward resolution, the entertainment industry braces itself for the aftermath. The contours of the new deal, its impact on writers' livelihoods, and the eventual end of the parallel actors' strike will all play pivotal roles in shaping the future of Hollywood. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Explained | Hollywood writers' strike nears its end: What happens now?

<p>Today, as we commemorate the 100th anniversary of legendary Dev Anand's birth, we find ourselves transported back in time to an era when Indian cinema was graced by an actor whose charisma and talent were as timeless as the films he graced. Among the many jewels in his cinematic crown, one gem that continues to sparkle with unparalleled brilliance is his role as Raju in the iconic masterpiece, <em>Guide</em>. In this retrospective, we embark on a journey through Dev Anand's performance in Guide, unravelling the layers of his character and the enduring impact of his portrayal.</p>

<p>Released in 1965, <em>Guide</em>, directed by Vijay Anand and based on RK Narayan's novel of the same name, marked a significant turning point in Dev Anand's career. It showcased his versatility as an actor and his ability to breathe life into complex characters. In the film, he played the role of Raju, a tourist guide who undergoes a profound transformation from a charming rogue to a spiritual leader.</p>

<p>Also Read |&nbsp;<strong><a href="https://www.wionews.com/entertainment/bollywood/news-dev-anand-and-guru-dutt-the-friendship-that-begun-due-to-swapping-of-shirts-639700">Dev Anand and Guru Dutt: The friendship that began due to swapping of shirts</a></strong></p>

<p>One of the standout aspects of Dev Anand's performance in <em>Guide </em>was his impeccable portrayal of Raju's evolution as a character. He convincingly depicted the character's journey from a carefree and opportunistic young man to a deeply spiritual and selfless individual. The transformation was not merely physical but emotional and spiritual, and Dev Anand conveyed this transition with subtlety and finesse.</p>

<p>Dev Anand's expressive eyes and body language played a pivotal role in conveying Raju's inner turmoil and growth. As Raju's beliefs and priorities shifted, so did his demeanour and expressions. Anand's ability to convey these changes with authenticity made Raju's character relatable and believable, drawing the audience into his emotional journey.</p>

<p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/59vJBBB9qc8?si=uRVONlTTUWtOnaLK" title="YouTube video player" width="560"></iframe></p>

<p>Furthermore, Dev Anand's chemistry with his co-star, Waheeda Rehman, who played Rosie, was and remains electrifying. Their on-screen pairing is often considered one of the most iconic in Hindi cinema history. The emotional depth and the palpable connection between the characters added layers of complexity to the film. Dev Anand's portrayal of the complex dynamics of love, jealousy, and sacrifice was both heart-wrenching and heartwarming.</p>

<p>Dev Anand's performance in <em>Guide </em>also showcased his impeccable dialogue delivery. The film's screenplay, drawing from some high-quality source material, was rich in philosophical and introspective dialogues, and Anand delivered them with a sense of conviction and depth. His ability to articulate the complexities of life and spirituality through dialogue added depth to his character and made the film a thought-provoking cinematic experience.</p>

<div class="videoWrapper trancodeVideo"><iframe allowfullscreen="" autoplay="1" class="includeVideo" frameborder="0" height="350" src="https://www.wionews.com/videos/100-years-of-dev-anand-here-are-the-leading-ladies-of-bollywood-who-debuted-with-the-icon-639543/embed" style="width:100%;max-width:560px;" width="560"></iframe></div>

<p><em>Guide </em>was also notable for its music, composed by the legendary SD Burman, with lyrics penned by Shailendra. Dev Anand's on-screen charisma was perfectly complemented by the soulful and melodious songs, which are still cherished by audiences today. His lip-syncing and choreography in songs like "Tere Mere Sapne" and "Gaata Rahe Mera Dil" were a testament to his versatility as an actor.</p>

<p><em>Guide </em>was a film ahead of its time, exploring themes of spirituality, societal norms, and individual liberation. The film challenged conventions and pushed the boundaries of storytelling in Indian cinema. Dev Anand's portrayal of Raju was at the heart of its success.</p>

<p>The performance is forever etched in the annals of Bollywood as a masterclass in acting and storytelling, a performance that transcends time and generations. Happy 100th birthday, Dev Anand, and Thank You for everything.</p>

<p><strong>WATCH WION LIVE HERE</strong></p>

<p><iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="350" loading="”lazy”" src="https://www.wionews.com/live-tv/embed?autoplay=1&amp;mute=1" width="100%"></iframe></p>

<p>You can <strong>now write for wionews.com</strong> and be a part of the community. Share your stories and opinions with us <strong><a href="https://www.wionews.com/content-contribution-registration-form">here</a>.</strong></p>


Today, as we commemorate the 100th anniversary of legendary Dev Anand's birth, we find ourselves transported back in time to an era when Indian cinema was graced by an actor whose charisma and talent were as timeless as the films he graced.

Today, as we commemorate the 100th anniversary of legendary Dev Anand's birth, we find ourselves transported back in time to an era when Indian cinema was graced by an actor whose charisma and talent were as timeless as the films he graced. Among the many jewels in his cinematic crown, one gem that continues to sparkle with unparalleled brilliance is his role as Raju in the iconic masterpiece, Guide. In this retrospective, we embark on a journey through Dev Anand's performance in Guide, unravelling the layers of his character and the enduring impact of his portrayal. Released in 1965, Guide, directed by Vijay Anand and based on RK Narayan's novel of the same name, marked a significant turning point in Dev Anand's career. It showcased his versatility as an actor and his ability to breathe life into complex characters. In the film, he played the role of Raju, a tourist guide who undergoes a profound transformation from a charming rogue to a spiritual leader. Also Read | Dev Anand and Guru Dutt: The friendship that began due to swapping of shirts One of the standout aspects of Dev Anand's performance in Guide was his impeccable portrayal of Raju's evolution as a character. He convincingly depicted the character's journey from a carefree and opportunistic young man to a deeply spiritual and selfless individual. The transformation was not merely physical but emotional and spiritual, and Dev Anand conveyed this transition with subtlety and finesse. Dev Anand's expressive eyes and body language played a pivotal role in conveying Raju's inner turmoil and growth. As Raju's beliefs and priorities shifted, so did his demeanour and expressions. Anand's ability to convey these changes with authenticity made Raju's character relatable and believable, drawing the audience into his emotional journey. Furthermore, Dev Anand's chemistry with his co-star, Waheeda Rehman, who played Rosie, was and remains electrifying. Their on-screen pairing is often considered one of the most iconic in Hindi cinema history. The emotional depth and the palpable connection between the characters added layers of complexity to the film. Dev Anand's portrayal of the complex dynamics of love, jealousy, and sacrifice was both heart-wrenching and heartwarming. Dev Anand's performance in Guide also showcased his impeccable dialogue delivery. The film's screenplay, drawing from some high-quality source material, was rich in philosophical and introspective dialogues, and Anand delivered them with a sense of conviction and depth. His ability to articulate the complexities of life and spirituality through dialogue added depth to his character and made the film a thought-provoking cinematic experience. Guide was also notable for its music, composed by the legendary SD Burman, with lyrics penned by Shailendra. Dev Anand's on-screen charisma was perfectly complemented by the soulful and melodious songs, which are still cherished by audiences today. His lip-syncing and choreography in songs like "Tere Mere Sapne" and "Gaata Rahe Mera Dil" were a testament to his versatility as an actor. Guide was a film ahead of its time, exploring themes of spirituality, societal norms, and individual liberation. The film challenged conventions and pushed the boundaries of storytelling in Indian cinema. Dev Anand's portrayal of Raju was at the heart of its success. The performance is forever etched in the annals of Bollywood as a masterclass in acting and storytelling, a performance that transcends time and generations. Happy 100th birthday, Dev Anand, and Thank You for everything. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Dev Anand in Guide: A performance for the ages

<p>When we talk of American music, few artists have wielded an influence as profound and enduring as Bruce Springsteen. Often hailed as 'The Boss',&nbsp;Springsteen has not only proven himself as an extraordinary songwriter and performer but has also carved a unique space within the cultural fabric, shaping the artistic endeavours of countless musicians and artists. On his 74th birthday, let's take a look at his illustrious career:</p>

<h2><strong>A journey of evolution</strong></h2>

<p>Springsteen's odyssey through American music commenced in the early 1970s when he emerged onto the scene with his E Street Band. His early albums such as "Greetings from Asbury Park, N.J." and "Born to Run" showcased a distinctive blend of rock, folk, and soul, capturing the imagination of audiences nationwide. His profound lyrics and anthemic sound encapsulated the essence of blue-collar America, and his live performances became legendary for their vigor and connection with fans.</p>

<div class="videoWrapper trancodeVideo"><iframe allowfullscreen="" autoplay="1" class="includeVideo" frameborder="0" height="350" src="https://www.wionews.com/videos/joe-biden-honors-bruce-springsteen-mindy-kaling-gladys-knight-with-national-medal-of-arts-574765/embed" style="width:100%;max-width:560px;" width="560"></iframe></div>

<h2>A mirror to the American soul</h2>

<p>Springsteen's musical repertoire has always been a reflection of the American experience. His songs spin yarns of small-town dreams and battles, of factory floors and city streets, of endless highways and the allure of a brighter tomorrow. His knack for crafting tales that mirror the aspirations and tribulations of everyday folks has cast him as the bard of the working class and a symbol of American tenacity.</p>

<p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/B-c6GphpAeY?si=uPI_Lknh0vJ7TDRc" title="YouTube video player" width="560"></iframe></p>

<h2>A chameleon in the music world</h2>

<p>One of Springsteen's most notable traits is his propensity for evolution and adaptation throughout his career. From the arena rock of "Born to Run" to the introspective folk of "Nebraska" and the social commentary of "The Ghost of Tom Joad," he has consistently pushed the boundaries of his own artistry. This willingness to explore new horizons has not only kept his music fresh but has also paved the way for newer generations of musicians.</p>

<h2>A lasting legacy</h2>

<p>As we contemplate Springsteen's everlasting legacy, it's crystal clear that his impact transcends the confines of music. His dedication to social justice and the human spirit, along with his ability to unite people through his music, have etched him as a cultural luminary. Springsteen's philanthropic pursuits, from supporting veterans to combating hunger, underscore his belief in harmonising his platform for the greater good.</p>

<p><strong>WATCH WION LIVE HERE</strong></p>

<p><iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="350" loading="”lazy”" src="https://www.wionews.com/live-tv/embed?autoplay=1&amp;mute=1" width="100%"></iframe></p>

<p>You can <strong>now write for wionews.com</strong> and be a part of the community. Share your stories and opinions with us <strong><a href="https://www.wionews.com/content-contribution-registration-form">here</a>.</strong></p>


When we talk of American music, few artists have wielded an influence as profound and enduring as Bruce Springsteen. Often hailed as 'The Boss', Springsteen has not only proven himself as an extraordinary songwriter and performer but has also carved a unique space within the cultural fabric, shaping the artistic endeavours of countless musicians and artists.

When we talk of American music, few artists have wielded an influence as profound and enduring as Bruce Springsteen. Often hailed as 'The Boss', Springsteen has not only proven himself as an extraordinary songwriter and performer but has also carved a unique space within the cultural fabric, shaping the artistic endeavours of countless musicians and artists. On his 74th birthday, let's take a look at his illustrious career: A journey of evolution Springsteen's odyssey through American music commenced in the early 1970s when he emerged onto the scene with his E Street Band. His early albums such as "Greetings from Asbury Park, N.J." and "Born to Run" showcased a distinctive blend of rock, folk, and soul, capturing the imagination of audiences nationwide. His profound lyrics and anthemic sound encapsulated the essence of blue-collar America, and his live performances became legendary for their vigor and connection with fans. A mirror to the American soul Springsteen's musical repertoire has always been a reflection of the American experience. His songs spin yarns of small-town dreams and battles, of factory floors and city streets, of endless highways and the allure of a brighter tomorrow. His knack for crafting tales that mirror the aspirations and tribulations of everyday folks has cast him as the bard of the working class and a symbol of American tenacity. A chameleon in the music world One of Springsteen's most notable traits is his propensity for evolution and adaptation throughout his career. From the arena rock of "Born to Run" to the introspective folk of "Nebraska" and the social commentary of "The Ghost of Tom Joad," he has consistently pushed the boundaries of his own artistry. This willingness to explore new horizons has not only kept his music fresh but has also paved the way for newer generations of musicians. A lasting legacy As we contemplate Springsteen's everlasting legacy, it's crystal clear that his impact transcends the confines of music. His dedication to social justice and the human spirit, along with his ability to unite people through his music, have etched him as a cultural luminary. Springsteen's philanthropic pursuits, from supporting veterans to combating hunger, underscore his belief in harmonising his platform for the greater good. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

‘The Boss’ of American music: Bruce Springsteen’s enduring legacy

<p>Indian filmmaker Jayant Digambar Somalkar's debut Marathi feature film, <em>Sthal </em>(<em>A Match</em>), had its world premiere at the 48th Toronto International Film Festival earlier this month. It went on to win the prestigious NETPAC (Network for the Promotion of Asian Cinema) award. This movie, representing the sole Indian entry in the Discovery Programme, delves into the customs of arranged marriages in rural India, addressing profound topics such as patriarchy, colourism, and societal constraints.</p>

<p>Set in Jayant's native village, Dongargaon, in the Chandrapur District of Maharashtra, <em>Sthal </em>features an ensemble cast of first-time actors from the village, led by Nandini Chikte as Savita, the film's protagonist.</p>

<p>During a special conversation with WION, Jayant Digambar Somalkar discusses his transition from an engineering graduate to a filmmaker, the selection of arranged marriages as the film's theme, the decision to cast non-actors in crucial roles, and his expectations regarding the film's impact on audiences.</p>

<p><img alt="sthal" data-entity-type="file" data-entity-uuid="5fe4cb65-76f8-43b8-acc9-246142f6df3c" src="//cdn.wionews.com/sites/default/files/inline-images/sthal%20%281%29.png" /></p>

<h2><strong>Edited excerpts:</strong></h2>

<h2><strong>You have an engineering background and yet you pursued filmmaking. Can you describe your journey?</strong></h2>

<p>Many can relate to my story (laughs). I come from a middle-class family in Maharashtra's Chandrapur district, where the common career choices are engineering or medicine. Although I excelled in my studies, I always had a creative side, enjoying activities like drawing and writing poems. During college, I got involved in cultural programmes, but I was still pursuing engineering. After completing my degree, I mustered the courage to discuss my desire for a different path with my family, which resulted in protests and arguments. I didn't have a clear plan, but I was determined to follow my own path. Through a series of random opportunities and a stint as an assistant director in advertising, I eventually found my way into the creative industry. Watching stand-up comedy sparked the idea that I could write jokes too, leading me to work with Sony TV on Comedy Circus. From there, one thing led to another, and I became a filmmaker. My filmmaking education mainly came from watching great cinema at film festivals. Today, with the internet, access to knowledge is easier, and I finally realised that filmmaking was my true calling.</p>

<p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/3qQADbYafM0?si=1F_qqRwEqiUT1RDf" title="YouTube video player" width="560"></iframe></p>

<h2><strong>I understand the mindset of parents when it comes to arranging marriages for their daughters. To them, it often feels like they are relieving themselves of a responsibility. You delve into that in <em>Sthal</em>. What motivated you to make this film, especially as a debut project?&nbsp;</strong></h2>

<p>Actually, &nbsp;I've witnessed it firsthand. I come from a family of four siblings—two brothers and two sisters. Both my sisters had arranged marriages, and as the youngest, I observed how people perceived them in our own household. I saw the kind of questions and judgments they faced. Although I was young at the time, these experiences left a lasting impression on me. You know how certain visuals and memories stick with you.</p>

<p>Later, I had an eye-opening experience when I went to meet a potential match for my cousin. It was the first time I truly focused on what might be going on in the young woman's mind as she was scrutinised by a group of ten people. This moment prompted me to return to Mumbai and craft a story. That was four years ago. However, my involvement in the web series <em>Guilty Minds</em> kept me occupied. Nevertheless, this personal connection and observation served as the catalyst for my film. <em>Sthal </em>is a slice-of-life story that presents the perspective of a girl in an arranged marriage, and it's deeply inspired by these experiences.</p>

<h2><strong>What led you to the decision to cast non-actors in <em>Sthal</em>, and what intrigued you about this approach?</strong></h2>

<p>My main goal was to infuse the film with authenticity. I chose to set the story in a village near Chandrapur, my hometown, where the Marathi dialect, known as Varhadi, is distinct from the Marathi spoken in cities like Mumbai and Pune. This dialect comes naturally to the local people. While trained actors can adapt, their pronunciation might not feel as genuine.</p>

<p>I considered using well-known actors, but I decided to cast locals from my village. I conducted auditions at my college and found the main protagonist there. Everyone else, including the mother, father, and other characters, were from the same village. The advantage was that they didn't need to act; they already lived the lives of those characters. For instance, the people playing farmers were real farmers, and the same applied to the housewife. They were intimately familiar with the language and lifestyle of the roles they portrayed.</p>

<p><img alt="sthal" data-entity-type="file" data-entity-uuid="54923755-d83d-4e90-8ee4-6e68d2f2c2a6" src="//cdn.wionews.com/sites/default/files/inline-images/sthal_0.png" /></p>

<h2><strong>Were there any challenges?</strong></h2>

<p>There were many challenges because these actors had never been in front of a camera before. They hadn't even dreamed of working in a film. Initially, they were excited about being on camera, as most people are in theory. However, when we provided them with scripts and started preparations, they became nervous and often forgot their lines. The actress playing the protagonist was exceptional from the beginning, but with the others, I had to put in a lot of effort. Despite these challenges, I'm extremely pleased with the outcome. You wouldn't even notice that these individuals are non-actors.</p>

<p>The lady portraying the protagonist's mother initially thought her role would take just a couple of hours. When she and the others had to spend 10 to 12 hours on set, she expressed disbelief, asking if it was over after every shot. I told her to think of it as labour pains — painful at the moment, but the end result would make it all worthwhile.</p>

<h2><strong>Films have often been seen by many as harbingers of social change. Did you make the film thinking that it would start some sort of conversation about arranged marriages?</strong></h2>

<p>See, change does not come that quickly. But if your movie or your book makes some people think about the issue at its centre, I think you have done your job. If 10 per cent people who watch <em>Sthal </em>think deeply about the unjust tradition of arranged marriage... I'll be happy You know how they say marriages are made in heaven? When it comes to arranged marriages, women and her family have to go through hell. Not every arranged marriage is like that obviously. I have tried to make my film as non-preachy as possible, but I do want my audience to think about what they saw. Girls deserve to choose their life partner without any familial pressure. It should not be like, 'Oh she's old enough, let's marry her off'. So that's what I want: to kick off a debate over patriatchy.</p>

<h2><strong>With the international exposure your film is getting, do you think&nbsp;overseas audiences will be able to relate to <em>Sthal</em>'s story?&nbsp;</strong></h2>

<p>Yes, absolutely. I firmly believe that most stories have a universal quality to them. While <em>Sthal </em>is set in a small village in Maharashtra, the themes of patriarchy and the oppression of women are global issues. In one way or another, these challenges exist nearly everywhere, albeit with varying degrees of intensity. Therefore, I think that anyone, regardless of their background, can relate to the story and its characters.</p>

<p><strong>WATCH WION LIVE HERE</strong></p>

<p><iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="350" loading="”lazy”" src="https://www.wionews.com/live-tv/embed?autoplay=1&amp;mute=1" width="100%"></iframe></p>

<p>You can <strong>now write for wionews.com</strong> and be a part of the community. Share your stories and opinions with us <strong><a href="https://www.wionews.com/content-contribution-registration-form">here</a>.</strong></p>


Indian filmmaker Jayant Digambar Somalkar's debut Marathi feature film, Sthal (A Match), had its world premiere at the 48th Toronto International Film Festival earlier this month.

Indian filmmaker Jayant Digambar Somalkar's debut Marathi feature film, Sthal (A Match), had its world premiere at the 48th Toronto International Film Festival earlier this month. It went on to win the prestigious NETPAC (Network for the Promotion of Asian Cinema) award. This movie, representing the sole Indian entry in the Discovery Programme, delves into the customs of arranged marriages in rural India, addressing profound topics such as patriarchy, colourism, and societal constraints. Set in Jayant's native village, Dongargaon, in the Chandrapur District of Maharashtra, Sthal features an ensemble cast of first-time actors from the village, led by Nandini Chikte as Savita, the film's protagonist. During a special conversation with WION, Jayant Digambar Somalkar discusses his transition from an engineering graduate to a filmmaker, the selection of arranged marriages as the film's theme, the decision to cast non-actors in crucial roles, and his expectations regarding the film's impact on audiences. Edited excerpts: You have an engineering background and yet you pursued filmmaking. Can you describe your journey? Many can relate to my story (laughs). I come from a middle-class family in Maharashtra's Chandrapur district, where the common career choices are engineering or medicine. Although I excelled in my studies, I always had a creative side, enjoying activities like drawing and writing poems. During college, I got involved in cultural programmes, but I was still pursuing engineering. After completing my degree, I mustered the courage to discuss my desire for a different path with my family, which resulted in protests and arguments. I didn't have a clear plan, but I was determined to follow my own path. Through a series of random opportunities and a stint as an assistant director in advertising, I eventually found my way into the creative industry. Watching stand-up comedy sparked the idea that I could write jokes too, leading me to work with Sony TV on Comedy Circus. From there, one thing led to another, and I became a filmmaker. My filmmaking education mainly came from watching great cinema at film festivals. Today, with the internet, access to knowledge is easier, and I finally realised that filmmaking was my true calling. I understand the mindset of parents when it comes to arranging marriages for their daughters. To them, it often feels like they are relieving themselves of a responsibility. You delve into that in Sthal. What motivated you to make this film, especially as a debut project? Actually, I've witnessed it firsthand. I come from a family of four siblings—two brothers and two sisters. Both my sisters had arranged marriages, and as the youngest, I observed how people perceived them in our own household. I saw the kind of questions and judgments they faced. Although I was young at the time, these experiences left a lasting impression on me. You know how certain visuals and memories stick with you. Later, I had an eye-opening experience when I went to meet a potential match for my cousin. It was the first time I truly focused on what might be going on in the young woman's mind as she was scrutinised by a group of ten people. This moment prompted me to return to Mumbai and craft a story. That was four years ago. However, my involvement in the web series Guilty Minds kept me occupied. Nevertheless, this personal connection and observation served as the catalyst for my film. Sthal is a slice-of-life story that presents the perspective of a girl in an arranged marriage, and it's deeply inspired by these experiences. What led you to the decision to cast non-actors in Sthal, and what intrigued you about this approach? My main goal was to infuse the film with authenticity. I chose to set the story in a village near Chandrapur, my hometown, where the Marathi dialect, known as Varhadi, is distinct from the Marathi spoken in cities like Mumbai and Pune. This dialect comes naturally to the local people. While trained actors can adapt, their pronunciation might not feel as genuine. I considered using well-known actors, but I decided to cast locals from my village. I conducted auditions at my college and found the main protagonist there. Everyone else, including the mother, father, and other characters, were from the same village. The advantage was that they didn't need to act; they already lived the lives of those characters. For instance, the people playing farmers were real farmers, and the same applied to the housewife. They were intimately familiar with the language and lifestyle of the roles they portrayed. Were there any challenges? There were many challenges because these actors had never been in front of a camera before. They hadn't even dreamed of working in a film. Initially, they were excited about being on camera, as most people are in theory. However, when we provided them with scripts and started preparations, they became nervous and often forgot their lines. The actress playing the protagonist was exceptional from the beginning, but with the others, I had to put in a lot of effort. Despite these challenges, I'm extremely pleased with the outcome. You wouldn't even notice that these individuals are non-actors. The lady portraying the protagonist's mother initially thought her role would take just a couple of hours. When she and the others had to spend 10 to 12 hours on set, she expressed disbelief, asking if it was over after every shot. I told her to think of it as labour pains — painful at the moment, but the end result would make it all worthwhile. Films have often been seen by many as harbingers of social change. Did you make the film thinking that it would start some sort of conversation about arranged marriages? See, change does not come that quickly. But if your movie or your book makes some people think about the issue at its centre, I think you have done your job. If 10 per cent people who watch Sthal think deeply about the unjust tradition of arranged marriage... I'll be happy You know how they say marriages are made in heaven? When it comes to arranged marriages, women and her family have to go through hell. Not every arranged marriage is like that obviously. I have tried to make my film as non-preachy as possible, but I do want my audience to think about what they saw. Girls deserve to choose their life partner without any familial pressure. It should not be like, 'Oh she's old enough, let's marry her off'. So that's what I want: to kick off a debate over patriatchy. With the international exposure your film is getting, do you think overseas audiences will be able to relate to Sthal's story? Yes, absolutely. I firmly believe that most stories have a universal quality to them. While Sthal is set in a small village in Maharashtra, the themes of patriarchy and the oppression of women are global issues. In one way or another, these challenges exist nearly everywhere, albeit with varying degrees of intensity. Therefore, I think that anyone, regardless of their background, can relate to the story and its characters. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Interview | Sthal director Jayant Digambar Somalkar: Wanted to kick off a debate on patriarchy

Author

Zee News Rajasthan

Editor

Kshitij Mohan Rawat

Home

Live Tv

Latest

World

India

Business

Entertainment

Sports

Opinions

Videos

Photos

Gravitas

Lifestyle

Science

Tech

Rajasthan News in Hindi: In-depth coverage of Rajasthan Crime, Political News, Education, Rajasthan Weather Update and Latest Rajasthan News on Zee News Rajasthan.