2023's top 10 horror movies so far: Talk to Me, Influencer, Skinamarink, and more

This is first in a series of articles that I call #EssentialScorseseFilms. It is a celebration of the iconic director's cinematic legacy before Killers of the Flower Moon. While Martin Scorsese's prolific career has spanned decades and produced a plethora of remarkable films, I recognise that it is impossible to cover them all within the confines of this series. Therefore, I have chosen to focus on his major works that have, I believe, have come to embody the essence of Scorsese's unparalleled artistry.&nbsp;

Also Read |&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-explained--osage-indian-murders-that-inspired-martin-scorseses-killers-of-the-flower-moon-592892">Explained | Osage Indian Murders that inspired Martin Scorsese's Killers of the Flower Moon</a>

In just a matter of weeks, the cinematic world will once again bear witness to the genius of Martin Scorsese, as his highly anticipated film Killers of the Flower Moon blooms onto screens across the globe. As we eagerly await the arrival of the movie, let us explore his directorial debut, Who's That Knocking at My Door.

In the dimly lit streets of New York City, amidst the clamor of the 1960s, a young Martin Scorsese embarked on a journey that would forever alter the landscape of American cinema. With Who's That Knocking at My Door, this aspiring filmmaker unveiled his&nbsp;deeply personal directorial debut, a poignant exploration of love, guilt, and the human condition.

<iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/jY5M4-tWFt0?si=oHC1b4x7wWX2EV0X" title="YouTube video player" width="560"></iframe>

The film opens with the harsh, staccato sounds of a subway, setting the tone for the gritty, urban tale that follows. Scorsese, still in his infancy as a director, thrusts us into the world of J.R., a restless and morally conflicted young man, played with haunting authenticity by a then-unknown Harvey Keitel. J.R. navigates the cacophony of city life with a sense of disconnection, a stark reflection of Scorsese's own experiences growing up in the vibrant yet turbulent neighborhoods of Manhattan's Little Italy.

As the narrative unfolds, we are drawn into J.R.'s tormented psyche, a place where Catholic guilt and the allure of the streets converge. Scorsese's direction is both visceral and intimate, a testament to his unflinching commitment to storytelling. The camera, at times handheld and unsteady, seems to breathe alongside the characters, capturing the raw essence of their emotions. It is as if we are voyeurs to their innermost thoughts and desires.

Also Read |&nbsp;<a href="https://www.wionews.com/opinions-blogs/why-quentin-tarantino-martin-scorsese-et-al-are-right-about-marvel-movies-537156">Why Quentin Tarantino, Martin Scorsese, et al. are right about Marvel movies</a>

The film's central conflict arises when J.R. falls in love with a nameless girl (Zina Bethune), an ethereal presence who contrasts sharply with the harsh realities of his world. Their love affair becomes a symbol of purity amidst the chaos, a fleeting respite from the relentless pull of the streets. Scorsese explores the fragility of love, painting it as a sanctuary in a world where betrayal and brutality lurk around every corner.

Through the lens of Who's That Knocking at My Door, Scorsese examines the struggle between tradition and modernity, morality and temptation, innocence and corruption. He confronts his own Catholic upbringing head-on, examining the complexities of faith and guilt that have shaped his identity. The film's imagery, often suffused with religious iconography, reflects the inner turmoil of its characters, as they grapple with their sins and seek redemption.

Also Read |&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-martin-scorsese-calls-for-fight-back-against-comic-book-movie-culture-weve-got-to-save-cinema-639720">Martin Scorsese calls for 'fight back' against comic book movie culture: We've got to save cinema</a>

Scorsese's debut is a cinematic rite of passage, a work that captures the raw, unvarnished emotions of youth in turmoil. It's a testament to the power of a filmmaker's personal experiences transmuted into art, a harbinger of the brilliance that would define his illustrious career. Who's That Knocking at My Door stands as a timeless reminder that cinema has the capacity to reveal the depths of the human soul, and in Scorsese's hands, it becomes an evocative journey through the labyrinthine streets of passion and redemption.

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This is first in a series of articles that I call #EssentialScorseseFilms. It is a celebration of the iconic director's cinematic legacy before Killers of the Flower Moon.

This is first in a series of articles that I call #EssentialScorseseFilms. It is a celebration of the iconic director's cinematic legacy before Killers of the Flower Moon. While Martin Scorsese's prolific career has spanned decades and produced a plethora of remarkable films, I recognise that it is impossible to cover them all within the confines of this series. Therefore, I have chosen to focus on his major works that have, I believe, have come to embody the essence of Scorsese's unparalleled artistry. Also Read | Explained | Osage Indian Murders that inspired Martin Scorsese's Killers of the Flower Moon In just a matter of weeks, the cinematic world will once again bear witness to the genius of Martin Scorsese, as his highly anticipated film Killers of the Flower Moon blooms onto screens across the globe. As we eagerly await the arrival of the movie, let us explore his directorial debut, Who's That Knocking at My Door. In the dimly lit streets of New York City, amidst the clamor of the 1960s, a young Martin Scorsese embarked on a journey that would forever alter the landscape of American cinema. With Who's That Knocking at My Door, this aspiring filmmaker unveiled his deeply personal directorial debut, a poignant exploration of love, guilt, and the human condition. The film opens with the harsh, staccato sounds of a subway, setting the tone for the gritty, urban tale that follows. Scorsese, still in his infancy as a director, thrusts us into the world of J.R., a restless and morally conflicted young man, played with haunting authenticity by a then-unknown Harvey Keitel. J.R. navigates the cacophony of city life with a sense of disconnection, a stark reflection of Scorsese's own experiences growing up in the vibrant yet turbulent neighborhoods of Manhattan's Little Italy. As the narrative unfolds, we are drawn into J.R.'s tormented psyche, a place where Catholic guilt and the allure of the streets converge. Scorsese's direction is both visceral and intimate, a testament to his unflinching commitment to storytelling. The camera, at times handheld and unsteady, seems to breathe alongside the characters, capturing the raw essence of their emotions. It is as if we are voyeurs to their innermost thoughts and desires. Also Read | Why Quentin Tarantino, Martin Scorsese, et al. are right about Marvel movies The film's central conflict arises when J.R. falls in love with a nameless girl (Zina Bethune), an ethereal presence who contrasts sharply with the harsh realities of his world. Their love affair becomes a symbol of purity amidst the chaos, a fleeting respite from the relentless pull of the streets. Scorsese explores the fragility of love, painting it as a sanctuary in a world where betrayal and brutality lurk around every corner. Through the lens of Who's That Knocking at My Door, Scorsese examines the struggle between tradition and modernity, morality and temptation, innocence and corruption. He confronts his own Catholic upbringing head-on, examining the complexities of faith and guilt that have shaped his identity. The film's imagery, often suffused with religious iconography, reflects the inner turmoil of its characters, as they grapple with their sins and seek redemption. Also Read | Martin Scorsese calls for 'fight back' against comic book movie culture: We've got to save cinema Scorsese's debut is a cinematic rite of passage, a work that captures the raw, unvarnished emotions of youth in turmoil. It's a testament to the power of a filmmaker's personal experiences transmuted into art, a harbinger of the brilliance that would define his illustrious career. Who's That Knocking at My Door stands as a timeless reminder that cinema has the capacity to reveal the depths of the human soul, and in Scorsese's hands, it becomes an evocative journey through the labyrinthine streets of passion and redemption. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Who's That Knocking at My Door: Martin Scorsese's raw and personal directorial debut

Author's note: This is second in a series of articles that I call #EssentialScorseseFilms. It is a celebration of the iconic director's cinematic legacy before Killers of the Flower Moon. While Martin Scorsese's prolific career has spanned decades and produced a plethora of remarkable films, I recognise that it is impossible to cover them all within the confines of this series. Therefore, I have chosen to focus on his major works that have, I believe, have come to embody the essence of Scorsese's unparalleled artistry.&nbsp;

In the early 1970s, American cinema was undergoing a transformation. Traditional Hollywood aesthetics were being challenged, and a new wave of filmmakers was emerging, eager to explore uncharted territory. Among these auteurs, one name stood out — Martin Scorsese. It was during this era that Scorsese unleashed Mean Streets, a film that would not only define his career but also reshape the landscape of American cinema.

Also Read |&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-whos-that-knocking-at-my-door-martin-scorseses-raw-and-personal-directorial-debut-642399">Who's That Knocking at My Door: Martin Scorsese's raw and personal directorial debut</a>

Released in 1973, Mean Streets was an uncompromising look at life on the 'mean streets' of New York's Little Italy. It wasn't a typical gangster film, nor was it a straightforward narrative. Instead, it was a deeply personal and character-driven exploration of guilt, loyalty, and the moral dilemmas faced by its heroes.

The film centres around Charlie (played by Harvey Keitel), a small-time hood with aspirations of climbing the criminal ladder. His best friend, Johnny Boy (Robert De Niro in a breakout role), is a reckless, unpredictable troublemaker. The dynamics of their friendship and the chaos it brings to their lives serve as the core of the film.

<iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/g9xHpS10CZ0?si=XjjJ8IBOmulr2O_q" title="YouTube video player" width="560"></iframe>

What sets Mean Streets apart from conventional gangster films, particularly of that era, is its authenticity. Scorsese, who grew up in the same environment depicted in the movie, infused it with a palpable sense of place and an unfiltered portrayal of the Italian-American community. This authenticity extended to the characters and their moral struggles. Charlie grapples with his Catholic guilt, a theme Scorsese returns to again and again in his subsequent films, trying to balance his loyalty to Johnny Boy with his own desire for success and a normal life.

Also Read |&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-explained--osage-indian-murders-that-inspired-martin-scorseses-killers-of-the-flower-moon-592892">Explained | Osage Indian Murders that inspired Martin Scorsese's Killers of the Flower Moon</a>

Scorsese's use of music was revolutionary at the time, as he incorporated a soundtrack of rock 'n' roll classics that played not just as background noise but as an integral part of the storytelling. Songs by The Rolling Stones, The Ronettes, and others are carefully selected to underscore the characters' emotions and the film's themes.

Cinematography, led by Kent L Wakeford, is another vital component of the film's atmosphere. The use of handheld cameras and available light creates a documentary-like feel that immerses the audience in the world of its characters. The visuals capture the grit, chaos, and authenticity of the environment, making the audience feel as if they are right there on the mean streets of Little Italy.&nbsp;

Mean Streets also marked the beginning of Scorsese's collaboration with Robert De Niro, a partnership that would produce some of the most iconic films in cinema history. De Niro's portrayal of Johnny Boy is nothing short of outstanding. His unpredictable nature keeps both Charlie and the audience on edge throughout the film.

Mean Streets&nbsp;was a film that defied conventions and embraced the imperfections of its characters, paving the way for the auteur's future masterpieces like Taxi Driver, Raging Bull, and, of course, Goodfellas.

Also Read |&nbsp;<a href="https://www.wionews.com/opinions-blogs/why-quentin-tarantino-martin-scorsese-et-al-are-right-about-marvel-movies-537156">Why Quentin Tarantino, Martin Scorsese, et al. are right about Marvel movies</a>

As we look back on Mean Streets five decades after its release, it remains a testament to the power of storytelling, character-driven cinema, and the indomitable spirit of a young filmmaker who dared to defy the norms of his time — and who, of course, is the greatest living filmmaker right now. The film stands as a gritty, honest, and unflinching exploration of life on the margins, a milestone in American cinema, and a timeless masterpiece that continues to influence filmmakers and captivate audiences to this day.

WATCH WION LIVE HERE

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Author's note: This is second in a series of articles that I call #EssentialScorseseFilms. It is a celebration of the iconic director's cinematic legacy before Killers of the Flower Moon.

Author's note: This is second in a series of articles that I call #EssentialScorseseFilms. It is a celebration of the iconic director's cinematic legacy before Killers of the Flower Moon. While Martin Scorsese's prolific career has spanned decades and produced a plethora of remarkable films, I recognise that it is impossible to cover them all within the confines of this series. Therefore, I have chosen to focus on his major works that have, I believe, have come to embody the essence of Scorsese's unparalleled artistry. In the early 1970s, American cinema was undergoing a transformation. Traditional Hollywood aesthetics were being challenged, and a new wave of filmmakers was emerging, eager to explore uncharted territory. Among these auteurs, one name stood out — Martin Scorsese. It was during this era that Scorsese unleashed Mean Streets, a film that would not only define his career but also reshape the landscape of American cinema. Also Read | Who's That Knocking at My Door: Martin Scorsese's raw and personal directorial debut Released in 1973, Mean Streets was an uncompromising look at life on the 'mean streets' of New York's Little Italy. It wasn't a typical gangster film, nor was it a straightforward narrative. Instead, it was a deeply personal and character-driven exploration of guilt, loyalty, and the moral dilemmas faced by its heroes. The film centres around Charlie (played by Harvey Keitel), a small-time hood with aspirations of climbing the criminal ladder. His best friend, Johnny Boy (Robert De Niro in a breakout role), is a reckless, unpredictable troublemaker. The dynamics of their friendship and the chaos it brings to their lives serve as the core of the film. What sets Mean Streets apart from conventional gangster films, particularly of that era, is its authenticity. Scorsese, who grew up in the same environment depicted in the movie, infused it with a palpable sense of place and an unfiltered portrayal of the Italian-American community. This authenticity extended to the characters and their moral struggles. Charlie grapples with his Catholic guilt, a theme Scorsese returns to again and again in his subsequent films, trying to balance his loyalty to Johnny Boy with his own desire for success and a normal life. Also Read | Explained | Osage Indian Murders that inspired Martin Scorsese's Killers of the Flower Moon Scorsese's use of music was revolutionary at the time, as he incorporated a soundtrack of rock 'n' roll classics that played not just as background noise but as an integral part of the storytelling. Songs by The Rolling Stones, The Ronettes, and others are carefully selected to underscore the characters' emotions and the film's themes. Cinematography, led by Kent L Wakeford, is another vital component of the film's atmosphere. The use of handheld cameras and available light creates a documentary-like feel that immerses the audience in the world of its characters. The visuals capture the grit, chaos, and authenticity of the environment, making the audience feel as if they are right there on the mean streets of Little Italy. Mean Streets also marked the beginning of Scorsese's collaboration with Robert De Niro, a partnership that would produce some of the most iconic films in cinema history. De Niro's portrayal of Johnny Boy is nothing short of outstanding. His unpredictable nature keeps both Charlie and the audience on edge throughout the film. Mean Streets was a film that defied conventions and embraced the imperfections of its characters, paving the way for the auteur's future masterpieces like Taxi Driver, Raging Bull, and, of course, Goodfellas. Also Read | Why Quentin Tarantino, Martin Scorsese, et al. are right about Marvel movies As we look back on Mean Streets five decades after its release, it remains a testament to the power of storytelling, character-driven cinema, and the indomitable spirit of a young filmmaker who dared to defy the norms of his time — and who, of course, is the greatest living filmmaker right now. The film stands as a gritty, honest, and unflinching exploration of life on the margins, a milestone in American cinema, and a timeless masterpiece that continues to influence filmmakers and captivate audiences to this day. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Martin Scorsese's Mean Streets: Where mobsters meet mayhem

David Gordon Green's ill-fated attempt to rekindle the eerie brilliance of William Friedkin's 1973 masterpiece, The Exorcist, has culminated in a cinematic blunder of biblical proportions with The Exorcist: Believer. The audacity of this cinematic atrocity is enough to make your head spin — not in a possessed-by-demons way, but in a "What in the name of all that is holy were they thinking?" way. The film, which serves as a direct sequel to the original while ignoring previous instalments, is a lamentable stain on the venerable original film.

Also Read |&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-talk-to-me-review-a-psychological-horror-film-that-will-chill-you-to-the-bone-622402">Talk to Me review: A psychological horror film that will chill you to the bone</a>

At the forefront of this cinematic travesty is the regrettable decision to resurrect Ellen Burstyn, a luminary from the original film, only to squander her talents in a pitiful, undignified role. It is akin to casting a virtuoso violinist to play a kazoo. Burstyn's presence, rather than bolstering the narrative, serves as a grim reminder of how far this once-proud franchise has fallen.

<iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/sQPpOiTAZ14?si=wbl08otdg0RpPf-Q" title="YouTube video player" width="560"></iframe>

Believer introduces us to a new generation of possessed individuals, Angela and Katherine, doubling the trouble in a desperate attempt to compensate for a complete lack of originality. Green seems more interested in crafting an atmosphere of spiritual malaise than in delivering actual scares. The possession itself, the very essence of the original's terror, is treated as an afterthought, culminating in an exorcism scene so devoid of tension that you'd think they were performing a demonic dance-off.

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-insidious-the-red-door-review-patrick-wilsons-horror-film-fails-to-deliver-genuine-scares-612619">Insidious The Red Door&nbsp;review: Patrick Wilson's horror film fails to deliver genuine scares</a>

The film's grandiose ambition to explore a multicultural approach to exorcism is a promise left unfulfilled. It's as if they tossed various religious elements into a cauldron and hoped for something meaningful to emerge. Instead, we are served a lukewarm spiritual stew that does more to confuse than enlighten. It's like trying to serve a buffet of culinary delights but forgetting to add any actual flavour.

Narrative coherence is a foreign concept in Believer, as it meanders through scenes and subplots that seem thoroughly disconnected from each other. Ann Dowd and Jennifer Nettles are handed characters so poorly developed that they might as well have been cardboard cutouts. While Leslie Odom Jr delivers a commendable performance, his efforts are in vain within the context of this cinematic debacle.&nbsp;

Also Read:<a href="https://www.wionews.com/photos/top-10-greatest-horror-movies-of-all-time-529631">&nbsp;Top 10 greatest horror movies of all time</a>

Believer not only ruins the memory of the original — it vomits pea soup all over it. This cinematic abomination is an affront to horror fans, a blasphemous betrayal of a genre-defining classic, and a vivid reminder that some legacies should be left undisturbed. If you're a fan of the original Exorcist, avoid this cinematic sacrilege at all costs. Your sanity and reverence for horror cinema will thank you.

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-meg-2-review-jason-stathams-giant-shark-movie-is-glorious-b-movie-fun-622217">Meg 2&nbsp;review: Jason Statham's giant shark movie is glorious B-movie fun</a>

For aficionados of the original Exorcist seeking to rekindle its chilling splendour, this cinematic misadventure is best relegated to the annals of regrettable cinema. Believer is an attempt to resurrect the past that only serves to deteriorate it further.

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David Gordon Green's ill-fated attempt to rekindle the eerie brilliance of William Friedkin's 1973 masterpiece, The Exorcist, has culminated in a cinematic blunder of biblical proportions with The Exorcist: Believer.

David Gordon Green's ill-fated attempt to rekindle the eerie brilliance of William Friedkin's 1973 masterpiece, The Exorcist, has culminated in a cinematic blunder of biblical proportions with The Exorcist: Believer. The audacity of this cinematic atrocity is enough to make your head spin — not in a possessed-by-demons way, but in a "What in the name of all that is holy were they thinking?" way. The film, which serves as a direct sequel to the original while ignoring previous instalments, is a lamentable stain on the venerable original film. Also Read | Talk to Me review: A psychological horror film that will chill you to the bone At the forefront of this cinematic travesty is the regrettable decision to resurrect Ellen Burstyn, a luminary from the original film, only to squander her talents in a pitiful, undignified role. It is akin to casting a virtuoso violinist to play a kazoo. Burstyn's presence, rather than bolstering the narrative, serves as a grim reminder of how far this once-proud franchise has fallen. Believer introduces us to a new generation of possessed individuals, Angela and Katherine, doubling the trouble in a desperate attempt to compensate for a complete lack of originality. Green seems more interested in crafting an atmosphere of spiritual malaise than in delivering actual scares. The possession itself, the very essence of the original's terror, is treated as an afterthought, culminating in an exorcism scene so devoid of tension that you'd think they were performing a demonic dance-off. Also Read: Insidious The Red Door review: Patrick Wilson's horror film fails to deliver genuine scares The film's grandiose ambition to explore a multicultural approach to exorcism is a promise left unfulfilled. It's as if they tossed various religious elements into a cauldron and hoped for something meaningful to emerge. Instead, we are served a lukewarm spiritual stew that does more to confuse than enlighten. It's like trying to serve a buffet of culinary delights but forgetting to add any actual flavour. Narrative coherence is a foreign concept in Believer, as it meanders through scenes and subplots that seem thoroughly disconnected from each other. Ann Dowd and Jennifer Nettles are handed characters so poorly developed that they might as well have been cardboard cutouts. While Leslie Odom Jr delivers a commendable performance, his efforts are in vain within the context of this cinematic debacle. Also Read: Top 10 greatest horror movies of all time Believer not only ruins the memory of the original — it vomits pea soup all over it. This cinematic abomination is an affront to horror fans, a blasphemous betrayal of a genre-defining classic, and a vivid reminder that some legacies should be left undisturbed. If you're a fan of the original Exorcist, avoid this cinematic sacrilege at all costs. Your sanity and reverence for horror cinema will thank you. Also Read: Meg 2 review: Jason Statham's giant shark movie is glorious B-movie fun For aficionados of the original Exorcist seeking to rekindle its chilling splendour, this cinematic misadventure is best relegated to the annals of regrettable cinema. Believer is an attempt to resurrect the past that only serves to deteriorate it further. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

The Exorcist Believer review: A cinematic abomination that taints the original's legacy

Totally Killer is a new comedy horror film that takes a unique spin on the time-travel genre while paying homage to classic slasher films. Directed by Nahnatchka Khan and featuring a talented ensemble cast, this movie is a thrilling and funny adventure that combines elements of '80s nostalgia, teen comedy, and horror. While it doesn't quite reach the heights of genre-defining films like Scream, it succeeds in delivering an entertaining and fun cinematic experience.&nbsp;

Also Read |&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-joy-ride-review-a-hilarious-and-heartfelt-journey-of-self-discovery-642867">Joy Ride review: A hilarious and heartfelt journey of self-discovery</a>

The film opens with a brutal murder in 1987 by the Sweet Sixteen Killer, setting the stage for the story's time-hopping premise. Fast forward to 2023, and we meet Jamie (Kiernan Shipka), a modern-day teenager with an overprotective mother, Pam (Julie Bowen), who is haunted by her past experiences with the Sweet Sixteen Killer. When tragedy strikes on Halloween night, Jamie finds herself transported back to 1987 through a homemade time machine built by her friend Amelia (Kelcey Mawema).

<iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/vNm3VPPKEQI?si=05TVXwemPu1PVK5u" title="YouTube video player" width="560"></iframe>

The '80s setting is used effectively to create culture clashes and comedic moments as Jamie navigates a world of big hair and bad fashion. Shipka's deadpan humour and bewildered reactions to '80s culture add a layer of charm to her character, making her instantly likable. She is quite excellent in the film. The film also doesn't take itself too seriously, adopting a "just go with it" attitude towards the absurd time-travel premise, and this approach somehow works to its advantage.

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-meg-2-review-jason-stathams-giant-shark-movie-is-glorious-b-movie-fun-622217">Meg 2&nbsp;review: Jason Statham's giant shark movie is glorious B-movie fun</a>

The heart of the story lies in Jamie's interactions with her teenage mother, played by Olivia Holt. Their dynamic is a highlight of the film, with Jamie trying to blend in with her mother's mean-girl clique to prevent the impending murders. While the script doesn't give much room for other characters to develop beyond their archetypes, the performances throughout the film exude energy and confidence.

Totally Killer leans more towards humour than horror, with a running gag about the lack of basic security measures adding to the film's comedic tone. The humour often arises from the clash of Jamie's modern sensibilities with the '80s environment, providing plenty of laughs. However, the film doesn't shy away from some gruesome violence when necessary, keeping the suspense alive.

Also Read |&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-talk-to-me-review-a-psychological-horror-film-that-will-chill-you-to-the-bone-622402">Talk to Me review: A psychological horror film that will chill you to the bone</a>

The film's anachronistic gags, while occasionally missing the mark, mostly hit their target and help distinguish it from its inspirations.

Totally Killer may not have reinvented the comedy horror genre here, but it does manage to entertain with its humour, engaging characters, and a blend of time-travel and slasher elements. It's a light and enjoyable watch that combines nostalgia with laughs, making it a fun choice for Halloween season viewing.

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Totally Killer is a new comedy horror film that takes a unique spin on the time-travel genre while paying homage to classic slasher films. Directed by Nahnatchka Khan and featuring a talented ensemble cast, this movie is a thrilling and funny adventure that combines elements of '80s nostalgia, teen comedy, and horror.

Totally Killer is a new comedy horror film that takes a unique spin on the time-travel genre while paying homage to classic slasher films. Directed by Nahnatchka Khan and featuring a talented ensemble cast, this movie is a thrilling and funny adventure that combines elements of '80s nostalgia, teen comedy, and horror. While it doesn't quite reach the heights of genre-defining films like Scream, it succeeds in delivering an entertaining and fun cinematic experience. Also Read | Joy Ride review: A hilarious and heartfelt journey of self-discovery The film opens with a brutal murder in 1987 by the Sweet Sixteen Killer, setting the stage for the story's time-hopping premise. Fast forward to 2023, and we meet Jamie (Kiernan Shipka), a modern-day teenager with an overprotective mother, Pam (Julie Bowen), who is haunted by her past experiences with the Sweet Sixteen Killer. When tragedy strikes on Halloween night, Jamie finds herself transported back to 1987 through a homemade time machine built by her friend Amelia (Kelcey Mawema). The '80s setting is used effectively to create culture clashes and comedic moments as Jamie navigates a world of big hair and bad fashion. Shipka's deadpan humour and bewildered reactions to '80s culture add a layer of charm to her character, making her instantly likable. She is quite excellent in the film. The film also doesn't take itself too seriously, adopting a "just go with it" attitude towards the absurd time-travel premise, and this approach somehow works to its advantage. Also Read: Meg 2 review: Jason Statham's giant shark movie is glorious B-movie fun The heart of the story lies in Jamie's interactions with her teenage mother, played by Olivia Holt. Their dynamic is a highlight of the film, with Jamie trying to blend in with her mother's mean-girl clique to prevent the impending murders. While the script doesn't give much room for other characters to develop beyond their archetypes, the performances throughout the film exude energy and confidence. Totally Killer leans more towards humour than horror, with a running gag about the lack of basic security measures adding to the film's comedic tone. The humour often arises from the clash of Jamie's modern sensibilities with the '80s environment, providing plenty of laughs. However, the film doesn't shy away from some gruesome violence when necessary, keeping the suspense alive. Also Read | Talk to Me review: A psychological horror film that will chill you to the bone The film's anachronistic gags, while occasionally missing the mark, mostly hit their target and help distinguish it from its inspirations. Totally Killer may not have reinvented the comedy horror genre here, but it does manage to entertain with its humour, engaging characters, and a blend of time-travel and slasher elements. It's a light and enjoyable watch that combines nostalgia with laughs, making it a fun choice for Halloween season viewing. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Totally Killer movie review: A spooky and hilarious Halloween treat

Author's note: This is third in a series of articles that I call #EssentialScorseseFilms. It is a celebration of the iconic director's cinematic legacy before Killers of the Flower Moon. While Martin Scorsese's prolific career has spanned decades and produced a plethora of remarkable films, I recognise that it is impossible to cover them all within the confines of this series. Therefore, I have chosen to focus on his major works that have, I believe, have come to embody the essence of Scorsese's unparalleled artistry.&nbsp;

Martin Scorsese is a name synonymous with gangster cinema, and rightly so. However, to relegate this legendary filmmaker, easily the greatest living director of our time, solely to the pigeonhole of organised crime dramas is to overlook the expansive depth of his cinematic prowess. One example&nbsp;of Scorsese's sheer range is one of his earliest films, the remarkable Alice Doesn't Live Here Anymore, a deeply poignant exploration of female empowerment and resilience.

Also Read |&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-whos-that-knocking-at-my-door-martin-scorseses-raw-and-personal-directorial-debut-642399">Who's That Knocking at My Door: Martin Scorsese's raw and personal directorial debut</a>

In a career marked by iconic mob dramas such as Goodfellas, The Departed, and Casino, Alice Doesn't Live Here Anymore is&nbsp;a vibrant anomaly, underscoring Scorsese's commitment to storytelling that transcends the boundaries of crime narratives. Released in 1974, the film provides a refreshing departure from his typical milieu, a journey into the world of a struggling single mother determined to reclaim her independence.

Also Read |&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-martin-scorseses-mean-streets-where-mobsters-meet-mayhem-642823">Martin Scorsese's Mean Streets: Where mobsters meet mayhem</a>

The film unfolds the life of Alice Hyatt, played with luminous grace by Ellen Burstyn, a recently widowed woman who embarks on a transformative odyssey to find her own voice and rediscover her long-forgotten dreams. Deserting the violence-laden streets of Scorsese's gangland, we are transported to the sun-drenched landscapes of the American Southwest. Here, Scorsese's lens captures the essence of Alice's pursuit of self-discovery, as she endeavours to shed the roles society has thrust upon her.

<iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/H8jV98slav8?si=JiLZG_irHF9fitzj" title="YouTube video player" width="560"></iframe>

The brilliance of Scorsese's direction in Alice Doesn't Live Here Anymore lies in his ability to draw out authentic, multi-dimensional characters. With an unparalleled sensitivity, he paints a vivid portrait of Alice's inner strength and resilience. Scorsese's signature intensity is not lost, but rather redirected towards revealing the depths of human emotion and the complexity of relationships.

Also Read |&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-explained--osage-indian-murders-that-inspired-martin-scorseses-killers-of-the-flower-moon-592892">Explained | Osage Indian Murders that inspired Martin Scorsese's Killers of the Flower Moon</a>

Moreover, the film's supporting cast, including Kris Kristofferson as a love interest and Harvey Keitel as a charismatic suitor, exemplifies Scorsese's knack for extracting powerhouse performances from his actors. Burstyn's portrayal of Alice, in particular, was pretty outstanding. It also earned her a well-deserved Academy Award.

In Alice Doesn't Live Here Anymore, Scorsese also exhibits a masterful command of the visual medium. His artful composition and use of vibrant colours breathe life into the dusty roads and diners that Alice encounters on her journey. The film's evocative soundtrack, a Scorsese trademark, enhances the emotional resonance of the story, and evokes a profound sense of nostalgia and yearning.

Also Read |&nbsp;<a href="https://www.wionews.com/opinions-blogs/why-quentin-tarantino-martin-scorsese-et-al-are-right-about-marvel-movies-537156">Why Quentin Tarantino, Martin Scorsese, et al. are right about Marvel movies</a>

Alice Doesn't Live Here Anymore is ultimately a compelling reminder of Scorsese's versatility and his ability to explore the human condition in all its complexity — mob movie or not. It's a powerful ode to the strength of women, and an anthem of self-discovery. 
&nbsp;

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Author's note: This is third in a series of articles that I call #EssentialScorseseFilms. It is a celebration of the iconic director's cinematic legacy before Killers of the Flower Moon.

Author's note: This is third in a series of articles that I call #EssentialScorseseFilms. It is a celebration of the iconic director's cinematic legacy before Killers of the Flower Moon. While Martin Scorsese's prolific career has spanned decades and produced a plethora of remarkable films, I recognise that it is impossible to cover them all within the confines of this series. Therefore, I have chosen to focus on his major works that have, I believe, have come to embody the essence of Scorsese's unparalleled artistry. Martin Scorsese is a name synonymous with gangster cinema, and rightly so. However, to relegate this legendary filmmaker, easily the greatest living director of our time, solely to the pigeonhole of organised crime dramas is to overlook the expansive depth of his cinematic prowess. One example of Scorsese's sheer range is one of his earliest films, the remarkable Alice Doesn't Live Here Anymore, a deeply poignant exploration of female empowerment and resilience. Also Read | Who's That Knocking at My Door: Martin Scorsese's raw and personal directorial debut In a career marked by iconic mob dramas such as Goodfellas, The Departed, and Casino, Alice Doesn't Live Here Anymore is a vibrant anomaly, underscoring Scorsese's commitment to storytelling that transcends the boundaries of crime narratives. Released in 1974, the film provides a refreshing departure from his typical milieu, a journey into the world of a struggling single mother determined to reclaim her independence. Also Read | Martin Scorsese's Mean Streets: Where mobsters meet mayhem The film unfolds the life of Alice Hyatt, played with luminous grace by Ellen Burstyn, a recently widowed woman who embarks on a transformative odyssey to find her own voice and rediscover her long-forgotten dreams. Deserting the violence-laden streets of Scorsese's gangland, we are transported to the sun-drenched landscapes of the American Southwest. Here, Scorsese's lens captures the essence of Alice's pursuit of self-discovery, as she endeavours to shed the roles society has thrust upon her. The brilliance of Scorsese's direction in Alice Doesn't Live Here Anymore lies in his ability to draw out authentic, multi-dimensional characters. With an unparalleled sensitivity, he paints a vivid portrait of Alice's inner strength and resilience. Scorsese's signature intensity is not lost, but rather redirected towards revealing the depths of human emotion and the complexity of relationships. Also Read | Explained | Osage Indian Murders that inspired Martin Scorsese's Killers of the Flower Moon Moreover, the film's supporting cast, including Kris Kristofferson as a love interest and Harvey Keitel as a charismatic suitor, exemplifies Scorsese's knack for extracting powerhouse performances from his actors. Burstyn's portrayal of Alice, in particular, was pretty outstanding. It also earned her a well-deserved Academy Award. In Alice Doesn't Live Here Anymore, Scorsese also exhibits a masterful command of the visual medium. His artful composition and use of vibrant colours breathe life into the dusty roads and diners that Alice encounters on her journey. The film's evocative soundtrack, a Scorsese trademark, enhances the emotional resonance of the story, and evokes a profound sense of nostalgia and yearning. Also Read | Why Quentin Tarantino, Martin Scorsese, et al. are right about Marvel movies Alice Doesn't Live Here Anymore is ultimately a compelling reminder of Scorsese's versatility and his ability to explore the human condition in all its complexity — mob movie or not. It's a powerful ode to the strength of women, and an anthem of self-discovery. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Alice Doesn't Live Here Anymore: Martin Scorsese beyond gangster epics

Joy Ride takes audiences on an uproarious expedition into the wild, offering an irresistible blend of risqué humour and unexpected revelations. Directed by Adele Lim in her feature debut and penned by Cherry Chevapravatdumrong and Teresa Hsiao, this comedy introduces us to a quartet of Asian Americans who embark on a journey that is as side-splitting as it is thoughtful.

Our protagonist, Audrey Sullivan (Ashley Park), is a high-achieving lawyer who straddles the line between her American upbringing and her Chinese heritage. Her confidante and partner-in-crime is Lolo Chen (Sherry Cola), a fearless aspiring artist whose provocative, sex-themed art raises eyebrows and questions societal norms. Their dynamic in itself is a rich source of comedic gold, with Audrey's polished façade constantly clashing nicely with Lolo's irreverent attitude. And the script does not disappoint.

<iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/jyI-AM5VXDo?si=8SWzRmXnH5iAGLnb" title="YouTube video player" width="560"></iframe>

The adventure kicks off when Audrey's career takes an unexpected turn, leading her and Lolo to board a plane to Beijing, accompanied by Lolo's eccentric cousin Vanessa, affectionately known as "Deadeye" (Sabrina Wu). The trio is soon joined by Audrey's college friend Kat Huang (Stephanie Hsu), a soap opera actress with a secret or two hidden beneath her spotlight.

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-meg-2-review-jason-stathams-giant-shark-movie-is-glorious-b-movie-fun-622217">Meg 2&nbsp;review: Jason Statham's giant shark movie is glorious B-movie fun</a>

Joy Ride is not your typical road trip comedy. It seamlessly weaves humour with cultural exploration and identity discovery. Park shines as Audrey, delivering a performance that showcases her character's transformation from a buttoned-up lawyer to an adventurous soul yearning to connect with her roots. Sherry Cola's portrayal of Lolo is a revelation, providing the film with a steady stream of comedic brilliance. Hsu adds depth to her character, infusing Kat with a colourful past and a captivating presence. You might remember her from Everything Everywhere All at Once.

Wu's role as Deadeye was a standout for me, defying stereotypes and offering a fresh perspective on gender and identity. Oh, and she was just so entertaining.

Also Read |&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-talk-to-me-review-a-psychological-horror-film-that-will-chill-you-to-the-bone-622402">Talk to Me review: A psychological horror film that will chill you to the bone</a>

The film's structure, reminiscent of comedy sketches stitched together to form a narrative, occasionally gives Joy Ride a slightly disjointed feel. But this format allows it to balance its raunchy laughs with insightful observations about identity and belonging. The movie's humour is unabashedly crude and audacious, pushing the boundaries of traditional comedy. It's a rollercoaster of laughter that keeps audiences engaged and entertained throughout.

Joy Ride is an extremely&nbsp;well-made comedy that doesn't just tickle your funny bone; it gives it a hearty workout. With its stellar cast, ribald humour, and a story that celebrates the quirks and complexities of its characters, the film is an unmissable journey of self-discovery and the enduring power of friendship. I loved it.

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Joy Ride takes audiences on an uproarious expedition into the wild, offering an irresistible blend of risqué humour and unexpected revelations. Directed by Adele Lim in her feature debut and penned by Cherry Chevapravatdumrong and Teresa Hsiao, this comedy introduces us to a quartet of Asian Americans who embark on a journey that is as side-splitting as it is thoughtful.

Joy Ride takes audiences on an uproarious expedition into the wild, offering an irresistible blend of risqué humour and unexpected revelations. Directed by Adele Lim in her feature debut and penned by Cherry Chevapravatdumrong and Teresa Hsiao, this comedy introduces us to a quartet of Asian Americans who embark on a journey that is as side-splitting as it is thoughtful. Our protagonist, Audrey Sullivan (Ashley Park), is a high-achieving lawyer who straddles the line between her American upbringing and her Chinese heritage. Her confidante and partner-in-crime is Lolo Chen (Sherry Cola), a fearless aspiring artist whose provocative, sex-themed art raises eyebrows and questions societal norms. Their dynamic in itself is a rich source of comedic gold, with Audrey's polished façade constantly clashing nicely with Lolo's irreverent attitude. And the script does not disappoint. The adventure kicks off when Audrey's career takes an unexpected turn, leading her and Lolo to board a plane to Beijing, accompanied by Lolo's eccentric cousin Vanessa, affectionately known as "Deadeye" (Sabrina Wu). The trio is soon joined by Audrey's college friend Kat Huang (Stephanie Hsu), a soap opera actress with a secret or two hidden beneath her spotlight. Also Read: Meg 2 review: Jason Statham's giant shark movie is glorious B-movie fun Joy Ride is not your typical road trip comedy. It seamlessly weaves humour with cultural exploration and identity discovery. Park shines as Audrey, delivering a performance that showcases her character's transformation from a buttoned-up lawyer to an adventurous soul yearning to connect with her roots. Sherry Cola's portrayal of Lolo is a revelation, providing the film with a steady stream of comedic brilliance. Hsu adds depth to her character, infusing Kat with a colourful past and a captivating presence. You might remember her from Everything Everywhere All at Once. Wu's role as Deadeye was a standout for me, defying stereotypes and offering a fresh perspective on gender and identity. Oh, and she was just so entertaining. Also Read | Talk to Me review: A psychological horror film that will chill you to the bone The film's structure, reminiscent of comedy sketches stitched together to form a narrative, occasionally gives Joy Ride a slightly disjointed feel. But this format allows it to balance its raunchy laughs with insightful observations about identity and belonging. The movie's humour is unabashedly crude and audacious, pushing the boundaries of traditional comedy. It's a rollercoaster of laughter that keeps audiences engaged and entertained throughout. Joy Ride is an extremely well-made comedy that doesn't just tickle your funny bone; it gives it a hearty workout. With its stellar cast, ribald humour, and a story that celebrates the quirks and complexities of its characters, the film is an unmissable journey of self-discovery and the enduring power of friendship. I loved it. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Joy Ride review: A hilarious and heartfelt journey of self-discovery

Marvel's Loki returns with its second season, and it's clear that the God of Mischief is still up to his usual tricks. Last season left us pondering the fate of the multiverse's big players — Sylvie, Ravonna Renslayer, and Miss Minutes — all while Loki, our mischievous headliner, winked at us from the sidelines. Season 2 picks up right where the curtain fell, with Loki and Mobius determined to prevent the TVA from turning into the multiverse's punchline.

Tom Hiddleston returns as Loki, oozing charm and wit, while Owen Wilson's Mobius remains the perfect partner-in-crime for our lovable trickster. The duo is back in action, and this time, they're armed with time travel and ready to rock your reality.

<iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/dug56u8NN7g?si=nYKQDOefT2lDgcW0" title="YouTube video player" width="560"></iframe>

One of the standout features of Loki Season 2 is its commitment to untangling the complexities of the multiverse episode by episode. Whether it's Loki's newfound time-slipping prowess or a run-in with a Kang variant in 1890s Chicago, each installment is a puzzle piece in the grand mosaic of the multiverse. The pacing occasionally stumbles, and there's an eerie sense of déjà vu from Season 1, but the series manages to keep us hooked.

Also Read |&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-thanos-idiotic-plan-and-other-things-that-make-absolutely-no-sense-in-marvel-movies-498039">Six things that make absolutely NO sense in Marvel movies</a>

What sets Loki apart from other MCU projects is its knack for simplifying the bewildering concept of the multiverse, making it accessible to both casual viewers and die-hard fans. The introduction of Jonathan Majors as Victor Timely, a Kang variant, adds depth and humanity to the show's sci-fi themes, and his performance is a highlight, regardless of real-life controversies.

The ensemble cast is the real circus act here, with characters like B-15 and the newbie Ouroboros (OB), played by Ke Huy Quan, stepping into the spotlight. The series transforms from a buddy comedy into a quirky workplace ensemble, where characters are as unpredictable as the multiverse itself. The chemistry among the cast members turns the TVA into a wild family dealing with a cosmic crisis.

Also Read |&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-explained-how-disney-is-trying-hard-not-to-fail-as-marvel-magic-wanes-563335">Explained: How Disney is trying hard not to fail as Marvel magic wanes</a>

Loki Season 2 isn't afraid to tackle the multiverse's most colossal threats head-on. The challenges confronting Loki and Mobius are mind-boggling, but the series brilliantly humanises these cosmic conundrums, giving them an unexpectedly personal touch. At its core, Loki remains an intoxicating character study, not just for Loki but for the eclectic mix of characters who cross his path.

Also Read |&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-the-marvels-director-acknowledges-superhero-fatigue-says-sequel-is-wacky--silly-624729">The Marvels director acknowledges 'superhero fatigue', says sequel is 'wacky' &amp; 'silly'</a>

In a nutshell, Loki Season 2 is a triumphant return for the God of Mischief. It builds upon the foundation of Season 1, diving even deeper into the multiverse's labyrinthine mysteries while serving up its trademark character-driven charm. While it might experience a temporal hiccup or two, the series reminds us that Loki's antics are far from over. As the MCU continues to expand into the cosmic unknown, Loki stands as a shining testament to storytelling in this vast&nbsp;cinematic universe. Brace yourself for a cosmic comedy of errors as Loki takes you on a&nbsp;wild journey through the fabric of time and space – a journey you'd be utterly foolish to miss.

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Marvel's Loki returns with its second season, and it's clear that the God of Mischief is still up to his usual tricks. Last season left us pondering the fate of the multiverse's big players — Sylvie, Ravonna Renslayer, and Miss Minutes — all while Loki, our mischievous headliner, winked at us from the sidelines.

Marvel's Loki returns with its second season, and it's clear that the God of Mischief is still up to his usual tricks. Last season left us pondering the fate of the multiverse's big players — Sylvie, Ravonna Renslayer, and Miss Minutes — all while Loki, our mischievous headliner, winked at us from the sidelines. Season 2 picks up right where the curtain fell, with Loki and Mobius determined to prevent the TVA from turning into the multiverse's punchline. Tom Hiddleston returns as Loki, oozing charm and wit, while Owen Wilson's Mobius remains the perfect partner-in-crime for our lovable trickster. The duo is back in action, and this time, they're armed with time travel and ready to rock your reality. One of the standout features of Loki Season 2 is its commitment to untangling the complexities of the multiverse episode by episode. Whether it's Loki's newfound time-slipping prowess or a run-in with a Kang variant in 1890s Chicago, each installment is a puzzle piece in the grand mosaic of the multiverse. The pacing occasionally stumbles, and there's an eerie sense of déjà vu from Season 1, but the series manages to keep us hooked. Also Read | Six things that make absolutely NO sense in Marvel movies What sets Loki apart from other MCU projects is its knack for simplifying the bewildering concept of the multiverse, making it accessible to both casual viewers and die-hard fans. The introduction of Jonathan Majors as Victor Timely, a Kang variant, adds depth and humanity to the show's sci-fi themes, and his performance is a highlight, regardless of real-life controversies. The ensemble cast is the real circus act here, with characters like B-15 and the newbie Ouroboros (OB), played by Ke Huy Quan, stepping into the spotlight. The series transforms from a buddy comedy into a quirky workplace ensemble, where characters are as unpredictable as the multiverse itself. The chemistry among the cast members turns the TVA into a wild family dealing with a cosmic crisis. Also Read | Explained: How Disney is trying hard not to fail as Marvel magic wanes Loki Season 2 isn't afraid to tackle the multiverse's most colossal threats head-on. The challenges confronting Loki and Mobius are mind-boggling, but the series brilliantly humanises these cosmic conundrums, giving them an unexpectedly personal touch. At its core, Loki remains an intoxicating character study, not just for Loki but for the eclectic mix of characters who cross his path. Also Read | The Marvels director acknowledges 'superhero fatigue', says sequel is 'wacky' & 'silly' In a nutshell, Loki Season 2 is a triumphant return for the God of Mischief. It builds upon the foundation of Season 1, diving even deeper into the multiverse's labyrinthine mysteries while serving up its trademark character-driven charm. While it might experience a temporal hiccup or two, the series reminds us that Loki's antics are far from over. As the MCU continues to expand into the cosmic unknown, Loki stands as a shining testament to storytelling in this vast cinematic universe. Brace yourself for a cosmic comedy of errors as Loki takes you on a wild journey through the fabric of time and space – a journey you'd be utterly foolish to miss. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Loki Season 2 review: Tom Hiddleston's God of Mischief returns with more multiverse mayhem

Four years ago, on a day much like today, the world witnessed the release of Joker, a film that was surrounded by controversy and anticipation in equal measure. As the film celebrated its fourth anniversary, and a sequel&nbsp;is just around the corner, it's worth revisiting the rollercoaster ride that the movie took us on, from pre-release concerns about potential riots to the undeniable brilliance of Joaquin Phoenix's central performance.

In the months leading up to its release, Joker was the subject of intense scrutiny and debate. Concerns were raised about the film's potential to incite violence due to its dark and gritty portrayal of the iconic Batman villain, the Joker, that resulted in a best actor Oscar for Phoenix.

Some feared that it could inspire copycat crimes or social unrest, echoing the tragic events of the past.

Also Read |&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-joker-2-image-joaquin-phoenixs-arthur-fleck-stands-alone-in-rain-642336">Joker 2 image: Joaquin Phoenix's Arthur Fleck stands alone in rain</a>

These concerns reached a fever pitch, with some theatres even implementing increased security measures during screenings.

Part of the fears may have been triggered by the 2012 mass shooting at a Colarado theatre that was showing the Batman movie The Dark Knight Rises. It was widely rumoured at the time that James Holmes, who shot at over 70 people, killing 12 of them, was wearing a Joker costume. That rumour was subsequently debunked.

The controversy and apprehension about the Joker spin-off created an atmosphere of tension and uncertainty surrounding the film. It was a unique situation where a movie's very existence was seen as a potential catalyst for chaos.

<iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/WbliHNs4q14?si=8m4LkPGIgaN2Y8mO" title="YouTube video player" width="560"></iframe>

However, as the film finally hit theatres, audiences were treated to an unexpected revelation.

Joker was not just another comic book adaptation; it was a haunting character study, a gritty exploration of mental illness, and a gripping social commentary all rolled into one.

Joaquin Phoenix's performance as Arthur Fleck, the man who would become the Joker, was nothing short of extraordinary.

Phoenix's portrayal was hauntingly authentic and emotionally charged, drawing viewers into the character's descent into madness.

His physical transformation for the role, which saw the otherwise full-bodied actor shed several pounds and contort his body, was a testament to his dedication to his craft.

His portrayal humanised the Joker in a way that had never been seen before, making the character simultaneously sympathy-evoking and terrifying.

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Director Todd Phillips delivered a visually stunning film that captured the bleak, atmospheric essence of Gotham City.

The cinematography and the film's use of music played a crucial role in establishing a foreboding atmosphere that enveloped the audience from start to finish.

Despite its initial controversy, Joker was met with pretty decent reviews and went on to become a cult classic.

It earned numerous accolades, including two Academy Awards, one for Phoenix for his incredible performance.

The film's humongous success at the box office further solidified its place in cinematic history. It is still the biggest R-Rated movie ever.

Looking back, the fears of Joker causing riots and violence seem almost surreal in contrast to the reality of the film's impact.

Instead of chaos, I believe&nbsp;Joker sparked important conversations about mental health, societal disenfranchisement, alienation, and the power of cinema to explore complex and uncomfortable themes.

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Four years ago, on a day much like today, the world witnessed the release of Joker, a film that was surrounded by controversy and anticipation in equal measure. As the film celebrated its fourth anniversary, and a sequel is just around the corner, it's worth revisiting the rollercoaster ride that the movie took us on, from pre-release concerns about potential riots to the undeniable brilliance of Joaquin Phoenix's central performance.

Four years ago, on a day much like today, the world witnessed the release of Joker, a film that was surrounded by controversy and anticipation in equal measure. As the film celebrated its fourth anniversary, and a sequel is just around the corner, it's worth revisiting the rollercoaster ride that the movie took us on, from pre-release concerns about potential riots to the undeniable brilliance of Joaquin Phoenix's central performance. In the months leading up to its release, Joker was the subject of intense scrutiny and debate. Concerns were raised about the film's potential to incite violence due to its dark and gritty portrayal of the iconic Batman villain, the Joker, that resulted in a best actor Oscar for Phoenix. Some feared that it could inspire copycat crimes or social unrest, echoing the tragic events of the past. Also Read | Joker 2 image: Joaquin Phoenix's Arthur Fleck stands alone in rain These concerns reached a fever pitch, with some theatres even implementing increased security measures during screenings. Part of the fears may have been triggered by the 2012 mass shooting at a Colarado theatre that was showing the Batman movie The Dark Knight Rises. It was widely rumoured at the time that James Holmes, who shot at over 70 people, killing 12 of them, was wearing a Joker costume. That rumour was subsequently debunked. The controversy and apprehension about the Joker spin-off created an atmosphere of tension and uncertainty surrounding the film. It was a unique situation where a movie's very existence was seen as a potential catalyst for chaos. However, as the film finally hit theatres, audiences were treated to an unexpected revelation. Joker was not just another comic book adaptation; it was a haunting character study, a gritty exploration of mental illness, and a gripping social commentary all rolled into one. Joaquin Phoenix's performance as Arthur Fleck, the man who would become the Joker, was nothing short of extraordinary. Phoenix's portrayal was hauntingly authentic and emotionally charged, drawing viewers into the character's descent into madness. His physical transformation for the role, which saw the otherwise full-bodied actor shed several pounds and contort his body, was a testament to his dedication to his craft. His portrayal humanised the Joker in a way that had never been seen before, making the character simultaneously sympathy-evoking and terrifying. Director Todd Phillips delivered a visually stunning film that captured the bleak, atmospheric essence of Gotham City. The cinematography and the film's use of music played a crucial role in establishing a foreboding atmosphere that enveloped the audience from start to finish. Despite its initial controversy, Joker was met with pretty decent reviews and went on to become a cult classic. It earned numerous accolades, including two Academy Awards, one for Phoenix for his incredible performance. The film's humongous success at the box office further solidified its place in cinematic history. It is still the biggest R-Rated movie ever. Looking back, the fears of Joker causing riots and violence seem almost surreal in contrast to the reality of the film's impact. Instead of chaos, I believe Joker sparked important conversations about mental health, societal disenfranchisement, alienation, and the power of cinema to explore complex and uncomfortable themes. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Four years of Joker: From controversy to a cultural phenomenon

On German-Austrian actor Christoph Waltz's 67th birthday, let's take a moment to appreciate his exceptional talent and, in particular, his quietly menacing performance in Quentin Tarantino's Inglourious Basterds, a role that earned him an Academy Award for Best Supporting Actor. Waltz's portrayal of SS Colonel Hans Landa in the film's opening scene, in particular, is nothing short of mesmerising, albeit in a chilling way.&nbsp;

Released in 2009, Inglourious Basterds is set during World War II and follows a group of Jewish-American soldiers led by Lieutenant Aldo Raine (Brad Pitt) on a mission to assassinate high-ranking Nazi officials. However, it's Christoph Waltz's character, Colonel Hans Landa, who steals the show from the very beginning.

Also Read |&nbsp;<a href="https://www.wionews.com/opinions-blogs/why-i-can-no-longer-celebrate-michael-jacksons-music-630282">Why I can no longer celebrate Michael Jackson's music</a>

In the opening scene, Colonel Landa visits a French dairy farm in search of hidden Jewish refugees. What sets this scene apart and showcases Waltz's extraordinary talent is his ability to convey menace with a disarming charm. Landa's polite demeanour and fluency in several languages give him an air of sophistication, but beneath this façade lies a ruthless and cunning Nazi officer.

Waltz's performance is a masterclass in tension-building. As he calmly interrogates the dairy farmer, the audience is kept on the edge of their seats, knowing that any wrong move could lead to tragedy. His use of language, body language, and subtle shifts in expression create an atmosphere of palpable dread. The audience is acutely aware that Landa is a predator, and his victims are powerless in his presence.

<iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/coS2CdNd7Io?si=cDqLvB25AIsP9BtY" title="YouTube video player" width="560"></iframe>

You can watch the scene above.

What makes this performance truly remarkable is the contrast between the character's polite exterior and the dark, sadistic undertones lurking beneath. Waltz's ability to seamlessly switch between affable charm and sinister intimidation is a testament to his exceptional acting skills. The opening scene of Inglourious Basterds serves as a showcase of his talent and sets the tone for the entire film.

Also Read |&nbsp;<a href="https://www.wionews.com/entertainment/lifestyle/news-on-ruskin-bonds-89th-birthday-a-journey-through-his-timeless-tales-593997">On Ruskin Bond's 89th birthday, a journey through his timeless tales</a>

Throughout the movie, Waltz continues to deliver an unforgettable performance as Colonel Hans Landa, earning him accolades and cementing his status as one of the most talented actors in the industry. But even he cannot top the high of the first scene.&nbsp;

Happy birthday, Christoph Waltz!&nbsp;

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On German-Austrian actor Christoph Waltz's 67th birthday, let's take a moment to appreciate his exceptional talent and, in particular, his quietly menacing performance in Quentin Tarantino's Inglourious Basterds, a role that earned him an Academy Award for Best Supporting Actor.

On German-Austrian actor Christoph Waltz's 67th birthday, let's take a moment to appreciate his exceptional talent and, in particular, his quietly menacing performance in Quentin Tarantino's Inglourious Basterds, a role that earned him an Academy Award for Best Supporting Actor. Waltz's portrayal of SS Colonel Hans Landa in the film's opening scene, in particular, is nothing short of mesmerising, albeit in a chilling way. Released in 2009, Inglourious Basterds is set during World War II and follows a group of Jewish-American soldiers led by Lieutenant Aldo Raine (Brad Pitt) on a mission to assassinate high-ranking Nazi officials. However, it's Christoph Waltz's character, Colonel Hans Landa, who steals the show from the very beginning. Also Read | Why I can no longer celebrate Michael Jackson's music In the opening scene, Colonel Landa visits a French dairy farm in search of hidden Jewish refugees. What sets this scene apart and showcases Waltz's extraordinary talent is his ability to convey menace with a disarming charm. Landa's polite demeanour and fluency in several languages give him an air of sophistication, but beneath this façade lies a ruthless and cunning Nazi officer. Waltz's performance is a masterclass in tension-building. As he calmly interrogates the dairy farmer, the audience is kept on the edge of their seats, knowing that any wrong move could lead to tragedy. His use of language, body language, and subtle shifts in expression create an atmosphere of palpable dread. The audience is acutely aware that Landa is a predator, and his victims are powerless in his presence. You can watch the scene above. What makes this performance truly remarkable is the contrast between the character's polite exterior and the dark, sadistic undertones lurking beneath. Waltz's ability to seamlessly switch between affable charm and sinister intimidation is a testament to his exceptional acting skills. The opening scene of Inglourious Basterds serves as a showcase of his talent and sets the tone for the entire film. Also Read | On Ruskin Bond's 89th birthday, a journey through his timeless tales Throughout the movie, Waltz continues to deliver an unforgettable performance as Colonel Hans Landa, earning him accolades and cementing his status as one of the most talented actors in the industry. But even he cannot top the high of the first scene. Happy birthday, Christoph Waltz! WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Christoph Waltz in Inglourious Basterds: A masterclass in quiet menace

Happy birthday, Christoph Waltz: Top 10 performances of Inglourious Basterds actor

Kieran Culkin's birthday today, September 30, offers a perfect opportunity to celebrate his outstanding performance in the hit HBO series Succession. Born in 1982, Culkin has established himself as a talented actor over the years, but his portrayal of Roman Roy in the show has undoubtedly been a career-defining role.

One of the most striking aspects of Culkin's performance was his ability to convey the nuances of Roman's character. Roman Roy initially seemed like a one-dimensional character, but later turned out to be a complex individual who became a foul-mouthed and immature young man who decides to vie for the throne of Waystar Royco on a whim.

Culkin embraces this complexity. He delves deep into Roman's psyche, bringing out the layers of insecurities, ambitions, and desires that make him such a multifaceted individual. His portrayal allows viewers to witness Roman's growth and evolution over the course of the series, from a seemingly carefree playboy to a more self-aware and complex figure.

Also Read |&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-succession-finale-review-a-dark-fitting-and-unforgettable-conclusion-to-an-uncompromising-show-598284">Succession finale review: A dark, fitting, and unforgettable conclusion to an uncompromising show</a>

Culkin's comedic timing is impeccable, and it plays a pivotal role in shaping Roman's character. He infuses Roman's lines with a sharp wit and irreverence that often serve as a source of comic relief amidst the intense family drama. His delivery of one-liners and sarcastic remarks feels natural and unforced, adding authenticity to his character.

<iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/iuDpjl-gJ9A?si=0u6eDGlHve8861c_" title="YouTube video player" width="560"></iframe>

(But we later realise the jokes, although funny, serve as reminders of his traumatic childhood and the verbal and physical abuse heaped on him by his domineering father, Brian Cox's Logan Roy. In earlier episodes, his actions often came across as thoughtless or even callous, but as the show progressed, it became apparent that Roman's immaturity and those jokes served as a coping mechanism. It shielded him from confronting his own emotional turmoil and traumatic experiences.)

Culkin's versatility as an actor is on full display in Succession. While the series primarily falls within the drama genre, he seamlessly transitions between humorous moments and scenes of vulnerability and raw emotion. Whether Roman is cracking jokes or revealing his innermost fears, Culkin's emotional range keeps the audience engaged and invested in the character.

Also Read |&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-successions-brilliant-finale-was-not-feel-bad-it-was-a-reality-check-598314">Succession's brilliant finale was not 'feel-bad'. It was a reality check</a>

Culkin's chemistry with the ensemble cast is another standout aspect of his performance. The relationships between the Roy family members are at the core of the show's dynamics, and Culkin's interactions, particularly with his siblings, are a driving force in the series. His ability to establish believability in these relationships — this show, the writers and actors really get sibling relationships — contributes significantly to the show's authenticity.

<iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/RAKQUCrV5y4?si=wj9lnvSLL_ZNAdzM" title="YouTube video player" width="560"></iframe>

In addition to his dialogue and emotional range, Culkin pays meticulous attention to subtle details in his performance. Roman's idiosyncratic mannerisms, body language, and facial expressions are all carefully crafted to reflect the character's inner turmoil and insecurities. These elements add nuance to the character, making him a fully realised and three-dimensional figure that we can even, albeit cautiously, sympathise with.

Although overshadowed by the likes of Cox, Sarah Snook, Matthew Macfadyen, and Jeremy Strong, Culkin's performance, I argue, was a key pillar of the show's success. His dedication to portraying Roman Roy with such depth has left a lasting impression on both viewers and critics.&nbsp;

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Kieran Culkin's birthday today, September 30, offers a perfect opportunity to celebrate his outstanding performance in the hit HBO series Succession. Born in 1982, Culkin has established himself as a talented actor over the years, but his portrayal of Roman Roy in the show has undoubtedly been a career-defining role.

Kieran Culkin's birthday today, September 30, offers a perfect opportunity to celebrate his outstanding performance in the hit HBO series Succession. Born in 1982, Culkin has established himself as a talented actor over the years, but his portrayal of Roman Roy in the show has undoubtedly been a career-defining role. One of the most striking aspects of Culkin's performance was his ability to convey the nuances of Roman's character. Roman Roy initially seemed like a one-dimensional character, but later turned out to be a complex individual who became a foul-mouthed and immature young man who decides to vie for the throne of Waystar Royco on a whim. Culkin embraces this complexity. He delves deep into Roman's psyche, bringing out the layers of insecurities, ambitions, and desires that make him such a multifaceted individual. His portrayal allows viewers to witness Roman's growth and evolution over the course of the series, from a seemingly carefree playboy to a more self-aware and complex figure. Also Read | Succession finale review: A dark, fitting, and unforgettable conclusion to an uncompromising show Culkin's comedic timing is impeccable, and it plays a pivotal role in shaping Roman's character. He infuses Roman's lines with a sharp wit and irreverence that often serve as a source of comic relief amidst the intense family drama. His delivery of one-liners and sarcastic remarks feels natural and unforced, adding authenticity to his character. (But we later realise the jokes, although funny, serve as reminders of his traumatic childhood and the verbal and physical abuse heaped on him by his domineering father, Brian Cox's Logan Roy. In earlier episodes, his actions often came across as thoughtless or even callous, but as the show progressed, it became apparent that Roman's immaturity and those jokes served as a coping mechanism. It shielded him from confronting his own emotional turmoil and traumatic experiences.) Culkin's versatility as an actor is on full display in Succession. While the series primarily falls within the drama genre, he seamlessly transitions between humorous moments and scenes of vulnerability and raw emotion. Whether Roman is cracking jokes or revealing his innermost fears, Culkin's emotional range keeps the audience engaged and invested in the character. Also Read | Succession's brilliant finale was not 'feel-bad'. It was a reality check Culkin's chemistry with the ensemble cast is another standout aspect of his performance. The relationships between the Roy family members are at the core of the show's dynamics, and Culkin's interactions, particularly with his siblings, are a driving force in the series. His ability to establish believability in these relationships — this show, the writers and actors really get sibling relationships — contributes significantly to the show's authenticity. In addition to his dialogue and emotional range, Culkin pays meticulous attention to subtle details in his performance. Roman's idiosyncratic mannerisms, body language, and facial expressions are all carefully crafted to reflect the character's inner turmoil and insecurities. These elements add nuance to the character, making him a fully realised and three-dimensional figure that we can even, albeit cautiously, sympathise with. Although overshadowed by the likes of Cox, Sarah Snook, Matthew Macfadyen, and Jeremy Strong, Culkin's performance, I argue, was a key pillar of the show's success. His dedication to portraying Roman Roy with such depth has left a lasting impression on both viewers and critics. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Kieran Culkin in Succession: A career-defining performance

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