<p>Ayushmann Khurrana has been one of the most courageous and daring actors when it comes to choosing his films. Khurrana has carved a niche in this industry by starring in films that deal with societal taboos, that not only delivered serious messages to society but proved to be blockbuster hits.<br />
<br />
Ayushmann is currently promoting his upcoming action film, 'An Action Hero,' co-starring Jaideep Ahlawat. Before this, the actor starred in films like 'Chandigarh Kare Aashiqui,' 'Anek'&nbsp;and most recently, 'Doctor G'.&nbsp;All three films received rave reviews from critics but failed to impress the audience.&nbsp;<br />
<br />
Addressing the box office failure&nbsp;of his LGBTQ film during an interview with OTT Play, the actor said, "I started with movies on taboo subjects. I suppose the subject matter—it has to be a community viewing, and it has to include a wider film, including an LGBTO film (Chandigarh Kare Aashiqui)—doesn't do well commercially because, unfortunately, our country is homophobic.''</p>

<p><a href="https://www.wionews.com/entertainment/zendaya-shares-bts-pic-from-dune-2-set-im-here-535243">Zendaya shares BTS pic from 'Dune 2' set: I'm here</a><br />
<br />
''Then there was Anek, a docudrama that was very niche in terms of the tone of the film. Doctor G was an A-rated film, and given the kind of certification it got, the film did decently well in theatres. That was my training for making a film for a while,'' he said further.&nbsp;<br />
<br />
Further, when asked&nbsp;whether the box office failure affected him, to which the actor replied that he's&nbsp;unshakable.<br />
<br />
"I think I'm unshakeable." If I stop taking risks, I will be conventional. I have always been unconventional, and I make those choices. I will be taking them in the future as well, regardless of success or failure. I just keep pushing the boundaries, and that's the beauty of the budgeting of the films, too. My films are mostly low- to mid-budget, so no one loses money and I can afford to take risks.</p>

<p>Meanwhile, in his upcoming film 'An Action hero', Ayushmann is playing the role of a famous actor Manav, who could be seen in an action-packed chase against a cop, played by Jaideep Ahlawat. The film will release on December 2.&nbsp;</p>

<p><iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="350" src="https://www.wionews.com/live-tv/embed?autoplay=1&amp;mute=1" width="100%"></iframe></p>

<p>&nbsp;</p>


Ayushmann Khurrana has been one of the most courageous and daring actors when it comes to choosing his films. Khurrana has carved a niche in this industry by starring in films that deal with societal taboos, that not only delivered serious messages to society but proved to be blockbuster hits.

Ayushmann Khurrana has been one of the most courageous and daring actors when it comes to choosing his films. Khurrana has carved a niche in this industry by starring in films that deal with societal taboos, that not only delivered serious messages to society but proved to be blockbuster hits. Ayushmann is currently promoting his upcoming action film, 'An Action Hero,' co-starring Jaideep Ahlawat. Before this, the actor starred in films like 'Chandigarh Kare Aashiqui,' 'Anek' and most recently, 'Doctor G'. All three films received rave reviews from critics but failed to impress the audience. Addressing the box office failure of his LGBTQ film during an interview with OTT Play, the actor said, "I started with movies on taboo subjects. I suppose the subject matter—it has to be a community viewing, and it has to include a wider film, including an LGBTO film (Chandigarh Kare Aashiqui)—doesn't do well commercially because, unfortunately, our country is homophobic.'' Zendaya shares BTS pic from 'Dune 2' set: I'm here ''Then there was Anek, a docudrama that was very niche in terms of the tone of the film. Doctor G was an A-rated film, and given the kind of certification it got, the film did decently well in theatres. That was my training for making a film for a while,'' he said further. Further, when asked whether the box office failure affected him, to which the actor replied that he's unshakable. "I think I'm unshakeable." If I stop taking risks, I will be conventional. I have always been unconventional, and I make those choices. I will be taking them in the future as well, regardless of success or failure. I just keep pushing the boundaries, and that's the beauty of the budgeting of the films, too. My films are mostly low- to mid-budget, so no one loses money and I can afford to take risks. Meanwhile, in his upcoming film 'An Action hero', Ayushmann is playing the role of a famous actor Manav, who could be seen in an action-packed chase against a cop, played by Jaideep Ahlawat. The film will release on December 2.

Ayushmann Khurrana on his LGBTQ film Chandigarh Kare Aashiqui's box office failure: Our country is homophobic

<p>For years, Indian cinema avoided the subject of homosexuality and the transgenders in films. For the most part, it has been shown under the garb of comic relief. It's 2022 and the Indian film industry has still not given credence to homosexuality in its depiction, especially in the commercial space.</p>

<p>The month of June is celebrated as Pride Month with great pomp and dignity across the globe. This is when members of the LGBTQ community and their allies come together and organise events to spread awareness about the idea of equal rights and opportunities for their community.</p>

<p>Over the years, representation of sexual minorities in Indian cinema has remained careless and underplayed, with the third-gender portrayal being violently exaggerated in appearances, such as child traffickers, brothel owners, or pimps.</p>
<img alt="Vijay Sethupathi in a still from 'Super Deluxe' " data-align="center" data-entity-type="file" data-entity-uuid="51eecef9-d1aa-448d-ba35-867f2796858f" src="//cdn.wionews.com/sites/default/files/inline-images/super%20deluxe.jpg" />
<p>However, Shilpa, played by Vijay Sethupati in the 2019 Tamil anthology 'Super Deluxe’, showed the vulnerable side of the trans communities. The film perhaps is one of the most sincere representations that the audience has witness in present times. In the film, Shilpa faces societal rejection and harassment from the police when she goes to file a missing report for her son Rasakutty. Shilpa's helplessness combined with her son and wife's slow acceptance makes it a thought-provoking watch, ultimately making the audience sympathise with the character.</p>

<p>Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/journey-of-lesbian-magazine-curve-hits-screens-this-pride-month-389502">Journey of lesbian magazine 'Curve' hits screens this Pride month</a></p>

<p>Much like trans characters, gays and lesbians too didn't have much chance of being accurately represented in cinema as India's societal scenario was not favourable towards homosexuals for a very long time. Though there were a few filmmakers who dared to showcase concepts encircling same-sex relationships, it was not until 1996, when filmmaker Deepa Mehta made 'Fire', a story of a same-sex relationship between two women of the same household. The film received bitter and aggressive protests across the country, ultimately getting banned.</p>

<p>It took several years for films like 'My Brother Nikhil' (2005), followed by 'Margarita with a Straw' and 'Aligarh' in 2015, 'Dear Dad', 'Kapoor &amp; Sons' and 'Loev', all in 2016, to come out. The films received positive reviews from critics for their treatment of the subject and the sensitivity with which the characters were written.</p>

<p>In 2018, the Supreme Court of India passed a landmark judgement, striking down the draconian section 377 that decriminalised homosexuality. This judgement was welcomed by a wide section of society and people were able to talk openly about their sexual orientation without fear of discrimination. But this change was limited to urban society, and nothing much changed for sexual minorities in the interiors.</p>
<img alt="Still from the films 'Bhadaai Do' and 'Shubha Mangala Jyada Savdhan'" data-align="center" data-entity-type="file" data-entity-uuid="c231d812-ab91-4b40-a278-35ef31801c00" src="//cdn.wionews.com/sites/default/files/inline-images/shubha%20mangal%20bhadai%20do.jpg" />
<p>The community though still faces discrimination, violence, hostility, bullying and harassment, even from their family. 'Shub Mangala Jayda Savdhan' and 'Baadhai Do' are good examples where the protagonist feels insecure and is hesitant to express their sexual orientation.</p>

<p>Unlike the other forms of art, cinema has the power to become a catalyst for creating and stirring social change. Juhi Chawla's character in the film 'My Brother Nikhil', who plays the role of an elder sister to Sanjay Suri, understands that being gay is not a disease and supports him during his hard times. This film conveys the message that no matter one's sexual orientation, being acceptive and supportive of that fact can improve the quality of their life.</p>
<img alt="Actors Juhi Chawla and Sanjay Suri in a still from the film 'My Brother Nikhil'" data-align="center" data-entity-type="file" data-entity-uuid="6ff92344-a847-4dc9-a211-959034acf6f7" src="//cdn.wionews.com/sites/default/files/inline-images/my%20brother%20nkhil.jpg" />
<p>Cinema, as we say, is a mirror of the society and is definitely the most appropriate platform to bring social inclusion and acceptance to the LGBTQ population- with more and more films embracing homosexual characters. But the picturization has to be done with care, sensitivity, compassion and understanding towards the community.</p>

<p>Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/lifestyle/news-best-makeup-looks-of-pride-month-2022-487693">Best makeup looks of Pride Month 2022</a></p>

<p>Having a gay or bisexual character in a movie to illicit comedy or meaningless fun has to stop and in its place, a depiction of their normal life with abnormal challenges must be portrayed. Ayushman Khurana and Vani Kapoor starrer film 'Chandigarh Kare Aashiqui' though had scenes and offensive dialogues relating to trans people, the scene between Vani and her father has been beautifully and empathically produced, where sex change is not denounced but wholeheartedly accepted.</p>
<img alt="A still from the film Kapoor &amp; Sons " data-align="center" data-entity-type="file" data-entity-uuid="ab25c20d-e44c-4d39-82a1-190b579ade37" src="//cdn.wionews.com/sites/default/files/inline-images/kapoor%20n%20sons.jpg" />
<p>Cinema and the media play a significant role in shaping stereotypes. A well-made, realistic and unquestionable film around a queer theme can in turn make people reflect on their thoughts about the community. This is best depicted in 'Kapoor &amp; Sons', where Fawad Khan's mother disowns him but gradually realises his feelings and accepts his sexual identity.</p>

<p>In today's age, the depiction of heterosexual emotions and sexuality is largely welcomed by the audience. Therefore, the emotional complexities of other genders, their life struggles, and challenges should also be presented in a similar manner that evokes empathy and consciousness amongst people.</p>

<p>'Angry Indian Goddesses', 'Cobalt Blue', short story 'Geeli Pucchi' from 'Ajeeb Daastaans' and 'Baai' from the anthology 'Modern Love Mumbai' sublimely show the developing homosexual desires. The premise of 'Angry Indian Goddesses' and 'Baai' deals with the marriage of a same-sex couple with the support of family and friends.</p>
<img alt="Geeli Puchi from Ajeeb Dasthaaan " data-align="center" data-entity-type="file" data-entity-uuid="cb6837f8-1387-4798-bd55-6a5c69c07e3a" src="//cdn.wionews.com/sites/default/files/inline-images/geeli%20puchi.jpg" />
<p>Similarly, in 'Ajeeb Dasstaan's' short story 'Geeli Pucchi', the two female protagonists develop a bond where one is hesitant to accept, while the other feels acknowledging is the only way to address the inner conflict.</p>

<p>In the last few decades, Indian cinema has been able to present sexual minorities effectively on the silver screen but sparsely.</p>

<p>The need of the hour is for more sensibly made queer-themed films with subtle and sensitive characterisation. This could help in truly bringing out the change in society towards this vibrant and amazing community.</p>

<p>Also Read&nbsp;<a href="https://www.wionews.com/photos/pride-month-superman-to-captain-america-dc-marvel-their-lgbtq-superheroes-485570">Pride month! Superman to Captain America: DC, Marvel &amp; their LGBTQ superheroes</a></p>


For years, Indian cinema avoided the subject of homosexuality and the transgenders in films. For the most part, it has been shown under the garb of comic relief.

For years, Indian cinema avoided the subject of homosexuality and the transgenders in films. For the most part, it has been shown under the garb of comic relief. It's 2022 and the Indian film industry has still not given credence to homosexuality in its depiction, especially in the commercial space. The month of June is celebrated as Pride Month with great pomp and dignity across the globe. This is when members of the LGBTQ community and their allies come together and organise events to spread awareness about the idea of equal rights and opportunities for their community. Over the years, representation of sexual minorities in Indian cinema has remained careless and underplayed, with the third-gender portrayal being violently exaggerated in appearances, such as child traffickers, brothel owners, or pimps. However, Shilpa, played by Vijay Sethupati in the 2019 Tamil anthology 'Super Deluxe’, showed the vulnerable side of the trans communities. The film perhaps is one of the most sincere representations that the audience has witness in present times. In the film, Shilpa faces societal rejection and harassment from the police when she goes to file a missing report for her son Rasakutty. Shilpa's helplessness combined with her son and wife's slow acceptance makes it a thought-provoking watch, ultimately making the audience sympathise with the character. Also Read: Journey of lesbian magazine 'Curve' hits screens this Pride month Much like trans characters, gays and lesbians too didn't have much chance of being accurately represented in cinema as India's societal scenario was not favourable towards homosexuals for a very long time. Though there were a few filmmakers who dared to showcase concepts encircling same-sex relationships, it was not until 1996, when filmmaker Deepa Mehta made 'Fire', a story of a same-sex relationship between two women of the same household. The film received bitter and aggressive protests across the country, ultimately getting banned. It took several years for films like 'My Brother Nikhil' (2005), followed by 'Margarita with a Straw' and 'Aligarh' in 2015, 'Dear Dad', 'Kapoor & Sons' and 'Loev', all in 2016, to come out. The films received positive reviews from critics for their treatment of the subject and the sensitivity with which the characters were written. In 2018, the Supreme Court of India passed a landmark judgement, striking down the draconian section 377 that decriminalised homosexuality. This judgement was welcomed by a wide section of society and people were able to talk openly about their sexual orientation without fear of discrimination. But this change was limited to urban society, and nothing much changed for sexual minorities in the interiors. The community though still faces discrimination, violence, hostility, bullying and harassment, even from their family. 'Shub Mangala Jayda Savdhan' and 'Baadhai Do' are good examples where the protagonist feels insecure and is hesitant to express their sexual orientation. Unlike the other forms of art, cinema has the power to become a catalyst for creating and stirring social change. Juhi Chawla's character in the film 'My Brother Nikhil', who plays the role of an elder sister to Sanjay Suri, understands that being gay is not a disease and supports him during his hard times. This film conveys the message that no matter one's sexual orientation, being acceptive and supportive of that fact can improve the quality of their life. Cinema, as we say, is a mirror of the society and is definitely the most appropriate platform to bring social inclusion and acceptance to the LGBTQ population- with more and more films embracing homosexual characters. But the picturization has to be done with care, sensitivity, compassion and understanding towards the community. Also Read: Best makeup looks of Pride Month 2022 Having a gay or bisexual character in a movie to illicit comedy or meaningless fun has to stop and in its place, a depiction of their normal life with abnormal challenges must be portrayed. Ayushman Khurana and Vani Kapoor starrer film 'Chandigarh Kare Aashiqui' though had scenes and offensive dialogues relating to trans people, the scene between Vani and her father has been beautifully and empathically produced, where sex change is not denounced but wholeheartedly accepted. Cinema and the media play a significant role in shaping stereotypes. A well-made, realistic and unquestionable film around a queer theme can in turn make people reflect on their thoughts about the community. This is best depicted in 'Kapoor & Sons', where Fawad Khan's mother disowns him but gradually realises his feelings and accepts his sexual identity. In today's age, the depiction of heterosexual emotions and sexuality is largely welcomed by the audience. Therefore, the emotional complexities of other genders, their life struggles, and challenges should also be presented in a similar manner that evokes empathy and consciousness amongst people. 'Angry Indian Goddesses', 'Cobalt Blue', short story 'Geeli Pucchi' from 'Ajeeb Daastaans' and 'Baai' from the anthology 'Modern Love Mumbai' sublimely show the developing homosexual desires. The premise of 'Angry Indian Goddesses' and 'Baai' deals with the marriage of a same-sex couple with the support of family and friends. Similarly, in 'Ajeeb Dasstaan's' short story 'Geeli Pucchi', the two female protagonists develop a bond where one is hesitant to accept, while the other feels acknowledging is the only way to address the inner conflict. In the last few decades, Indian cinema has been able to present sexual minorities effectively on the silver screen but sparsely. The need of the hour is for more sensibly made queer-themed films with subtle and sensitive characterisation. This could help in truly bringing out the change in society towards this vibrant and amazing community. Also Read Pride month! Superman to Captain America: DC, Marvel & their LGBTQ superheroes

Pride Month: Power of cinema and the positive change it can wield on LGBTQ community

<p>Abhishek Kapoor who has earlier fashioned &nbsp;'Rock On!!!', 'Kai Po Che', 'Fitoor' and 'Kedarnath' is back with his latest 'Chandigarh Kare Aashiqui' which many consider his best work to date. In a freewheeling interview with Subhash &nbsp;K Jha, Abhishek sheds light on the genesis of his unusual transgender romance and its implicit ramifications.</p>

<p><strong>How and when did the idea of 'Chandigarh Kare Aashiqui'(CKA) come to you?</strong></p>

<p>The germ of the story emerged from a chance meeting with this lady Simran Sahni. She's a mother to two beautiful twin daughters, both of whom have undergone gender reassignment surgeries. The brief chat I had with her about the subject somehow stayed with me and I kept going back to it now and then. Post 'Kedarnath', that process of incubation seemed to have culminated into the conception of a love story and along with my writers Supratik and Tushar, we began deep-diving into this world.</p>

<p><strong>It is an audacious unconventional subject on gender reassignment. Didn’t you fear going into a territory never gone into before mainstream Hindi cinema?</strong></p>

<p>It's always exciting to push your boundaries as a filmmaker and outdo yourself each time. One shouldn't let the reductive shackles of what we regard as 'mainstream cinema' constrain or dilute one's creative voice. I want to go all out with every film I make and make the most of that opportunity.</p>

<p><strong>CKA marks a bold departure not only for Hindi cinema but also for you..your last film was about a pilgrimage spot...this is quite a distance from that one. Was it difficult covering that distance?</strong></p>

<p>In all my films I've refrained from adapting myself to a certain mould and developing a comfort zone for myself. Looking back at the modest work I've done so far, I'm glad I could explore the vividly rich Indian diaspora and delve into such distinct worlds and characters. So transitioning from one film to the next is something that's always been in my DNA as a filmmaker.</p>

<p><strong><a href="https://www.wionews.com/entertainment/bollywood/news-chandigarh-kare-aashiqui-review-ayushmann-khurrana-vaani-kapoors-film-is-brave-entertaining-and-refreshing-435760" hreflang="en">'Chandigarh Kare Aashiqui' review: Ayushmann, Vaani's film is brave, entertaining and refreshing</a></strong></p>

<p><strong>Ayushmann Khurrana and Vaani Kapoor are pitch-perfect in their parts. How on earth did you convince them to take on their bold roles specially &nbsp;Vaani, what magic did you use to convince her?</strong></p>

<p>Both Ayushmann and Vaani are actors who are thoroughly dedicated to their craft. It was fascinating to see them explore the finer nuances of the characters and express that which is concealed between the lines. Vaani is like an enigma waiting to be explored and she certainly saw an opportunity with this story to tap into her boundless potential as an actor. Kudos to her for embracing such a challenging part with such poise.</p>

<p><strong>Everything is just right in CKA. Were you aware that the chemical balance of the storytelling was going to be so right?</strong></p>

<p>Thanks a lot for saying that. We had spent over two years working on this script. We took several routes with the story and tried to set the premise in different backdrops before we landed up with the present one. But over this course of experimentation, we grew increasingly convinced about the desired treatment and appeal that this story demands. Perhaps, it was this insight that helped us pepper the screenplay with measured elements of romance, humour, drama, and the central theme. Like every other story, this too involved a long process of trial-and-error until it felt just right.</p>

<p><strong>The response of the &nbsp;LGBTQ community to your film is crucial. What are your thoughts on this?</strong></p>

<p>Most certainly. More than anything else, it's a story that's bound to resonate with the unheard, discriminated voices who are a victim of the biases ingrained in our society. Besides being a love story, it's a film that attempts to destigmatize a regressive taboo and acceptance from the communities would be truly validating.</p>

<p><strong>Tell me about your next project?</strong></p>

<p>I've been developing a couple of projects simultaneously but am still in the process of figuring the one that goes on the floor the next. Besides directing, as a production house we are also focussing on developing content for the OTT platforms and getting other directors on board who share the same passion for clutter-breaking storytelling.</p>

<p><strong>You took a leap of faith in making this wonderful film. Any fear of falling, failing? Do you feel Hindi mainstream cinema needs to take such a leap more often?</strong></p>

<p>I think the conviction and firm belief I had about this story superseded any doubts and hesitations. Trans characters have always been reduced to become the butt of all jokes in films and it was high time that we saw them in a new light. Nothing will make me happier than encouraging conversations about the subject through the film. People love watching good stories and as filmmakers, it's on us to leave them with something they can take home with them.</p>


Abhishek Kapoor who has earlier fashioned 'Rock On!!!', 'Kai Po Che', 'Fitoor' and 'Kedarnath' is back with his latest 'Chandigarh Kare Aashiqui' which many consider his best work to date.

Abhishek Kapoor who has earlier fashioned 'Rock On!!!', 'Kai Po Che', 'Fitoor' and 'Kedarnath' is back with his latest 'Chandigarh Kare Aashiqui' which many consider his best work to date. In a freewheeling interview with Subhash K Jha, Abhishek sheds light on the genesis of his unusual transgender romance and its implicit ramifications. How and when did the idea of 'Chandigarh Kare Aashiqui'(CKA) come to you? The germ of the story emerged from a chance meeting with this lady Simran Sahni. She's a mother to two beautiful twin daughters, both of whom have undergone gender reassignment surgeries. The brief chat I had with her about the subject somehow stayed with me and I kept going back to it now and then. Post 'Kedarnath', that process of incubation seemed to have culminated into the conception of a love story and along with my writers Supratik and Tushar, we began deep-diving into this world. It is an audacious unconventional subject on gender reassignment. Didn’t you fear going into a territory never gone into before mainstream Hindi cinema? It's always exciting to push your boundaries as a filmmaker and outdo yourself each time. One shouldn't let the reductive shackles of what we regard as 'mainstream cinema' constrain or dilute one's creative voice. I want to go all out with every film I make and make the most of that opportunity. CKA marks a bold departure not only for Hindi cinema but also for you..your last film was about a pilgrimage spot...this is quite a distance from that one. Was it difficult covering that distance? In all my films I've refrained from adapting myself to a certain mould and developing a comfort zone for myself. Looking back at the modest work I've done so far, I'm glad I could explore the vividly rich Indian diaspora and delve into such distinct worlds and characters. So transitioning from one film to the next is something that's always been in my DNA as a filmmaker. 'Chandigarh Kare Aashiqui' review: Ayushmann, Vaani's film is brave, entertaining and refreshing Ayushmann Khurrana and Vaani Kapoor are pitch-perfect in their parts. How on earth did you convince them to take on their bold roles specially Vaani, what magic did you use to convince her? Both Ayushmann and Vaani are actors who are thoroughly dedicated to their craft. It was fascinating to see them explore the finer nuances of the characters and express that which is concealed between the lines. Vaani is like an enigma waiting to be explored and she certainly saw an opportunity with this story to tap into her boundless potential as an actor. Kudos to her for embracing such a challenging part with such poise. Everything is just right in CKA. Were you aware that the chemical balance of the storytelling was going to be so right? Thanks a lot for saying that. We had spent over two years working on this script. We took several routes with the story and tried to set the premise in different backdrops before we landed up with the present one. But over this course of experimentation, we grew increasingly convinced about the desired treatment and appeal that this story demands. Perhaps, it was this insight that helped us pepper the screenplay with measured elements of romance, humour, drama, and the central theme. Like every other story, this too involved a long process of trial-and-error until it felt just right. The response of the LGBTQ community to your film is crucial. What are your thoughts on this? Most certainly. More than anything else, it's a story that's bound to resonate with the unheard, discriminated voices who are a victim of the biases ingrained in our society. Besides being a love story, it's a film that attempts to destigmatize a regressive taboo and acceptance from the communities would be truly validating. Tell me about your next project? I've been developing a couple of projects simultaneously but am still in the process of figuring the one that goes on the floor the next. Besides directing, as a production house we are also focussing on developing content for the OTT platforms and getting other directors on board who share the same passion for clutter-breaking storytelling. You took a leap of faith in making this wonderful film. Any fear of falling, failing? Do you feel Hindi mainstream cinema needs to take such a leap more often? I think the conviction and firm belief I had about this story superseded any doubts and hesitations. Trans characters have always been reduced to become the butt of all jokes in films and it was high time that we saw them in a new light. Nothing will make me happier than encouraging conversations about the subject through the film. People love watching good stories and as filmmakers, it's on us to leave them with something they can take home with them.

Abhishek Kapoor on 'Chandigarh Kare Aashiqui': High time we saw trans community in new light

<p>Over the years, Ayushmann Khurrana has consistently taken up projects that are message-driven and entertaining. Khurrana, with his films, has in a short span become one of the few actors whose films do well at the box office without adhering to any formula. So when Khurrana announces a new film, expectations are bound to be high. His latest 'Chandigarh Kare Aashiqui' directed by ace filmmaker Abhishek Kapoor manages to meet expectations to a great extent.&nbsp;</p>

<p><em><strong>*this review may contain spoilers</strong></em><br />
<br />
He is a brawny, alpha man with bulging biceps. She is&nbsp;pretty with a figure to die for. They both work in a gym.&nbsp;Physical attraction is obvious. So when Manu Munjal(Khurrana)&nbsp;- a Chandigarh boy who pumps iron for a living falls for the pretty, attractive Maanvi Brar(Vaani Kapoor)- sparks fly and leads to a lot of sex. His overbearing parents urge him to get married to her as she is the sophisticated 'Sector 4' type (a posh area in Chandigarh) and he is almost convinced that she is the one until a deep dark secret of Maanvi's comes tumbling out and things turn haywire.&nbsp;<br />
<br />
Kapoor's film uses ample humour and a certain amount of stereotypes to deal with the core plot which revolves around a transwoman and cis man. So words like '<em>Chhakka</em>' (Hindi for eunuchs), <em>mardo wali shakal</em> (a woman with a face like a man), <em>paagalon ka doctor(</em> for psychiatrist) is used by the characters amply throughout the film. They may make you cringe but it is to drive home the point of how society remains oblivious and insensitive to issues like gender fluidity or mental health.&nbsp;<br />
<br />
Manu's reactions initially are insensitive and disgusting when he finds out about Maanvi's past but also very relatable. So is Maanvi's initial hesitation to go on a date with Manu. The beauty of 'Chandigarh Kare Ashiqui' lies in its writing by Kapoor, Tushar Paranjape&nbsp;and Supratik Sen who also doubles up as the screenplay writer. The humour is the little detailings, the poignancy of a matter as sensitive as gender fluidity is in how the characters and their backgrounds unravelled. In hero is of course an alpha male but in reality, a softie who is bullied by his two sisters at home. The stronger one is the woman or trans girl as we soon get to know, who despite appearing shy and vulnerable in the beginning turns out to be a person with more grit and personality.&nbsp;</p>

<p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/tiIF4GqinEU" title="YouTube video player" width="560"></iframe><br />
<br />
Kapoor's casting is perfect. Khurrana- who is from Chandigarh- plays the brawny, slightly dumb, slightly naive Manu with ease. With bulging biceps and a ponytail high up, Manu is your typical <em>desi munda</em> who wants everyone to believe he is a toughie - just to hide his inner vulnerabilities, his ignorance about worldly affairs. He knows that he needs to ask her out on a date, but doesn't wait for her to order and promptly starts eating before she can even pick her food because he is on intermittent fasting. He is that insensitive and takes him a while to come around and understand what he is got himself into.&nbsp;<br />
<br />
Vaani Kapoor plays the underdog in an Ayushmann Khurrana film where it's always easy to get overshadowed by the actor's talent. But Kapoor is astoundingly fresh and shows spark in her portrayal of the well-turned town, hot (if I may add) Maanvi. She is strong, she is gone through a lot of pain but is still ready to take on the world head on. She matches Ayushmann in every scene - making it evident that when she is given a well-etched out role, she knows how to deliver. Her portrayal of Maanvi almost reminds you of her bright, refreshing debut in 'Shuddh Desi Romance'.&nbsp;<br />
<br />
It's tricky for a Bollywood mainstream film to talk about gender fluidity and the trans community without offending anyone and without sounding too preachy. Kapoor, with the help of his writers, envelops the topic in hand, in a rom-com with ample situational comedy, quirky characters and of course crude language. But it helps to drive home the point.&nbsp;<br />
<br />
I also particularly liked the way the maker educates the audience about transgenders and sex reassignment procedures by including actual snippets of real transgender activists&nbsp;and personalities talking about their experiences. Those portions are so well made- with Manu, who know is at crossroads with this relationship with Maanvi, making the effort to read up to understand what the issue is.&nbsp;<br />
<br />
The only problem with the film is that it is predictable. You know how it will end and it takes a lot of time to concentrate on the man and his transformation as a noble, well-rounded, aware personality who remains the prime focus in the relationship, attempting to win a sports championship with his girl cheering him by the side.<br />
&nbsp;<br />
Should you watch 'Chandigarh Kare Ashiqui'? Yes! It may try to blanket an important issue under a romantic-comedy genre, but it at least attempts to push the boundaries in Bollywood which is mostly tone-deaf about such topics. It takes the help of comedy and stereotypes but still manages to drive home an important point- that love is love. Irrespective of gender.&nbsp;</p>

<p>&nbsp;</p>


Over the years, Ayushmann Khurrana has consistently taken up projects that are message-driven and entertaining. Khurrana, with his films, has in a short span become one of the few actors whose films do well at the box office without adhering to any formula.

Over the years, Ayushmann Khurrana has consistently taken up projects that are message-driven and entertaining. Khurrana, with his films, has in a short span become one of the few actors whose films do well at the box office without adhering to any formula. So when Khurrana announces a new film, expectations are bound to be high. His latest 'Chandigarh Kare Aashiqui' directed by ace filmmaker Abhishek Kapoor manages to meet expectations to a great extent. *this review may contain spoilers He is a brawny, alpha man with bulging biceps. She is pretty with a figure to die for. They both work in a gym. Physical attraction is obvious. So when Manu Munjal(Khurrana) - a Chandigarh boy who pumps iron for a living falls for the pretty, attractive Maanvi Brar(Vaani Kapoor)- sparks fly and leads to a lot of sex. His overbearing parents urge him to get married to her as she is the sophisticated 'Sector 4' type (a posh area in Chandigarh) and he is almost convinced that she is the one until a deep dark secret of Maanvi's comes tumbling out and things turn haywire. Kapoor's film uses ample humour and a certain amount of stereotypes to deal with the core plot which revolves around a transwoman and cis man. So words like 'Chhakka' (Hindi for eunuchs), mardo wali shakal (a woman with a face like a man), paagalon ka doctor( for psychiatrist) is used by the characters amply throughout the film. They may make you cringe but it is to drive home the point of how society remains oblivious and insensitive to issues like gender fluidity or mental health. Manu's reactions initially are insensitive and disgusting when he finds out about Maanvi's past but also very relatable. So is Maanvi's initial hesitation to go on a date with Manu. The beauty of 'Chandigarh Kare Ashiqui' lies in its writing by Kapoor, Tushar Paranjape and Supratik Sen who also doubles up as the screenplay writer. The humour is the little detailings, the poignancy of a matter as sensitive as gender fluidity is in how the characters and their backgrounds unravelled. In hero is of course an alpha male but in reality, a softie who is bullied by his two sisters at home. The stronger one is the woman or trans girl as we soon get to know, who despite appearing shy and vulnerable in the beginning turns out to be a person with more grit and personality. Kapoor's casting is perfect. Khurrana- who is from Chandigarh- plays the brawny, slightly dumb, slightly naive Manu with ease. With bulging biceps and a ponytail high up, Manu is your typical desi munda who wants everyone to believe he is a toughie - just to hide his inner vulnerabilities, his ignorance about worldly affairs. He knows that he needs to ask her out on a date, but doesn't wait for her to order and promptly starts eating before she can even pick her food because he is on intermittent fasting. He is that insensitive and takes him a while to come around and understand what he is got himself into. Vaani Kapoor plays the underdog in an Ayushmann Khurrana film where it's always easy to get overshadowed by the actor's talent. But Kapoor is astoundingly fresh and shows spark in her portrayal of the well-turned town, hot (if I may add) Maanvi. She is strong, she is gone through a lot of pain but is still ready to take on the world head on. She matches Ayushmann in every scene - making it evident that when she is given a well-etched out role, she knows how to deliver. Her portrayal of Maanvi almost reminds you of her bright, refreshing debut in 'Shuddh Desi Romance'. It's tricky for a Bollywood mainstream film to talk about gender fluidity and the trans community without offending anyone and without sounding too preachy. Kapoor, with the help of his writers, envelops the topic in hand, in a rom-com with ample situational comedy, quirky characters and of course crude language. But it helps to drive home the point. I also particularly liked the way the maker educates the audience about transgenders and sex reassignment procedures by including actual snippets of real transgender activists and personalities talking about their experiences. Those portions are so well made- with Manu, who know is at crossroads with this relationship with Maanvi, making the effort to read up to understand what the issue is. The only problem with the film is that it is predictable. You know how it will end and it takes a lot of time to concentrate on the man and his transformation as a noble, well-rounded, aware personality who remains the prime focus in the relationship, attempting to win a sports championship with his girl cheering him by the side. Should you watch 'Chandigarh Kare Ashiqui'? Yes! It may try to blanket an important issue under a romantic-comedy genre, but it at least attempts to push the boundaries in Bollywood which is mostly tone-deaf about such topics. It takes the help of comedy and stereotypes but still manages to drive home an important point- that love is love. Irrespective of gender.

'Chandigarh Kare Aashiqui' review: Ayushmann, Vaani's film is brave, entertaining and refreshing

<p>All eyes on 'Chandigarh Kare Aashiqui': Will Ayushmann Khurrana score another hit at the box office?</p>

<p>Abhishek Kapoor is lucky for his leading actors. His 'Rock On' made Farhan Akhtar a household name. 'Kai Po Che' turned Sushant Singh Rajput into an overnight movie star.' Kedarnath' brought the spunky Sara Ali Khan to the fore. And 'Fitoor', though a &nbsp;failure at the box office showed Aditya Roy Kapoor could act.</p>

<p>In Abhishek Kapoor’s &nbsp;'Chandigarh Kare Aashiqui' which opens this week, its leading man &nbsp;Ayushmann Khurran has nothing to prove. He has already consolidated his position as a reliable game-changing actor with box office clout.</p>

<p>It is the film’s leading lady Vani Kapoor who I suspect will go to another level of success with 'Chandigarh Kare Aashiqui'. Vani plays a transgender woman in love with a &nbsp;cisgender man<a href="https://www.wionews.com/entertainment/chandigarh-kare-aashiqui-trailer-ayushmann-khurrana-vaani-kapoor-challenge-usual-notions-of-love-427932">.Chandigarh Kare Aashiqui' trailer: Ayushmann Khurrana, Vaani Kapoor challenge usual notions of love</a></p>

<p>&nbsp;</p>

<p>Apparently, many of the leading ladies in Bollywood said no to the role until Vani stepped in and took over the character.</p>

<p>“She brings a certain style and freshness to the film that one has rarely seen in our films,” says director &nbsp;Abhishek &nbsp;Kapoor.</p>

<p>It remains to be seen if 'Chandigarh Kare Aashiqui' &nbsp;will do to Vani’s career what &nbsp; Kedarnath did to Sara Ali Khan. Will it take her career to the next level?</p>


All eyes on 'Chandigarh Kare Aashiqui': Will Ayushmann Khurrana score another hit at the box office? Abhishek Kapoor is lucky for his leading actors. His 'Rock On' made Farhan Akhtar a household name.

All eyes on 'Chandigarh Kare Aashiqui': Will Ayushmann Khurrana score another hit at the box office? Abhishek Kapoor is lucky for his leading actors. His 'Rock On' made Farhan Akhtar a household name. 'Kai Po Che' turned Sushant Singh Rajput into an overnight movie star.' Kedarnath' brought the spunky Sara Ali Khan to the fore. And 'Fitoor', though a failure at the box office showed Aditya Roy Kapoor could act. In Abhishek Kapoor’s 'Chandigarh Kare Aashiqui' which opens this week, its leading man Ayushmann Khurran has nothing to prove. He has already consolidated his position as a reliable game-changing actor with box office clout. It is the film’s leading lady Vani Kapoor who I suspect will go to another level of success with 'Chandigarh Kare Aashiqui'. Vani plays a transgender woman in love with a cisgender man.Chandigarh Kare Aashiqui' trailer: Ayushmann Khurrana, Vaani Kapoor challenge usual notions of love Apparently, many of the leading ladies in Bollywood said no to the role until Vani stepped in and took over the character. “She brings a certain style and freshness to the film that one has rarely seen in our films,” says director Abhishek Kapoor. It remains to be seen if 'Chandigarh Kare Aashiqui' will do to Vani’s career what Kedarnath did to Sara Ali Khan. Will it take her career to the next level?

All eyes on 'Chandigarh Kare Aashiqui': Will Ayushmann and Vani score a hit at the box office?

<p>Ayushmann Khurrana and Vaani Kapoor's new film 'Chandigarh Kare Aashiqui' tries to challenge the stereotypical notion of a Bollywood love story.&nbsp;<br />
<br />
The trailer of the film was unveiled on Monday and has both Ayushmann and Vaani playing refreshingly new characters.&nbsp;<br />
<br />
The three-minute-long trailer shows the romantic journey of Ayushmann`s character doing the heavy lifting in a gym and Vaani, who plays a Zumba instructor. The two fall in love almost instantly but things go awry when one of them discovers a deep dark secret about the other.&nbsp;<br />
<br />
The trailer is imbued with dollops of humour and intricate emotions.<br />
<br />
Director Abhishek Kapoor said, "Nothing gives me more joy than to see our film heading for a theatrical release soon. As the trailer drops today, we are sure that people will surely be thrilled to see Ayushmann and Vaani in this avatar. It`s not just any love story but one that`s uniquely mind-bending and yet universal in its appeal."</p>

<p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/tiIF4GqinEU" title="YouTube video player" width="560"></iframe><br />
<br />
He added, "I have always believed in curating stories that are intricately woven and characters that resonate with people. 'Chandigarh Kare Aashiqui is very close to my heart and I hope the audiences will appreciate all our hard work."<br />
<br />
Producer Bhushan Kumar added that while he is confident that the film is going to be a trendsetter and will create a benchmark for all the upcoming love stories, the music of the film is going to be one of the best albums of 2021.<br />
<br />
Bhushan added, "This is an entertainer that our audiences are waiting to watch as they resume watching films on the big screen."<br />
<br />
Gulshan Kumar, T-Series and Guy in the Sky Pictures presents, 'Chandigarh Kare Aashiqui'&nbsp;directed by Abhishek Kapoor, produced by Bhushan Kumar and Pragya Kapoor. The film releases on December 10.<br />
&nbsp;</p>

<p>&nbsp;</p>


Ayushmann Khurrana and Vaani Kapoor's new film 'Chandigarh Kare Aashiqui' tries to challenge the stereotypical notion of a Bollywood love story. The trailer of the film was unveiled on Monday and has both Ayushmann and Vaani playing refreshingly new characters.

Ayushmann Khurrana and Vaani Kapoor's new film 'Chandigarh Kare Aashiqui' tries to challenge the stereotypical notion of a Bollywood love story. The trailer of the film was unveiled on Monday and has both Ayushmann and Vaani playing refreshingly new characters. The three-minute-long trailer shows the romantic journey of Ayushmann`s character doing the heavy lifting in a gym and Vaani, who plays a Zumba instructor. The two fall in love almost instantly but things go awry when one of them discovers a deep dark secret about the other. The trailer is imbued with dollops of humour and intricate emotions. Director Abhishek Kapoor said, "Nothing gives me more joy than to see our film heading for a theatrical release soon. As the trailer drops today, we are sure that people will surely be thrilled to see Ayushmann and Vaani in this avatar. It`s not just any love story but one that`s uniquely mind-bending and yet universal in its appeal." He added, "I have always believed in curating stories that are intricately woven and characters that resonate with people. 'Chandigarh Kare Aashiqui is very close to my heart and I hope the audiences will appreciate all our hard work." Producer Bhushan Kumar added that while he is confident that the film is going to be a trendsetter and will create a benchmark for all the upcoming love stories, the music of the film is going to be one of the best albums of 2021. Bhushan added, "This is an entertainer that our audiences are waiting to watch as they resume watching films on the big screen." Gulshan Kumar, T-Series and Guy in the Sky Pictures presents, 'Chandigarh Kare Aashiqui' directed by Abhishek Kapoor, produced by Bhushan Kumar and Pragya Kapoor. The film releases on December 10.

'Chandigarh Kare Aashiqui' trailer: Ayushmann Khurrana, Vaani Kapoor challenge usual notions of love

<p>Bollywood filmmaker Abhishek Kapoor just wrapped up shoot of his next film 'Chandigarh Kare Aashiqui' recently. Starring Ayushmann Khurrana and Vaani Kapoor, the film is the first Indian film to complete the entire shooting during the Covid times.<br />
<br />
Expressing joy on achieving this feat, Ayushmann took to Instagram to share pictures from the shoot wrap celebrations that had cast and crew of the film in attendance.&nbsp;<br />
<br />
He also penned a short note on how he feels proud that his film is the first Indian film to finish its entire shoot while battling Covid.</p>

<p>"Today, I feel immensely proud that our film is the first one in India to finish shooting an entire film while battling the coronavirus," the `Vicky Donor` actor wrote in the caption.&nbsp;</p>

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<p>Khurrana further credited the swift wrap of the shoot to his director Abhishek Kapoor and producer Pragya Kapoor."I have to credit my director and producer Abhishek Kapoor and Pragya Kapoor for manning the resources so diligently and so effectively," he wrote.&nbsp;<br />
<br />
The `Article 15` actor also expressed happiness to have "managed this feat" in his hometown Chandigarh. "It feels amazing that we managed this feat in my hometown Chandigarh - couldn`t be prouder," he wrote.&nbsp;<br />
<br />
"'Chandigarh Kare Aashiqui' is a very special film for me and I can`t wait to share it with the world in cinemas next year," he added.&nbsp;<br />
The film stars Vaani Kapoor opposite Khurrana who will be seen portraying the role of a cross-functional athlete in the film.</p>


Bollywood filmmaker Abhishek Kapoor just wrapped up shoot of his next film 'Chandigarh Kare Aashiqui' recently. Starring Ayushmann Khurrana and Vaani Kapoor, the film is the first Indian film to complete the entire shooting during the Covid times.

Bollywood filmmaker Abhishek Kapoor just wrapped up shoot of his next film 'Chandigarh Kare Aashiqui' recently. Starring Ayushmann Khurrana and Vaani Kapoor, the film is the first Indian film to complete the entire shooting during the Covid times. Expressing joy on achieving this feat, Ayushmann took to Instagram to share pictures from the shoot wrap celebrations that had cast and crew of the film in attendance. He also penned a short note on how he feels proud that his film is the first Indian film to finish its entire shoot while battling Covid. "Today, I feel immensely proud that our film is the first one in India to finish shooting an entire film while battling the coronavirus," the `Vicky Donor` actor wrote in the caption. View this post on Instagram A post shared by Ayushmann Khurrana (@ayushmannk) × Khurrana further credited the swift wrap of the shoot to his director Abhishek Kapoor and producer Pragya Kapoor."I have to credit my director and producer Abhishek Kapoor and Pragya Kapoor for manning the resources so diligently and so effectively," he wrote. The `Article 15` actor also expressed happiness to have "managed this feat" in his hometown Chandigarh. "It feels amazing that we managed this feat in my hometown Chandigarh - couldn`t be prouder," he wrote. "'Chandigarh Kare Aashiqui' is a very special film for me and I can`t wait to share it with the world in cinemas next year," he added. The film stars Vaani Kapoor opposite Khurrana who will be seen portraying the role of a cross-functional athlete in the film.

Ayushmann Khurrana's 'Chandigarh Kare Aashiqui' is the first film to finish entire shoot during pandemic

<p>Ayushmann Khurana's next project with Abhishek Kapoor and Vaani Kapoor has been wrapped. The film titled 'Chandigarh Kare Aashiqui' is a romantic comedy starring Ayushmann and Vaani and is directed by Abhishek.&nbsp;<br />
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The film has been produced by T-Series and Guy in the Sky Pictures production, and is said to be a 'progressive love story'. The production on the movie commenced amid the coronavirus pandemic in October and the team wrapped the film in about 48 days in Chandigarh.<br />
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T-Series' Bhushan Kumar said all the safety measures were taken during the filming. "It has also given an opportunity for people working in this industry to be back to work. We are glad that our efforts were laid down successfully," Kumar said in a statement here. Pragya Kapoor of Guy in the Sky Pictures said she is grateful to the team for their support during the making of the film. "The new normal definitely has gotten the best out of us within a short span of time. We are happy to become one of the first Indian films to pull this off. It's not been easy but together we made it happen," the producer said.<br />
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Khurrana will be seen essaying the role of a cross functional athlete in the project, which stars Vaani Kapoor as his love interest. As soon as the film wrapped, Ayushmann has hopped onto his next film. Titled ‘Doctor G’, the film will be directed by Anubhuti Kashyap.&nbsp;</p>


Ayushmann Khurana's next project with Abhishek Kapoor and Vaani Kapoor has been wrapped. The film titled 'Chandigarh Kare Aashiqui' is a romantic comedy starring Ayushmann and Vaani and is directed by Abhishek.

Ayushmann Khurana's next project with Abhishek Kapoor and Vaani Kapoor has been wrapped. The film titled 'Chandigarh Kare Aashiqui' is a romantic comedy starring Ayushmann and Vaani and is directed by Abhishek. The film has been produced by T-Series and Guy in the Sky Pictures production, and is said to be a 'progressive love story'. The production on the movie commenced amid the coronavirus pandemic in October and the team wrapped the film in about 48 days in Chandigarh. T-Series' Bhushan Kumar said all the safety measures were taken during the filming. "It has also given an opportunity for people working in this industry to be back to work. We are glad that our efforts were laid down successfully," Kumar said in a statement here. Pragya Kapoor of Guy in the Sky Pictures said she is grateful to the team for their support during the making of the film. "The new normal definitely has gotten the best out of us within a short span of time. We are happy to become one of the first Indian films to pull this off. It's not been easy but together we made it happen," the producer said. Khurrana will be seen essaying the role of a cross functional athlete in the project, which stars Vaani Kapoor as his love interest. As soon as the film wrapped, Ayushmann has hopped onto his next film. Titled ‘Doctor G’, the film will be directed by Anubhuti Kashyap.

'Chandigarh Kare Aashiqui': It's a wrap for Ayushmann Khurrana-Vaani Kapoor starrer

<p>'Kedarnath' director Abhishek Kapoor's new film titled 'Chandigarh Kare Aashiqui' will start Ayushmann Khurrana and Vaani Kapoor in the lead. Khurrana announced his new film on Wednesday on social media.<br />
<br />
Billed as a "progressive love story", the filming began in Chandigarh on Wednesday.<br />
<br />
Khurrana shared a picture of the trio and the clapboard of the film.<br />
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"Next stop: My hometown Chandigarh for the first time. Excited to be a part of Abhishek Kapoor's delightful progressive love story 'Chandigarh Kare Aashiqui'," he captioned the picture.<br />
<br />
The 'Andhadhun' star will be seen playing a cross functional athlete in the project and is going to sport a new look in the film. The film is produced by Bhushan Kumar and Pragya Kapoor.<br />
<br />
'Chandigarh Kare Aashiqui' marks the first collaboration of Khurrana, Vaani Kapoor and Abhishek Kapoor, who is known for making films like 'Kedarnath', 'Kai Po Che' and 'Rock On'.<br />
<br />
Khurrana was most recently seen in the satire 'Gulabo Sitabo' which released on Amazon Prime Video in June, whereas Vaani Kapoor's last cinematic appearance was the 2019 action thrilletr 'War'.</p>


'Kedarnath' director Abhishek Kapoor's new film titled 'Chandigarh Kare Aashiqui' will start Ayushmann Khurrana and Vaani Kapoor in the lead. Khurrana announced his new film on Wednesday on social media.

'Kedarnath' director Abhishek Kapoor's new film titled 'Chandigarh Kare Aashiqui' will start Ayushmann Khurrana and Vaani Kapoor in the lead. Khurrana announced his new film on Wednesday on social media. Billed as a "progressive love story", the filming began in Chandigarh on Wednesday. Khurrana shared a picture of the trio and the clapboard of the film. "Next stop: My hometown Chandigarh for the first time. Excited to be a part of Abhishek Kapoor's delightful progressive love story 'Chandigarh Kare Aashiqui'," he captioned the picture. The 'Andhadhun' star will be seen playing a cross functional athlete in the project and is going to sport a new look in the film. The film is produced by Bhushan Kumar and Pragya Kapoor. 'Chandigarh Kare Aashiqui' marks the first collaboration of Khurrana, Vaani Kapoor and Abhishek Kapoor, who is known for making films like 'Kedarnath', 'Kai Po Che' and 'Rock On'. Khurrana was most recently seen in the satire 'Gulabo Sitabo' which released on Amazon Prime Video in June, whereas Vaani Kapoor's last cinematic appearance was the 2019 action thrilletr 'War'.

Ayushmann Khurrana-Vaani Kapoor begin shooting for Abhishek Kapoor's 'Chandigarh Kare Aashiqui'

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