<p>Jesse Plemons has joined the cast of the upcoming <em>Hunger Games</em> prequel <em>Sunrise on the Reaping</em>. The Oscar-nominated actor is known for his roles in movies like <em>Kinds of Kindness, The Power of the Dog</em>, and <em>Killers of the Flower Moon</em>. He will be playing the role of Plutarch Heavensbee.</p>
<p>The late Philip Seymour Hoffman had previously played the role in <em>The Hunger Games: Catching Fire</em> and <em>The Hunger Games: Mockingjay.</em> <em>Sunrise on the Reaping</em> is set in the country of Panem, 24 years before the events of the first movie, and follows 16‐year‐old Haymitch Abernathy.</p>
<p><strong>Also Read: <a href="https://www.wionews.com/entertainment/ballerina-checkout-the-stylish-new-posters-of-ana-de-armas-and-keanu-reeves-from-the-john-wick-spinoff-9001187">Ballerina: Checkout the stylish new posters of Ana de Armas and Keanu Reeves from the John Wick spinoff</a></strong></p>
<h2>Lionsgate praises Plemons&rsquo; casting</h2>
<p>Erin Westerman, co-president of Lionsgate Motion Picture Group, spoke about Plemons' casting in a statement saying, &ldquo;Jesse is one of the most talented actors of his generation, with a proven record of picking his roles selectively. We are honored that he has chosen to bring his own take to one of the most fascinating figures in Panem, and feel that his previous collaboration with Philip Seymour Hoffman makes it all the more special.&rdquo;</p>
<p><strong>Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/sex-education-star-emma-mackey-rumoured-to-be-cast-as-the-white-witch-in-netflixs-naria-9003589">Sex Education star Emma Mackey rumoured to be cast as the White Witch in Netflix's Narnia</a></strong></p>
<h2>Set during the 50th Hunger Games</h2>
<p>Haymitch Abernathy is from District 12 and was chosen as a tribute to participate in the 50th Hunger Games. Actor Woody Harrelson previously played the role in The Hunger Games movies, where he served as a mentor for Katniss Everdeen, played by Jennifer Lawrence.</p>
<p><strong>Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/the-fantastic-four-first-steps-new-promo-art-gives-us-a-detailed-look-at-the-new-outfits-of-marvels-first-family-8999697">The Fantastic Four: First Step's new promo art gives us a detailed look at the new outfits of Marvel's first family</a></strong></p>
<p><em>Sunrise on the Reaping</em> will be directed by Francis Lawrence. The rest of the cast includes Joseph Zada as Haymitch Abernathy, Whitney Peak as Lenore Dove Baird, and McKenna Grace as Maysilee Donner. The movie is scheduled for a November 20, 2026, release.</p>
<p><strong>Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/thudarum-mohanlal-shares-hilarious-new-teaser-from-the-upcoming-movie-8953854">Thudarum box office: Mohanlal has another hit on his hands after L2: Empuraan</a></strong></p>

Jesse Plemons has joined the cast of the upcoming Hunger Games prequel Sunrise on the Reaping. The late Philip Seymour Hoffman had previously played the role.

Jesse Plemons has joined the cast of the upcoming Hunger Games prequel Sunrise on the Reaping. The Oscar-nominated actor is known for his roles in movies like Kinds of Kindness, The Power of the Dog, and Killers of the Flower Moon. He will be playing the role of Plutarch Heavensbee. The late Philip Seymour Hoffman had previously played the role in The Hunger Games: Catching Fire and The Hunger Games: Mockingjay. Sunrise on the Reaping is set in the country of Panem, 24 years before the events of the first movie, and follows 16‐year‐old Haymitch Abernathy. Also Read: Ballerina: Checkout the stylish new posters of Ana de Armas and Keanu Reeves from the John Wick spinoff Lionsgate praises Plemons’ casting Erin Westerman, co-president of Lionsgate Motion Picture Group, spoke about Plemons' casting in a statement saying, “Jesse is one of the most talented actors of his generation, with a proven record of picking his roles selectively. We are honored that he has chosen to bring his own take to one of the most fascinating figures in Panem, and feel that his previous collaboration with Philip Seymour Hoffman makes it all the more special.” Also Read: Sex Education star Emma Mackey rumoured to be cast as the White Witch in Netflix's Narnia Set during the 50th Hunger Games Haymitch Abernathy is from District 12 and was chosen as a tribute to participate in the 50th Hunger Games. Actor Woody Harrelson previously played the role in The Hunger Games movies, where he served as a mentor for Katniss Everdeen, played by Jennifer Lawrence. Also Read: The Fantastic Four: First Step's new promo art gives us a detailed look at the new outfits of Marvel's first family Sunrise on the Reaping will be directed by Francis Lawrence. The rest of the cast includes Joseph Zada as Haymitch Abernathy, Whitney Peak as Lenore Dove Baird, and McKenna Grace as Maysilee Donner. The movie is scheduled for a November 20, 2026, release. Also Read: Thudarum box office: Mohanlal has another hit on his hands after L2: Empuraan

Jesse Plemons joins the cast of upcoming Hunger Games prequel Sunrise on the Reaping

<p>In <em>Killers of the Flower Moon</em>, the legendary director Martin Scorsese undertakes a monumental task: bringing to life the dark and complex history of the Osage Nation and the gruesome murders that marred their newfound wealth following the discovery of oil on their land in early 20th century Oklahoma.&nbsp;</p>

<p>Based on David Grann's 2017 book, the film is a disturbing and often haunting chronicle of a deeply unsettling chapter in American history. It is a masterful work by any definition of the word and depicts the murders and the ensuing atmosphere of fear in harrowing detail. And with Scorsese's natural directorial flair, it also raises significant questions about whose perspective the story truly serves and whether it is able to navigate the tricky terrain of telling a story of the oppressed without falling prey to oppressor's perspective.</p>

<div class="videoWrapper trancodeVideo"><iframe allowfullscreen="" autoplay="1" class="includeVideo" frameborder="0" height="350" src="https://www.wionews.com/videos/was-killers-of-the-flower-moon-worth-waiting-652355/embed" style="width:100%;max-width:560px;" width="560"></iframe></div>

<p>It was a tasty idea: An eye-opening non-fiction book about an overlooked and horrifying events in the American history being adapted to a 3.5 hours film by one of the greatest filmmakers of all time. Does it deliver? Well, yes and no.&nbsp;</p>

<p>The Osage Reign of Terror was a two-decade-long string of brutal murders that targeted the Osage community after their land, hitherto considered too rocky and without much value and "gifted" to them by white settlers, yielded immense wealth from oil reserves. The Osage, like many other Native American tribes, had a history of loss, displacement, and struggle, and the sudden influx of wealth turned them into the richest people per capita in the United States.&nbsp;</p>

<p>But their newfound riches attracted the envy of white outsiders who saw them as undeserving of their money and sought to exploit and dispossess them. The film attempts to depict the kind of thinking that led to one of the most inhumane and heinous murder campaigns in American history.</p>

<p>To this day, the exact number of Osage people murdered during this reign of terror remains unknown.</p>

<p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/EP34Yoxs3FQ?si=KB_ZAgGF2eNcNZLy" title="YouTube video player" width="560"></iframe></p>

<h2><strong>Does<em> Killers of the Flower Moon </em>tell the story from the wrong perspective?</strong></h2>

<p>The film tells the story by focusing on Mollie Kyle, portrayed by Lily Gladstone, one of the Osage individuals who initially saw white rancher and the ringleader of the conspiracy William King Hale, portrayed by Robert De Niro, as a local hero and referred to him with respect by using his middle name, King. Mollie's perspective serves as a pivotal lens through which the audience experiences the harrowing events.&nbsp;</p>

<p>I had not seen anything of Gladstone before this movie and thus was dumbfounded by the ease with which she held her own before the actors of Leonardo DiCaprio and Robert De Niro's calibre. I cannot overstate this, but she was simply outstanding in the movie, though I do believe she was not awarded the 'main character' treatment that she deserved.&nbsp;</p>

<p>She is depicted as a determined and strong woman, but her character's passivity and lack of overt anger or retaliation in the face of the crimes committed against her, her family, and her community, even at the end, was less than satisfying. I expected a catharsis after witnessing unrelenting violence against her community for three hours.&nbsp;</p>

<p>The film presents a stark dichotomy: it does successfully highlight the pain the Osage suffered. However, the movie's choice to centralise the character of Ernest Burkhart, played by Leonardo DiCaprio, admittedly alongside Mollie, is a strange creative choice that rankled with me. I get Leo is a phenomenal actor (and he is certainly amazing in this movie) but perhaps it would have been better for him to take a backseat this time?</p>

<p>While Ernest and Mollie's stories are undoubtedly interconnected, the narrative approach makes <em>Killers of the Flower Moon </em>feel like a film primarily tailored, however unintentionally, for a white audience.</p>

<p>The Osage perspective is at times relegated to the background. It is a valid criticism, even if I am talking about a maestro like Scorsese (and his co-screenwriter Eric Roth), to wonder if the film should have provided a more robust platform for their voices and experiences.&nbsp;</p>

<p>The choice to focus on Ernest and his transformation from a seemingly innocuous character into an accomplice in heinous crimes would have been an interesting and compelling to witness in any other movie. But here, in a film about a series of tragedies taking place in a Native American community at the hands of white settlers, it inevitably steers the narrative towards an oppressor's perspective.</p>

<p>In all fairness, though, Osage's language and culture do play an important role in the film and are celebrated, with several scenes where characters speak in Osage and rituals being performed. The movie directly confronts the racism, violence, and maliciousness prevalent among white settlers, particularly those who consider themselves friends of the "Indians", and paints a vivid and painful picture of the harsh reality that many Indigenous communities around the world have had to endure.&nbsp;</p>

<p>Scorsese, after all, made this film in conjunction with members of the community, and it is clear while watching the film that he has deep respect for the people and this story.</p>

<p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/7cx9nCHsemc?si=QZbqKdVZE1mFjnkP" title="YouTube video player" width="560"></iframe></p>

<h2>Performances</h2>

<p>The performances are universally excellent and one of the reasons the film, despite its hefty runtime, never felt dull. Gladstone and DiCaprio are excellent individually as mentioned above but as a team, they get even better. De Niro, a Scorsese old hand, is brilliant in his role as the cunning and enigmatic Hale, I do wish De Niro would play more outright villains. He is crazy good at it. He exudes an outward charm that does not quite mask his underlying malevolence. His ability to transition seamlessly between charismatic and sinister is something to behold.</p>

<h2><strong>Technical aspects are flawless</strong></h2>

<p>Cinematographer Rodrigo Prieto crafts breathtaking visuals. There are striking angles, composition, and sparing, artful use of light. The interior and exterior shots are composed with precision, creating a truly vivid and immersive cinematic experience. I recommend an IMAX screen if your city has one. Prieto's use of saturated colours enhances the visual richness of already gorgeous vistas of the Osage Nation and interiors. The visuals also go a long way in capturing the essence of the time and place.</p>

<p>Thelma Schoonmaker's editing is one other reason why the pacing of the film is just perfect. There are quick, daring cuts that may be jarring at times, but they contribute to the film's overall rhythm and impact. She is able to maintain a sense of urgency in certain scenes while allowing for moments of reflection in others. It is a delicate balance to maintain but she nails it. Her editing choices, coupled with Scorsese's directon, serves to keep the audience on the edge of their seats, enhancing the storytelling and maintaining a sense of momentum throughout the nearly three-and-a-half-hour runtime.</p>

<p>The late Robbie Robertson's score create a rich atmosphere, alternating between a rhythmic, drum-heavy Native American beat, chants, and evocative soundscapes. His connection to indigenous themes, rooted in his Mohawk heritage, was evident in the music's resonance and cultural relevance.</p>

<h2><strong><em>Killers of the Flower Moon,</em> despite flaws, is a tremendous piece of filmmaking</strong></h2>

<p>In the end,<em> Killers of the Flower Moon</em>, for all its flaws, is a moving, devastating, and utterly tremendous piece of cinema that demands attention and reflection. The film is a stark reminder of the importance of historical awareness and the need to confront uncomfortable truths. It is a work of great artistry and emotional depth, yet it raises important questions about the portrayal of historical atrocities and whose perspective should take precedence in telling these stories.</p>

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In Killers of the Flower Moon, the legendary director Martin Scorsese undertakes a monumental task: bringing to life the dark and complex history of the Osage Nation and the gruesome murders that marred their newfound wealth following the discovery of oil on their land in early 20th century Oklahoma.

In Killers of the Flower Moon, the legendary director Martin Scorsese undertakes a monumental task: bringing to life the dark and complex history of the Osage Nation and the gruesome murders that marred their newfound wealth following the discovery of oil on their land in early 20th century Oklahoma. Based on David Grann's 2017 book, the film is a disturbing and often haunting chronicle of a deeply unsettling chapter in American history. It is a masterful work by any definition of the word and depicts the murders and the ensuing atmosphere of fear in harrowing detail. And with Scorsese's natural directorial flair, it also raises significant questions about whose perspective the story truly serves and whether it is able to navigate the tricky terrain of telling a story of the oppressed without falling prey to oppressor's perspective. It was a tasty idea: An eye-opening non-fiction book about an overlooked and horrifying events in the American history being adapted to a 3.5 hours film by one of the greatest filmmakers of all time. Does it deliver? Well, yes and no. The Osage Reign of Terror was a two-decade-long string of brutal murders that targeted the Osage community after their land, hitherto considered too rocky and without much value and "gifted" to them by white settlers, yielded immense wealth from oil reserves. The Osage, like many other Native American tribes, had a history of loss, displacement, and struggle, and the sudden influx of wealth turned them into the richest people per capita in the United States. But their newfound riches attracted the envy of white outsiders who saw them as undeserving of their money and sought to exploit and dispossess them. The film attempts to depict the kind of thinking that led to one of the most inhumane and heinous murder campaigns in American history. To this day, the exact number of Osage people murdered during this reign of terror remains unknown. Does Killers of the Flower Moon tell the story from the wrong perspective? The film tells the story by focusing on Mollie Kyle, portrayed by Lily Gladstone, one of the Osage individuals who initially saw white rancher and the ringleader of the conspiracy William King Hale, portrayed by Robert De Niro, as a local hero and referred to him with respect by using his middle name, King. Mollie's perspective serves as a pivotal lens through which the audience experiences the harrowing events. I had not seen anything of Gladstone before this movie and thus was dumbfounded by the ease with which she held her own before the actors of Leonardo DiCaprio and Robert De Niro's calibre. I cannot overstate this, but she was simply outstanding in the movie, though I do believe she was not awarded the 'main character' treatment that she deserved. She is depicted as a determined and strong woman, but her character's passivity and lack of overt anger or retaliation in the face of the crimes committed against her, her family, and her community, even at the end, was less than satisfying. I expected a catharsis after witnessing unrelenting violence against her community for three hours. The film presents a stark dichotomy: it does successfully highlight the pain the Osage suffered. However, the movie's choice to centralise the character of Ernest Burkhart, played by Leonardo DiCaprio, admittedly alongside Mollie, is a strange creative choice that rankled with me. I get Leo is a phenomenal actor (and he is certainly amazing in this movie) but perhaps it would have been better for him to take a backseat this time? While Ernest and Mollie's stories are undoubtedly interconnected, the narrative approach makes Killers of the Flower Moon feel like a film primarily tailored, however unintentionally, for a white audience. The Osage perspective is at times relegated to the background. It is a valid criticism, even if I am talking about a maestro like Scorsese (and his co-screenwriter Eric Roth), to wonder if the film should have provided a more robust platform for their voices and experiences. The choice to focus on Ernest and his transformation from a seemingly innocuous character into an accomplice in heinous crimes would have been an interesting and compelling to witness in any other movie. But here, in a film about a series of tragedies taking place in a Native American community at the hands of white settlers, it inevitably steers the narrative towards an oppressor's perspective. In all fairness, though, Osage's language and culture do play an important role in the film and are celebrated, with several scenes where characters speak in Osage and rituals being performed. The movie directly confronts the racism, violence, and maliciousness prevalent among white settlers, particularly those who consider themselves friends of the "Indians", and paints a vivid and painful picture of the harsh reality that many Indigenous communities around the world have had to endure. Scorsese, after all, made this film in conjunction with members of the community, and it is clear while watching the film that he has deep respect for the people and this story. Performances The performances are universally excellent and one of the reasons the film, despite its hefty runtime, never felt dull. Gladstone and DiCaprio are excellent individually as mentioned above but as a team, they get even better. De Niro, a Scorsese old hand, is brilliant in his role as the cunning and enigmatic Hale, I do wish De Niro would play more outright villains. He is crazy good at it. He exudes an outward charm that does not quite mask his underlying malevolence. His ability to transition seamlessly between charismatic and sinister is something to behold. Technical aspects are flawless Cinematographer Rodrigo Prieto crafts breathtaking visuals. There are striking angles, composition, and sparing, artful use of light. The interior and exterior shots are composed with precision, creating a truly vivid and immersive cinematic experience. I recommend an IMAX screen if your city has one. Prieto's use of saturated colours enhances the visual richness of already gorgeous vistas of the Osage Nation and interiors. The visuals also go a long way in capturing the essence of the time and place. Thelma Schoonmaker's editing is one other reason why the pacing of the film is just perfect. There are quick, daring cuts that may be jarring at times, but they contribute to the film's overall rhythm and impact. She is able to maintain a sense of urgency in certain scenes while allowing for moments of reflection in others. It is a delicate balance to maintain but she nails it. Her editing choices, coupled with Scorsese's directon, serves to keep the audience on the edge of their seats, enhancing the storytelling and maintaining a sense of momentum throughout the nearly three-and-a-half-hour runtime. The late Robbie Robertson's score create a rich atmosphere, alternating between a rhythmic, drum-heavy Native American beat, chants, and evocative soundscapes. His connection to indigenous themes, rooted in his Mohawk heritage, was evident in the music's resonance and cultural relevance. Killers of the Flower Moon, despite flaws, is a tremendous piece of filmmaking In the end, Killers of the Flower Moon, for all its flaws, is a moving, devastating, and utterly tremendous piece of cinema that demands attention and reflection. The film is a stark reminder of the importance of historical awareness and the need to confront uncomfortable truths. It is a work of great artistry and emotional depth, yet it raises important questions about the portrayal of historical atrocities and whose perspective should take precedence in telling these stories. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Killers of the Flower Moon review: A devastating, utterly tremendous piece of cinema

<p>A new trailer for <em>Killers of the Flower Moon</em> is here. Martin Scorsese's next film, starring Leonardo DiCaprio and Lily Gladstone in lead roles, is based on David Grann's 2017 non-fiction book and chronicles the Osage murders. The Osage Indians, one of the richest communities in the world, faced a series of inexplicable disappearances and deaths in the early 20th century. One by one, many men and women were found murdered, their deaths shrouded in mystery. The community became gripped by terror as loved ones vanished and the culprits remained elusive.&nbsp;</p>

<p>Also Read |&nbsp;<strong><a href="https://www.wionews.com/entertainment/hollywood/news-explained--osage-indian-murders-that-inspired-martin-scorseses-killers-of-the-flower-moon-592892">Explained | Osage Indian Murders that inspired Martin Scorsese's Killers of the Flower Moon</a></strong></p>

<p>These murders became known as the Osage murders or the Reign of Terror. In response to the escalating case, the newly-formed FBI, known then as the Bureau of Investigation (BOI), intervened to investigate. Tom White, a former Texas Ranger portrayed by Jesse Plemons in the movie, was appointed to lead the investigation. As he an his men delved deeper into the investigation, they uncovered a disturbing and malevolent scheme fuelled by an all-too-familiar motive: greed.&nbsp;</p>

<p>In the film, also penned by Scorsese and Eric Roth, DiCaprio essays the role of Ernest Burkhart, a man who married a wealthy Osage woman called Mollie, played by Gladstone. , Robert De Niro, Tantoo Cardinal, John Lithgow, and Brendan Fraser also star.</p>

<p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/7cx9nCHsemc?si=3UeBNbpFpvLzJFh8" title="YouTube video player" width="560"></iframe></p>

<p>The new trailer has a more sedate tone than the first one. You can watch it above.&nbsp;</p>

<h2><em>Killers of the Flower Moon</em>'s official synopsis</h2>

<p>At the turn of the 20th century, oil brought a fortune to the Osage Nation, who became some of the richest people in the world overnight. The wealth of these Native Americans immediately attracted white interlopers, who manipulated, extorted, and stole as much Osage money as they could before resorting to murder. Based on a true story and told through the improbable romance of Ernest Burkhart (Leonardo DiCaprio) and Mollie Kyle (Lily Gladstone), <em>Killers of the Flower Moon</em> is an epic western crime saga, where real love crosses paths with unspeakable betrayal. Also starring Robert De Niro, Jesse Plemons, John Lithgow, Brendan Fraser, Tantoo Cardinal, Cara Jade Myers, JaNae Collins, and Jillian Dion, Killers of the Flower Moon is directed by Academy Award winner Martin Scorsese from a screenplay by Eric Roth and Scorsese, based on David Grann’s best-selling book.</p>

<p>Also Read |&nbsp;<strong><a href="https://www.wionews.com/entertainment/hollywood/news-why-martin-scorsese-rewrote-killers-of-the-flower-moon-i-realised-i-was-making-635571">Why Martin Scorsese rewrote Killers of the Flower Moon: I realised I was making...</a></strong></p>

<h2><em>Killers of the Flower Moon</em> release date</h2>

<p><em>Killers of the Flower Moon </em>will release in select cinemas on October 6. It will then get a wider release on October 20. At one point, it will also be available for streaming on Apple TV+.</p>

<p><strong>WATCH WION LIVE HERE</strong></p>

<p><iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="350" loading="”lazy”" src="https://www.wionews.com/live-tv/embed?autoplay=1&amp;mute=1" width="100%"></iframe></p>

<p>You can <strong>now write for wionews.com</strong> and be a part of the community. Share your stories and opinions with us <strong><a href="https://www.wionews.com/content-contribution-registration-form">here</a>.</strong></p>


A new trailer for Killers of the Flower Moon is here. Martin Scorsese's next film, starring Leonardo DiCaprio and Lily Gladstone in lead roles, is based on David Grann's 2017 non-fiction book and chronicles the Osage murders.

A new trailer for Killers of the Flower Moon is here. Martin Scorsese's next film, starring Leonardo DiCaprio and Lily Gladstone in lead roles, is based on David Grann's 2017 non-fiction book and chronicles the Osage murders. The Osage Indians, one of the richest communities in the world, faced a series of inexplicable disappearances and deaths in the early 20th century. One by one, many men and women were found murdered, their deaths shrouded in mystery. The community became gripped by terror as loved ones vanished and the culprits remained elusive. Also Read | Explained | Osage Indian Murders that inspired Martin Scorsese's Killers of the Flower Moon These murders became known as the Osage murders or the Reign of Terror. In response to the escalating case, the newly-formed FBI, known then as the Bureau of Investigation (BOI), intervened to investigate. Tom White, a former Texas Ranger portrayed by Jesse Plemons in the movie, was appointed to lead the investigation. As he an his men delved deeper into the investigation, they uncovered a disturbing and malevolent scheme fuelled by an all-too-familiar motive: greed. In the film, also penned by Scorsese and Eric Roth, DiCaprio essays the role of Ernest Burkhart, a man who married a wealthy Osage woman called Mollie, played by Gladstone. , Robert De Niro, Tantoo Cardinal, John Lithgow, and Brendan Fraser also star. The new trailer has a more sedate tone than the first one. You can watch it above. Killers of the Flower Moon's official synopsis At the turn of the 20th century, oil brought a fortune to the Osage Nation, who became some of the richest people in the world overnight. The wealth of these Native Americans immediately attracted white interlopers, who manipulated, extorted, and stole as much Osage money as they could before resorting to murder. Based on a true story and told through the improbable romance of Ernest Burkhart (Leonardo DiCaprio) and Mollie Kyle (Lily Gladstone), Killers of the Flower Moon is an epic western crime saga, where real love crosses paths with unspeakable betrayal. Also starring Robert De Niro, Jesse Plemons, John Lithgow, Brendan Fraser, Tantoo Cardinal, Cara Jade Myers, JaNae Collins, and Jillian Dion, Killers of the Flower Moon is directed by Academy Award winner Martin Scorsese from a screenplay by Eric Roth and Scorsese, based on David Grann’s best-selling book. Also Read | Why Martin Scorsese rewrote Killers of the Flower Moon: I realised I was making... Killers of the Flower Moon release date Killers of the Flower Moon will release in select cinemas on October 6. It will then get a wider release on October 20. At one point, it will also be available for streaming on Apple TV+. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

WATCH | Killers of the Flower Moon trailer 2 unveils a chilling tale of greed, murder

<p>Time magazine's latest cover features none other than legendary director Martin Scorsese, shedding light on the fascinating evolution of his forthcoming film, <em>Killers of the Flower Moon.</em> This cinematic endeavour, inspired by David Grann's 2017 non-fiction book, chronicles the FBI's investigation into a series of chilling murders within the Osage Nation during the tumultuous 1920s. However, what makes this tale particularly compelling is not just its riveting historical context but also the substantial rewrite undertaken by Scorsese and his co-writer Eric Roth.</p>

<p>Also Read |&nbsp;<strong><a href="https://www.wionews.com/entertainment/hollywood/news-explained--osage-indian-murders-that-inspired-martin-scorseses-killers-of-the-flower-moon-592892">Explained | Osage Indian Murders that inspired Martin Scorsese's Killers of the Flower Moon</a></strong></p>

<p>Initially, Scorsese and Roth had conceived of their film adaptation with a decidedly external perspective. The story centred on the white characters, and Leonardo DiCaprio was set to play the lead as the head FBI investigator, Tom White.</p>

<p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/EP34Yoxs3FQ?si=7CDzB-I6DHhwi_b5" title="YouTube video player" width="560"></iframe></p>

<p>Reflecting on this initial approach, Scorsese told Time, "After a certain point, I realised I was making a movie about all the white guys. Meaning I was taking the approach from the outside in, which concerned me."</p>

<p>In response to this concern, Scorsese and Roth made a bold decision — they decided to overhaul the entire script. This transformative shift in perspective gave birth to an entirely new film. In this revised version, DiCaprio took on the role of Ernest Burkhart, a morally ambiguous World War I veteran caught up in his uncle's nefarious plot to exploit the wealth of the Osage Nation. The revamped script placed the spotlight on Ernest and his marriage to an Osage woman named Mollie, played by Lily Gladstone. Their relationship becomes increasingly complex amid the backdrop of the murders and the FBI's arrival to investigate. Jesse Plemons, who had originally been cast as Tom White, now assumed a supporting role.</p>

<p>Lily Gladstone, in an interaction with Interview magazine, shared her experience auditioning for the film. "Before the rewrites, I had three pages of some pretty mouthy dialogue," Gladstone recounted. "But I was struggling so much with the scenes that when COVID shut everything down and the project went quiet for a minute, I assumed that I’d blown the audition. About a year later, I got a request to Zoom with Martin Scorsese. And then I got new sides sent to me that had beats. Suddenly it was a scene that had minimal dialogue…And I was like, ‘Oh man, I can plug a character in here now. This is amazing.&nbsp;Because I’d heard that the rewrites completely did a 180. Leo was supposed to be playing Tom White, Jesse Plemons’s character."</p>

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Time magazine's latest cover features none other than legendary director Martin Scorsese, shedding light on the fascinating evolution of his forthcoming film, Killers of the Flower Moon.

Time magazine's latest cover features none other than legendary director Martin Scorsese, shedding light on the fascinating evolution of his forthcoming film, Killers of the Flower Moon. This cinematic endeavour, inspired by David Grann's 2017 non-fiction book, chronicles the FBI's investigation into a series of chilling murders within the Osage Nation during the tumultuous 1920s. However, what makes this tale particularly compelling is not just its riveting historical context but also the substantial rewrite undertaken by Scorsese and his co-writer Eric Roth. Also Read | Explained | Osage Indian Murders that inspired Martin Scorsese's Killers of the Flower Moon Initially, Scorsese and Roth had conceived of their film adaptation with a decidedly external perspective. The story centred on the white characters, and Leonardo DiCaprio was set to play the lead as the head FBI investigator, Tom White. Reflecting on this initial approach, Scorsese told Time, "After a certain point, I realised I was making a movie about all the white guys. Meaning I was taking the approach from the outside in, which concerned me." In response to this concern, Scorsese and Roth made a bold decision — they decided to overhaul the entire script. This transformative shift in perspective gave birth to an entirely new film. In this revised version, DiCaprio took on the role of Ernest Burkhart, a morally ambiguous World War I veteran caught up in his uncle's nefarious plot to exploit the wealth of the Osage Nation. The revamped script placed the spotlight on Ernest and his marriage to an Osage woman named Mollie, played by Lily Gladstone. Their relationship becomes increasingly complex amid the backdrop of the murders and the FBI's arrival to investigate. Jesse Plemons, who had originally been cast as Tom White, now assumed a supporting role. Lily Gladstone, in an interaction with Interview magazine, shared her experience auditioning for the film. "Before the rewrites, I had three pages of some pretty mouthy dialogue," Gladstone recounted. "But I was struggling so much with the scenes that when COVID shut everything down and the project went quiet for a minute, I assumed that I’d blown the audition. About a year later, I got a request to Zoom with Martin Scorsese. And then I got new sides sent to me that had beats. Suddenly it was a scene that had minimal dialogue…And I was like, ‘Oh man, I can plug a character in here now. This is amazing. Because I’d heard that the rewrites completely did a 180. Leo was supposed to be playing Tom White, Jesse Plemons’s character." WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Why Martin Scorsese rewrote Killers of the Flower Moon: I realised I was making...

<p>A trailer for <em>Killers of the Flower Moon </em>is finally here. Directed by Martin Scorsese, it reunites him with Leonardo DiCaprio and Robert De Niro. Based on journalist David Grann's non-fiction book of the same name, the film is Scorsese's first western and revolves around a series of inexplicable disappearances and deaths that plagued the Native American Osage community in the 1920s.<br />
The spiralling case forced the newly-formed FBI (then called Bureau of Investigation or BOI) to step in and investigate. A former Texas Ranger Tom White (played by Jesse Plemons in the movie) was assigned to the case. White, accompanied by his team, delved into the intricate web of deceit that surrounded the Osage murders.&nbsp;</p>

<p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/EG0si5bSd6I" title="YouTube video player" width="560"></iframe></p>

<p>They soon discovered a deeply sinister plot driven by one of the most common motivations imaginable: greed. Lily Gladstone, Brendan Fraser, and John Lithgow also star in<em> Killers of the Flower Moon.</em> You can watch the trailer above.&nbsp;</p>

<p><strong>Also Read:</strong>&nbsp;<strong><a href="https://www.wionews.com/entertainment/hollywood/news-explained--osage-indian-murders-that-inspired-martin-scorseses-killers-of-the-flower-moon-592892">Explained | Osage Indian Murders that inspired Martin Scorsese's <em>Killers of the Flower Moon</em></a></strong></p>

<p>Apart from the fascinating and tragic true tale that it tells, the film, thanks to Scorsese's signature style, looks absolutely worth waiting for. The trailer begins with visuals of Osage men dancing and celebrating the discovery of vast oil reserves on their barren land. The discovery, in the late 19th and early 20th centuries, turned them ultra-rich almost overnight. However, it also paved the way for the tragic incidents of murder and disappearances that are central to the story.</p>

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<p>One by one, Osage men and women were found murdered, their deaths shrouded in mystery. The community became gripped by terror as loved ones vanished and the culprits remained elusive.</p>

<p>The synopsis of the movie reads, "In the 1920s, members of the Osage Native American tribe of Osage County, Oklahoma, are murdered after oil is found on their land, and the FBI decides to investigate."</p>

<p>After its Cannes premiere on May 20, <em>Killers of the Flower Moon</em> will release in select cinemas on October 6. It will then get a wider release on October 20. At one point, it will also be available for streaming on Apple TV+.<br />
&nbsp;</p>

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A trailer for Killers of the Flower Moon is finally here. Directed by Martin Scorsese, it reunites him with Leonardo DiCaprio and Robert De Niro. Based on journalist David Grann's non-fiction book of the same name, the film is Scorsese's first western and revolves around a series of inexplicable disappearances and deaths that plagued the Native American Osage community in the 1920s.

A trailer for Killers of the Flower Moon is finally here. Directed by Martin Scorsese, it reunites him with Leonardo DiCaprio and Robert De Niro. Based on journalist David Grann's non-fiction book of the same name, the film is Scorsese's first western and revolves around a series of inexplicable disappearances and deaths that plagued the Native American Osage community in the 1920s. The spiralling case forced the newly-formed FBI (then called Bureau of Investigation or BOI) to step in and investigate. A former Texas Ranger Tom White (played by Jesse Plemons in the movie) was assigned to the case. White, accompanied by his team, delved into the intricate web of deceit that surrounded the Osage murders. They soon discovered a deeply sinister plot driven by one of the most common motivations imaginable: greed. Lily Gladstone, Brendan Fraser, and John Lithgow also star in Killers of the Flower Moon. You can watch the trailer above. Also Read: Explained | Osage Indian Murders that inspired Martin Scorsese's Killers of the Flower Moon Apart from the fascinating and tragic true tale that it tells, the film, thanks to Scorsese's signature style, looks absolutely worth waiting for. The trailer begins with visuals of Osage men dancing and celebrating the discovery of vast oil reserves on their barren land. The discovery, in the late 19th and early 20th centuries, turned them ultra-rich almost overnight. However, it also paved the way for the tragic incidents of murder and disappearances that are central to the story. One by one, Osage men and women were found murdered, their deaths shrouded in mystery. The community became gripped by terror as loved ones vanished and the culprits remained elusive. The synopsis of the movie reads, "In the 1920s, members of the Osage Native American tribe of Osage County, Oklahoma, are murdered after oil is found on their land, and the FBI decides to investigate." After its Cannes premiere on May 20, Killers of the Flower Moon will release in select cinemas on October 6. It will then get a wider release on October 20. At one point, it will also be available for streaming on Apple TV+. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

WATCH | Martin Scorsese's Killers of the Flower Moon unveils gripping trailer

<p>After dating each other for six long years, American actress Kirsten Dunst, 40, and Jesse Plemons, 34, have finally taken the sacred vows. The adorable couple recently tied the knot in Jamaica. Kirsten and Jesse's romance dates back to 2016 when they were both working together for the second season of FX’s ‘Fargo’. The couple got engaged the following year during the Golden Globes weekend. Kirsten and Jesse’s wedding was delayed for several reasons, like the birth of their children and the pandemic.</p>

<p>Kirsten and Jesse share two sons together: Ennis, 4; and James, 14 months.</p>

<p><strong>Kirsten Dunst and Jesse Plemons' wedding&nbsp;</strong></p>

<p>According to Page Six, actress Kirsten Dunst’s representative confirmed the news of the star’s wedding to Jesse Plemons, saying, "I can just confirm they got married." She further added, "No other details will be given." Though Kirsten’s rep did not give out any other details, it has been reported that the couple got married last weekend in Jamaica's Ocho Rios.</p>

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<p style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;"><a href="https://www.instagram.com/p/Cbz8QeBLkc3/?utm_source=ig_embed&amp;utm_campaign=loading" style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;" target="_blank">A post shared by Kirsten Dunst (@kirstendunst)</a></p>
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<p><strong>Kirsten Dunst and Jesse Plemons' relationship&nbsp;</strong></p>

<p>After working together in the series ' Fargo ', Kirsten and Jesse’s romance began in 2016. The 'Spiderman' star was spotted wearing her engagement ring at the Palm Springs Film Festival in 2017, where she also discussed her wedding plans with her partner. However, the couple’s wedding got delayed due to Kirsten’s pregnancy.&nbsp;</p>

<p>The couple became parents to Ennis Howard Plemons, in 2018, and they had their second child in September 2021, who they named James Robert. While speaking to The New York Times, Dunst introduced her second son by calling him an angel. "This is the newest guy, the Big Kahuna. He's an angel, but he's a hungry angel. And a heavy angel," she said.&nbsp;</p>

<p>In another interaction with The Los Angeles Times in February, Dunst talked about making their relationship official. "We call each other husband and wife. But we have to get married at this point. It’s ridiculous. We just haven’t planned a wedding. There was COVID, then we had another child. I didn’t want to be pregnant, get married, have a party and not be able to have fun with everybody," the 40-year-old shared.&nbsp;</p>

<p>Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-anthony-mackies-captain-america-4-finds-its-director-in-julius-onah-495722">Anthony Mackie's 'Captain America 4' finds its director in Julius Onah</a></p>

<p>Meanwhile, speaking to The Hollywood Reporter in November, Kirsten said she hopes to work with Plemons again. "We have some ideas, and Jesse and I definitely want to do another project."&nbsp;<br />
&nbsp;</p>


After dating each other for six long years, American actress Kirsten Dunst, 40, and Jesse Plemons, 34, have finally taken the sacred vows. The adorable couple recently tied the knot in Jamaica.

After dating each other for six long years, American actress Kirsten Dunst, 40, and Jesse Plemons, 34, have finally taken the sacred vows. The adorable couple recently tied the knot in Jamaica. Kirsten and Jesse's romance dates back to 2016 when they were both working together for the second season of FX’s ‘Fargo’. The couple got engaged the following year during the Golden Globes weekend. Kirsten and Jesse’s wedding was delayed for several reasons, like the birth of their children and the pandemic. Kirsten and Jesse share two sons together: Ennis, 4; and James, 14 months. Kirsten Dunst and Jesse Plemons' wedding According to Page Six, actress Kirsten Dunst’s representative confirmed the news of the star’s wedding to Jesse Plemons, saying, "I can just confirm they got married." She further added, "No other details will be given." Though Kirsten’s rep did not give out any other details, it has been reported that the couple got married last weekend in Jamaica's Ocho Rios. View this post on Instagram A post shared by Kirsten Dunst (@kirstendunst) × Kirsten Dunst and Jesse Plemons' relationship After working together in the series ' Fargo ', Kirsten and Jesse’s romance began in 2016. The 'Spiderman' star was spotted wearing her engagement ring at the Palm Springs Film Festival in 2017, where she also discussed her wedding plans with her partner. However, the couple’s wedding got delayed due to Kirsten’s pregnancy. The couple became parents to Ennis Howard Plemons, in 2018, and they had their second child in September 2021, who they named James Robert. While speaking to The New York Times, Dunst introduced her second son by calling him an angel. "This is the newest guy, the Big Kahuna. He's an angel, but he's a hungry angel. And a heavy angel," she said. In another interaction with The Los Angeles Times in February, Dunst talked about making their relationship official. "We call each other husband and wife. But we have to get married at this point. It’s ridiculous. We just haven’t planned a wedding. There was COVID, then we had another child. I didn’t want to be pregnant, get married, have a party and not be able to have fun with everybody," the 40-year-old shared. Also Read: Anthony Mackie's 'Captain America 4' finds its director in Julius Onah Meanwhile, speaking to The Hollywood Reporter in November, Kirsten said she hopes to work with Plemons again. "We have some ideas, and Jesse and I definitely want to do another project."

Kirsten Dunst and Jesse Plemons are finally married after dating for six long years

<p>This is a first in Oscar history. Real-life couple Penelope Cruz and Javier Bardem and Kirsten Dunst and Jesse Plemons have been nominated in the four major acting categories at the Oscars this year.&nbsp;<br />
<br />
The nomindations were announced on Tuesday morning. Bardem and Cruz, who have been married since 2010 have earned nominations in the Best Actor and Actress category. While Bardem has been nominated for his performance in 'Being the Ricardos', his wife has been nominated in Best Actress category for 'Parallel Mothers'. <a href="https://www.wionews.com/entertainment/oscar-nominations-2022-the-complete-list-451503">See full list of nominees here</a><br />
<br />
Another real-life couple Kristen Dunst and Jeese Plemons have earned nominations in supporting categories - both for the film 'The Power Of The Dog'. The couple has been engaged since 2017 and share two children together.&nbsp;<br />
<br />
In previous Oscars, only one couple has been nominated the same. Heath Ledger was nominated in the Best Actor category, his girlfriend, actress Michelle Williams earned a Best Supporting Actress nomination for the same film. But yesterday's nomination where the two couples covered all four acting categories is considered to be a first in Oscar history.</p>

<p><a href="https://www.wionews.com/photos/oscar-awards-2022-and-the-nominees-are-451543" hreflang="en">Oscar Awards 2022: And the nominees are...</a><br />
<br />
Another couple came close to a similar nomination but ultimately didn't make it to the list. Both Beyonce and Jay Z were shortlisted for nominations but only Beyonce made it to the final list for her song 'Be Alive' in the film 'King Richard'- a first for the singer.&nbsp;<br />
<br />
'Guns Go Bang,' the Jay-Z/Kid Cudi song from 'The Harder They Fall', did not get a nomination.</p>

<p>The Academy Awards will take place on March 27.&nbsp;</p>


This is a first in Oscar history. Real-life couple Penelope Cruz and Javier Bardem and Kirsten Dunst and Jesse Plemons have been nominated in the four major acting categories at the Oscars this year.

This is a first in Oscar history. Real-life couple Penelope Cruz and Javier Bardem and Kirsten Dunst and Jesse Plemons have been nominated in the four major acting categories at the Oscars this year. The nomindations were announced on Tuesday morning. Bardem and Cruz, who have been married since 2010 have earned nominations in the Best Actor and Actress category. While Bardem has been nominated for his performance in 'Being the Ricardos', his wife has been nominated in Best Actress category for 'Parallel Mothers'. See full list of nominees here Another real-life couple Kristen Dunst and Jeese Plemons have earned nominations in supporting categories - both for the film 'The Power Of The Dog'. The couple has been engaged since 2017 and share two children together. In previous Oscars, only one couple has been nominated the same. Heath Ledger was nominated in the Best Actor category, his girlfriend, actress Michelle Williams earned a Best Supporting Actress nomination for the same film. But yesterday's nomination where the two couples covered all four acting categories is considered to be a first in Oscar history. Oscar Awards 2022: And the nominees are... Another couple came close to a similar nomination but ultimately didn't make it to the list. Both Beyonce and Jay Z were shortlisted for nominations but only Beyonce made it to the final list for her song 'Be Alive' in the film 'King Richard'- a first for the singer. 'Guns Go Bang,' the Jay-Z/Kid Cudi song from 'The Harder They Fall', did not get a nomination. The Academy Awards will take place on March 27.

Real-life couples Penelope Cruz- Javier Bardem, Kirsten Dunst- Jesse Plemons create Oscar history

<p>If you haven’t watched Benedict Cumberbatch in his serious best recently, it’s time you watched his latest film ‘The Power of the Dog’ that is making a lot of buzz in awards circuit. The film, infact, grabbed big nods at the SAG Awards 2022.&nbsp;</p>

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<p dir="ltr" lang="en">Benedict Cumberbatch is “unforgettable and astounding” in <a href="https://twitter.com/hashtag/ThePowerOfTheDog?src=hash&amp;ref_src=twsrc%5Etfw">#ThePowerOfTheDog</a>, and the Screen Actors Guild agrees!<br />
<br />
He’s been nominated for Outstanding Performance by a Male Actor in a Leading Role at the 2022 SAG Awards. 🌾 <a href="https://t.co/kddKIPjGja">pic.twitter.com/kddKIPjGja</a></p>
— The Power of the Dog (@TPOTD) <a href="https://twitter.com/TPOTD/status/1481287290530185217?ref_src=twsrc%5Etfw">January 12, 2022</a></blockquote>
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<p>However, Benedict’s work has “pissed off” Jesse Plemons. Apparently, his method acting is what irked Jesse as the former took it a bit far.&nbsp;</p>

<p>Also read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-emma-watson-will-return-for-another-harry-potter-reunion-in-20-years-444287" hreflang="en">Emma Watson will 'return' for another Harry Potter reunion in 20 years</a></p>

<p>Jesse Plemons admits that Benedict Cumberbatch unknowingly almost took things too far. “There was one time he got under my skin. He was like, ‘Hey, big boy.’ It wasn’t ‘fatso.’ I feel like a few people in life have been like, ‘Hey, big boy,’ and I was like, ‘Goddamn it. What the fuck’,” he said.&nbsp;</p>

<p>Also read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-red-notice-to-get-not-one-but-two-sequels-with-cast-dwayne-johnson-gal-gadot-ryan-reynolds-444281" hreflang="en">'Red Notice' to get not one but two sequels with cast Dwayne Johnson, Gal Gadot, Ryan Reynolds</a></p>

<p>Later, Benedict Cumberbatch apologised when Plemons told him the remark “pissed me off.” “He was like, ‘I’m so sorry,’” Plemons said “I was like, ‘No, don’t worry. It was great.’”</p>

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<p dir="ltr" lang="en">“A masterful film” by Academy Award® winner Jane Campion. <a href="https://twitter.com/hashtag/ThePowerOfTheDog?src=hash&amp;ref_src=twsrc%5Etfw">#ThePowerOfTheDog</a> stars Benedict Cumberbatch, Kirsten Dunst, Jesse Plemons, and Kodi Smit-McPhee. Watch now on Netflix. <a href="https://t.co/wR6uxMtjhb">pic.twitter.com/wR6uxMtjhb</a></p>
— The Power of the Dog (@TPOTD) <a href="https://twitter.com/TPOTD/status/1466059518555549699?ref_src=twsrc%5Etfw">December 1, 2021</a></blockquote>
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<p>But not all was settled. Benedict Cumberbatch may have been sorry, but Phil Burbank not so much. “Everyone was on the same page,” Cumberbatch said. “I was introduced to the crews as ‘Phil.’ Jane would say, ‘This is Phil. You’re going to be working with Phil. Benedict is really nice but you’re going to me meet him at the end of the shoot.’ That just gave me permission to commit to this character whose behavior is at times repugnant, and not feel apologetic or embarrassed or self conscious about it in any way.”</p>

<p>Throughout the length of the film, Benedict Cumberbatch would usually keep his distance from his co-stars.</p>

<p>The Netflix film ‘The Power of the Dog’ is written and directed by Jane Campion and is based on Thomas Savage’s 1967 novel of the same name. Benedict Cumberbatch plays a wealthy rancher in 1925 Montana who grieves for Bronco Henry, his late mentor and probable lover. His repressed feelings cause him to horrifically bully his brother (Plemons), his sister-in-law, Rose (Kirsten Dunst) and her son, Peter (Kodi Smit-McPhee).&nbsp;</p>

<p>Also read:&nbsp;<a href="https://www.wionews.com/photos/plant-animal-species-named-after-celebs-from-beyonce-horsefly-to-dicaprio-tree-442961" hreflang="en">Plant-animal species named after celebs: From Beyonce horsefly to DiCaprio tree</a></p>


If you haven’t watched Benedict Cumberbatch in his serious best recently, it’s time you watched his latest film ‘The Power of the Dog’ that is making a lot of buzz in awards circuit.

If you haven’t watched Benedict Cumberbatch in his serious best recently, it’s time you watched his latest film ‘The Power of the Dog’ that is making a lot of buzz in awards circuit. The film, infact, grabbed big nods at the SAG Awards 2022. Benedict Cumberbatch is “unforgettable and astounding” in #ThePowerOfTheDog, and the Screen Actors Guild agrees! He’s been nominated for Outstanding Performance by a Male Actor in a Leading Role at the 2022 SAG Awards. 🌾 pic.twitter.com/kddKIPjGja — The Power of the Dog (@TPOTD) January 12, 2022 × However, Benedict’s work has “pissed off” Jesse Plemons. Apparently, his method acting is what irked Jesse as the former took it a bit far. Also read: Emma Watson will 'return' for another Harry Potter reunion in 20 years Jesse Plemons admits that Benedict Cumberbatch unknowingly almost took things too far. “There was one time he got under my skin. He was like, ‘Hey, big boy.’ It wasn’t ‘fatso.’ I feel like a few people in life have been like, ‘Hey, big boy,’ and I was like, ‘Goddamn it. What the fuck’,” he said. Also read: 'Red Notice' to get not one but two sequels with cast Dwayne Johnson, Gal Gadot, Ryan Reynolds Later, Benedict Cumberbatch apologised when Plemons told him the remark “pissed me off.” “He was like, ‘I’m so sorry,’” Plemons said “I was like, ‘No, don’t worry. It was great.’” “A masterful film” by Academy Award® winner Jane Campion. #ThePowerOfTheDog stars Benedict Cumberbatch, Kirsten Dunst, Jesse Plemons, and Kodi Smit-McPhee. Watch now on Netflix. pic.twitter.com/wR6uxMtjhb — The Power of the Dog (@TPOTD) December 1, 2021 × But not all was settled. Benedict Cumberbatch may have been sorry, but Phil Burbank not so much. “Everyone was on the same page,” Cumberbatch said. “I was introduced to the crews as ‘Phil.’ Jane would say, ‘This is Phil. You’re going to be working with Phil. Benedict is really nice but you’re going to me meet him at the end of the shoot.’ That just gave me permission to commit to this character whose behavior is at times repugnant, and not feel apologetic or embarrassed or self conscious about it in any way.” Throughout the length of the film, Benedict Cumberbatch would usually keep his distance from his co-stars. The Netflix film ‘The Power of the Dog’ is written and directed by Jane Campion and is based on Thomas Savage’s 1967 novel of the same name. Benedict Cumberbatch plays a wealthy rancher in 1925 Montana who grieves for Bronco Henry, his late mentor and probable lover. His repressed feelings cause him to horrifically bully his brother (Plemons), his sister-in-law, Rose (Kirsten Dunst) and her son, Peter (Kodi Smit-McPhee). Also read: Plant-animal species named after celebs: From Beyonce horsefly to DiCaprio tree

Power of the Dog: When Jesse Plemons was 'pissed' with Benedict Cumberbatch’s method acting

<p>Clinking of silverware in an expansive ranch, thudding of cowboy boots and an overbearing presence of a hyper-macho Phil (Benedict Cumberbatch) casts a foreboding shadow on the Burbank household. The setting is 1925 and the mood, perpetually, of forbidden desires and suppressed emotions. In Phil's complex world, a man exhibiting even a shred of vulnerability gets labelled as 'half-cooked Miss Nancy'. Perhaps, this is why his brother George (Jesse Plemons) despises his tough, foul mouthed elder brother so much so that he doesn't pass up on the chance to marry the 'cheap schemer' widow, Rose (Kirsten Dunst), Phil ungracefully loathes.&nbsp;</p>

<p><img alt="Benedict Cumberbatch is a menacing presence in 'The Power of the Dog'" data-entity-type="file" data-entity-uuid="a279b438-4624-4c0e-90cf-11ebf9fd397a" src="//cdn.wionews.com/sites/default/files/inline-images/pjimage%20-%202021-12-02T151530.262.jpg" /><br />
For the world outside, Phil embodies 1920s machismo typical of the Western stretch during that era: where pianists tremble with fear upon his single glare, maids hurdle up in one corner on&nbsp;his arrival and nobody, not even the 'fatso' younger brother he seems to love, challenges his rugged and hillbilly habits.&nbsp;</p>

<p><strong>Also read:</strong>&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-tick-tick-boom-review-andrew-garfields-ode-to-musical-genius-is-heart-wrenching-430496" hreflang="en">'Tick, Tick... Boom!' review: Andrew Garfield's ode to musical genius is heart-wrenching</a></p>

<p><br />
Through mere body language, Jane Campion (director) makes the demarcation clear to her viewers: Phil is the epitome&nbsp;of masculinity and George, a prop for Phil to impose his twisted ideologies on. The ones&nbsp;that were introduced to him at a tender age by 'friend and greatest cowboy of all time', Bronco Henry: a character we never meet in person but know of his grip over the brothers--for various reasons--only through dialogues.&nbsp;</p>

<p><br />
Jane Campion's slowburner is a house of secrets, with heightened drama rendered by a stupendous Jonny Greenwood's background score.</p>

<p>However, Phil's authority is questioned by a lanky, sensitive sissy Peter (Kodi Smit-McPhee, Rose's son) who is everything he&nbsp;is not: kind, artistic and a visionary of sorts.&nbsp;</p>

<p><img alt="A revelation: Kodi Smit-McPhee as kind and sensitive Peter" data-entity-type="file" data-entity-uuid="eb0b0773-d70c-46bb-87c5-60b88e7b43d4" src="//cdn.wionews.com/sites/default/files/inline-images/pjimage%20-%202021-12-02T151640.725.jpg" /><br />
Campion, who has always&nbsp;been pro-female protagonist, makes an exception with this namesake adaptation of Thomas Savage’s 1967 novel: instead of a female character learning to find her feet in a male-dominated world, Campion lets Cumberbatch sweep us all with his toxic bravado while the layers of sentimentality are saved up for his most private moments. Campion juxtaposes Phil's persona against Peter's, with sexual tension galore and emotional baggage serving as the common component for them to bond over. 'The Power of the Dog' personifies unrealized dreams: Phil, like Bronco, wanted to be a mentor to a rather disappointing George. In Peter, he sees a glimmer of hope for the revival of that mentor-mentee relationship that he has always hankered after. Little did he know, Peter would crack open an array of emotions within him.</p>

<p><strong>Also read:</strong>&nbsp;<a href="https://www.wionews.com/entertainment/bollywood/news-chhorii-review-nushrratt-bharuccha-takes-one-for-the-team-431971" hreflang="en">'Chhorii' review: Nushrratt Bharuccha takes one for the team</a></p>

<p><br />
'The Power of the Dog' is 2021's visual masterpiece--with Campion winning the Venice Film Festival's Silver Lion for Best Director--as&nbsp;cinematographer Ari Wegner captures the anger, loneliness and complexity of the characters in her camera that leaves one gasping for breath. The ranch life, too, never looked so glamourous and tempting: every flip of a horse's tail is a story in itself.&nbsp;</p>

<p><img alt="Kirsten Dunst evokes empathy as troubled Rose" data-entity-type="file" data-entity-uuid="40f3e6c1-7644-4318-b901-00da1dd43198" src="//cdn.wionews.com/sites/default/files/inline-images/pjimage%20-%202021-12-02T151605.090.jpg" /><br />
Kirsten Dunst, as Rose, is drowning in alcoholism and unresolved issues and the actor internalizes her trauma with mastery. Her on-as-well-as-off-screen partner Jesse Plemons displays a plethora of emotions solely through his expressions: a quality Plemons has forever been appreciated for. The secret weapon in this sinister Western saga, however, is Kodi Smit-McPhee. You don't know what hits you once he is on frame. Like Phil, Kodi&nbsp;wraps his audience around his finger and there one stays till the very end.</p>

<p><strong>Also read:</strong>&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-tiger-king-2-review-joe-exotics-life-is-now-a-reality-show-with-more-drama-than-the-kardashians-430587" hreflang="en">'Tiger King 2' review: Joe Exotic's life is now a reality show with more drama than the Kardashians</a></p>

<p><br />
Dark, desolate, disturbing and ominous are some of the apt adjectives for delineating Jane Campion's comeback film--yes, this is her first directorial venture after a hiatus of 12 years--and she unleashes ruthlessness of the central figure through an actor we did not know could do mean so exquisitely: Benedict 'marvelous' Cumberbatch.&nbsp;<br />
&nbsp;</p>

<p><em>'The Power of the Dog' is now streaming on Netflix.</em></p>

<p>&nbsp;</p>

<p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/ELvKuuXdfCU" title="YouTube video player" width="560"></iframe></p>


Clinking of silverware in an expansive ranch, thudding of cowboy boots and an overbearing presence of a hyper-macho Phil (Benedict Cumberbatch) casts a foreboding shadow on the Burbank household.

Clinking of silverware in an expansive ranch, thudding of cowboy boots and an overbearing presence of a hyper-macho Phil (Benedict Cumberbatch) casts a foreboding shadow on the Burbank household. The setting is 1925 and the mood, perpetually, of forbidden desires and suppressed emotions. In Phil's complex world, a man exhibiting even a shred of vulnerability gets labelled as 'half-cooked Miss Nancy'. Perhaps, this is why his brother George (Jesse Plemons) despises his tough, foul mouthed elder brother so much so that he doesn't pass up on the chance to marry the 'cheap schemer' widow, Rose (Kirsten Dunst), Phil ungracefully loathes. For the world outside, Phil embodies 1920s machismo typical of the Western stretch during that era: where pianists tremble with fear upon his single glare, maids hurdle up in one corner on his arrival and nobody, not even the 'fatso' younger brother he seems to love, challenges his rugged and hillbilly habits. Also read: 'Tick, Tick... Boom!' review: Andrew Garfield's ode to musical genius is heart-wrenching Through mere body language, Jane Campion (director) makes the demarcation clear to her viewers: Phil is the epitome of masculinity and George, a prop for Phil to impose his twisted ideologies on. The ones that were introduced to him at a tender age by 'friend and greatest cowboy of all time', Bronco Henry: a character we never meet in person but know of his grip over the brothers--for various reasons--only through dialogues. Jane Campion's slowburner is a house of secrets, with heightened drama rendered by a stupendous Jonny Greenwood's background score. However, Phil's authority is questioned by a lanky, sensitive sissy Peter (Kodi Smit-McPhee, Rose's son) who is everything he is not: kind, artistic and a visionary of sorts. Campion, who has always been pro-female protagonist, makes an exception with this namesake adaptation of Thomas Savage’s 1967 novel: instead of a female character learning to find her feet in a male-dominated world, Campion lets Cumberbatch sweep us all with his toxic bravado while the layers of sentimentality are saved up for his most private moments. Campion juxtaposes Phil's persona against Peter's, with sexual tension galore and emotional baggage serving as the common component for them to bond over. 'The Power of the Dog' personifies unrealized dreams: Phil, like Bronco, wanted to be a mentor to a rather disappointing George. In Peter, he sees a glimmer of hope for the revival of that mentor-mentee relationship that he has always hankered after. Little did he know, Peter would crack open an array of emotions within him. Also read: 'Chhorii' review: Nushrratt Bharuccha takes one for the team 'The Power of the Dog' is 2021's visual masterpiece--with Campion winning the Venice Film Festival's Silver Lion for Best Director--as cinematographer Ari Wegner captures the anger, loneliness and complexity of the characters in her camera that leaves one gasping for breath. The ranch life, too, never looked so glamourous and tempting: every flip of a horse's tail is a story in itself. Kirsten Dunst, as Rose, is drowning in alcoholism and unresolved issues and the actor internalizes her trauma with mastery. Her on-as-well-as-off-screen partner Jesse Plemons displays a plethora of emotions solely through his expressions: a quality Plemons has forever been appreciated for. The secret weapon in this sinister Western saga, however, is Kodi Smit-McPhee. You don't know what hits you once he is on frame. Like Phil, Kodi wraps his audience around his finger and there one stays till the very end. Also read: 'Tiger King 2' review: Joe Exotic's life is now a reality show with more drama than the Kardashians Dark, desolate, disturbing and ominous are some of the apt adjectives for delineating Jane Campion's comeback film--yes, this is her first directorial venture after a hiatus of 12 years--and she unleashes ruthlessness of the central figure through an actor we did not know could do mean so exquisitely: Benedict 'marvelous' Cumberbatch. 'The Power of the Dog' is now streaming on Netflix.

The Power of the Dog review: Benedict Cumberbatch's a marvelous old, lonely ranch man

<p>Kirsten Dunst and Jesse Plemons are expecting their second child.</p>

<p>The Spider Man girl revealed her pregnancy news via a cover image for W Magazine’s annual Directors issue. The issue casts ‘Marie Antoinette’ helmer Sofia Coppola’s muses including Kirsten Dunst, Rashida Jones and Elle Fanning.</p>

<p>The magazine cover has Kirsten sitting gracefully in a lace dress as her baby bump is visible. The dress is from Rodarte’s Kate and Laura Mulleavy, just in case you were wondering.</p>

<p>The cover, however, does not discuss pregnancy as it focuses on her work with Sofia Coppola. She first worked with Coppola on ‘The Virgin Suicides’ when she was all but 16.</p>

<p>Of her experience while working on the film, Kirsten Dunst said, "I felt really protected. [Coppola] made me feel like I was cool, like my teeth were cool, and I was pretty. At 16, I did not think anything of myself. And it’s nice to have had another woman celebrate that transition, rather than it having been sexualized through a man’s perspective."</p>

<p>Kirsten Dunst and partner Jesse Plemons got engaged in 2017. They met on the sets of ‘Fargo’ and share a son, Ennis, born in 2018.&nbsp;</p>


Kirsten Dunst and Jesse Plemons are expecting their second child. The Spider Man girl revealed her pregnancy news via a cover image for W Magazine’s annual Directors issue.

Kirsten Dunst and Jesse Plemons are expecting their second child. The Spider Man girl revealed her pregnancy news via a cover image for W Magazine’s annual Directors issue. The issue casts ‘Marie Antoinette’ helmer Sofia Coppola’s muses including Kirsten Dunst, Rashida Jones and Elle Fanning. The magazine cover has Kirsten sitting gracefully in a lace dress as her baby bump is visible. The dress is from Rodarte’s Kate and Laura Mulleavy, just in case you were wondering. The cover, however, does not discuss pregnancy as it focuses on her work with Sofia Coppola. She first worked with Coppola on ‘The Virgin Suicides’ when she was all but 16. Of her experience while working on the film, Kirsten Dunst said, "I felt really protected. [Coppola] made me feel like I was cool, like my teeth were cool, and I was pretty. At 16, I did not think anything of myself. And it’s nice to have had another woman celebrate that transition, rather than it having been sexualized through a man’s perspective." Kirsten Dunst and partner Jesse Plemons got engaged in 2017. They met on the sets of ‘Fargo’ and share a son, Ennis, born in 2018.

Kirsten Dunst and Jesse Plemons expecting second child

<p>Jesse Plemons is the latest actor to join Martin&nbsp;Scorsese's directorial 'Killers of the Flower Moon', the big-budget thriller also stars Leonardo DiCaprio and Robert De Niro in the pivotal roles.&nbsp;<br />
<br />
As per&nbsp;the reports, Jesse will now be playing the lead role in the Scorsese's movie.<br />
<br />
Plemons, who had a supporting role in Martin Scorsese's Netflix movie 'The Irishman' will be playing an FBI agent investigating a string of murders of Osage Nation Native Americans in 1920's 'Oklahoma' which came to be known as the Reign of Terror.</p>

<p><a href="https://www.wionews.com/entertainment/hollywood/news-lana-condor-says-goodbye-to-to-all-the-boys-364555" hreflang="en">Lana Condor says goodbye to 'To All the Boys'</a></p>

<p>As per Hollywood Reporter, Lily Gladstone will play the role of Mollie Burkhart, an Osage married to Ernest Burkhart (DiCaprio), who is the nephew of a powerful local rancher (De Niro).&nbsp;<br />
<br />
The upcoming Apple original movie is an adaptation of the book of the same name by David Grann. The movie based-on-a-true-story crime thriller will be written by Eric Roth, the Oscar winner behind 'Forrest Gump' and 'The Curious Case of Benjamin Button'.<br />
<br />
The production of the crime thriller is set to begin in May until late summer. The film’s budget is $200m.<br />
&nbsp;<br />
The movie will be released on Apple TV+ in 2022.</p>


Jesse Plemons is the latest actor to join Martin Scorsese's directorial 'Killers of the Flower Moon', the big-budget thriller also stars Leonardo DiCaprio and Robert De Niro in the pivotal roles.

Jesse Plemons is the latest actor to join Martin Scorsese's directorial 'Killers of the Flower Moon', the big-budget thriller also stars Leonardo DiCaprio and Robert De Niro in the pivotal roles. As per the reports, Jesse will now be playing the lead role in the Scorsese's movie. Plemons, who had a supporting role in Martin Scorsese's Netflix movie 'The Irishman' will be playing an FBI agent investigating a string of murders of Osage Nation Native Americans in 1920's 'Oklahoma' which came to be known as the Reign of Terror. Lana Condor says goodbye to 'To All the Boys' As per Hollywood Reporter, Lily Gladstone will play the role of Mollie Burkhart, an Osage married to Ernest Burkhart (DiCaprio), who is the nephew of a powerful local rancher (De Niro). The upcoming Apple original movie is an adaptation of the book of the same name by David Grann. The movie based-on-a-true-story crime thriller will be written by Eric Roth, the Oscar winner behind 'Forrest Gump' and 'The Curious Case of Benjamin Button'. The production of the crime thriller is set to begin in May until late summer. The film’s budget is $200m. The movie will be released on Apple TV+ in 2022.

Jesse Plemons bags lead role in Martin Scorsese's 'Killers Of The Flower Moon'

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