Sara Ali Khan has been confirmed to star opposite Vicky Kaushal in upcoming film ‘The Immortal Ashwatthama’.

The high-profile film whose <a href="https://www.wionews.com/entertainment/bollywood/news-the-immortal-ashwatthama-first-look-vicky-kaushal-collaborates-with-uri-director-again-for-this-superhero-film-355964">posters </a>released earlier this year have captured the imagination of fans as it boasts to be one-of-a-kind sci-fi film laced with mythology.&nbsp;

Sara and Vicky are speculated to start working on some high octane action scenes for&nbsp;the mythological action film.&nbsp;

Vicky Kaushal has already begun his physical training and has been sharing pictures and videos of himself doing activities like horse riding and archery to play the role.&nbsp;

<a data-ctorig="https://www.wionews.com/topics/vicky-kaushal" data-cturl="https://www.google.com/url?client=internal-element-cse&amp;cx=006054055338965708568:09spwrlibei&amp;q=https://www.wionews.com/topics/vicky-kaushal&amp;sa=U&amp;ved=2ahUKEwig_8an_8zvAhUwzjgGHQQnAI4QFjACegQICBAB&amp;usg=AOvVaw3esgJ7qxe160AG0BdckjKf" dir="ltr" href="https://www.wionews.com/topics/vicky-kaushal" target="_blank">Vicky Kaushal</a> will collaborate&nbsp;with 'Uri' director again for this superhero film,&nbsp;'The Immortal Aswatthama'

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<blockquote class="twitter-tweet">
Overwhelmed and ecstatic ! 
On the 2nd anniversary of 'URI-The Surgical Strike' , the team gives you a glimpse into the world of <a href="https://twitter.com/hashtag/TheImmortalAshwatthama?src=hash&amp;ref_src=twsrc%5Etfw">#TheImmortalAshwatthama</a> 
Cannot wait to get onto this journey with the dream team of <a href="https://twitter.com/AdityaDharFilms?ref_src=twsrc%5Etfw">@AdityaDharFilms</a> <a href="https://twitter.com/RonnieScrewvala?ref_src=twsrc%5Etfw">@RonnieScrewvala</a> <a href="https://twitter.com/RSVPMovies?ref_src=twsrc%5Etfw">@RSVPMovies</a> <a href="https://twitter.com/soniakanwar22?ref_src=twsrc%5Etfw">@soniakanwar22</a> <a href="https://t.co/tYOVQ4FG1P">pic.twitter.com/tYOVQ4FG1P</a>
— Vicky Kaushal (@vickykaushal09) <a href="https://twitter.com/vickykaushal09/status/1348522155214995461?ref_src=twsrc%5Etfw">January 11, 2021</a></blockquote>
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'The Immortal Aswatthama'&nbsp;is produced by Ronnie Screwvala. It is reportedly going to be a three-part series and Kaushal will be seen in a never seen before avatar.&nbsp;

Sara Ali Khan has been confirmed to star opposite Vicky Kaushal in upcoming film ‘The Immortal Ashwatthama’. The high-profile film whose posters released earlier this year have captured the imagination of fans as it boasts to be one-of-a-kind sci-fi film laced with mythology.

Sara Ali Khan has been confirmed to star opposite Vicky Kaushal in upcoming film ‘The Immortal Ashwatthama’. The high-profile film whose posters released earlier this year have captured the imagination of fans as it boasts to be one-of-a-kind sci-fi film laced with mythology. Sara and Vicky are speculated to start working on some high octane action scenes for the mythological action film. Vicky Kaushal has already begun his physical training and has been sharing pictures and videos of himself doing activities like horse riding and archery to play the role. Vicky Kaushal will collaborate with 'Uri' director again for this superhero film, 'The Immortal Aswatthama' Overwhelmed and ecstatic ! On the 2nd anniversary of 'URI-The Surgical Strike' , the team gives you a glimpse into the world of #TheImmortalAshwatthama Cannot wait to get onto this journey with the dream team of @AdityaDharFilms @RonnieScrewvala @RSVPMovies @soniakanwar22 pic.twitter.com/tYOVQ4FG1P — Vicky Kaushal (@vickykaushal09) January 11, 2021 × 'The Immortal Aswatthama' is produced by Ronnie Screwvala. It is reportedly going to be a three-part series and Kaushal will be seen in a never seen before avatar.

Sara Ali Khan confirmed to star opposite Vicky Kaushal in 'The Immortal Ashwatthama'

Continuing its over 75 year-long legacy in churning out riveting stories for the Tamil audience, AVM Productions announces their next offering - an intriguing crime thriller, ‘Tamil Stalkers’. Directed by Arivazhagan Venkatachalam, the show is inspired from a real-life film piracy group and dwells on the stark realties of content piracy in the Tamil film industry.&nbsp;

Illegal and unauthorised duplication of content is one of the gravest concerns plaguing content creators world over. In India, the Tamil film industry has been fighting a never-ending battle with this issue owing to various online piracy websites. This show dives into the dark side of this piracy world and unravels the industry’s constant battle against identifying the group that is involved in releasing pirated content.

The show will be available for the audience in Tamil, Telugu, Malayalam and Kannada.

Aruna Guhan and Aparna Guhan Shyam, Partners, AVM Productions said, “Tamil Stalkers dwells on the unheard aspects of the Tamil industry’s relentless battle against piracy and ways to counter the menace. We are extremely passionate to bring it forth to the audience in partnership with SonyLIV, that has been headlining the category with relevant and intriguing narratives. Along with a visionary director like Arivazhagan, we are sure to hit the right chords with Tamil Stalkers.”

Danish Khan from SonyLIV, Sony Pictures Networks India said, “We at SonyLIV are delighted to start our Tamil language LIV Original slate with ‘Tamil Stalkers’, a show that will be produced by one of the pioneer creative powerhouse AVM. We look forward to partner with Aruna, Aparna and their highly talented team of writers, technicians and actors to bring what we believe is one of the most relevant and compelling stories.”

‘Tamil Stalkers’ to premiere soon on SonyLIV.

Continuing its over 75 year-long legacy in churning out riveting stories for the Tamil audience, AVM Productions announces their next offering - an intriguing crime thriller, ‘Tamil Stalkers’.

Continuing its over 75 year-long legacy in churning out riveting stories for the Tamil audience, AVM Productions announces their next offering - an intriguing crime thriller, ‘Tamil Stalkers’. Directed by Arivazhagan Venkatachalam, the show is inspired from a real-life film piracy group and dwells on the stark realties of content piracy in the Tamil film industry. Illegal and unauthorised duplication of content is one of the gravest concerns plaguing content creators world over. In India, the Tamil film industry has been fighting a never-ending battle with this issue owing to various online piracy websites. This show dives into the dark side of this piracy world and unravels the industry’s constant battle against identifying the group that is involved in releasing pirated content. The show will be available for the audience in Tamil, Telugu, Malayalam and Kannada. Aruna Guhan and Aparna Guhan Shyam, Partners, AVM Productions said, “Tamil Stalkers dwells on the unheard aspects of the Tamil industry’s relentless battle against piracy and ways to counter the menace. We are extremely passionate to bring it forth to the audience in partnership with SonyLIV, that has been headlining the category with relevant and intriguing narratives. Along with a visionary director like Arivazhagan, we are sure to hit the right chords with Tamil Stalkers.” Danish Khan from SonyLIV, Sony Pictures Networks India said, “We at SonyLIV are delighted to start our Tamil language LIV Original slate with ‘Tamil Stalkers’, a show that will be produced by one of the pioneer creative powerhouse AVM. We look forward to partner with Aruna, Aparna and their highly talented team of writers, technicians and actors to bring what we believe is one of the most relevant and compelling stories.” ‘Tamil Stalkers’ to premiere soon on SonyLIV.

'Tamil Stalkers', a show on content piracy in Tamil film industry to premiere on SonyLiv

‘Godzilla vs Kong’ released in theatres today on March 24 and it was hit by hackers as they leaked the full movie for download online.&nbsp;

The film is a finale to the much popular installment to the MonsterVerse created by Legendary Entertainment. The film stars Alexander Skarsgard, Millie Bobby Brown, Rebecca Hall, Brian Tyree Henry, Shun Oguri, Eiza González, Julian Dennison, with Kyle Chandler and Demian Bichir.&nbsp;

Directed by Adam Wingard, the film while receiving positive reviews has come under attack by hackers. It is now made available for viewing on various piracy websites like Tamilrockers, Telegram, movierulz, among others.<a href="https://www.wionews.com/entertainment/hollywood/news-godzilla-vs-kong-review-its-worth-all-the-hype-373336"> Read WION's review of 'Godzilla vs&nbsp;Kong' here.</a>

Also, the movie is available in full HD quality, much to the disappointment of makers who are already reeling under losses because of the theatres being shut worldwide owing to the pandemic restrictions.&nbsp;

‘Godzilla vs. Kong’ has released in English, Hindi, Tamil, and Telugu across cinemas in India. It will release in the United States on March 31, where it will be released simultaneously in theaters and on HBO Max.&nbsp;<a href="https://www.wionews.com/entertainment/cineworlds-us-theatres-to-lift-curtains-in-time-for-godzilla-vs-kong-372493" hreflang="en">Cineworld's US theatres to lift curtains in time for 'Godzilla vs. Kong'</a>

‘Godzilla vs Kong’ released in theatres today on March 24 and it was hit by hackers as they leaked the full movie for download online. The film is a finale to the much popular installment to the MonsterVerse created by Legendary Entertainment.

‘Godzilla vs Kong’ released in theatres today on March 24 and it was hit by hackers as they leaked the full movie for download online. The film is a finale to the much popular installment to the MonsterVerse created by Legendary Entertainment. The film stars Alexander Skarsgard, Millie Bobby Brown, Rebecca Hall, Brian Tyree Henry, Shun Oguri, Eiza González, Julian Dennison, with Kyle Chandler and Demian Bichir. Directed by Adam Wingard, the film while receiving positive reviews has come under attack by hackers. It is now made available for viewing on various piracy websites like Tamilrockers, Telegram, movierulz, among others. Read WION's review of 'Godzilla vs Kong' here. Also, the movie is available in full HD quality, much to the disappointment of makers who are already reeling under losses because of the theatres being shut worldwide owing to the pandemic restrictions. ‘Godzilla vs. Kong’ has released in English, Hindi, Tamil, and Telugu across cinemas in India. It will release in the United States on March 31, where it will be released simultaneously in theaters and on HBO Max. Cineworld's US theatres to lift curtains in time for 'Godzilla vs. Kong'

'Godzilla vs. Kong' Hindi dubbed full movie leaked online on release date

Godzilla vs. Kong is worth all the hype. The film is high on action as one would expect from a monster movie that puts one giant against another while we humans and our flashy tech pale in comparison to their attitude and power.&nbsp;

It’s a dream come true for those who have followed all standalone Godzilla and King Kong films that have pitted the two alpha predators as saviours of the human race but what happens when they come face to face? The result is an adrenaline-pumping duel of muscles and blue atomic breath. The film picks up from King Kong being monitored on a facility that imitates the Skull island so that he can be kept away from Godzilla as their ancient rivalry is well known to scientists and no one wants to revisit that to be honest!

Meanwhile, Godzilla is attacking some lab centers and creating havoc in cities much to the surprise of humans as uptil now the monster has only protected humans from other destructive monsters.&nbsp;

There is another plot of a podcast host and a bunch of teenagers who are sort-of close to finding out what is provoking Godzilla because they haven’t given up on the giant lizard who breathes blue fire.

The human cast includes Alexander Skarsgard, Millie Bobby Brown, Rebecca Hall, Brian Tyree Henry, Shun Oguri, Eiza González, Julian Dennison, Kyle Chandler, and Demián Bichir and while they are good in their supporting roles, we are here for Godzilla and King Kong and their edgy fights that never leave the pace nor excitement.&nbsp;

Everytime Godzilla and King Kong meet they instigate and enrage one another and their fights are shown in a detailed manner by director Adam Wingard who knows what the fans want and he delivers. The catastrophic fights are punctuated with music that elevates the action scenes.

<iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="360" src="https://www.youtube.com/embed/odM92ap8_c0" title="YouTube video player" width="640"></iframe>

‘Godzilla vs Kong’ is a value for money entertainer that will give you the thrills while serving justice. The climax serves both parties -- those on the monkey’s side as well as the lizard’s.&nbsp;

What a way to call us back to the theatres. Watch the film in a theatre, it’s made for the big screen.

<a href="https://www.wionews.com/entertainment/hollywood/news-godzilla-vs-kong-hindi-dubbed-full-movie-leaked-online-on-release-date-372830">'Godzilla vs. Kong' Hindi dubbed full movie leaked online on release date</a>

<h1><a href="https://www.wionews.com/entertainment/godzilla-vs-kong-witnesses-blockbuster-opening-at-indian-box-office-mints-rs-64-cr-373279">'Godzilla Vs Kong' witnesses blockbuster opening at Indian box office, mints Rs 6.4 cr</a></h1>

Godzilla vs. Kong is worth all the hype. The film is high on action as one would expect from a monster movie that puts one giant against another while we humans and our flashy tech pale in comparison to their attitude and power.

Godzilla vs. Kong is worth all the hype. The film is high on action as one would expect from a monster movie that puts one giant against another while we humans and our flashy tech pale in comparison to their attitude and power. It’s a dream come true for those who have followed all standalone Godzilla and King Kong films that have pitted the two alpha predators as saviours of the human race but what happens when they come face to face? The result is an adrenaline-pumping duel of muscles and blue atomic breath. The film picks up from King Kong being monitored on a facility that imitates the Skull island so that he can be kept away from Godzilla as their ancient rivalry is well known to scientists and no one wants to revisit that to be honest! Meanwhile, Godzilla is attacking some lab centers and creating havoc in cities much to the surprise of humans as uptil now the monster has only protected humans from other destructive monsters. There is another plot of a podcast host and a bunch of teenagers who are sort-of close to finding out what is provoking Godzilla because they haven’t given up on the giant lizard who breathes blue fire. The human cast includes Alexander Skarsgard, Millie Bobby Brown, Rebecca Hall, Brian Tyree Henry, Shun Oguri, Eiza González, Julian Dennison, Kyle Chandler, and Demián Bichir and while they are good in their supporting roles, we are here for Godzilla and King Kong and their edgy fights that never leave the pace nor excitement. Everytime Godzilla and King Kong meet they instigate and enrage one another and their fights are shown in a detailed manner by director Adam Wingard who knows what the fans want and he delivers. The catastrophic fights are punctuated with music that elevates the action scenes. ‘Godzilla vs Kong’ is a value for money entertainer that will give you the thrills while serving justice. The climax serves both parties -- those on the monkey’s side as well as the lizard’s. What a way to call us back to the theatres. Watch the film in a theatre, it’s made for the big screen. 'Godzilla vs. Kong' Hindi dubbed full movie leaked online on release date 'Godzilla Vs Kong' witnesses blockbuster opening at Indian box office, mints Rs 6.4 cr

'Godzilla vs. Kong' review: It's worth all the hype

The EE BAFTA Film Awards will take place on April 10 and 11 and will have Clara Amfo, Edith Bowman and Dermot O’Leary as hosts for the ceremony.

The opening night will be hosted by Clara Amfo who will be joined by a yet-to-be-announced panel of guests who will discuss the creative process using footage from nominated films.&nbsp;

The first night of the event will see announcement of eight BAFTA winners as will the Outstanding British Contribution to Cinema recipient, who will be at the Royal Albert Hall for the only in-person moment of the show.&nbsp;

Meanwhile, presenters Edith Bowman and Dermot O’Leary will host the second night of the awards on April 11. They will be joined by some more presenters at the Royal Albert Hall as well as some presenters who will log in virtually from Los Angeles.&nbsp;

All nominees of BAFTA will join the show virtually alongside a virtual audience in the wake of the pandemic.&nbsp;

The ceremonies will have a total of 17 awards being announced including the EE Rising Star Award and the Fellowship, BAFTA’s highest honor.

On the BAFTA awards, Marc Samuelson, chair of the BAFTA film committee, said: “It has been an extremely tough year for everyone, including for cinemas and for the film industry, so we are looking forward to some fun, and a celebration of great talent across the weekend. The industry and film lovers are coming together to shine a spotlight on the creativity and craft behind the 50 nominated films, and to recognize and celebrate the efforts of the industry to keep going during this particularly challenging time.”

The EE BAFTA Film Awards will take place on April 10 and 11 and will have Clara Amfo, Edith Bowman and Dermot O’Leary as hosts for the ceremony. The opening night will be hosted by Clara Amfo who will be joined by a yet-to-be-announced panel of guests who will discuss the creative process using footage from nominated films.

The EE BAFTA Film Awards will take place on April 10 and 11 and will have Clara Amfo, Edith Bowman and Dermot O’Leary as hosts for the ceremony. The opening night will be hosted by Clara Amfo who will be joined by a yet-to-be-announced panel of guests who will discuss the creative process using footage from nominated films. The first night of the event will see announcement of eight BAFTA winners as will the Outstanding British Contribution to Cinema recipient, who will be at the Royal Albert Hall for the only in-person moment of the show. Meanwhile, presenters Edith Bowman and Dermot O’Leary will host the second night of the awards on April 11. They will be joined by some more presenters at the Royal Albert Hall as well as some presenters who will log in virtually from Los Angeles. All nominees of BAFTA will join the show virtually alongside a virtual audience in the wake of the pandemic. The ceremonies will have a total of 17 awards being announced including the EE Rising Star Award and the Fellowship, BAFTA’s highest honor. On the BAFTA awards, Marc Samuelson, chair of the BAFTA film committee, said: “It has been an extremely tough year for everyone, including for cinemas and for the film industry, so we are looking forward to some fun, and a celebration of great talent across the weekend. The industry and film lovers are coming together to shine a spotlight on the creativity and craft behind the 50 nominated films, and to recognize and celebrate the efforts of the industry to keep going during this particularly challenging time.”

Clara Amfo, Edith Bowman and Dermot O’Leary to host BAFTA 2021

Fashion retailer H&amp;M is facing a potential boycott in China after a statement the company made last year expressing deep concerns over reports of forced labor in Xinjiang stirred a social media storm this week.

A similar statement from Nike was also attracting criticism on Wednesday, a sign that Western clothing manufacturers could face growing hostility in China for their public stances against forced labor in Xinjiang and for halting cotton sourcing from the region.

The H&amp;M statement, which can be found on the website of the Swedish retailer, was posted in September after growing global scrutiny around the use of Uyghurs in forced labor in Xinjiang.

In it, H&amp;M said that it was “deeply concerned by reports from civil society organizations and media that include accusations of forced labor and discrimination of ethno-religious minorities” in Xinjiang and that it had stopped buying cotton from growers in the region.

More than eight months later, in the wake of sanctions by Western countries against China for its treatment of Uyghurs, H&amp;M is facing online backlash from Chinese consumers. The outrage has been stoked by comments on platforms like the microblogging site Sina Weibo from celebrities and groups like the Communist Youth League, an influential Communist Party organization.

“Want to make money in China while spreading false rumors and boycotting Xinjiang cotton? Wishful thinking!” the group said in a post, echoing one of the People’s Liberation Army’s statements that called H&amp;M’s stance “ignorant and arrogant.”

<a href="https://www.wionews.com/videos/gravitas-which-global-brands-are-using-uighur-labour-373196">Watch |</a>

<div class="videoWrapper trancodeVideo"><iframe allowfullscreen="" autoplay="1" class="includeVideo" frameborder="0" height="350" src="https://www.wionews.com/videos/gravitas-which-global-brands-are-using-uighur-labour-373196/embed" style="width:100%;max-width:560px;" width="560"></iframe></div>

On Monday, Britain, Canada, the European Union and the United States announced sanctions on Chinese officials in an escalating row over the treatment of Uyghurs in Xinjiang. Roughly 1 in 5 cotton garments sold globally contains cotton or yarn from the region, where authorities have used coercive labor programs and mass internment to remold as many as 1 million Uyghurs, Kazakhs and other largely Muslim minorities into model workers obedient to the Communist Party.

Nike could be next. The company posted a statement on its website expressing concerns “about reports of forced labor in and connected to” Xinjiang. “Nike does not source products” from the region, and “we have confirmed with our contract suppliers that they are not using textiles or spun yarn from the region.”

On Wednesday, Nike was at the top of Weibo’s “hot search” list. Some users were furious that Nike had joined the boycott of cotton from the region. The company declined to comment.

Huang Xuan, a Chinese actor who had a menswear contract with H&amp;M, posted a statement saying he would quit the deal, adding that he opposed “slander and creating rumors” as well as “any attempt to discredit the country.” Singer and actress Victoria Song — who used to endorse H&amp;M — also released a statement, saying that she no longer had a relationship with the brand and that “national interests are above all else.”

By Wednesday evening, at least three major Chinese e-commerce platforms — Pinduoduo, Jingdong and Tmall — had removed H&amp;M from search results and withdrawn its products from sale. The actions underscored the pressures faced by foreign companies doing business in China while navigating political and cultural debates like the country’s sovereignty and its checkered human rights record.

On Wednesday night, H&amp;M China responded with a post on the Sina Weibo microblogging site, saying the company did not “represent any political position.”

“H&amp;M Group respects Chinese consumers as always,” the statement said. “We are committed to long-term investment and development in China.”

H&amp;M is the world’s second-largest fashion retailer by sales, after Inditex, the owner of Zara, and China is its fourth-biggest market.

State broadcaster CCTV criticized H&amp;M, and said it was “a miscalculation to try to play a righteous hero.” H&amp;M, it said, “will definitely pay a heavy price for its wrong action.”

Fashion retailer H&M is facing a potential boycott in China after a statement the company made last year expressing deep concerns over reports of forced labor in Xinjiang stirred a social media storm this week.

Fashion retailer H&M is facing a potential boycott in China after a statement the company made last year expressing deep concerns over reports of forced labor in Xinjiang stirred a social media storm this week. A similar statement from Nike was also attracting criticism on Wednesday, a sign that Western clothing manufacturers could face growing hostility in China for their public stances against forced labor in Xinjiang and for halting cotton sourcing from the region. The H&M statement, which can be found on the website of the Swedish retailer, was posted in September after growing global scrutiny around the use of Uyghurs in forced labor in Xinjiang. In it, H&M said that it was “deeply concerned by reports from civil society organizations and media that include accusations of forced labor and discrimination of ethno-religious minorities” in Xinjiang and that it had stopped buying cotton from growers in the region. More than eight months later, in the wake of sanctions by Western countries against China for its treatment of Uyghurs, H&M is facing online backlash from Chinese consumers. The outrage has been stoked by comments on platforms like the microblogging site Sina Weibo from celebrities and groups like the Communist Youth League, an influential Communist Party organization. “Want to make money in China while spreading false rumors and boycotting Xinjiang cotton? Wishful thinking!” the group said in a post, echoing one of the People’s Liberation Army’s statements that called H&M’s stance “ignorant and arrogant.” Watch | On Monday, Britain, Canada, the European Union and the United States announced sanctions on Chinese officials in an escalating row over the treatment of Uyghurs in Xinjiang. Roughly 1 in 5 cotton garments sold globally contains cotton or yarn from the region, where authorities have used coercive labor programs and mass internment to remold as many as 1 million Uyghurs, Kazakhs and other largely Muslim minorities into model workers obedient to the Communist Party. Nike could be next. The company posted a statement on its website expressing concerns “about reports of forced labor in and connected to” Xinjiang. “Nike does not source products” from the region, and “we have confirmed with our contract suppliers that they are not using textiles or spun yarn from the region.” On Wednesday, Nike was at the top of Weibo’s “hot search” list. Some users were furious that Nike had joined the boycott of cotton from the region. The company declined to comment. Huang Xuan, a Chinese actor who had a menswear contract with H&M, posted a statement saying he would quit the deal, adding that he opposed “slander and creating rumors” as well as “any attempt to discredit the country.” Singer and actress Victoria Song — who used to endorse H&M — also released a statement, saying that she no longer had a relationship with the brand and that “national interests are above all else.” By Wednesday evening, at least three major Chinese e-commerce platforms — Pinduoduo, Jingdong and Tmall — had removed H&M from search results and withdrawn its products from sale. The actions underscored the pressures faced by foreign companies doing business in China while navigating political and cultural debates like the country’s sovereignty and its checkered human rights record. On Wednesday night, H&M China responded with a post on the Sina Weibo microblogging site, saying the company did not “represent any political position.” “H&M Group respects Chinese consumers as always,” the statement said. “We are committed to long-term investment and development in China.” H&M is the world’s second-largest fashion retailer by sales, after Inditex, the owner of Zara, and China is its fourth-biggest market. State broadcaster CCTV criticized H&M, and said it was “a miscalculation to try to play a righteous hero.” H&M, it said, “will definitely pay a heavy price for its wrong action.”

H&M faces boycott in China over stance on treatment of Uyghurs

Comedian Jay Leno apologised for his jokes that he admits were racist as they were at the expense of the Korean and Chinese communities.&nbsp;

Admitting the problematic nature of the jokes, Jay Leno told members of Media Action Network for Asian Americans (MANAA), “At the time I did those jokes, I genuinely thought them to be harmless. I was making fun of our enemy North Korea, and like most jokes, there was a ring of truth to them.”

“At the time, there was a prevailing attitude that some group is always complaining about something, so don’t worry about it,” he said and added, “Whenever we received a complaint, there would be two sides to the discussion: Either ‘We need to deal with this’ or ‘Screw ’em if they can’t take a joke.’”

He didn’t think this to be an example of cancel culture but rather an airing of what he called a “legitimate wrong” on his part.

“Too many times I sided with the latter” — meaning the “screw ’em” side — “even when I knew in my heart it was wrong,” he said in the statement. He ended it with, “I hope I can live up to their expectations in the future.”

Guy Aoki, founding president of MANAA, said in Wednesday’s statement that the former late night TV host, Jay Leno would never make racist jokes about the eating habits of Black people.

Jay Leno and his line of racist jokes came into the spotlight after Gabrielle Union, a judge on ‘America’s Got Talent’ when Leno appeared as a guest judge, was fired from ‘AGT’ after only one season and then alleged a racist and toxic environment existed on the show.

Comedian Jay Leno apologised for his jokes that he admits were racist as they were at the expense of the Korean and Chinese communities. Admitting the problematic nature of the jokes, Jay Leno told members of Media Action Network for Asian Americans (MANAA), “At the time I did those jokes, I genuinely thought them to be harmless.

Comedian Jay Leno apologised for his jokes that he admits were racist as they were at the expense of the Korean and Chinese communities. Admitting the problematic nature of the jokes, Jay Leno told members of Media Action Network for Asian Americans (MANAA), “At the time I did those jokes, I genuinely thought them to be harmless. I was making fun of our enemy North Korea, and like most jokes, there was a ring of truth to them.” “At the time, there was a prevailing attitude that some group is always complaining about something, so don’t worry about it,” he said and added, “Whenever we received a complaint, there would be two sides to the discussion: Either ‘We need to deal with this’ or ‘Screw ’em if they can’t take a joke.’” He didn’t think this to be an example of cancel culture but rather an airing of what he called a “legitimate wrong” on his part. “Too many times I sided with the latter” — meaning the “screw ’em” side — “even when I knew in my heart it was wrong,” he said in the statement. He ended it with, “I hope I can live up to their expectations in the future.” Guy Aoki, founding president of MANAA, said in Wednesday’s statement that the former late night TV host, Jay Leno would never make racist jokes about the eating habits of Black people. Jay Leno and his line of racist jokes came into the spotlight after Gabrielle Union, a judge on ‘America’s Got Talent’ when Leno appeared as a guest judge, was fired from ‘AGT’ after only one season and then alleged a racist and toxic environment existed on the show.

Comedian Jay Leno apologises for racist Asian jokes

Britain's Prince Harry -- who is often at war with the British press -- was on Wednesday announced as a commissioner for a US study into misinformation online.

The non-profit Aspen Institute said it was "honored" to have the Duke of Sussex as one of the 18 members of its "Commission on Information Disorder."

The announcement came a day after Harry became "chief impact officer" at San Francisco life-coaching startup BetterUp as he adds to his growing portfolio of jobs since stepping away from royal duties last year.

As part of the Aspen study, the 36-year-old Harry will help conduct a six-month investigation into misinformation and disinformation in the American digital world that will start in April.

The commission aims to identify the biggest causes of the sharing and spreading of false information and find solutions to help the government, private sector and civil society respond.

"The experience of today's digital world has us inundated with an avalanche of misinformation, affecting our ability as individuals as well as societies to think clearly and truly understand the world we live in," Harry said in a statement.

"It's my belief that this is a humanitarian issue -- and as such, it demands a multi-stakeholder response from advocacy voices, members of the media, academic researchers, and both government and civil society leaders," he added.

The prince is likely to bring his own experiences of media coverage of his life to the commission.

Harry told US talk show host James Corden last month that he left royal life and moved to the United States with wife Meghan Markle because the British press was "destroying his mental health."

The prince has long had a difficult relationship with Britain's tabloids, blaming press intrusion for contributing to his mother Princess Diana's death in a car crash in 1997.

Harry and Meghan have filed several lawsuits against newspapers and last April told Britain's tabloids that they were ending all cooperation with them due to "distorted, false or invasive" stories.

Since leaving their roles as working royals, Harry and Meghan have already signed lucrative digital media deals to capitalize on their celebrity -- one to produce content for Netflix, and another to present podcasts for Spotify.

They live in California where they have launched a wide-ranging non-profit organization named Archewell.

An explosive interview they gave to Oprah Winfrey this month -- in which they claimed an unnamed royal had asked how dark their baby's skin would be -- plunged the monarchy into its biggest crisis since the death of Diana.

Britain's Prince Harry -- who is often at war with the British press -- was on Wednesday announced as a commissioner for a US study into misinformation online. The non-profit Aspen Institute said it was "honored" to have the Duke of Sussex as one of the 18 members of its "Commission on Information Disorder.

Britain's Prince Harry -- who is often at war with the British press -- was on Wednesday announced as a commissioner for a US study into misinformation online. The non-profit Aspen Institute said it was "honored" to have the Duke of Sussex as one of the 18 members of its "Commission on Information Disorder." The announcement came a day after Harry became "chief impact officer" at San Francisco life-coaching startup BetterUp as he adds to his growing portfolio of jobs since stepping away from royal duties last year. As part of the Aspen study, the 36-year-old Harry will help conduct a six-month investigation into misinformation and disinformation in the American digital world that will start in April. The commission aims to identify the biggest causes of the sharing and spreading of false information and find solutions to help the government, private sector and civil society respond. "The experience of today's digital world has us inundated with an avalanche of misinformation, affecting our ability as individuals as well as societies to think clearly and truly understand the world we live in," Harry said in a statement. "It's my belief that this is a humanitarian issue -- and as such, it demands a multi-stakeholder response from advocacy voices, members of the media, academic researchers, and both government and civil society leaders," he added. The prince is likely to bring his own experiences of media coverage of his life to the commission. Harry told US talk show host James Corden last month that he left royal life and moved to the United States with wife Meghan Markle because the British press was "destroying his mental health." The prince has long had a difficult relationship with Britain's tabloids, blaming press intrusion for contributing to his mother Princess Diana's death in a car crash in 1997. Harry and Meghan have filed several lawsuits against newspapers and last April told Britain's tabloids that they were ending all cooperation with them due to "distorted, false or invasive" stories. Since leaving their roles as working royals, Harry and Meghan have already signed lucrative digital media deals to capitalize on their celebrity -- one to produce content for Netflix, and another to present podcasts for Spotify. They live in California where they have launched a wide-ranging non-profit organization named Archewell. An explosive interview they gave to Oprah Winfrey this month -- in which they claimed an unnamed royal had asked how dark their baby's skin would be -- plunged the monarchy into its biggest crisis since the death of Diana.

Prince Harry takes role fighting 'avalanche of misinformation'

German music management group BGM announced a partnership with US investment company KKR Wednesday in a move to acquire streaming rights -- a new potentially lucrative frontier for investors.&nbsp;

The agreement does not mean the creation of a new joint company nor the acquisitions of any stakes, the two entities said in a statement.&nbsp;

BMG Rights Management was created in 2008 to allow Bertelsmann, its German parent company, to invest in new music rights after the 2007 sale of BMG Music Publishing and its enormous catalog to Universal.&nbsp;

The group already controls the rights of the works of several leading artists, including David Bowie, Bruno Mars, Lenny Kravitz and Kylie Minogue.&nbsp;

The two entertainment groups already have a long-standing relationship -- KKR bought 51 percent of the capital of BMG Rights Management in 2009, before Bertelsmann bought it from KKR in 2013.&nbsp;

"The rationale behind it is the worldwide increase in demand for high-quality media content," the groups' statement said.&nbsp;

Moves have been underway for years to acquire some of the most popular modern music catalogs, most of which are currently under the purview of a few major record companies.&nbsp;

After a difficult period in the mid-2000s, the music industry is slowly recovering in the wake of the advent of streaming, which has become a major source of revenue for music catalog rights holders.&nbsp;

Groups such as Concord, Hipgnosis and Primary Wave have also recently invested in the market as acquisition vehicles backed by powerful investors.&nbsp;

Universal Music announced its acquisition of the entirety of Bob Dylan's catalog in early December for an amount estimated by The New York Times at $300 million. &nbsp;

BMG itself acquired the rights to the works of Fleetwood Mac from band co-founder Mick Fleetwood in January.

German music management group BGM announced a partnership with US investment company KKR Wednesday in a move to acquire streaming rights -- a new potentially lucrative frontier for investors.

German music management group BGM announced a partnership with US investment company KKR Wednesday in a move to acquire streaming rights -- a new potentially lucrative frontier for investors. The agreement does not mean the creation of a new joint company nor the acquisitions of any stakes, the two entities said in a statement. BMG Rights Management was created in 2008 to allow Bertelsmann, its German parent company, to invest in new music rights after the 2007 sale of BMG Music Publishing and its enormous catalog to Universal. The group already controls the rights of the works of several leading artists, including David Bowie, Bruno Mars, Lenny Kravitz and Kylie Minogue. The two entertainment groups already have a long-standing relationship -- KKR bought 51 percent of the capital of BMG Rights Management in 2009, before Bertelsmann bought it from KKR in 2013. "The rationale behind it is the worldwide increase in demand for high-quality media content," the groups' statement said. Moves have been underway for years to acquire some of the most popular modern music catalogs, most of which are currently under the purview of a few major record companies. After a difficult period in the mid-2000s, the music industry is slowly recovering in the wake of the advent of streaming, which has become a major source of revenue for music catalog rights holders. Groups such as Concord, Hipgnosis and Primary Wave have also recently invested in the market as acquisition vehicles backed by powerful investors. Universal Music announced its acquisition of the entirety of Bob Dylan's catalog in early December for an amount estimated by The New York Times at $300 million. BMG itself acquired the rights to the works of Fleetwood Mac from band co-founder Mick Fleetwood in January.

BMG and KKR team up to purchase music rights

No one loves wearing a mask at work, but spare a thought for the chorus of the Paris Opera, having to project through multiple layers of cotton and polyester.&nbsp;

When they took the stage recently for a rehearsal at the Bastille opera house, the 70 or so chorus members certainly did not appear to have lost any of their sonorous beauty.&nbsp;But having a mask strapped across one's face is far from ideal for a singer.&nbsp;

"It really disturbs the delivery," said Sylvie Delaunay, who has been with the chorus for more than 20 years.&nbsp;

"When one sings opera, there are deep inhalations and deep exhalations, so if breathing is restricted, we get tired very easily."

With all cultural institutions in France shut due to the pandemic, the chorus of the Paris Opera was preparing for a new staging of "Faust" by 19th-century French composer Charles Gounod, to be screened on television and online from Friday.&nbsp;

The chorus has learned what works and what doesn't. And the high-filtration FFP2 masks proved difficult, said Delaunay.

"As soon as you take a breath, you swallow it!" -- so the chorus has opted for stiff surgical masks, in stylish black for the actual performance.&nbsp;

The need for such protective equipment was highlighted this week when it was found that Culture Minister Roselyn Bachelot was carrying Covid-19 when she attended one of the last rehearsals for "Faust" and tested positive the following morning.&nbsp;

- 'Extremely demanding' - 
This is the third time that the Paris Opera -- shut for more than a year, first because of strikes, then because of the coronavirus lockdowns -- has live-streamed its performances, following Verdi's "Aida" and Mozart's "The Magic Flute" earlier this season.

For opera fans, such internet broadcasts offer nowhere near the thrill of a seat in the auditorium. But the house is least able to reach a global audience for the first time.&nbsp;

Each new staging has been subtly transformed by the circumstances: "Aida" -- in a controversial new production by Dutch director Lotte de Beer starring German tenor Jonas Kaufmann -- was a largely stationary affair because of social-distancing constraints.

By contrast, the new staging of Gounod's "Faust" by German director Tobias Kratzer with a star-studded line-up including Albanian soprano Ermonela Jaho and French tenor Benjamin Bernheim, and conducted by Lorenzo Viotti, includes a bustling -- albeit masked -- nightclub scene, a setting that might have a nostalgic edge for some in the current climate.

Soloists have been permitted to perform without a mask, albeit with daily Covid-19 tests.&nbsp;

But while the chorus was bunched together for the final show, they had to socially distance throughout rehearsals.

"We're less able to hear each other. We hear our neighbours... but the sound of the group is more distant. It's not at all the same," said Delaunay.

Masks mean some of the articulation is lost, said chorus master Jose Luis Basso: "The job of a chorus singer is all about exaggerating the pronunciation of words.

"But still the results aren't too bad," he added with a smile.&nbsp;

In opera, the chorus often takes centre-stage, as in ever-popular set pieces like "Va, pensiero" from Verdi's "Nabucco" or the Gypsy Chorus from "La Traviata".&nbsp;

In "Faust", perhaps one of the best-known French operas alongside Bizet's "Carmen", their opportunity to shine is in famous choruses such as "Wine or Beer" and "Immortal Glory of our Ancestors".&nbsp;

Basso says the current crisis has underlined the importance of the chorus. He hates the idea that its members are sometimes dismissed as "people who failed to become great soloists".

"The tests to join the Opera are extremely demanding," he said, requiring a mastery of multiple languages, musical styles and technique.&nbsp;

Despite the difficulties, it has been vital to keep working, said Alexander Neef, Paris Opera's director-general.&nbsp;

"If we don't perform, we don't exist," he said.

No one loves wearing a mask at work, but spare a thought for the chorus of the Paris Opera, having to project through multiple layers of cotton and polyester. When they took the stage recently for a rehearsal at the Bastille opera house, the 70 or so chorus members certainly did not appear to have lost any of their sonorous beauty.

No one loves wearing a mask at work, but spare a thought for the chorus of the Paris Opera, having to project through multiple layers of cotton and polyester. When they took the stage recently for a rehearsal at the Bastille opera house, the 70 or so chorus members certainly did not appear to have lost any of their sonorous beauty. But having a mask strapped across one's face is far from ideal for a singer. "It really disturbs the delivery," said Sylvie Delaunay, who has been with the chorus for more than 20 years. "When one sings opera, there are deep inhalations and deep exhalations, so if breathing is restricted, we get tired very easily." With all cultural institutions in France shut due to the pandemic, the chorus of the Paris Opera was preparing for a new staging of "Faust" by 19th-century French composer Charles Gounod, to be screened on television and online from Friday. The chorus has learned what works and what doesn't. And the high-filtration FFP2 masks proved difficult, said Delaunay. "As soon as you take a breath, you swallow it!" -- so the chorus has opted for stiff surgical masks, in stylish black for the actual performance. The need for such protective equipment was highlighted this week when it was found that Culture Minister Roselyn Bachelot was carrying Covid-19 when she attended one of the last rehearsals for "Faust" and tested positive the following morning. - 'Extremely demanding' - This is the third time that the Paris Opera -- shut for more than a year, first because of strikes, then because of the coronavirus lockdowns -- has live-streamed its performances, following Verdi's "Aida" and Mozart's "The Magic Flute" earlier this season. For opera fans, such internet broadcasts offer nowhere near the thrill of a seat in the auditorium. But the house is least able to reach a global audience for the first time. Each new staging has been subtly transformed by the circumstances: "Aida" -- in a controversial new production by Dutch director Lotte de Beer starring German tenor Jonas Kaufmann -- was a largely stationary affair because of social-distancing constraints. By contrast, the new staging of Gounod's "Faust" by German director Tobias Kratzer with a star-studded line-up including Albanian soprano Ermonela Jaho and French tenor Benjamin Bernheim, and conducted by Lorenzo Viotti, includes a bustling -- albeit masked -- nightclub scene, a setting that might have a nostalgic edge for some in the current climate. Soloists have been permitted to perform without a mask, albeit with daily Covid-19 tests. But while the chorus was bunched together for the final show, they had to socially distance throughout rehearsals. "We're less able to hear each other. We hear our neighbours... but the sound of the group is more distant. It's not at all the same," said Delaunay. Masks mean some of the articulation is lost, said chorus master Jose Luis Basso: "The job of a chorus singer is all about exaggerating the pronunciation of words. "But still the results aren't too bad," he added with a smile. In opera, the chorus often takes centre-stage, as in ever-popular set pieces like "Va, pensiero" from Verdi's "Nabucco" or the Gypsy Chorus from "La Traviata". In "Faust", perhaps one of the best-known French operas alongside Bizet's "Carmen", their opportunity to shine is in famous choruses such as "Wine or Beer" and "Immortal Glory of our Ancestors". Basso says the current crisis has underlined the importance of the chorus. He hates the idea that its members are sometimes dismissed as "people who failed to become great soloists". "The tests to join the Opera are extremely demanding," he said, requiring a mastery of multiple languages, musical styles and technique. Despite the difficulties, it has been vital to keep working, said Alexander Neef, Paris Opera's director-general. "If we don't perform, we don't exist," he said.

Singing opera in a surgical mask

US children's television show "Sesame Street" has released videos featuring two new muppets to educate children about race.

One of the videos, uploaded to the show's website Tuesday, features African-American dad Elijah and his son Wes talking to Elmo about differences in skin color due to melanin.

They stress the importance of not forgetting that despite differences in appearance we are all human.&nbsp;

The approximately three-minute segment is part of a new series of videos called the "ABCs of Racial Literacy."

They aim to "provide families with the tools they need to build racial literacy, to have open conversations with young children," Sesame Workshop, the non-profit behind the popular children's program, said in a statement.

In another video due out soon, muppets portraying characters of Hispanic origin will be confronted with "a racist incident in a grocery store," the statement added.

"The work to dismantle racism begins by helping children understand what racism is and how it hurts and impacts people," said Kay Wilson Stallings, Sesame Workshop's executive vice president of creation and production.

"Sesame Street," launched in 1969 and present in more than 150 countries, is the benchmark of educational programming.&nbsp;

In June, the show partnered with CNN to hold a town hall on racism following the death of George Floyd at the hands of Minneapolis police.

US children's television show "Sesame Street" has released videos featuring two new muppets to educate children about race. One of the videos, uploaded to the show's website Tuesday, features African-American dad Elijah and his son Wes talking to Elmo about differences in skin color due to melanin.

US children's television show "Sesame Street" has released videos featuring two new muppets to educate children about race. One of the videos, uploaded to the show's website Tuesday, features African-American dad Elijah and his son Wes talking to Elmo about differences in skin color due to melanin. They stress the importance of not forgetting that despite differences in appearance we are all human. The approximately three-minute segment is part of a new series of videos called the "ABCs of Racial Literacy." They aim to "provide families with the tools they need to build racial literacy, to have open conversations with young children," Sesame Workshop, the non-profit behind the popular children's program, said in a statement. In another video due out soon, muppets portraying characters of Hispanic origin will be confronted with "a racist incident in a grocery store," the statement added. "The work to dismantle racism begins by helping children understand what racism is and how it hurts and impacts people," said Kay Wilson Stallings, Sesame Workshop's executive vice president of creation and production. "Sesame Street," launched in 1969 and present in more than 150 countries, is the benchmark of educational programming. In June, the show partnered with CNN to hold a town hall on racism following the death of George Floyd at the hands of Minneapolis police.

'Sesame Street' introduces new muppets in videos on race

Hollywood's producers named "Nomadland" the year's best film at their virtual prizegiving on Wednesday -- a prestigious award that revs up the US road movie's status as the firm Oscars favorite.

Disney-owned Searchlight's intimate portrayal of semi-retired Americans living off the grid in worn-out vans already has a Golden Globe in its glovebox, and again sped past streaming rivals like Netflix's "The Trial of the Chicago 7" and "Mank" in an award season transformed by Covid-19.

"In a year where we have all been leading such isolated lives and movies felt so vital, we are proud to have produced a film about community, and what connects us," said producer Peter Spears.

The annual Producers Guild of America (PGA) Awards, chosen by the 8,000-odd Hollywood movers and shakers of the producers' union, have predicted 10 of the past 13 winners of the Academy Award for best picture.

Earlier in the largely pre-recorded show, Charlene Swankie -- one of several real-life nomads who plays a fictionalized version of herself in the film -- said inviting director Chloe Zhao and star Frances McDormand into their world had been "a special road trip" that was eye-opening for all parties.

"If you were to ask me last year what the PGA was, I would have said it was a golf organization," she joked.

- 'Thank you very much' - 
With movie theaters only beginning to reopen in Los Angeles last week after a year of Covid-19 restrictions, streaming services had been widely tipped to supplant the traditional Hollywood studios this award season.

Netflix and Amazon alone bagged more than half the film nominations chosen by the PGA this year, but the night's top prize went to a movie produced by Searchlight, the arthouse label Disney recently acquired from Fox.&nbsp;

Disney's existential jazz adventure "Soul" continued its sweep of this year's animated film prizes, while the filmed Broadway performance of "Hamilton" airing on its Disney+ streaming service won the PGA's best televised motion picture.

But Netflix's aquatic wildlife feature "My Octopus Teacher" bolstered its Oscar hopes by winning best documentary.

The streaming giant also dominated the main television categories, with zeitgeisty chess drama "The Queen's Gambit" winning best limited series and the latest series of British royals saga "The Crown" named best drama.

"The Last Dance," Netflix's co-production with ESPN about basketball superstar Michael Jordan, won best non-fiction show.&nbsp;

The final season of "Schitt's Creek" won best comedy, while HBO's "Last Week Tonight" was named best talk show for a sixth consecutive year.

Host John Oliver used his pre-taped acceptance speech to poke fun at the night's unusual format.

"Thank you very much for this, it means a great deal," he said. "If we have won, that is of course... if we haven't won, please destroy this."

Hollywood's producers named "Nomadland" the year's best film at their virtual prizegiving on Wednesday -- a prestigious award that revs up the US road movie's status as the firm Oscars favorite.

Hollywood's producers named "Nomadland" the year's best film at their virtual prizegiving on Wednesday -- a prestigious award that revs up the US road movie's status as the firm Oscars favorite. Disney-owned Searchlight's intimate portrayal of semi-retired Americans living off the grid in worn-out vans already has a Golden Globe in its glovebox, and again sped past streaming rivals like Netflix's "The Trial of the Chicago 7" and "Mank" in an award season transformed by Covid-19. "In a year where we have all been leading such isolated lives and movies felt so vital, we are proud to have produced a film about community, and what connects us," said producer Peter Spears. The annual Producers Guild of America (PGA) Awards, chosen by the 8,000-odd Hollywood movers and shakers of the producers' union, have predicted 10 of the past 13 winners of the Academy Award for best picture. Earlier in the largely pre-recorded show, Charlene Swankie -- one of several real-life nomads who plays a fictionalized version of herself in the film -- said inviting director Chloe Zhao and star Frances McDormand into their world had been "a special road trip" that was eye-opening for all parties. "If you were to ask me last year what the PGA was, I would have said it was a golf organization," she joked. - 'Thank you very much' - With movie theaters only beginning to reopen in Los Angeles last week after a year of Covid-19 restrictions, streaming services had been widely tipped to supplant the traditional Hollywood studios this award season. Netflix and Amazon alone bagged more than half the film nominations chosen by the PGA this year, but the night's top prize went to a movie produced by Searchlight, the arthouse label Disney recently acquired from Fox. Disney's existential jazz adventure "Soul" continued its sweep of this year's animated film prizes, while the filmed Broadway performance of "Hamilton" airing on its Disney+ streaming service won the PGA's best televised motion picture. But Netflix's aquatic wildlife feature "My Octopus Teacher" bolstered its Oscar hopes by winning best documentary. The streaming giant also dominated the main television categories, with zeitgeisty chess drama "The Queen's Gambit" winning best limited series and the latest series of British royals saga "The Crown" named best drama. "The Last Dance," Netflix's co-production with ESPN about basketball superstar Michael Jordan, won best non-fiction show. The final season of "Schitt's Creek" won best comedy, while HBO's "Last Week Tonight" was named best talk show for a sixth consecutive year. Host John Oliver used his pre-taped acceptance speech to poke fun at the night's unusual format. "Thank you very much for this, it means a great deal," he said. "If we have won, that is of course... if we haven't won, please destroy this."

'Nomadland' revs up Oscar hopes with Hollywood producers award

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