Five blood-curdling movies to watch: The Exorcist, The Conjuring, Evil Dead, and Under the Shadow that are packed with terror, fear, and unforgettable demonic scenes.

Conjuring to Evil Dead: 5 horror films on Netflix, ZEE5, Prime Video & more

The Exorcist. The film that made pea soup terrifying and gave us a whole new perspective on head-spinning gymnastics. Can you believe it's been 50 years since Regan MacNeil's demonic makeover? Time flies when you're dodging flying crucifixes.

Released in 1973 and directed by William Friedkin, The Exorcist was a cultural phenomenon. It took horror to a whole new level and left audiences both horrified and fascinated. Here's a look at why this classic still holds up so well after five decades:

<h3>1. The Power of atmosphere</h3>

The Exorcist is a masterclass in creating an eerie atmosphere. From the haunting soundtrack to the dimly lit sets, every element contributes to the sense of dread that permeates the film. The Georgetown location adds an extra layer of realism, making you question whether you're watching a movie or a documentary on supernatural occurrences.

Also Read |&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-remembering-william-friedkin-mastermind-behind-the-exorcists-timeless-terror-623676">Remembering William Friedkin: Mastermind behind The Exorcist's&nbsp;terror</a>

<h3>2. Timeless themes</h3>

At its core, The Exorcist is a battle between good and evil, faith and doubt. These timeless themes resonate across generations. The struggle of Father Karras and Father Merrin against the forces of darkness is a narrative that transcends the horror genre, making the film relevant and impactful even today.

<h3>3. Groundbreaking special effects</h3>

In an era before CGI dominated the industry, The Exorcist relied on practical effects that still hold up surprisingly well. Linda Blair's head-spinning, levitation, and the famous crucifix scene were all achieved with a combination of clever camera work, prosthetics, and good old-fashioned creativity. The simplicity of these effects adds to their lasting power.

<iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/jyW5YXDcIGs?si=PWbhYoDnud0OVspb" title="YouTube video player" width="560"></iframe>

<h3>4. Iconic performances</h3>

Linda Blair's portrayal of the possessed Regan is nothing short of iconic. Her ability to switch between innocent child and demonic force showcases her talent and adds a layer of realism to the horror. Max von Sydow and Jason Miller also deliver memorable performances as the battling priests, bringing gravitas and authenticity to their roles.

<h3>5. Psychological horror</h3>

The Exorcist isn't just about shocking visuals; it delves deep into the psychological horror of possession. The slow build-up, the gradual escalation of Regan's behaviour, and the increasing desperation of the priests create a sense of unease that lingers long after the credits roll.

<h3>6. Cultural impact</h3>

Few horror films have permeated popular culture to the extent that The Exorcist has. The aforementioned and infamous pea soup scene, the head-turning moment, and the eerie theme music have become ingrained in our collective consciousness. The film's impact is felt in countless parodies, references, and homages in the decades that followed.

So, as we raise a toast to The Exorcist on its 50th anniversary, let's appreciate its enduring legacy. It's a film that not only defined a genre but continues to captivate and terrify audiences with its timeless tale of demonic possession and the eternal struggle between light and darkness.&nbsp;

 
&nbsp;

The Exorcist. The film that made pea soup terrifying and gave us a whole new perspective on head-spinning gymnastics. Can you believe it's been 50 years since Regan MacNeil's demonic makeover?

The Exorcist. The film that made pea soup terrifying and gave us a whole new perspective on head-spinning gymnastics. Can you believe it's been 50 years since Regan MacNeil's demonic makeover? Time flies when you're dodging flying crucifixes. Released in 1973 and directed by William Friedkin, The Exorcist was a cultural phenomenon. It took horror to a whole new level and left audiences both horrified and fascinated. Here's a look at why this classic still holds up so well after five decades: 1. The Power of atmosphere The Exorcist is a masterclass in creating an eerie atmosphere. From the haunting soundtrack to the dimly lit sets, every element contributes to the sense of dread that permeates the film. The Georgetown location adds an extra layer of realism, making you question whether you're watching a movie or a documentary on supernatural occurrences. Also Read | Remembering William Friedkin: Mastermind behind The Exorcist's terror 2. Timeless themes At its core, The Exorcist is a battle between good and evil, faith and doubt. These timeless themes resonate across generations. The struggle of Father Karras and Father Merrin against the forces of darkness is a narrative that transcends the horror genre, making the film relevant and impactful even today. 3. Groundbreaking special effects In an era before CGI dominated the industry, The Exorcist relied on practical effects that still hold up surprisingly well. Linda Blair's head-spinning, levitation, and the famous crucifix scene were all achieved with a combination of clever camera work, prosthetics, and good old-fashioned creativity. The simplicity of these effects adds to their lasting power. 4. Iconic performances Linda Blair's portrayal of the possessed Regan is nothing short of iconic. Her ability to switch between innocent child and demonic force showcases her talent and adds a layer of realism to the horror. Max von Sydow and Jason Miller also deliver memorable performances as the battling priests, bringing gravitas and authenticity to their roles. 5. Psychological horror The Exorcist isn't just about shocking visuals; it delves deep into the psychological horror of possession. The slow build-up, the gradual escalation of Regan's behaviour, and the increasing desperation of the priests create a sense of unease that lingers long after the credits roll. 6. Cultural impact Few horror films have permeated popular culture to the extent that The Exorcist has. The aforementioned and infamous pea soup scene, the head-turning moment, and the eerie theme music have become ingrained in our collective consciousness. The film's impact is felt in countless parodies, references, and homages in the decades that followed. So, as we raise a toast to The Exorcist on its 50th anniversary, let's appreciate its enduring legacy. It's a film that not only defined a genre but continues to captivate and terrify audiences with its timeless tale of demonic possession and the eternal struggle between light and darkness.

50 years of The Exorcist: How one movie scarred a generation

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In the shadowy corridors of cinematic history emerges a name that shines with a haunting brilliance — a name that evokes not only the chilling dread of a girl tormented by possession but also the ingenuity of a director who fearlessly ventured into the depths of our deepest anxieties. With the passing of William Friedkin, the visionary mastermind behind the impeccably crafted horror masterpiece, The Exorcist, the world grieves not only the loss of a filmmaker, but the departure of a storyteller who bravely delved into the unsettling to uncover profound truths. In 1973, Friedkin bestowed upon the world a creation that not only redefined the horror genre but also stands as an enduring testament to his bold artistic spirit.

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/the-exorcist-director-william-friedkin-dies-aged-87-623248">The Exorcist&nbsp;director William Friedkin dies aged 87</a>

<h2>When The Exorcist terrified the world</h2>

The Exorcist, based on the eponymous novel by William Peter Blatty (who also penned the script), descended upon the silver screen like a tempest of terror, unleashing upon unsuspecting audiences a tale of demonic possession that would forever reverberate in the corridors of their minds. With a deft hand, Friedkin wove a chilling narrative that captured not just the struggle between good and evil, but the essence of human vulnerability and the perpetual battle against the unknown. At the heart of this masterpiece lies a battle not merely between an innocent girl and a malevolent demon, but a collision of faith and doubt, of science and spirituality. Friedkin's genius lay not only in his ability to elicit heart-stopping scares but in his subtler exploration of the human condition. The iconic image of Father Merrin, cloaked in the mist before the ominous Georgetown house, is a reflection of the director's prowess in layering dread with philosophical contemplation.

Also Read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-dive-into-terror-10-great-aquatic-horror-movies-like-meg-2-623464">Dive into terror: 10 great aquatic horror movies like Meg 2</a>

<h2>The Exorcist — more than just a horror film</h2>

It was Friedkin's directorial fearlessness that catapulted The Exorcist beyond the realm of mere horror film into a meditation on the boundaries of our understanding. Through every chillingly lit frame, he probed the depths of our psyche, forcing us to confront our own apprehensions. By harnessing the power of the uncanny, he dared us to peer into the abyss of the supernatural, to question our place in the cosmos, and to acknowledge that perhaps there are truths that lie beyond the reach of human comprehension.

<iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/bWyi3ShHxzM" title="YouTube video player" width="560"></iframe>

And oh, the performances he coaxed from his cast. Linda Blair's portrayal of the tormented Regan remains etched in our minds — an embodiment of innocence besieged by darkness. Max von Sydow's portrayal of Father Merrin emanated not just authority, but a deeply rooted battle-tested wisdom. And who could forget the quintessential depiction of a crisis of faith delivered by Jason Miller as Father Karras? Friedkin's ability to extract raw emotion from his actors infused the film with a realism that amplified the horror, making it feel both otherworldly and heartbreakingly close.

The Exorcist is not just a film; it is a journey — one that takes us from the hallowed halls of religious institutions to the cobwebbed corners of our own psyche. It was Friedkin's audacity to confront the darkest aspects of our existence that allowed him to deliver this cinematic masterpiece. With heart-pounding sequences and hair-raising visuals, he erected an enduring monument to his cinematic vision. The twisted contortions of Regan's body, the malevolent whispers from the shadows, the holy water sizzling against demon flesh — all bear the mark of Friedkin's directorial sorcery.

Also Read:<a href="https://www.wionews.com/entertainment/hollywood/news-insidious-the-red-door-review-patrick-wilsons-horror-film-fails-to-deliver-genuine-scares-612619">&nbsp;Insidious The Red Door review: Patrick Wilson's horror film fails to deliver genuine scares</a>

<h2>William Friedkin was a master of his craft</h2>

But even as we marvel at his brilliance, let us remember that Friedkin was not merely a purveyor of horror, but a master of the craft. His ability to orchestrate tension and build suspense is a testament to his understanding of the delicate dance between storytelling and audience engagement. He knew when to tighten the screws and when to release them, leaving us perpetually on the edge of our seats.

Also Read:&nbsp;<a href="https://www.wionews.com/photos/top-10-greatest-horror-movies-of-all-time-529631">Top 10 greatest horror movies of all time</a>

With the passing of William Friedkin, the cinematic world loses a luminary — a filmmaker whose name is synonymous with boldness, innovation, and a willingness to confront the darkest corners of our collective imagination. The Exorcist&nbsp;remains his magnum opus, a cinematic exorcism of our deepest fears and an exploration of our struggle against the enigma of evil.&nbsp;

Friedkin's legacy transcends the realm of cinema; it is an indelible mark upon our cultural consciousness, a reminder that within the shadows, profound truths often lurk.

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In the shadowy corridors of cinematic history emerges a name that shines with a haunting brilliance — a name that evokes not only the chilling dread of a girl tormented by possession but also the ingenuity of a director who fearlessly ventured into the depths of our deepest anxieties.

In the shadowy corridors of cinematic history emerges a name that shines with a haunting brilliance — a name that evokes not only the chilling dread of a girl tormented by possession but also the ingenuity of a director who fearlessly ventured into the depths of our deepest anxieties. With the passing of William Friedkin, the visionary mastermind behind the impeccably crafted horror masterpiece, The Exorcist, the world grieves not only the loss of a filmmaker, but the departure of a storyteller who bravely delved into the unsettling to uncover profound truths. In 1973, Friedkin bestowed upon the world a creation that not only redefined the horror genre but also stands as an enduring testament to his bold artistic spirit. Also Read: The Exorcist director William Friedkin dies aged 87 When The Exorcist terrified the world The Exorcist, based on the eponymous novel by William Peter Blatty (who also penned the script), descended upon the silver screen like a tempest of terror, unleashing upon unsuspecting audiences a tale of demonic possession that would forever reverberate in the corridors of their minds. With a deft hand, Friedkin wove a chilling narrative that captured not just the struggle between good and evil, but the essence of human vulnerability and the perpetual battle against the unknown. At the heart of this masterpiece lies a battle not merely between an innocent girl and a malevolent demon, but a collision of faith and doubt, of science and spirituality. Friedkin's genius lay not only in his ability to elicit heart-stopping scares but in his subtler exploration of the human condition. The iconic image of Father Merrin, cloaked in the mist before the ominous Georgetown house, is a reflection of the director's prowess in layering dread with philosophical contemplation. Also Read: Dive into terror: 10 great aquatic horror movies like Meg 2 The Exorcist — more than just a horror film It was Friedkin's directorial fearlessness that catapulted The Exorcist beyond the realm of mere horror film into a meditation on the boundaries of our understanding. Through every chillingly lit frame, he probed the depths of our psyche, forcing us to confront our own apprehensions. By harnessing the power of the uncanny, he dared us to peer into the abyss of the supernatural, to question our place in the cosmos, and to acknowledge that perhaps there are truths that lie beyond the reach of human comprehension. And oh, the performances he coaxed from his cast. Linda Blair's portrayal of the tormented Regan remains etched in our minds — an embodiment of innocence besieged by darkness. Max von Sydow's portrayal of Father Merrin emanated not just authority, but a deeply rooted battle-tested wisdom. And who could forget the quintessential depiction of a crisis of faith delivered by Jason Miller as Father Karras? Friedkin's ability to extract raw emotion from his actors infused the film with a realism that amplified the horror, making it feel both otherworldly and heartbreakingly close. The Exorcist is not just a film; it is a journey — one that takes us from the hallowed halls of religious institutions to the cobwebbed corners of our own psyche. It was Friedkin's audacity to confront the darkest aspects of our existence that allowed him to deliver this cinematic masterpiece. With heart-pounding sequences and hair-raising visuals, he erected an enduring monument to his cinematic vision. The twisted contortions of Regan's body, the malevolent whispers from the shadows, the holy water sizzling against demon flesh — all bear the mark of Friedkin's directorial sorcery. Also Read: Insidious The Red Door review: Patrick Wilson's horror film fails to deliver genuine scares William Friedkin was a master of his craft But even as we marvel at his brilliance, let us remember that Friedkin was not merely a purveyor of horror, but a master of the craft. His ability to orchestrate tension and build suspense is a testament to his understanding of the delicate dance between storytelling and audience engagement. He knew when to tighten the screws and when to release them, leaving us perpetually on the edge of our seats. Also Read: Top 10 greatest horror movies of all time With the passing of William Friedkin, the cinematic world loses a luminary — a filmmaker whose name is synonymous with boldness, innovation, and a willingness to confront the darkest corners of our collective imagination. The Exorcist remains his magnum opus, a cinematic exorcism of our deepest fears and an exploration of our struggle against the enigma of evil. Friedkin's legacy transcends the realm of cinema; it is an indelible mark upon our cultural consciousness, a reminder that within the shadows, profound truths often lurk. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Remembering William Friedkin: Mastermind behind The Exorcist's timeless terror

William&nbsp;Friedkin, the groundbreaking US director of "The Exorcist" and "The French Connection," died on Monday, a family friend told AFP. He was 87.

Friedkin&nbsp;passed away in Los Angeles after suffering unspecified health issues in recent years, said Stephen Galloway, a former Hollywood Reporter executive editor.

"He died this morning," confirmed Galloway, after speaking with&nbsp;Friedkin's wife.

Friedkin&nbsp;had "been working until a few weeks ago," but "had been in declining health," he added.

Friedkin&nbsp;was among a crop of influential young "New Hollywood" directors who fundamentally reshaped the US film industry, upsetting a long-established system in which powerful studio producers had reigned supreme.

Alongside fellow auteurs such as Francis Ford Coppola and Martin Scorsese,&nbsp;Friedkin&nbsp;exploded onto the scene in the early 1970s, with gritty cop drama "The French Connection."

Starring Gene Hackman, it won five Oscars including for best director and best picture.

He followed that up with "The Exorcist," in 1973 It was a huge commercial and critical hit, as well as being deeply controversial.

The shocking film about a 12-year-old girl possessed by the devil was nominated for 10 Oscars, winning two, and spawned multiple sequels.

Friedkin's career went into sharp decline soon after, including hugely expensive flop "Sorcerer" in 1977.

While he never reached those early heights again, he continued directing well into his 80s.

His final film, "The Caine Mutiny Court-Martial," starring Kiefer Sutherland, is set to premiere at this year's Venice film festival.

Friedkin&nbsp;is survived by his fourth wife Sherry Lansing — a former Paramount Pictures studio chief — and two sons.

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William Friedkin, the groundbreaking US director of "The Exorcist" and "The French Connection," died on Monday, a family friend told AFP. He was 87. Friedkin passed away in Los Angeles after suffering unspecified health issues in recent years, said Stephen Galloway, a former Hollywood Reporter executive editor.

William Friedkin, the groundbreaking US director of "The Exorcist" and "The French Connection," died on Monday, a family friend told AFP. He was 87. Friedkin passed away in Los Angeles after suffering unspecified health issues in recent years, said Stephen Galloway, a former Hollywood Reporter executive editor. "He died this morning," confirmed Galloway, after speaking with Friedkin's wife. Friedkin had "been working until a few weeks ago," but "had been in declining health," he added. Friedkin was among a crop of influential young "New Hollywood" directors who fundamentally reshaped the US film industry, upsetting a long-established system in which powerful studio producers had reigned supreme. Alongside fellow auteurs such as Francis Ford Coppola and Martin Scorsese, Friedkin exploded onto the scene in the early 1970s, with gritty cop drama "The French Connection." Starring Gene Hackman, it won five Oscars including for best director and best picture. He followed that up with "The Exorcist," in 1973 It was a huge commercial and critical hit, as well as being deeply controversial. The shocking film about a 12-year-old girl possessed by the devil was nominated for 10 Oscars, winning two, and spawned multiple sequels. Friedkin's career went into sharp decline soon after, including hugely expensive flop "Sorcerer" in 1977. While he never reached those early heights again, he continued directing well into his 80s. His final film, "The Caine Mutiny Court-Martial," starring Kiefer Sutherland, is set to premiere at this year's Venice film festival. Friedkin is survived by his fourth wife Sherry Lansing — a former Paramount Pictures studio chief — and two sons. WATCH WION LIVE HERE

'The Exorcist' director William Friedkin dies aged 87

Top 10 greatest horror movies of all time

A US magazine has identified the boy, whose case inspired movie ‘The Exorcist’. The 1973 horror classic had showed a demon-possessed child in the film. &nbsp;

The magazine, Skeptical Inquirer, has named the then 14-year-old boy, as Ronald Edwin Hunkeler. &nbsp;&nbsp;

In 1949, Hunkeler had underwent exorcisms in Cottage City, Maryland and St Louis, Missouri. &nbsp;

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After suffering a stroke at home, Hunkeler, who had born in 1935, died in Marriottsville, Maryland last year. &nbsp;

Worked with NASA as an engineer, Hunkeler contributed to the Apollo space missions in 1960s. He patented a technology, which helped space shuttle panels withstand extreme heat. &nbsp;

A companion on condition of anonymity told New York Post that Hunkeler was always on edge as he thought his colleagues at NASA may find out about his past. &nbsp;&nbsp;

Also Read:&nbsp;<a href="https://www.wionews.com/world/us-reports-first-death-due-to-omicron-variant-an-unvaccinated-man-in-his-50s-438710" hreflang="en">US reports first death due to Omicron variant—an unvaccinated man in his 50s</a>

After hearing about the demonic possession of Hunkeler, William Peter Blatty wrote the 1971 novel and also the film based on the same name. Blatty heard Hunkeler's story when he was a senior at Georgetown University in Washington DC. &nbsp;

Hunkeler was raised by a middle-class family in Cottage City. He had begun experiencing paranormal activities at the age of 14. &nbsp;&nbsp;

(With inputs from agencies)&nbsp;

A US magazine has identified the boy, whose case inspired movie ‘The Exorcist’. The 1973 horror classic had showed a demon-possessed child in the film. The magazine, Skeptical Inquirer, has named the then 14-year-old boy, as Ronald Edwin Hunkeler.

A US magazine has identified the boy, whose case inspired movie ‘The Exorcist’. The 1973 horror classic had showed a demon-possessed child in the film. The magazine, Skeptical Inquirer, has named the then 14-year-old boy, as Ronald Edwin Hunkeler. In 1949, Hunkeler had underwent exorcisms in Cottage City, Maryland and St Louis, Missouri. Also Read: Biden was in close contact with official who tested positive for Covid After suffering a stroke at home, Hunkeler, who had born in 1935, died in Marriottsville, Maryland last year. Worked with NASA as an engineer, Hunkeler contributed to the Apollo space missions in 1960s. He patented a technology, which helped space shuttle panels withstand extreme heat. A companion on condition of anonymity told New York Post that Hunkeler was always on edge as he thought his colleagues at NASA may find out about his past. Also Read: US reports first death due to Omicron variant—an unvaccinated man in his 50s After hearing about the demonic possession of Hunkeler, William Peter Blatty wrote the 1971 novel and also the film based on the same name. Blatty heard Hunkeler's story when he was a senior at Georgetown University in Washington DC. Hunkeler was raised by a middle-class family in Cottage City. He had begun experiencing paranormal activities at the age of 14. (With inputs from agencies)

US magazine identifies boy whose case led to 1973 horror classic 'The Exorcist'

Miss the good old Exorcist style horror films? There is now a reboot of The Exorcist being worked on from Blumhouse and Morgan Creek Productions, in partnership with Universal and Peacock.&nbsp;

The reboot film will star Leslie Odom Jr. with Ellen Burstyn set to reprise her role as Chris MacNeil. David Gordon Green has been taken on board to direct the first of three planned movies.&nbsp;

There will be at least three films in The Exorcist reboot as Universal and Peacock have acquired the worldwide rights to create new IP based on The Exorcist franchise in partnership with Blumhouse and Morgan Creek.

The first film in the planned trilogy will be released theatrically on Oct. 13, 2023. Universal will play The Exorcist revival in theaters and on Peacock to allow the NBCUniversal streamer to keep signing up subscribers.

The original Exorcist film was adapted from William Peter Blatty’s 1971 novel and earned the author an Oscar for adapted screenplay. The film was nominated for 10 Oscars, including best picture and best director, as well as acting nominations for Ellen Burstyn, Jason Miller and Linda Blair.

The Exorcist sequel is being penned by Peter Sattler and director Green. Jason Blum, David Robinson, James Robinson, Green, Danny McBride and Couper Samuelson will executive produce.

Miss the good old Exorcist style horror films? There is now a reboot of The Exorcist being worked on from Blumhouse and Morgan Creek Productions, in partnership with Universal and Peacock.

Miss the good old Exorcist style horror films? There is now a reboot of The Exorcist being worked on from Blumhouse and Morgan Creek Productions, in partnership with Universal and Peacock. The reboot film will star Leslie Odom Jr. with Ellen Burstyn set to reprise her role as Chris MacNeil. David Gordon Green has been taken on board to direct the first of three planned movies. There will be at least three films in The Exorcist reboot as Universal and Peacock have acquired the worldwide rights to create new IP based on The Exorcist franchise in partnership with Blumhouse and Morgan Creek. The first film in the planned trilogy will be released theatrically on Oct. 13, 2023. Universal will play The Exorcist revival in theaters and on Peacock to allow the NBCUniversal streamer to keep signing up subscribers. The original Exorcist film was adapted from William Peter Blatty’s 1971 novel and earned the author an Oscar for adapted screenplay. The film was nominated for 10 Oscars, including best picture and best director, as well as acting nominations for Ellen Burstyn, Jason Miller and Linda Blair. The Exorcist sequel is being penned by Peter Sattler and director Green. Jason Blum, David Robinson, James Robinson, Green, Danny McBride and Couper Samuelson will executive produce.

'The Exorcist' is getting a movie reboot - with not one but three films

Get ready for scares as Halloween filmmaker David Gordon Green is ready to bring back horror classic ‘The Exorcist’. David is keen on bringing a sequel for Blumhouse and Morgan Creek Productions.&nbsp;

The original ‘The Exorcist’ was directed by William Friedkin which became an overnight sensation as is considered a bible for horror makers. The film was about a 12-year-old girl possessed by a mysterious entity and the lengths her mother and two Catholic priests go to in an attempt to save her.

It was adapted from William Peter Blatty's 1971 novel, and earned the author an adapted screenplay Oscar. The film was nominated for 10 Oscars in total including categories like all best picture and best director, as well as acting nominations for Ellen Burstyn, Jason Miller and Linda Blair

The new film continues Green's relationship with Blumhouse, where he helmed 2018's ‘Halloween’, which successfully reignited the franchise and earned $255.8 million on a $10 million budget.&nbsp;

He also has two other sequels on the way: ‘Halloween Kills’ (2021) and ‘Halloween Ends’ (2022).

Get ready for scares as Halloween filmmaker David Gordon Green is ready to bring back horror classic ‘The Exorcist’. David is keen on bringing a sequel for Blumhouse and Morgan Creek Productions.

Get ready for scares as Halloween filmmaker David Gordon Green is ready to bring back horror classic ‘The Exorcist’. David is keen on bringing a sequel for Blumhouse and Morgan Creek Productions. The original ‘The Exorcist’ was directed by William Friedkin which became an overnight sensation as is considered a bible for horror makers. The film was about a 12-year-old girl possessed by a mysterious entity and the lengths her mother and two Catholic priests go to in an attempt to save her. It was adapted from William Peter Blatty's 1971 novel, and earned the author an adapted screenplay Oscar. The film was nominated for 10 Oscars in total including categories like all best picture and best director, as well as acting nominations for Ellen Burstyn, Jason Miller and Linda Blair The new film continues Green's relationship with Blumhouse, where he helmed 2018's ‘Halloween’, which successfully reignited the franchise and earned $255.8 million on a $10 million budget. He also has two other sequels on the way: ‘Halloween Kills’ (2021) and ‘Halloween Ends’ (2022).

Good news for horror fans as 'The Exorcist' sequel is in works

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