<p>At the start of 2020, Taylor Swift’s itinerary for the near future looked simple enough.</p>

<p>She planned to tour that summer to support her latest No. 1 album, “Lover.” And although Swift had said she would be rerecording her old albums after the sale of her former record company, she gave no indication of when. So there was little reason to expect any imminent new music from Swift, who had long stuck to a regimen of one studio album every few years.</p>

<p>But 2020 and 2021 have seen a remarkable flurry of recording activity from Swift, and record-breaking chart success. Last year came two quarantine albums, “Folklore” and “Evermore,” and this year she has been focused on her rerecordings — meticulous re-creations of her earlier work, casting the act as empowering business move, retribution against the investors that now control some of her original recordings, and an opportunity to revisit youthful themes with a more mature eye.</p>

<h5><a href="https://www.wionews.com/entertainment/hollywood/news-kevin-spacey-to-pay-31-million-in-losses-to-house-of-cards-producer-over-sexual-assault-allegations-431420" hreflang="en">Kevin Spacey to pay $31 million in losses to House of Cards producer</a></h5>

<p>“Fearless (Taylor’s Version)” came in April, and now “Red (Taylor’s Version)” has become Swift’s fourth No. 1 album in 16 months, which Billboard says is the fastest run in the 65-year history of its album chart. Since “Folklore” came out in July 2020, Swift has held the No. 1 spot on Billboard’s album chart a total of 15 times.</p>

<p>“Red (Taylor’s Version)” had the equivalent of 605,000 sales in the United States in its first week, according to MRC Data, Billboard’s tracking arm. That total includes 303 million streams and 369,000 copies sold as a complete package. It sold 114,000 copies on vinyl LP — which Swift released as a $50 set of four discs at 45 rpm — which is the most that any album has sold on vinyl since at least 1991, when SoundScan, MRC’s predecessor, began reporting reliable data on record sales.&nbsp;</p>

<p><a href="https://www.wionews.com/entertainment/hollywood/news-james-bond-to-lose-millions-despite-being-highest-grossing-hollywood-film-of-2021-431428" hreflang="en">James Bond to lose millions despite being highest-grossing film of 2021?</a></p>

<p>Among the highlights of the new “Red” is a 10-minute version of her song “All Too Well,” with added lyrics that give more depth to the story of a failed romance. Swift made a short film of this long version, performed it on “Saturday Night Live” and released two additional recordings of it last week.</p>

<p>The new “All Too Well” also becomes Swift’s eighth No. 1 on Billboard’s Hot 100 singles chart, with multiple new recordings of the song — but not its 2012 original — counting toward its total of 54 million streams, in addition to downloads and radio plays.</p>

<p>Swift now has 10 LPs that have gone to No. 1, tying her with Elvis Presley, Eminem, Drake and Kanye West. The Beatles still rule that list with 19 chart-topping titles, followed by Jay-Z with 14 and Bruce Springsteen and Barbra Streisand with 11 each.</p>

<p>The 605,000 sales of Swift’s new “Red” is the second-biggest opening for any album this year, after 613,000 for Drake’s “Certified Lover Boy” in September. But both are expected to be dwarfed by the arrival of Adele’s “30” on next week’s chart, a ready-made blockbuster that may reach or even exceed one million sales in its opening week, something that no album has done since Swift’s “Reputation” four years ago.&nbsp;</p>

<p><a href="https://www.wionews.com/entertainment/brit-awards-to-introduce-gender-neutral-categories-at-2022-show-431324" hreflang="en">BRIT Awards to introduce gender-neutral categories at 2022 show</a></p>

<p>Little official data has been released about the initial success of “30,” which came out on Friday. But as a sign of Adele’s clout in the music industry, she announced over the weekend that, apparently at the singer’s request, Spotify had removed “shuffle” as the default playback mode for albums, making it easier for fans to hear an album from beginning to end, as the artist intended.</p>

<p>“Thank you Spotify for listening,” Adele tweeted on Saturday, and the service responded: “Anything for you.”</p>

<p>Also on this week’s chart, Silk Sonic, the retro-soul project of Bruno Mars and Anderson .Paak, opens at No. 2 with “An Evening With Silk Sonic,” which had the equivalent of 104,000 sales, and the K-pop girl group Twice is at No. 3 with its new “Formula of Love: O+T=&amp;lt;3.” Summer Walker’s “Still Over It,” last week’s top album, falls to No. 4, and “Certified Lover Boy” is in fifth place.</p>

<p>This article originally appeared in The New York Times.</p>


At the start of 2020, Taylor Swift’s itinerary for the near future looked simple enough. She planned to tour that summer to support her latest No. 1 album, “Lover.

At the start of 2020, Taylor Swift’s itinerary for the near future looked simple enough. She planned to tour that summer to support her latest No. 1 album, “Lover.” And although Swift had said she would be rerecording her old albums after the sale of her former record company, she gave no indication of when. So there was little reason to expect any imminent new music from Swift, who had long stuck to a regimen of one studio album every few years. But 2020 and 2021 have seen a remarkable flurry of recording activity from Swift, and record-breaking chart success. Last year came two quarantine albums, “Folklore” and “Evermore,” and this year she has been focused on her rerecordings — meticulous re-creations of her earlier work, casting the act as empowering business move, retribution against the investors that now control some of her original recordings, and an opportunity to revisit youthful themes with a more mature eye. Kevin Spacey to pay $31 million in losses to House of Cards producer “Fearless (Taylor’s Version)” came in April, and now “Red (Taylor’s Version)” has become Swift’s fourth No. 1 album in 16 months, which Billboard says is the fastest run in the 65-year history of its album chart. Since “Folklore” came out in July 2020, Swift has held the No. 1 spot on Billboard’s album chart a total of 15 times. “Red (Taylor’s Version)” had the equivalent of 605,000 sales in the United States in its first week, according to MRC Data, Billboard’s tracking arm. That total includes 303 million streams and 369,000 copies sold as a complete package. It sold 114,000 copies on vinyl LP — which Swift released as a $50 set of four discs at 45 rpm — which is the most that any album has sold on vinyl since at least 1991, when SoundScan, MRC’s predecessor, began reporting reliable data on record sales. James Bond to lose millions despite being highest-grossing film of 2021? Among the highlights of the new “Red” is a 10-minute version of her song “All Too Well,” with added lyrics that give more depth to the story of a failed romance. Swift made a short film of this long version, performed it on “Saturday Night Live” and released two additional recordings of it last week. The new “All Too Well” also becomes Swift’s eighth No. 1 on Billboard’s Hot 100 singles chart, with multiple new recordings of the song — but not its 2012 original — counting toward its total of 54 million streams, in addition to downloads and radio plays. Swift now has 10 LPs that have gone to No. 1, tying her with Elvis Presley, Eminem, Drake and Kanye West. The Beatles still rule that list with 19 chart-topping titles, followed by Jay-Z with 14 and Bruce Springsteen and Barbra Streisand with 11 each. The 605,000 sales of Swift’s new “Red” is the second-biggest opening for any album this year, after 613,000 for Drake’s “Certified Lover Boy” in September. But both are expected to be dwarfed by the arrival of Adele’s “30” on next week’s chart, a ready-made blockbuster that may reach or even exceed one million sales in its opening week, something that no album has done since Swift’s “Reputation” four years ago. BRIT Awards to introduce gender-neutral categories at 2022 show Little official data has been released about the initial success of “30,” which came out on Friday. But as a sign of Adele’s clout in the music industry, she announced over the weekend that, apparently at the singer’s request, Spotify had removed “shuffle” as the default playback mode for albums, making it easier for fans to hear an album from beginning to end, as the artist intended. “Thank you Spotify for listening,” Adele tweeted on Saturday, and the service responded: “Anything for you.” Also on this week’s chart, Silk Sonic, the retro-soul project of Bruno Mars and Anderson .Paak, opens at No. 2 with “An Evening With Silk Sonic,” which had the equivalent of 104,000 sales, and the K-pop girl group Twice is at No. 3 with its new “Formula of Love: O+T=&lt;3.” Summer Walker’s “Still Over It,” last week’s top album, falls to No. 4, and “Certified Lover Boy” is in fifth place. This article originally appeared in The New York Times.

Taylor Swift earns her fourth no. 1 in 16 months with new ‘Red’

<p>"A record label didn’t pick this song as a single,” Taylor Swift told an enraptured audience Friday afternoon in the New York City borough of Manhattan, where a few hundred fans assembled for the debut of her latest self-directed music video: an elaborate clip for the new 10-minute version of 'All Too Well,&nbsp;a bitter remembrance of a past relationship that originally appeared on her 2012 album, 'Red.'</p>

<p>“It was my favorite,” Swift said. “It was about something very personal to me. It was very hard to perform it live. Now for me, honestly, this song is 100% about us and for you.”</p>

<p>Several people were already in tears — having burst into heaving, Beatlemania-style sobs as soon as Swift appeared in a regal purple pantsuit — but at this admission, they cried audibly harder. “My actual mother!” one young woman gasped. Another, seated directly and perhaps precariously behind me, muttered repeatedly, “I’m going to throw up.”</p>

<p>Few A-list musicians of this millennium have sustained a bond with their fans as intensely as Swift with her “Swifties.” To her credit, she feeds them well. She drops Easter eggs like a benevolent mother hen, arranges elaborate meet-and-greets, and once invited some fans over to her house to listen to her new album while munching on cookies she had baked for them.</p>

<p>At the Friday event (for a video starring actors Dylan O’Brien and Sadie Sink), each audience member received an autographed movie poster and — the song is a famous weepie — a custom packet of “All Too Well” tissues.</p>

<p>But with all the fanfare around the release of the extended track, a certain shared intimacy was about to be lost, too. “All Too Well” has been more of a communal secret than a hit, the favorite track of true Swift connoisseurs and, often, music critics (this one included). Now the song — which appears on “Red (Taylor’s Version),” the latest album she rerecorded so she can control its masters — was accompanied by a music video so lengthy and elaborate that Swift was staging a premiere for it and calling it a “short film.”</p>

<p>Part of what fans feel for “All Too Well” is nostalgia for an earlier part of Swift’s career and, by extension, their own lives. “Red” is perhaps the most transitional of her nine albums, a bridge that marked the beginning of Swift’s pop crossover but also the moment before her songwriting became as sleek and streamlined as it would on her next album, the blockbuster 2014 release “1989.”</p>

<p>And so the eclectic “Red” juxtaposes the Max Martin-assisted pop of “I Knew You Were Trouble” and “We Are Never Ever Getting Back Together” with the coffee shop folksiness of “Treacherous,” “I Almost Do” and “Begin Again.” An achingly rendered portrait of a breakup, “All Too Well” represents the artistic peak of the more singer-songwriter-oriented sound, and the closing of a chapter in Swift’s evolution: It is, at least to date, the last song she wrote with one of her most trusted early collaborators, country songwriter Liz Rose.<br />
<br />
Part of the reason Swift wrote her 2010 album, “Speak Now,” entirely on her own was to silence the skeptics who believed that Rose had a heavier hand in her music than Swift had admitted. But in a 2014 interview, Rose said she acted “more like an editor.” “Taylor is good because she has lyrics that work for her age,” Rose said. “I just help her grab the ones that are great.”</p>

<p>The 10-minute “All Too Well” illuminates this process: It is angrier, far less filtered and more explicit in every sense of the word. The 5 1/2-minute cut of “All Too Well” that appeared on “Red” was an achievement of taut, streamlined storytelling and vividly spot-lit details. The new version knows no such restraint. It is gloriously unruly and viciously seething. With its release, the millennial “You’re So Vain” has suddenly become the millennial “Idiot Wind.”</p>

<p>In both its incarnations, “All Too Well” is a song about the weaponization of memory. The devil is in the details, the more specific, the more they seem to assert, in the face of an unfeeling and perhaps manipulatively disbelieving ex, that this experience really happened: a lost scarf, the way an open refrigerator illuminated a dark kitchen.</p>

<p>For the elegant simplicity of its structure, the shorter version of “All Too Well” is by far the better song. But the power of the new version comes from its unapologetic messiness, the way it allows a woman’s subjective emotional experience to take up a defiantly excessive amount of time and space. That was most apparent when Swift played the entire song this past weekend on “Saturday Night Live.” During a transfixing performance, she moved through a cycle of feelings as elemental as the seasons: the springlike flutter of new romance, the summery heat of passion, the autumnal operatics of grief and finally — as snow fell around her in the song’s last moments — the cooling relief of long-delayed acceptance.</p>

<p>Swift hasn’t written a breakup song nearly as scorching in the decade since “All Too Well,” and for the past several years, she has kept her seemingly less melodramatic relationship with her boyfriend, Joe Alwyn, as far from the public eye as she can. On her more recent albums, “Folklore” and “Evermore,” she has revisited the acoustic sound that characterized the quieter side of “Red” while writing more character-driven songs than the candidly autobiographical work for which she was once known and unfairly criticized. But in revisiting the old hurts of “All Too Well” on such a public stage, she seems once again to be bridging two phases of her career, reinhabiting her 21-year-old self as though she were a complex, intuitively understood fictional character.</p>

<p>Occasionally, during her “SNL” performance, Swift looked directly into the camera and delivered a few glances that could have sliced through diamond. Some might have believed she was eying her ex, who may or may not still be in possession of that fabled scarf. But the truth was that the song isn’t just about him anymore. It’s also about the fans, the depths they had heard in it before anyone else, and whatever and whoever they still wished they could forget.</p>


"A record label didn’t pick this song as a single,” Taylor Swift told an enraptured audience Friday afternoon in the New York City borough of Manhattan, where a few hundred fans assembled for the debut of her latest self-directed music video: an elaborate clip for the new 10-minute version of 'All Too Well, a bitter remembrance of a past relationship that originally appeared on her 2012 album, 'Red.

"A record label didn’t pick this song as a single,” Taylor Swift told an enraptured audience Friday afternoon in the New York City borough of Manhattan, where a few hundred fans assembled for the debut of her latest self-directed music video: an elaborate clip for the new 10-minute version of 'All Too Well, a bitter remembrance of a past relationship that originally appeared on her 2012 album, 'Red.' “It was my favorite,” Swift said. “It was about something very personal to me. It was very hard to perform it live. Now for me, honestly, this song is 100% about us and for you.” Several people were already in tears — having burst into heaving, Beatlemania-style sobs as soon as Swift appeared in a regal purple pantsuit — but at this admission, they cried audibly harder. “My actual mother!” one young woman gasped. Another, seated directly and perhaps precariously behind me, muttered repeatedly, “I’m going to throw up.” Few A-list musicians of this millennium have sustained a bond with their fans as intensely as Swift with her “Swifties.” To her credit, she feeds them well. She drops Easter eggs like a benevolent mother hen, arranges elaborate meet-and-greets, and once invited some fans over to her house to listen to her new album while munching on cookies she had baked for them. At the Friday event (for a video starring actors Dylan O’Brien and Sadie Sink), each audience member received an autographed movie poster and — the song is a famous weepie — a custom packet of “All Too Well” tissues. But with all the fanfare around the release of the extended track, a certain shared intimacy was about to be lost, too. “All Too Well” has been more of a communal secret than a hit, the favorite track of true Swift connoisseurs and, often, music critics (this one included). Now the song — which appears on “Red (Taylor’s Version),” the latest album she rerecorded so she can control its masters — was accompanied by a music video so lengthy and elaborate that Swift was staging a premiere for it and calling it a “short film.” Part of what fans feel for “All Too Well” is nostalgia for an earlier part of Swift’s career and, by extension, their own lives. “Red” is perhaps the most transitional of her nine albums, a bridge that marked the beginning of Swift’s pop crossover but also the moment before her songwriting became as sleek and streamlined as it would on her next album, the blockbuster 2014 release “1989.” And so the eclectic “Red” juxtaposes the Max Martin-assisted pop of “I Knew You Were Trouble” and “We Are Never Ever Getting Back Together” with the coffee shop folksiness of “Treacherous,” “I Almost Do” and “Begin Again.” An achingly rendered portrait of a breakup, “All Too Well” represents the artistic peak of the more singer-songwriter-oriented sound, and the closing of a chapter in Swift’s evolution: It is, at least to date, the last song she wrote with one of her most trusted early collaborators, country songwriter Liz Rose. Part of the reason Swift wrote her 2010 album, “Speak Now,” entirely on her own was to silence the skeptics who believed that Rose had a heavier hand in her music than Swift had admitted. But in a 2014 interview, Rose said she acted “more like an editor.” “Taylor is good because she has lyrics that work for her age,” Rose said. “I just help her grab the ones that are great.” The 10-minute “All Too Well” illuminates this process: It is angrier, far less filtered and more explicit in every sense of the word. The 5 1/2-minute cut of “All Too Well” that appeared on “Red” was an achievement of taut, streamlined storytelling and vividly spot-lit details. The new version knows no such restraint. It is gloriously unruly and viciously seething. With its release, the millennial “You’re So Vain” has suddenly become the millennial “Idiot Wind.” In both its incarnations, “All Too Well” is a song about the weaponization of memory. The devil is in the details, the more specific, the more they seem to assert, in the face of an unfeeling and perhaps manipulatively disbelieving ex, that this experience really happened: a lost scarf, the way an open refrigerator illuminated a dark kitchen. For the elegant simplicity of its structure, the shorter version of “All Too Well” is by far the better song. But the power of the new version comes from its unapologetic messiness, the way it allows a woman’s subjective emotional experience to take up a defiantly excessive amount of time and space. That was most apparent when Swift played the entire song this past weekend on “Saturday Night Live.” During a transfixing performance, she moved through a cycle of feelings as elemental as the seasons: the springlike flutter of new romance, the summery heat of passion, the autumnal operatics of grief and finally — as snow fell around her in the song’s last moments — the cooling relief of long-delayed acceptance. Swift hasn’t written a breakup song nearly as scorching in the decade since “All Too Well,” and for the past several years, she has kept her seemingly less melodramatic relationship with her boyfriend, Joe Alwyn, as far from the public eye as she can. On her more recent albums, “Folklore” and “Evermore,” she has revisited the acoustic sound that characterized the quieter side of “Red” while writing more character-driven songs than the candidly autobiographical work for which she was once known and unfairly criticized. But in revisiting the old hurts of “All Too Well” on such a public stage, she seems once again to be bridging two phases of her career, reinhabiting her 21-year-old self as though she were a complex, intuitively understood fictional character. Occasionally, during her “SNL” performance, Swift looked directly into the camera and delivered a few glances that could have sliced through diamond. Some might have believed she was eying her ex, who may or may not still be in possession of that fabled scarf. But the truth was that the song isn’t just about him anymore. It’s also about the fans, the depths they had heard in it before anyone else, and whatever and whoever they still wished they could forget.

Taylor Swift's 'All Too Well' and the weaponisation of memory

<p>A day after Taylor Swift and Blake Lively teased fans with a glimpse of the music video of 'I Bet You Think About Me'- the singer unveiled the music video of the song that is part of her latest album Red (Taylor's Version).&nbsp;<br />
<br />
Swift wrote, “I finally got to work with the brilliant, brave, &amp; wickedly funny @blakelively on her directorial debut. Join us as we raise a toast, and a little hell.”<br />
<br />
Actress Blake Lively makes her directorial debut with the music video which has Swift creating havoc at&nbsp;her ex's wedding.</p>

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<blockquote class="twitter-tweet">
<p dir="ltr" lang="en">The reddest video EVER is out now. Directed by <a href="https://twitter.com/blakelively?ref_src=twsrc%5Etfw">@blakelively</a> who SMASHED it just like I smashed this cake.<a href="https://t.co/Gm4xT1vuNk">https://t.co/Gm4xT1vuNk</a> <a href="https://t.co/G0T66YdzMz">pic.twitter.com/G0T66YdzMz</a></p>
— Taylor Swift (@taylorswift13) <a href="https://twitter.com/taylorswift13/status/1460266792023207945?ref_src=twsrc%5Etfw">November 15, 2021</a></blockquote>
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<p>Dressed in red, Swift croons about lost love, taking jibes at her ex (reportedly on Jake Gyllenhal) as the man, set to marry sees Swift everywhere in his all-white themed wedding.<br />
<br />
Lively and Taylor have co-written the video together.&nbsp;<br />
<br />
The song is reportedly a lighthearted diss track about Swift's ex, Jake Gyllenhaal. The pair dated for three months back in 2010.&nbsp;<br />
<br />
Swift previously spoke in 2011 about her process writing 'I Bet You Think About Me.' “This is a song I wrote with Lori McKenna, who's one of my favorite singer-songwriters ever,” she told Billboard.</p>

<p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/5UMCrq-bBCg" title="YouTube video player" width="560"></iframe><br />
<br />
"We wanted this song to be like a comedic, tongue-in-cheek, funny, not caring what anyone thinks about you sort of breakup song because there are a lot of different types of heartbreak songs on Red—some of them are very sincere, some of them very stoic and heartbreaking and sad—we wanted this to be the moment where you're like, ‘I don't care about anything.’ We wanted to kind of make people laugh with it, and we wanted it to be sort of a drinking song. I think that that's what it ended up being."<br />
<br />
Swift re-recorded her songs for the album 'Red' which released last week.&nbsp;</p>


A day after Taylor Swift and Blake Lively teased fans with a glimpse of the music video of 'I Bet You Think About Me'- the singer unveiled the music video of the song that is part of her latest album Red (Taylor's Version).

A day after Taylor Swift and Blake Lively teased fans with a glimpse of the music video of 'I Bet You Think About Me'- the singer unveiled the music video of the song that is part of her latest album Red (Taylor's Version). Swift wrote, “I finally got to work with the brilliant, brave, & wickedly funny @blakelively on her directorial debut. Join us as we raise a toast, and a little hell.” Actress Blake Lively makes her directorial debut with the music video which has Swift creating havoc at her ex's wedding. The reddest video EVER is out now. Directed by @blakelively who SMASHED it just like I smashed this cake.https://t.co/Gm4xT1vuNk pic.twitter.com/G0T66YdzMz — Taylor Swift (@taylorswift13) November 15, 2021 × Dressed in red, Swift croons about lost love, taking jibes at her ex (reportedly on Jake Gyllenhal) as the man, set to marry sees Swift everywhere in his all-white themed wedding. Lively and Taylor have co-written the video together. The song is reportedly a lighthearted diss track about Swift's ex, Jake Gyllenhaal. The pair dated for three months back in 2010. Swift previously spoke in 2011 about her process writing 'I Bet You Think About Me.' “This is a song I wrote with Lori McKenna, who's one of my favorite singer-songwriters ever,” she told Billboard. "We wanted this song to be like a comedic, tongue-in-cheek, funny, not caring what anyone thinks about you sort of breakup song because there are a lot of different types of heartbreak songs on Red—some of them are very sincere, some of them very stoic and heartbreaking and sad—we wanted this to be the moment where you're like, ‘I don't care about anything.’ We wanted to kind of make people laugh with it, and we wanted it to be sort of a drinking song. I think that that's what it ended up being." Swift re-recorded her songs for the album 'Red' which released last week.

Taylor Swift, Blake Lively's 'I Bet You Think About Me' music video is out!

<p>Looks like Taylor Swift just took a dig at actor Jake Gyllenhaal or rather, we just noticed!</p>

<p>As Taylor is on a spree of re-recording her previous hits courtesy the fight with the previous label and manager, it’s come to light that the lyrics of her 2012 album Red of the song ‘All Too Well’ has a deeper meaning than one thought. It actually talks of her shocking split with Jake Gyllenhaal in 2010 as she reveals that he split with her citing their age gap.&nbsp;<a href="https://www.wionews.com/entertainment/taylor-swift-releases-re-recorded-red-taylors-version-album-428737" hreflang="en">Taylor Swift releases re-recorded 'Red (Taylor's Version)' album</a></p>

<p>Taylor Swift and Jake Gyllenhaal are nine years apart in age. The lyrics go like: “You said if we had been closer in age maybe it would have been fine / And that made me want to die”. Although she never really confirmed that the song was about their breakup but we are guessing that’s what it’s about.&nbsp;</p>

<p>Then a 40-year-old, Jake reportedly dated the Grammy Award-winner from October to December 2010. By early 2011, Swift began writing the track.&nbsp;</p>

<p>Also read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-harry-potter-and-the-sorcerers-stone-at-20-the-film-that-started-it-all-428785" hreflang="en">'Harry Potter and the Sorcerer's Stone' at 20: The film that started it all</a></p>

<p>Also read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-ruth-wilson-to-feature-in-lena-dunham-dennis-lehanes-mafia-drama-428712" hreflang="en">Ruth Wilson to feature in Lena Dunham, Dennis Lehane's mafia drama</a></p>

<p>Other lyrics featured in the re-recording suggest that the breakup was particularly hard on Taylor.</p>

<p>But as it now appears Jake no longer has an issue with having an age gap with his romantic partner. Jake has now been seeing 25-year-old French model Jeanne Cadieu since late 2018, who is 15 years his junior.</p>


Looks like Taylor Swift just took a dig at actor Jake Gyllenhaal or rather, we just noticed! As Taylor is on a spree of re-recording her previous hits courtesy the fight with the previous label and manager, it’s come to light that the lyrics of her 2012 album Red of the song ‘All Too Well’ has a deeper meaning than one thought.

Looks like Taylor Swift just took a dig at actor Jake Gyllenhaal or rather, we just noticed! As Taylor is on a spree of re-recording her previous hits courtesy the fight with the previous label and manager, it’s come to light that the lyrics of her 2012 album Red of the song ‘All Too Well’ has a deeper meaning than one thought. It actually talks of her shocking split with Jake Gyllenhaal in 2010 as she reveals that he split with her citing their age gap. Taylor Swift releases re-recorded 'Red (Taylor's Version)' album Taylor Swift and Jake Gyllenhaal are nine years apart in age. The lyrics go like: “You said if we had been closer in age maybe it would have been fine / And that made me want to die”. Although she never really confirmed that the song was about their breakup but we are guessing that’s what it’s about. Then a 40-year-old, Jake reportedly dated the Grammy Award-winner from October to December 2010. By early 2011, Swift began writing the track. Also read: 'Harry Potter and the Sorcerer's Stone' at 20: The film that started it all Also read: Ruth Wilson to feature in Lena Dunham, Dennis Lehane's mafia drama Other lyrics featured in the re-recording suggest that the breakup was particularly hard on Taylor. But as it now appears Jake no longer has an issue with having an age gap with his romantic partner. Jake has now been seeing 25-year-old French model Jeanne Cadieu since late 2018, who is 15 years his junior.

Fans think Taylor Swift's 'All Too Well' is about her breakup with Jake Gyllenhaal

<p>Taylor Swift dropped her much-anticipated album 'Red' on Thursday night- which is a new spin to her old album.&nbsp;<br />
Taylor shared the news of the album`s release on her Twitter handle.&nbsp;<br />
<br />
She wrote, "It never would have been possible to go back &amp; remake my previous work, uncovering lost art &amp; forgotten gems along the way if you hadn't emboldened me. Red is about to be mine again, but it has always been ours. Now we begin again. Red (my version) is out."</p>

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<p dir="ltr" lang="en">It never would have been possible to go back &amp; remake my previous work, uncovering lost art &amp; forgotten gems along the way if you hadn’t emboldened me. Red is about to be mine again, but it has always been ours. Now we begin again. Red (my version) is out<a href="https://t.co/ZUAWDuv4jL">https://t.co/ZUAWDuv4jL</a> <a href="https://t.co/Ji26KdOlWQ">pic.twitter.com/Ji26KdOlWQ</a></p>
— Taylor Swift (@taylorswift13) <a href="https://twitter.com/taylorswift13/status/1459023801480474632?ref_src=twsrc%5Etfw">November 12, 2021</a></blockquote>
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<p>The re-recorded version of her fourth studio album&nbsp;includes songs 'from the vault' and a 10-minute long version of 'All Too Well'. &nbsp;The song is speculated to be based on her relationship with Jake Gyllenhaal.&nbsp;</p>

<p><a href="https://www.wionews.com/entertainment/taylor-swift-becomes-most-influential-person-on-twitter-428349" hreflang="en">Taylor Swift becomes most influential person on Twitter</a><br />
<br />
The new spin on the old record also includes guest appearances from Ed Sheeran, Phoebe Bridgers and Chris Stapleton. The new version of the album has 30 songs in total.&nbsp;<br />
<br />
The original album, which featured 16 songs on the standard version and 22 songs on the deluxe edition, was home to her hit singles 'We Are Never Ever Getting Back Together', 'I Knew You Were Trouble' and '22'.</p>

<p><a href="https://www.wionews.com/entertainment/lifestyle/news-taylor-swift-delivers-moving-performance-at-carole-kings-roll-hall-induction-watch-425567" hreflang="en">Taylor Swift delivers moving performance at Carole King's Roll Hall induction: Watch</a><br />
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Though the original Red album earned nominations for the 56th annual Grammys, including album of the year, it failed to secure a win.&nbsp;<br />
<br />
Swift has revealed in an interview that she had "cried a little bit" after not winning and that would mark the night she decided that her next album, '1989', would be a pop album.<br />
<br />
Swift decided to re-record her previous six albums after music manager Scooter Braun purchased the masters to them in 2019. Her hope was that the updated takes on the original songs would give her back control of her discography.</p>

<p><a href="https://www.wionews.com/entertainment/hollywood/news-pics-lena-dunham-gets-married-bridesmaids-taylor-swift--tommy-dorfman-add-a-dash-of-old-age-charm-417431" hreflang="en">Pics: Lena Dunham gets married; bridesmaids Taylor Swift &amp; Tommy Dorfman add a dash of old-age charm</a></p>


Taylor Swift dropped her much-anticipated album 'Red' on Thursday night- which is a new spin to her old album. Taylor shared the news of the album`s release on her Twitter handle.

Taylor Swift dropped her much-anticipated album 'Red' on Thursday night- which is a new spin to her old album. Taylor shared the news of the album`s release on her Twitter handle. She wrote, "It never would have been possible to go back & remake my previous work, uncovering lost art & forgotten gems along the way if you hadn't emboldened me. Red is about to be mine again, but it has always been ours. Now we begin again. Red (my version) is out." It never would have been possible to go back & remake my previous work, uncovering lost art & forgotten gems along the way if you hadn’t emboldened me. Red is about to be mine again, but it has always been ours. Now we begin again. Red (my version) is outhttps://t.co/ZUAWDuv4jL pic.twitter.com/Ji26KdOlWQ — Taylor Swift (@taylorswift13) November 12, 2021 × The re-recorded version of her fourth studio album includes songs 'from the vault' and a 10-minute long version of 'All Too Well'. The song is speculated to be based on her relationship with Jake Gyllenhaal. Taylor Swift becomes most influential person on Twitter The new spin on the old record also includes guest appearances from Ed Sheeran, Phoebe Bridgers and Chris Stapleton. The new version of the album has 30 songs in total. The original album, which featured 16 songs on the standard version and 22 songs on the deluxe edition, was home to her hit singles 'We Are Never Ever Getting Back Together', 'I Knew You Were Trouble' and '22'. Taylor Swift delivers moving performance at Carole King's Roll Hall induction: Watch Though the original Red album earned nominations for the 56th annual Grammys, including album of the year, it failed to secure a win. Swift has revealed in an interview that she had "cried a little bit" after not winning and that would mark the night she decided that her next album, '1989', would be a pop album. Swift decided to re-record her previous six albums after music manager Scooter Braun purchased the masters to them in 2019. Her hope was that the updated takes on the original songs would give her back control of her discography. Pics: Lena Dunham gets married; bridesmaids Taylor Swift & Tommy Dorfman add a dash of old-age charm

Taylor Swift releases re-recorded 'Red (Taylor's Version)' album

<p>Sarah Paulson is a big fan of <a href="http://13.235.153.162/entertainment/lifestyle/news-taylor-swift-emotional-song-%E2%80%98ronan%E2%80%99-on-cancer-patients-to-be-part-of-her-album-%E2%80%98red-taylor%E2%80%99s-version-402139">Taylor Swift!</a><br />
<br />
The American singer-songwriter enjoys a massive fandom worldwide and now 'American Horror Story' actress Sarah Paulson has just added herself to the ever-growing&nbsp;gang of Swifties: a moniker given to Taylor Swift's fans.&nbsp;</p>

<p><a href="https://www.wionews.com/photos/everything-thats-released-at-cinemacon-2021-from-batman-to-matrix-4-408496" hreflang="en">Everything that's released at CinemaCon 2021, from 'Batman' to 'Matrix 4'</a><br />
<br />
The 46-year-old actress was recently live&nbsp;on&nbsp;social media and had answered a few fan questions on Twitter. During an interaction with a fan, she revealed her love for the&nbsp;singer and also shared her favourite track.&nbsp;</p>

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<p dir="ltr" lang="en"><a href="https://twitter.com/MsSarahPaulson?ref_src=twsrc%5Etfw">@MsSarahPaulson</a> quick what taylor swift song should i listen to</p>
— natalie lol (@natalielol1217) <a href="https://twitter.com/natalielol1217/status/1430571022365900804?ref_src=twsrc%5Etfw">August 25, 2021</a></blockquote>
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<p dir="ltr" lang="en">Evermore</p>
— Sarah Paulson (@MsSarahPaulson) <a href="https://twitter.com/MsSarahPaulson/status/1430578216591183876?ref_src=twsrc%5Etfw">August 25, 2021</a></blockquote>
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<p>Replying to a fan, who asked “quick what taylor swift song should i listen to (sic),” she responded with, <a href="http://13.235.153.162/entertainment/taylor-swifts-evermore-returns-to-no-1-on-billboard-200-charts-389953">'Evermore</a>.'&nbsp;<br />
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''are u a swiftie? (sic)'' another fan asked, to which Paulson responded, ''Major.'' Now this is a big news for Swift fans, meanwhile Taylor hasn't reacted to it yet, but the singer will be thrilled after knowing this.&nbsp;</p>

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<p dir="ltr" lang="en"><a href="https://twitter.com/MsSarahPaulson?ref_src=twsrc%5Etfw">@MsSarahPaulson</a> are u a swiftie?</p>
— angela | NATA’S DAY (@PVLS0NBEAN) <a href="https://twitter.com/PVLS0NBEAN/status/1430581296108130311?ref_src=twsrc%5Etfw">August 25, 2021</a></blockquote>
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<p dir="ltr" lang="ca">Major</p>
— Sarah Paulson (@MsSarahPaulson) <a href="https://twitter.com/MsSarahPaulson/status/1430585240695705600?ref_src=twsrc%5Etfw">August 25, 2021</a></blockquote>
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<p>Work-wise, Taylor is currently busy working on her upcoming re-recorded album 'Red' and she recently&nbsp;revealed&nbsp;that she is coming together with her Brit friend and <a href="http://13.235.153.162/entertainment/lifestyle/news-taylor-swift-and-ed-sheeran-to-collab%E2%80%94again%E2%80%94for-re-recorded-%E2%80%98red%E2%80%99-403962">singer-songwriter, Ed Sheeran.</a>,&nbsp;for another single.</p>


Sarah Paulson is a big fan of Taylor Swift! The American singer-songwriter enjoys a massive fandom worldwide and now 'American Horror Story' actress Sarah Paulson has just added herself to the ever-growing gang of Swifties: a moniker given to Taylor Swift's fans.

Sarah Paulson is a big fan of Taylor Swift! The American singer-songwriter enjoys a massive fandom worldwide and now 'American Horror Story' actress Sarah Paulson has just added herself to the ever-growing gang of Swifties: a moniker given to Taylor Swift's fans. Everything that's released at CinemaCon 2021, from 'Batman' to 'Matrix 4' The 46-year-old actress was recently live on social media and had answered a few fan questions on Twitter. During an interaction with a fan, she revealed her love for the singer and also shared her favourite track. @MsSarahPaulson quick what taylor swift song should i listen to — natalie lol (@natalielol1217) August 25, 2021 × Evermore — Sarah Paulson (@MsSarahPaulson) August 25, 2021 × Replying to a fan, who asked “quick what taylor swift song should i listen to (sic),” she responded with, 'Evermore.' ''are u a swiftie? (sic)'' another fan asked, to which Paulson responded, ''Major.'' Now this is a big news for Swift fans, meanwhile Taylor hasn't reacted to it yet, but the singer will be thrilled after knowing this. @MsSarahPaulson are u a swiftie? — angela | NATA’S DAY (@PVLS0NBEAN) August 25, 2021 × Major — Sarah Paulson (@MsSarahPaulson) August 25, 2021 × Work-wise, Taylor is currently busy working on her upcoming re-recorded album 'Red' and she recently revealed that she is coming together with her Brit friend and singer-songwriter, Ed Sheeran., for another single.

Sarah Paulson is a 'major' swiftie, reveals her favourite Taylor Swift song

<p>American pop star Taylor Swift is the queen of collab teases, and she knows it, too!</p>

<p><br />
After announcing to the whole world that she will be releasing the re-recorded version of 2012 album, ‘Red’, Taylor Swift has now taken her pre-release teasing game to a whole new level.</p>

<p><br />
The ‘Blank Space’ singer has been posting snippets from her upcoming revamped album, and the latest videos’ have listed both the names of songs that would make the final cut, and the artists who will make special appearances in it.&nbsp;</p>

<p><br />
So, TS is collaborating with Chris Stapleton and Phoebe Bridgers, but what got us excited is that she is coming together with her Brit friend and singe-songwriter, Ed Sheeran.</p>

<p><br />
The duo has already worked on the monster hit ‘Everything Has changed (Between Us)’ from the original ‘Red’ album and we cannot wait to hear what these two Grammy-winning musicians come up with in this highly anticipated album.<br />
&nbsp;</p>

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<p dir="ltr" lang="en">*presses post*<br />
*cackles maniacally*<br />
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Level: casually cruel in the name of being honest <a href="https://t.co/Tf0ahCMql8">pic.twitter.com/Tf0ahCMql8</a></p>
— Taylor Swift (@taylorswift13) <a href="https://twitter.com/taylorswift13/status/1423283014604185607?ref_src=twsrc%5Etfw">August 5, 2021</a></blockquote>
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<p>&nbsp;</p>


American pop star Taylor Swift is the queen of collab teases, and she knows it, too! After announcing to the whole world that she will be releasing the re-recorded version of 2012 album, ‘Red’, Taylor Swift has now taken her pre-release teasing game to a whole new level.

American pop star Taylor Swift is the queen of collab teases, and she knows it, too! After announcing to the whole world that she will be releasing the re-recorded version of 2012 album, ‘Red’, Taylor Swift has now taken her pre-release teasing game to a whole new level. The ‘Blank Space’ singer has been posting snippets from her upcoming revamped album, and the latest videos’ have listed both the names of songs that would make the final cut, and the artists who will make special appearances in it. So, TS is collaborating with Chris Stapleton and Phoebe Bridgers, but what got us excited is that she is coming together with her Brit friend and singe-songwriter, Ed Sheeran. The duo has already worked on the monster hit ‘Everything Has changed (Between Us)’ from the original ‘Red’ album and we cannot wait to hear what these two Grammy-winning musicians come up with in this highly anticipated album. *presses post* *cackles maniacally* Level: casually cruel in the name of being honest pic.twitter.com/Tf0ahCMql8 — Taylor Swift (@taylorswift13) August 5, 2021 ×

Taylor Swift and Ed Sheeran to collab—again!—for re-recorded ‘Red’

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