Actor Vikrant Massey speaks exclusively to WION's Shomini Sen about his new film Gaslight which co-stars Sara Ali Khan and Chitrangada Singh. Massey talks about the key factor that makes a murder mystery work, his plans of directing a film and how he chooses his films. Watch the full interview here.

Vikrant Massey on Gaslight and what makes a murder mystery work for the audience

Bollywood actress Chitrangda Singh’s social media game is always on fleek. The 44-year-old actress regularly posts pictures and reels on her Instagram page which her over one million fans love to see and comment on.

Bollywood actress Chitrangda Singh’s social media game is always on fleek. The 44-year-old actress regularly posts pictures and reels on her Instagram page which her over one million fans love to see and comment on. From expressing her love for animals and meditation to doing lip-syncs on dialogues from famous movies and sharing photoshoot snaps, Singh sure knows how to keep herself entertained and her fans, amused. View this post on Instagram A post shared by @chitrangda × View this post on Instagram A post shared by @chitrangda × In one such recent video, the actress can be seen lipsyncing to a dialogue, originally delivered in the film by the character of Hazel Grace, played by Shailene Woodley. Sharing that cute video, Singh wrote, “"#Slidebacksunday to those TikTok busy weekends! The movie fault in our stars .. had so many amazing dialogues .. one of them when John says to Grace. You don't get to choose if you get hurt in this world...but you do have some say in who hurts you. I like my choices. John Green.” View this post on Instagram A post shared by @chitrangda × The film was originally based on best-selling author John Green’s book by the same name and has been adapted into a film in Bollywood with Sanjana Sanghi and deceased Bollywood actor Sushant Singh Rajput. The actress has also made similar videos of her in the past. See some of them here: View this post on Instagram A post shared by @chitrangda × View this post on Instagram A post shared by @chitrangda × On the work front, Chitrangda Singh will be seen next in the film 'Bob Biswas' alongside Abhishek Bachchan.

Chitrangda Singh is India’s fitting response to Shailene Woodely’s Hazel Grace from ‘Fault In Our Stars’

A housing complex in Andheri, Mumbai has been sealed by BMC after an 11-year-old girl tested positive for coronavirus on Tuesday. The housing complex has Bollywood actors like Vicky Kaushal, Rajkummar Rao and Patralekha and Chitrangada Singh residing in it. 
 
According to media reports, the child is the daughter of a film director who resides in the C-wing of the complex. The BMC has completely sealed off C wing while the A and B wings have been partially sealed. BMC has also sanitised the entire complex. 
 
According to sources, the residents of the complex have reportedly been asked to go under strict quarantine and take extra precautionary measures to contain the spread of the infection. Residents have been asked to not step out of their homes even for walks with the complex. 
 
Earlier last week, the housing complex where actress Ankita Lokhande lives was also sealed after new cases of coronavirus were reported from there. 
 
Bollywood producer <a href="https://www.wionews.com/entertainment/bollywood-producer-karim-morani-tests-negative-for-covid-19-293271">Karim Morani, </a>his daughters<a href="https://www.wionews.com/entertainment/zoa-and-shaza-morani-discharged-from-the-hospital-after-covid-19-treatment-292263"> Zoa and Shaza </a>had tested positive for the virus earlier this month. They have since then recovered.

A housing complex in Andheri, Mumbai has been sealed by BMC after an 11-year-old girl tested positive for coronavirus on Tuesday. The housing complex has Bollywood actors like Vicky Kaushal, Rajkummar Rao and Patralekha and Chitrangada Singh residing in it.

A housing complex in Andheri, Mumbai has been sealed by BMC after an 11-year-old girl tested positive for coronavirus on Tuesday. The housing complex has Bollywood actors like Vicky Kaushal, Rajkummar Rao and Patralekha and Chitrangada Singh residing in it. According to media reports, the child is the daughter of a film director who resides in the C-wing of the complex. The BMC has completely sealed off C wing while the A and B wings have been partially sealed. BMC has also sanitised the entire complex. According to sources, the residents of the complex have reportedly been asked to go under strict quarantine and take extra precautionary measures to contain the spread of the infection. Residents have been asked to not step out of their homes even for walks with the complex. Earlier last week, the housing complex where actress Ankita Lokhande lives was also sealed after new cases of coronavirus were reported from there. Bollywood producer Karim Morani, his daughters Zoa and Shaza had tested positive for the virus earlier this month. They have since then recovered.

Vicky Kaushal, Rajkummar Rao's housing complex sealed after 11-year old girl tests positive for coronavirus

Three-time Indian Open champion and former Asia No. 1, the golfer Jyoti Randhawa was on Wednesday arrested in Uttar Pradesh’s Bahraich on the charge of poaching.

A .22 rifle was recovered from Randhawa. &nbsp;

Randhawa, who has been a flag bearer of Indian golf for over two decades, was arrested near the Dudhwa tiger reserve.

Born on May 4, 1972 Randhawa grew up in Uttar Pradesh's&nbsp;Lakhimpur Kheri district. He turned professional in 1994.&nbsp;

In 2002, he finished top on the Asian Tour money list. His best finish on the European Tour was tied second, in the 2004 Johnnie Walker Classic.

Randhawa was ranked in the top 100 of the Official World Golf Ranking several times between 2004 and 2009. He represented India in the men's World Cup (golf), in the years 2007 to 2009 and has also represented Asia in The Royal Trophy in 2006.

In golf, Randhawa is the second highest Indian in the world rankings, just behind Jeev Milkha Singh.

The ace golfer was married to actress Chitrangada Singh, but the couple got divorced in April 2014. the two have a son named Zorawar Randhawa, whose custody was granted to Chitrangada.

Three-time Indian Open champion and former Asia No. 1, the golfer Jyoti Randhawa was on Wednesday arrested in Uttar Pradesh’s Bahraich on the charge of poaching.

Three-time Indian Open champion and former Asia No. 1, the golfer Jyoti Randhawa was on Wednesday arrested in Uttar Pradesh’s Bahraich on the charge of poaching. A .22 rifle was recovered from Randhawa. Randhawa, who has been a flag bearer of Indian golf for over two decades, was arrested near the Dudhwa tiger reserve. Born on May 4, 1972 Randhawa grew up in Uttar Pradesh's Lakhimpur Kheri district. He turned professional in 1994. In 2002, he finished top on the Asian Tour money list. His best finish on the European Tour was tied second, in the 2004 Johnnie Walker Classic. Randhawa was ranked in the top 100 of the Official World Golf Ranking several times between 2004 and 2009. He represented India in the men's World Cup (golf), in the years 2007 to 2009 and has also represented Asia in The Royal Trophy in 2006. In golf, Randhawa is the second highest Indian in the world rankings, just behind Jeev Milkha Singh. The ace golfer was married to actress Chitrangada Singh, but the couple got divorced in April 2014. the two have a son named Zorawar Randhawa, whose custody was granted to Chitrangada.

Jyoti Randhawa was second Indian to rank among top 100 in world golf rankings

When you have Saif Ali Khan headlining a film- your expectations from the film goes a notch higher. The actor may not always deliver blockbusters, but over a two-decade-long career, Saif has chosen some very interesting scripts and roles, which his contemporaries may not play on the big screen.&nbsp;

Naturally, when the trailer of Khan's latest 'Bazaar' came out- the curiosity around the film was higher than the usual. Not only does it feature Khan, but it has 2018's favourite pin-up girl Radhika Apte, along with Chitrangada Singh and debutant Rohan Mehra and revolves around the Dalal street- a first for the Bollywood itself. But is director Gauravv K. Chawla's film worth all the hype? Not quite.&nbsp;

At the onset, its a film of an underdog who by various means- honest and dishonest- has made it big the in share trading business of the country's financial capital. Shakun Kothari (Khan) a big fish in the market, only understands one language- the language of money. A veteran in the trading business, Kothari, is hated and admired in equal measure. Rookie share trader Rizwan Ahmed, a small town boy, comes to Mumbai to 'settle and not struggle' as he repeatedly keeps telling the world. Ahmed lands himself a swanky job in a big share trading firm, gets a smart, glamours girlfriend (Radhika Apte) and even manages to work with his idol Shakun in no time.&nbsp; 
Through various song montages, it is established how Shakun and Rizwan develop a unique bond- that of a mentor and disciple. But the bonhomie will obviously not last for long- and the plot in its second half takes a predictable course where Rizwaan a rookie who made in big in too short a time, gets to undo the misdeeds and get back on track.&nbsp;

Now, a film based on share trading and stock market always needs to be oversimplified simply because most viewers may not know the way share-trading works. While the screenplay initially tries to explain the little nitty-gritty of share trading, it gives up soon enough. The screenplay, for some strange reason, gives importance to how the characters stare at each other. Ever-so-often the camera will fixes at one of the actor's faces in the film, trying to capture his or her expression- with no dialogue being spoken by another character at that time. Such moments are in plenty in the film and makes the narrative just longer unnecessarily.&nbsp;

It also doesn't help that the plot is so predictable, that you know at the interval how the film will pan out in the second half and what would be each of the character's trajectory by the end.&nbsp;

<iframe allow="autoplay; encrypted-media" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/Pb7iJnIWzNk" width="560"></iframe>

Khan though tries to rise up a flimsy screenplay and play the sharp, ruthless share trader with conviction. His character is from Surat and he is made to slip into Gujarati lines ever-so-often which seem unnecessary. But Khan has played similar characters in better-written films before, where you couldn't help but fall for his charm while hating him at the same time. In 'Bazaar' Khan's Shakun is sharp but the impact of his character is much less.&nbsp;

Late actor Vinod Mehra's son Rohan Mehra gives a credible performance too. He has the maximum screen time in the film and delivers a formidable performance- not overdoing it at any time. But ultimately his performance is marred to an extent by a poorly written screenplay. The women in the film, Radhika Apte and Chitrangada Singh are sidelined in this story of power struggle and their scenes are far less than those of the men.

'Bazaar' may have a good set of actors, but ultimately a stretched narrative and poorly written characters mar the film to a great extent. It does have Khan delivering a good performance with a supporting act from debutant Rohan Mehra but ultimately poor writing makes 'Bazaar' long and tedious.&nbsp;

When you have Saif Ali Khan headlining a film- your expectations from the film goes a notch higher. The actor may not always deliver blockbusters, but over a two-decade-long career, Saif has chosen some very interesting scripts and roles, which his contemporaries may not play on the big screen.

When you have Saif Ali Khan headlining a film- your expectations from the film goes a notch higher. The actor may not always deliver blockbusters, but over a two-decade-long career, Saif has chosen some very interesting scripts and roles, which his contemporaries may not play on the big screen. Naturally, when the trailer of Khan's latest 'Bazaar' came out- the curiosity around the film was higher than the usual. Not only does it feature Khan, but it has 2018's favourite pin-up girl Radhika Apte, along with Chitrangada Singh and debutant Rohan Mehra and revolves around the Dalal street- a first for the Bollywood itself. But is director Gauravv K. Chawla's film worth all the hype? Not quite. At the onset, its a film of an underdog who by various means- honest and dishonest- has made it big the in share trading business of the country's financial capital. Shakun Kothari (Khan) a big fish in the market, only understands one language- the language of money. A veteran in the trading business, Kothari, is hated and admired in equal measure. Rookie share trader Rizwan Ahmed, a small town boy, comes to Mumbai to 'settle and not struggle' as he repeatedly keeps telling the world. Ahmed lands himself a swanky job in a big share trading firm, gets a smart, glamours girlfriend (Radhika Apte) and even manages to work with his idol Shakun in no time. Through various song montages, it is established how Shakun and Rizwan develop a unique bond- that of a mentor and disciple. But the bonhomie will obviously not last for long- and the plot in its second half takes a predictable course where Rizwaan a rookie who made in big in too short a time, gets to undo the misdeeds and get back on track. Now, a film based on share trading and stock market always needs to be oversimplified simply because most viewers may not know the way share-trading works. While the screenplay initially tries to explain the little nitty-gritty of share trading, it gives up soon enough. The screenplay, for some strange reason, gives importance to how the characters stare at each other. Ever-so-often the camera will fixes at one of the actor's faces in the film, trying to capture his or her expression- with no dialogue being spoken by another character at that time. Such moments are in plenty in the film and makes the narrative just longer unnecessarily. It also doesn't help that the plot is so predictable, that you know at the interval how the film will pan out in the second half and what would be each of the character's trajectory by the end. Khan though tries to rise up a flimsy screenplay and play the sharp, ruthless share trader with conviction. His character is from Surat and he is made to slip into Gujarati lines ever-so-often which seem unnecessary. But Khan has played similar characters in better-written films before, where you couldn't help but fall for his charm while hating him at the same time. In 'Bazaar' Khan's Shakun is sharp but the impact of his character is much less. Late actor Vinod Mehra's son Rohan Mehra gives a credible performance too. He has the maximum screen time in the film and delivers a formidable performance- not overdoing it at any time. But ultimately his performance is marred to an extent by a poorly written screenplay. The women in the film, Radhika Apte and Chitrangada Singh are sidelined in this story of power struggle and their scenes are far less than those of the men. 'Bazaar' may have a good set of actors, but ultimately a stretched narrative and poorly written characters mar the film to a great extent. It does have Khan delivering a good performance with a supporting act from debutant Rohan Mehra but ultimately poor writing makes 'Bazaar' long and tedious.

'Bazaar' review: There is more action at Dalal Street than in this Saif Ali Khan film

When you have Saif Ali Khan headlining a film- your expectations from the film goes a notch higher. The actor may not always deliver blockbusters, but over a two-decade-long career, Saif has chosen some very interesting scripts and roles, which his contemporaries may not play on the big screen.&nbsp;

Naturally, when the trailer of Khan's latest 'Bazaar' came out- the curiosity around the film was higher than the usual. Not only does it feature Khan, but it has 2018's favourite pin-up girl Radhika Apte, along with Chitrangada Singh and debutant Rohan Mehra and revolves around the Dalal street- a first for the Bollywood itself. But is director Gauravv K. Chawla's film worth all the hype? Not quite.&nbsp;

At the onset, its a film of an underdog who by various means- honest and dishonest- has made it big the in share trading business of the country's financial capital. Shakun Kothari (Khan) a big fish in the market, only understands one language- the language of money. A veteran in the trading business, Kothari, is hated and admired in equal measure. Rookie share trader Rizwan Ahmed, a small town boy, comes to Mumbai to 'settle and not struggle' as he repeatedly keeps telling the world. Ahmed lands himself a swanky job in a big share trading firm, gets a smart, glamours girlfriend (Radhika Apte) and even manages to work with his idol Shakun in no time.&nbsp; 
Through various song montages, it is established how Shakun and Rizwan develop a unique bond- that of a mentor and disciple. But the bonhomie will obviously not last for long- and the plot in its second half takes a predictable course where Rizwaan a rookie who made in big in too short a time, gets to undo the misdeeds and get back on track.&nbsp;

Now, a film based on share trading and stock market always needs to be oversimplified simply because most viewers may not know the way share-trading works. While the screenplay initially tries to explain the little nitty-gritty of share trading, it gives up soon enough. The screenplay, for some strange reason, gives importance to how the characters stare at each other. Ever-so-often the camera will fixes at one of the actor's faces in the film, trying to capture his or her expression- with no dialogue being spoken by another character at that time. Such moments are in plenty in the film and makes the narrative just longer unnecessarily.&nbsp;

<iframe allow="autoplay; encrypted-media" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/Pb7iJnIWzNk" width="560"></iframe>

It also doesn't help that the plot is so predictable, that you know at the interval how the film will pan out in the second half and what would be each of the character's trajectory by the end.&nbsp;

Khan though tries to rise up a flimsy screenplay and play the sharp, ruthless share trader with conviction. His character is from Surat and he is made to slip into Gujarati lines ever-so-often which seem unnecessary. But Khan has played similar characters in better-written films before, where you couldn't help but fall for his charm while hating him at the same time. In 'Bazaar' Khan's Shakun is sharp but the impact of his character is much less.&nbsp;

Late actor Vinod Mehra's son Rohan Mehra gives a credible performance too. He has the maximum screen time in the film and delivers a formidable performance- not overdoing it at any time. But ultimately his performance is marred to an extent by a poorly written screenplay. The women in the film, Radhika Apte and Chitrangada Singh are sidelined in this story of power struggle and their scenes are far less than those of the men.

Bazaar may have a good set of actors, but ultimately a stretched narrative and poorly written characters mar the film to a great extent. It does have Khan delivering a good performance with a supporting act from debutant Rohan Mehra but ultimately poor writing makes 'Bazaar' long and ted

When you have Saif Ali Khan headlining a film- your expectations from the film goes a notch higher. The actor may not always deliver blockbusters, but over a two-decade-long career, Saif has chosen some very interesting scripts and roles, which his contemporaries may not play on the big screen. Naturally, when the trailer of Khan's latest 'Bazaar' came out- the curiosity around the film was higher than the usual. Not only does it feature Khan, but it has 2018's favourite pin-up girl Radhika Apte, along with Chitrangada Singh and debutant Rohan Mehra and revolves around the Dalal street- a first for the Bollywood itself. But is director Gauravv K. Chawla's film worth all the hype? Not quite. At the onset, its a film of an underdog who by various means- honest and dishonest- has made it big the in share trading business of the country's financial capital. Shakun Kothari (Khan) a big fish in the market, only understands one language- the language of money. A veteran in the trading business, Kothari, is hated and admired in equal measure. Rookie share trader Rizwan Ahmed, a small town boy, comes to Mumbai to 'settle and not struggle' as he repeatedly keeps telling the world. Ahmed lands himself a swanky job in a big share trading firm, gets a smart, glamours girlfriend (Radhika Apte) and even manages to work with his idol Shakun in no time. Through various song montages, it is established how Shakun and Rizwan develop a unique bond- that of a mentor and disciple. But the bonhomie will obviously not last for long- and the plot in its second half takes a predictable course where Rizwaan a rookie who made in big in too short a time, gets to undo the misdeeds and get back on track. Now, a film based on share trading and stock market always needs to be oversimplified simply because most viewers may not know the way share-trading works. While the screenplay initially tries to explain the little nitty-gritty of share trading, it gives up soon enough. The screenplay, for some strange reason, gives importance to how the characters stare at each other. Ever-so-often the camera will fixes at one of the actor's faces in the film, trying to capture his or her expression- with no dialogue being spoken by another character at that time. Such moments are in plenty in the film and makes the narrative just longer unnecessarily. It also doesn't help that the plot is so predictable, that you know at the interval how the film will pan out in the second half and what would be each of the character's trajectory by the end. Khan though tries to rise up a flimsy screenplay and play the sharp, ruthless share trader with conviction. His character is from Surat and he is made to slip into Gujarati lines ever-so-often which seem unnecessary. But Khan has played similar characters in better-written films before, where you couldn't help but fall for his charm while hating him at the same time. In 'Bazaar' Khan's Shakun is sharp but the impact of his character is much less. Late actor Vinod Mehra's son Rohan Mehra gives a credible performance too. He has the maximum screen time in the film and delivers a formidable performance- not overdoing it at any time. But ultimately his performance is marred to an extent by a poorly written screenplay. The women in the film, Radhika Apte and Chitrangada Singh are sidelined in this story of power struggle and their scenes are far less than those of the men. Bazaar may have a good set of actors, but ultimately a stretched narrative and poorly written characters mar the film to a great extent. It does have Khan delivering a good performance with a supporting act from debutant Rohan Mehra but ultimately poor writing makes 'Bazaar' long and ted

'Bazaar'review: There is more action at Dalal Street than in this Saif Ali Khan film

Baazaar: Saif Ali Khan, Chitrangada Singh, Radhika Apte promote their film in the capital

In the wake of sexual harassment charges growing steam in Bollywood, Chitrangada Singh reveals that her #MeToo story would not have happened if her co-star at that time, Nawazuddin Siddiqui, had taken action.&nbsp; 
&nbsp; 
Chitrangada went through a horrific episode while shooting for Nawazuddin’s Babumoshai Bandookbaaz in 2016. She reveals that she was asked to do a vulgar love-making sequence with Nawaz which left her beyond embarrassed. When she protested, she was not just taunted but admonished till she had to give up on the film.&nbsp; 
&nbsp; 
In an interview, Chitrangada said, “I’d like nothing better than to forget about it. But, the incident refuses to go away. I had spoken about it when it happened two years ago. But, I was declared ‘troublesome’ and ‘moody’ and made to pack my bags. They found a replacement for me overnight (Bidita Bag) who went around saying how lucky she was to get such a role.” 
&nbsp; 
Narrating what happened with her, she said, “I pleaded that this was not in my comfort zone. I said I was wearing only a petticoat underneath the saree. The director told me not to fuss and just do what was required. I was intimidated bullied and threatened into doing it. Some crew members were mortified. But, Nawaz just sat there waiting for the storm to blow over.” 
&nbsp; 
This led to Chitrangada crying and walking out of the set to her vanity van. She was then visited by director Kushan Nandy who asked her if she would do the scene, to which she said, ‘no.” Chitrangada said, &nbsp;“He didn’t ask me if I was okay. He just asked, ‘Are you doing the scene?’ I said no. He left. Nawaz could’ve taken a stand against my harassment. He didn’t. When empowered men in the film industry do not take a stand, the harassers feel encouraged.” 
&nbsp; 
The dusky actress feels that the womenfolk of the entertainment industry aggravate this situation of exploitation and said, “How can men take our voices of dissent seriously when another actress walks right into a role after one actress says she’s been harassed? It is true that women are the worst enemies of their own kind. Even when I was being harassed on the sets of Babumoshai Bandookbaaz, the film’s lady producer was there making things worse for me.”

In the wake of sexual harassment charges growing steam in Bollywood, Chitrangada Singh reveals that her #MeToo story would not have happened if her co-star at that time, Nawazuddin Siddiqui, had taken action.

In the wake of sexual harassment charges growing steam in Bollywood, Chitrangada Singh reveals that her #MeToo story would not have happened if her co-star at that time, Nawazuddin Siddiqui, had taken action. Chitrangada went through a horrific episode while shooting for Nawazuddin’s Babumoshai Bandookbaaz in 2016. She reveals that she was asked to do a vulgar love-making sequence with Nawaz which left her beyond embarrassed. When she protested, she was not just taunted but admonished till she had to give up on the film. In an interview, Chitrangada said, “I’d like nothing better than to forget about it. But, the incident refuses to go away. I had spoken about it when it happened two years ago. But, I was declared ‘troublesome’ and ‘moody’ and made to pack my bags. They found a replacement for me overnight (Bidita Bag) who went around saying how lucky she was to get such a role.” Narrating what happened with her, she said, “I pleaded that this was not in my comfort zone. I said I was wearing only a petticoat underneath the saree. The director told me not to fuss and just do what was required. I was intimidated bullied and threatened into doing it. Some crew members were mortified. But, Nawaz just sat there waiting for the storm to blow over.” This led to Chitrangada crying and walking out of the set to her vanity van. She was then visited by director Kushan Nandy who asked her if she would do the scene, to which she said, ‘no.” Chitrangada said, “He didn’t ask me if I was okay. He just asked, ‘Are you doing the scene?’ I said no. He left. Nawaz could’ve taken a stand against my harassment. He didn’t. When empowered men in the film industry do not take a stand, the harassers feel encouraged.” The dusky actress feels that the womenfolk of the entertainment industry aggravate this situation of exploitation and said, “How can men take our voices of dissent seriously when another actress walks right into a role after one actress says she’s been harassed? It is true that women are the worst enemies of their own kind. Even when I was being harassed on the sets of Babumoshai Bandookbaaz, the film’s lady producer was there making things worse for me.”

Chitrangada's #MeToo: Nawazuddin could’ve taken stand against my harassment, he didn’t