Italian fashion Brand Giorgio Armani has brought Olympic energy to Milan, unveiling designs that celebrate sport, movement and national pride ahead of the upcoming Winter Olympics.

Armani Ignites Olympic Spirit In Milan Ahead Of Winter Games | WION 

The fashion world is still reeling from the passing of Giorgio Armani, who died on September 4 at the age of 91. Known globally as “King Giorgio”, the Italian designer not only revolutionized luxury fashion but also left behind a meticulous succession plan to ensure that his $11.8 billion empire continues to thrive long after his death.<h2>A roadmap for Armani Group’s future</h2>Also Read: <a href="https://www.wionews.com/entertainment/lifestyle/giorgio-armani-dead-thousands-expected-to-pay-respects-to-italian-designer-1757125903436">Giorgio Armani dead: Thousands expected to pay respects to Italian designer</a>&nbsp;For more than 50 years, Armani kept complete control over his empire, which spans haute couture, perfumes, eyewear, hotels and even sports. However, his will, made public in Italy shows a significant shift. The Armani Foundation, which inherits the business, has been instructed to sell a 15% stake to a major luxury group within 18 months. Armani specifically named LVMH, L’Oreal and EssilorLuxottica as preferred buyers, though other luxury giants “of equal standing” may also be considered.&nbsp;Over time, the chosen partner could expand their stake to a majority ownership within three to five years. If no deal is struck, Armani directed that his company should go public, with the Foundation retaining a minimum 30.1% stake. Despite these changes, Armani’s will make it clear that the Foundation will remain the permanent guardian of his brand. A company statement emphasized that Armani’s legacy would continue to prioritize “moral integrity, fairness, innovation, excellence and understated elegance.”&nbsp;Also Read: <a href="https://www.wionews.com/entertainment/dakota-johnson-vs-margot-robbie-who-wore-sheer-better-duo-s-outfit-compared-to-kanye-s-wife-by-netizens-1757671665048">Dakota Johnson vs Margot Robbie: Who wore sheer better?</a>&nbsp;Control of strategic decisions will rest with Leo Dell’Orco, Armani’s longtime collaborator, along with his niece Silvana Armani and nephew Andrea Camerana. Together, they will manage voting rights alongside the Foundation.&nbsp;&nbsp;Also Read: <a href="https://www.wionews.com/entertainment/lifestyle/katharine-duchess-of-kent-dies-at-92-her-connection-with-king-charles-net-worth-and-more-1757076815166">Katharine, Duchess of Kent dies: Her connection with royal family, net worth</a><h2>Financial legacy and real estate holdings</h2>At the time of his death, Armani’s net worth was estimated at $11.8 billion, according to Forbes. His real estate portfolio was divided among family members, though Dell’Orco will retain use of Armani’s properties in Saint-Tropez, St. Moritz, Antigua and Pantelleria.&nbsp;&nbsp;Also Read: <a href="https://www.wionews.com/entertainment/r-madhavan-s-weight-loss-was-not-due-to-gym-but-for-this-reason-1757676965669">R Madhavan's guide to No-Gym weight loss</a><h2>Luxury industry responds</h2>L’Oreal, which has partnered with Armani on cosmetics since 1988, said it was “touched and honoured” by the mention. LVMH, led by Bernard Arnault, also expressed admiration, while EssilorLuxottica confirmed it would consider the opportunity. Analysts suggest that LVMH could be the frontrunner, given its vast resources and strategic fit with Armani’s brand.&nbsp;The late designer’s final collections will be showcased at Milan Fashion Week later this month, followed by a retrospective exhibition celebrating 50 years of Armani.&nbsp; &nbsp;

Giorgio Armani is a fashion legend who recently passed away leaving his multi-million-euro empire behind. The will of the Italian designer is finally revealed in Italy, and it has a significant shift. Read on to find out the complete details.  


The fashion world is still reeling from the passing of Giorgio Armani, who died on September 4 at the age of 91. Known globally as “King Giorgio”, the Italian designer not only revolutionized luxury fashion but also left behind a meticulous succession plan to ensure that his $11.8 billion empire continues to thrive long after his death. A roadmap for Armani Group’s future Also Read: Giorgio Armani dead: Thousands expected to pay respects to Italian designer For more than 50 years, Armani kept complete control over his empire, which spans haute couture, perfumes, eyewear, hotels and even sports. However, his will, made public in Italy shows a significant shift. The Armani Foundation, which inherits the business, has been instructed to sell a 15% stake to a major luxury group within 18 months. Armani specifically named LVMH, L’Oreal and EssilorLuxottica as preferred buyers, though other luxury giants “of equal standing” may also be considered. Over time, the chosen partner could expand their stake to a majority ownership within three to five years. If no deal is struck, Armani directed that his company should go public, with the Foundation retaining a minimum 30.1% stake. Despite these changes, Armani’s will make it clear that the Foundation will remain the permanent guardian of his brand. A company statement emphasized that Armani’s legacy would continue to prioritize “moral integrity, fairness, innovation, excellence and understated elegance.” Also Read: Dakota Johnson vs Margot Robbie: Who wore sheer better? Control of strategic decisions will rest with Leo Dell’Orco, Armani’s longtime collaborator, along with his niece Silvana Armani and nephew Andrea Camerana. Together, they will manage voting rights alongside the Foundation. Also Read: Katharine, Duchess of Kent dies: Her connection with royal family, net worth Financial legacy and real estate holdings At the time of his death, Armani’s net worth was estimated at $11.8 billion, according to Forbes. His real estate portfolio was divided among family members, though Dell’Orco will retain use of Armani’s properties in Saint-Tropez, St. Moritz, Antigua and Pantelleria. Also Read: R Madhavan's guide to No-Gym weight loss Luxury industry responds L’Oreal, which has partnered with Armani on cosmetics since 1988, said it was “touched and honoured” by the mention. LVMH, led by Bernard Arnault, also expressed admiration, while EssilorLuxottica confirmed it would consider the opportunity. Analysts suggest that LVMH could be the frontrunner, given its vast resources and strategic fit with Armani’s brand. The late designer’s final collections will be showcased at Milan Fashion Week later this month, followed by a retrospective exhibition celebrating 50 years of Armani.

Giorgio Armani is a fashion legend who recently passed away leaving his multi-million-euro empire behind. The will of the Italian designer is finally revealed in Italy, and it has a significant shift. Read on to find out the complete details. &nbsp;

Giorgio Armani’s will revealed: Who will take over his $11.8 billion fashion empire?

Giorgio Armani, who passed away in September 2025, was not just a designer but a meticulous strategist. His obsession with control over every aspect of his brand helped build one of the most powerful and enduring fashion empires in the world.

'Obsessed with control': How Giorgio Armani shaped his billion-dollar empire alone?

Giorgio Armani, who passed away in September 2025, was not only a legendary designer but also a shrewd businessman. His fashion empire remains one of the most independent and influential brands in the world, thanks to strategic decisions he implemented during his lifetime.

Giorgio Armani’s 7 secret business tactics that kept rivals at bay

Giorgio Armani is one of the world’s most influential designers, with a billion-dollar fashion empire. But with no children, questions about the brand’s future and succession naturally arise.

'$12 billion up for grab': Giorgio Armani dies without a successor or heir! Who will rule the empire now?

Giorgio Armani is one of the wealthiest fashion designers in history, with an estimated net worth of $9–10 billion. While speculation about his succession circulates in media, the reality is grounded in his private, tightly controlled empire.

'No children': Who will inherit Giorgio Armani’s billion-dollar empire?

Giorgio Armani is more than a designer, he is a symbol of luxury, innovation, and timeless style. Even as he ages, his fashion empire continues to thrive, a testament to his vision and meticulous business strategy.

How Giorgio Armani built an empire that survives even after his passing

Armani’s fortune is estimated at $9–10 billion, making him one of the wealthiest fashion designers globally. His success comes from a combination of creative vision, smart business decisions, and global brand expansion.

Inside Giorgio Armani’s life: Wealth, influence, and timeless style

Discover how a young Milanese designer transformed the world of elegance and style.

'From suits to runways': Remembering Giorgio Armani’s journey in fashion

Fashion industry's stalwart and one the legendary designers of fashion world - Giorgia Armani turns 90 today. The veteran Italian fashion designer who was recently spotted at one of his shows at the Paris Fashion Week.

Giorgio Armani turns 90 today: A tribute to legendary fashion designer

A series of raids at Dior and Armani's factories in Italy has exposed the true cost of owning a luxury. The high-end bag makers face charges of illegally hiring workers, forcing them to sleep inside the factory and work for longer hours.

Gravitas: Dior, Armani face labour exploitation probe | The true cost of luxury

Milan Fashion Week of menswear previews for the next cold weather season closed on Monday with Armani and Zegna, the A-to-Z of Italian men’s fashion. The relatively light calendar reflected the choice of some brands to favour coed shows during the womenswear week, scheduled for next month.

Some scenes from Monday’s menswear preview shows for fall-winter 2024-25:

UNDER ARMANI’S WATCHFUL EYE

An arresting photograph of one of Giorgio Armani’s penetrating blue nearly 90-year-old eyes served as a backdrop to Monday’s runway show. Its intensity underlined Armani’s singular role as the guiding force behind his fashion empire for nearly a half-century.

The Giorgio Armani collection featured the designer’s signature relaxed tailoring, accented by geometric patterns and rich textures in a dreamy mélange of soft neutrals. Herringbone and checks dominated, not just as patterns, but also as textures in knitwear that suggested an off-hours demeanour.

Armani leaned heavily into ski and snowboard wear, with baggy snow pants with an iridescent sheen paired with parkas for the slopes, and bulky knitwear for apres-ski. As with his Emporio Armani line, helmets, goggles and gloves completed the gear.

For the evening, velvet suits were set off by bright pink or blue vests or turtlenecks. Velvet ties added a richness to business suits invariably paired with white shirts, the ties slightly arching out of the suit jacket, smartly unsettling the silhouette. Quilted bags maintained the collection’s softness. A stunning dark leather midi coat with furry leopard print liner would turn heads even in Tony Cortina or Aspen.

“These are all things you know of Armani,” said Armani, who turns 90 in July.

”I don’t think that men need to be stunned every time by some strained element,” he told Italian journalists backstage.

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ZEGNA CREATES A CASHMERE OASIS

Orangey tufts of precious raw wool floated down from the ceiling, accumulating like a humungous pile of fall leaves in the centre of the Zegna runway.

Cashmere was the centrepiece of artistic director Alessandro Sartori’s Zegna collection for fall-winter 2024-25, which highlighted the versatility of the fibre that can change surface, shape and texture.

The Zegna silhouette was relaxed and carefree, easily layered, in a palette of natural monochromes or amalgamated blends of mustard, granite, ink blue, autumnal brown, opaque black and white.

Boxy knitwear with three-quarter sleeves layered over mohair trousers in a heathery blue-brown blend.

Knit trousers were seamed at the crease for a put-together look. Pullovers became scarves wrapped around soft suits layered over cardigans. Collarless jackets feature blocks of texture for a contemporary feel.

Sartori said the collection focuses on the brand’s work at its Oasi wool mills and archives in Italy’s Piedmont region, where he said they work on “reshaping materials and re-mattering shapes.”

“I am building new classics, but they should be generous, effortless, durable, garments that you wear in many different types of styling. But most of all very chic,’’ Sartori said after the show.

Milan Fashion Week of menswear previews for the next cold weather season closed on Monday with Armani and Zegna, the A-to-Z of Italian men’s fashion. The relatively light calendar reflected the choice of some brands to favour coed shows during the womenswear week, scheduled for next month.

Milan Fashion Week of menswear previews for the next cold weather season closed on Monday with Armani and Zegna, the A-to-Z of Italian men’s fashion. The relatively light calendar reflected the choice of some brands to favour coed shows during the womenswear week, scheduled for next month. Some scenes from Monday’s menswear preview shows for fall-winter 2024-25: UNDER ARMANI’S WATCHFUL EYE An arresting photograph of one of Giorgio Armani’s penetrating blue nearly 90-year-old eyes served as a backdrop to Monday’s runway show. Its intensity underlined Armani’s singular role as the guiding force behind his fashion empire for nearly a half-century. The Giorgio Armani collection featured the designer’s signature relaxed tailoring, accented by geometric patterns and rich textures in a dreamy mélange of soft neutrals. Herringbone and checks dominated, not just as patterns, but also as textures in knitwear that suggested an off-hours demeanour. Armani leaned heavily into ski and snowboard wear, with baggy snow pants with an iridescent sheen paired with parkas for the slopes, and bulky knitwear for apres-ski. As with his Emporio Armani line, helmets, goggles and gloves completed the gear. For the evening, velvet suits were set off by bright pink or blue vests or turtlenecks. Velvet ties added a richness to business suits invariably paired with white shirts, the ties slightly arching out of the suit jacket, smartly unsettling the silhouette. Quilted bags maintained the collection’s softness. A stunning dark leather midi coat with furry leopard print liner would turn heads even in Tony Cortina or Aspen. “These are all things you know of Armani,” said Armani, who turns 90 in July. ”I don’t think that men need to be stunned every time by some strained element,” he told Italian journalists backstage. ZEGNA CREATES A CASHMERE OASIS Orangey tufts of precious raw wool floated down from the ceiling, accumulating like a humungous pile of fall leaves in the centre of the Zegna runway. Cashmere was the centrepiece of artistic director Alessandro Sartori’s Zegna collection for fall-winter 2024-25, which highlighted the versatility of the fibre that can change surface, shape and texture. The Zegna silhouette was relaxed and carefree, easily layered, in a palette of natural monochromes or amalgamated blends of mustard, granite, ink blue, autumnal brown, opaque black and white. Boxy knitwear with three-quarter sleeves layered over mohair trousers in a heathery blue-brown blend. Knit trousers were seamed at the crease for a put-together look. Pullovers became scarves wrapped around soft suits layered over cardigans. Collarless jackets feature blocks of texture for a contemporary feel. Sartori said the collection focuses on the brand’s work at its Oasi wool mills and archives in Italy’s Piedmont region, where he said they work on “reshaping materials and re-mattering shapes.” “I am building new classics, but they should be generous, effortless, durable, garments that you wear in many different types of styling. But most of all very chic,’’ Sartori said after the show.

Armani casts an arresting gaze on Milan runway, Zegna accumulates cashmere

Italian fashion designer Giorgio Armani brought sparkle and stars to the canal city on Saturday with a "One Night Only" fashion show coinciding with the 80th Venice Film Festival.

The 89-year-old designer put on a playful, cinema-inspired show for his celebrity guests.

His Armani Prive collection was built around harlequin-patterned couture creations, often paired with ruffled collars.

Dresses, tops, trousers and headpieces shimmered with sequins. Splashes of bright blues, greens and pinks were added to the largely black ensembles, with silhouettes skin-tight or floaty.

The Venice Film Festival has lacked its usual star power this year with many Hollywood A-listers forced to shun the event because of the actors' strike.

Also read:&nbsp;<a href="https://www.wionews.com/entertainment/rest-in-paradise-jimmy-buffett-tributes-pour-in-for-legendary-singer-631894">Rest in Paradise, Jimmy Buffett! Tributes pour in for legendary singer</a>

However, Armani, one of Italy’s greatest postwar designers, had no problem filling the city's old armoury with glitz and glamour. Actors Jessica Chastain, Sophia Loren, Sydney Sweeney and Rege-Jean Page and filmmakers Ang Lee and Ava DuVernay were among the famous faces in the front row.

Armani’s "One Night Only" fashion spectacles have previously been held in cities like Tokyo, New York, London and Dubai. 
&nbsp;

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Italian fashion designer Giorgio Armani brought sparkle and stars to the canal city on Saturday with a "One Night Only" fashion show coinciding with the 80th Venice Film Festival.

Italian fashion designer Giorgio Armani brought sparkle and stars to the canal city on Saturday with a "One Night Only" fashion show coinciding with the 80th Venice Film Festival. The 89-year-old designer put on a playful, cinema-inspired show for his celebrity guests. His Armani Prive collection was built around harlequin-patterned couture creations, often paired with ruffled collars. Dresses, tops, trousers and headpieces shimmered with sequins. Splashes of bright blues, greens and pinks were added to the largely black ensembles, with silhouettes skin-tight or floaty. The Venice Film Festival has lacked its usual star power this year with many Hollywood A-listers forced to shun the event because of the actors' strike. Also read: Rest in Paradise, Jimmy Buffett! Tributes pour in for legendary singer However, Armani, one of Italy’s greatest postwar designers, had no problem filling the city's old armoury with glitz and glamour. Actors Jessica Chastain, Sophia Loren, Sydney Sweeney and Rege-Jean Page and filmmakers Ang Lee and Ava DuVernay were among the famous faces in the front row. Armani’s "One Night Only" fashion spectacles have previously been held in cities like Tokyo, New York, London and Dubai. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Armani stages star-studded fashion spectacle in Venice

It was nipples out on the Milan Fashion Week runway this season, one of the clear trends emerging from a week of previews of mostly womenswear collections for next fall and winter. Wherever there is a trend, there is always the counter-current, and holding out for what he described as “the dignity of women” was Giorgio Armani. Where sheer fabrics were employed in his collection, it was with modesty.

Armani’s show closed out fashion week on Sunday. Here are highlights from the last day of live runway shows:

TOMO KOIZUMI PUTS A SMILEY FACE ON FASHION

With swirls of coloured taffeta and satin gathered into crushed roses, Japanese designer Tomo Koizumi put a smiley face on a rainy Sunday morning.

The exuberant looks were spasms of colour fashioned into ruffles on a minidress constructed from stripes of knitwear, elaborate skirts with deep slits and dresses with southern belle silhouettes. These are occasional pieces that would be standouts on any red carpet, stage or party; imagine the lucky girl wearing one to prom.

The runway show was in collaboration with Dolce &amp; Gabbana, which supplied textiles as well as handbags and shoes, Koizumi said. He turned a print from one of the Italian house’s recent collections into a series of 3-D floral creations.

“I took inspiration from Dolce &amp; Gabbana, and I also got powerful support, which allowed me to push myself even harder,” Koizumi said.

Koizumi also put out there his dream: “To be hired by as creative director of a major fashion house.”

GIORGIO ARMANI’S INTIMATE PEEK INSIDE

Giorgio Armani once again gave the fashion world a glimpse of idealised life inside Milan’s stately palazzi, populated by women for whom dressing in comfort and style is not a contradiction.

Satiny loungewear in soothing earthy tones skimmed the form and was grounded in more structured pieces, such as leather motorcycle jackets or contrasting black vests. The looks were elegantly layered, with long dresses over translucent ribbed trousers suggesting lingerie.

Where sheer fabrics were employed, it was with modesty, for example, over dark tights, and with a bandeau top of velvet.

Beaded fringe, velvet bows and a flower motif underlined the femininity of the collection. And before the Armani woman walks out into the street, one last touch of face powder …

Armani said the collection is about “the dignity of women, dressed with a lot of care and attention, and who take pleasure in dressing.”

CHECKMATE FOR FRANCESCA LIBERATORE

Italian designer Francesca Liberatore conceived her show, featuring a collaboration with the Errea sportswear brand, around a chess game, a comment on the state of the world on many fronts.

Eight Black models walked the runway and took their places on a chessboard laid out in the centre of the showroom. Next came eight white models, who faced off from the other side.

“It is exactly because of the situation that we are living that for me it is essential to have an eye on fairness,” Liberatore said backstage. “And there is nothing like a game to even out situations.”

The first 16 models, who represented the pawns, were followed by the rooks, two with big bouffant hairstyles to represent the castle shape. The knights wore long extensions to embody horse tails, while the bishops had hoods pulled over their hair.

Women took the roles of both king and queen and walked hand in hand in a stately fashion to their spots on the board. Raised collars denoted the kings, sweeping trains the queens.

The Erra collaboration underpinned the looks, including track jackets, stretch tops and leggings in medieval patterns. Liberatore layered the sportswear with draped or half-pleated mini-skirts, tailored jackets, striped and ribbed knitwear and flowing overcoats in the way of an unselfconscious youth mixing style and comfort.

“For me, the chessboard also represented the idea of teamwork,″ the designer said.

DIVERSITY DISPLAYED AT TRADE FAIR

White Milano, the premiere womenswear trade fair held alongside Milan Fashion Week, worked with the Fashion Minority Alliance to feature two Black designers as they promoted a conversation around diversity.

U.S. designer Romeo Hunte and Nigerian-Scottish designer Olubuyi Thomas look to their environments for inspiration, and both are keen on garments that can be transformed to serve multiple purposes.

Hunte draws on his Brooklyn roots for his luxury fashion brand with the six square-dot logos, built around deconstructing garments and oversized proportions to give a modern touch. His trademarks include zipper features that allow a trench to shorten and go sleeveless, giving longer life and flexibility to the outerwear.

The Milan showcase gave him the opportunity to connect his 10-year-old brand with international clients. “It means a lot to me. Me being here will open the way for younger designers as well,” the designer said.

Hunte’s designs have been worn by Michelle Obama and Jennifer Hudson, and he recently did a collaboration with Tommy Hilfiger, whom he called his mentor.

Thomas seamlessly combines his Scottish upbringing with his native Nigeria because “that’s who I am.” He sources materials in both countries, including hand-woven tartans he designs and Nigerian textiles with cutouts and contrasting stitching. One tartan skirt on display at White featured plaid in the back, with black pleating in the front (or vice versa), giving choice.

“I love working on garments that are modular, depending on who you are, and what day it is,” Thomas said.

He is the only designer commissioned to produce his own tartan for an exhibit on the traditional plaid at an upcoming exhibition at the V&amp;A Dundee, Scotland’s design museum.

CHINESE BRAND ANNAKIKI’S SENSE OF DOOM

Chinese designer Anna Yang infused her latest ANNAKIKI collection with a sense of doom from the multiple disasters humankind has faced in recent years, from the coronavirus pandemic to the war in Ukraine.

Yang could not travel to Milan Fashion Week because of visa issues, but her collection and new techniques did the talking for her. She brought out a sense of pessimism in raw leather and burned the edges of an ample tulle dress, achieving a dramatic effect.

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It was nipples out on the Milan Fashion Week runway this season, one of the clear trends emerging from a week of previews of mostly womenswear collections for next fall and winter.

It was nipples out on the Milan Fashion Week runway this season, one of the clear trends emerging from a week of previews of mostly womenswear collections for next fall and winter. Wherever there is a trend, there is always the counter-current, and holding out for what he described as “the dignity of women” was Giorgio Armani. Where sheer fabrics were employed in his collection, it was with modesty. Armani’s show closed out fashion week on Sunday. Here are highlights from the last day of live runway shows: TOMO KOIZUMI PUTS A SMILEY FACE ON FASHION With swirls of coloured taffeta and satin gathered into crushed roses, Japanese designer Tomo Koizumi put a smiley face on a rainy Sunday morning. The exuberant looks were spasms of colour fashioned into ruffles on a minidress constructed from stripes of knitwear, elaborate skirts with deep slits and dresses with southern belle silhouettes. These are occasional pieces that would be standouts on any red carpet, stage or party; imagine the lucky girl wearing one to prom. The runway show was in collaboration with Dolce & Gabbana, which supplied textiles as well as handbags and shoes, Koizumi said. He turned a print from one of the Italian house’s recent collections into a series of 3-D floral creations. “I took inspiration from Dolce & Gabbana, and I also got powerful support, which allowed me to push myself even harder,” Koizumi said. Koizumi also put out there his dream: “To be hired by as creative director of a major fashion house.” GIORGIO ARMANI’S INTIMATE PEEK INSIDE Giorgio Armani once again gave the fashion world a glimpse of idealised life inside Milan’s stately palazzi, populated by women for whom dressing in comfort and style is not a contradiction. Satiny loungewear in soothing earthy tones skimmed the form and was grounded in more structured pieces, such as leather motorcycle jackets or contrasting black vests. The looks were elegantly layered, with long dresses over translucent ribbed trousers suggesting lingerie. Where sheer fabrics were employed, it was with modesty, for example, over dark tights, and with a bandeau top of velvet. Beaded fringe, velvet bows and a flower motif underlined the femininity of the collection. And before the Armani woman walks out into the street, one last touch of face powder … Armani said the collection is about “the dignity of women, dressed with a lot of care and attention, and who take pleasure in dressing.” CHECKMATE FOR FRANCESCA LIBERATORE Italian designer Francesca Liberatore conceived her show, featuring a collaboration with the Errea sportswear brand, around a chess game, a comment on the state of the world on many fronts. Eight Black models walked the runway and took their places on a chessboard laid out in the centre of the showroom. Next came eight white models, who faced off from the other side. “It is exactly because of the situation that we are living that for me it is essential to have an eye on fairness,” Liberatore said backstage. “And there is nothing like a game to even out situations.” The first 16 models, who represented the pawns, were followed by the rooks, two with big bouffant hairstyles to represent the castle shape. The knights wore long extensions to embody horse tails, while the bishops had hoods pulled over their hair. Women took the roles of both king and queen and walked hand in hand in a stately fashion to their spots on the board. Raised collars denoted the kings, sweeping trains the queens. The Erra collaboration underpinned the looks, including track jackets, stretch tops and leggings in medieval patterns. Liberatore layered the sportswear with draped or half-pleated mini-skirts, tailored jackets, striped and ribbed knitwear and flowing overcoats in the way of an unselfconscious youth mixing style and comfort. “For me, the chessboard also represented the idea of teamwork,″ the designer said. DIVERSITY DISPLAYED AT TRADE FAIR White Milano, the premiere womenswear trade fair held alongside Milan Fashion Week, worked with the Fashion Minority Alliance to feature two Black designers as they promoted a conversation around diversity. U.S. designer Romeo Hunte and Nigerian-Scottish designer Olubuyi Thomas look to their environments for inspiration, and both are keen on garments that can be transformed to serve multiple purposes. Hunte draws on his Brooklyn roots for his luxury fashion brand with the six square-dot logos, built around deconstructing garments and oversized proportions to give a modern touch. His trademarks include zipper features that allow a trench to shorten and go sleeveless, giving longer life and flexibility to the outerwear. The Milan showcase gave him the opportunity to connect his 10-year-old brand with international clients. “It means a lot to me. Me being here will open the way for younger designers as well,” the designer said. Hunte’s designs have been worn by Michelle Obama and Jennifer Hudson, and he recently did a collaboration with Tommy Hilfiger, whom he called his mentor. Thomas seamlessly combines his Scottish upbringing with his native Nigeria because “that’s who I am.” He sources materials in both countries, including hand-woven tartans he designs and Nigerian textiles with cutouts and contrasting stitching. One tartan skirt on display at White featured plaid in the back, with black pleating in the front (or vice versa), giving choice. “I love working on garments that are modular, depending on who you are, and what day it is,” Thomas said. He is the only designer commissioned to produce his own tartan for an exhibit on the traditional plaid at an upcoming exhibition at the V&A Dundee, Scotland’s design museum. CHINESE BRAND ANNAKIKI’S SENSE OF DOOM Chinese designer Anna Yang infused her latest ANNAKIKI collection with a sense of doom from the multiple disasters humankind has faced in recent years, from the coronavirus pandemic to the war in Ukraine. Yang could not travel to Milan Fashion Week because of visa issues, but her collection and new techniques did the talking for her. She brought out a sense of pessimism in raw leather and burned the edges of an ample tulle dress, achieving a dramatic effect. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Armani gives graceful close to Milan Fashion Week

Milan Fashion Week on Thursday celebrated the 40th anniversary of Giorgio Armani's Emporio line of high-end ready-to-wear designs for a younger, trendier clientele.&nbsp;

The designer, who 18 months ago was the first to close the doors of his show to the public as the coronavirus pandemic exploded, showed off his collection to a live audience.

"It's exciting to see the public again, but the public has to respond. We are once again exposing ourselves to the risk: that of applause that may not come, that of people leaving the room because they have an appointment," he said after the show.&nbsp;

The Emporio line was born at a time when Italian fashion was making its mark on the global stage.&nbsp;

Giorgio Armani wanted to broaden his audience by targeting younger people with more modest budgets.&nbsp;

So he decided to create a more accessible clothing line.&nbsp;

"I remember the day I drew that eagle, which became the Emporio logo," he said, recalling that he was on the phone with then associate and partner Sergio Galeotti.

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He "said to me 'we have to make our own Lacoste'. I asked myself: what flies high, above everything? The eagle".&nbsp;

The result was a success story that has lasted for 40 years and that Armani continues to write, playing on a repertoire that has become its trademark.&nbsp;

At the time, the house shocked the fashion world by adding denim to its collections. Today, denim patchworks opened the show.

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The collection included fluid sarouel trousers evoking the desert, &nbsp;shirts with Mao collars and bright exotic colours.&nbsp;

The Milanese designer says he continues to innovate "by looking around and not doing what is proposed to you. This is my way of thinking and I will never give up".

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Milan Fashion Week on Thursday celebrated the 40th anniversary of Giorgio Armani's Emporio line of high-end ready-to-wear designs for a younger, trendier clientele.

Milan Fashion Week on Thursday celebrated the 40th anniversary of Giorgio Armani's Emporio line of high-end ready-to-wear designs for a younger, trendier clientele. The designer, who 18 months ago was the first to close the doors of his show to the public as the coronavirus pandemic exploded, showed off his collection to a live audience. "It's exciting to see the public again, but the public has to respond. We are once again exposing ourselves to the risk: that of applause that may not come, that of people leaving the room because they have an appointment," he said after the show. The Emporio line was born at a time when Italian fashion was making its mark on the global stage. Giorgio Armani wanted to broaden his audience by targeting younger people with more modest budgets. So he decided to create a more accessible clothing line. "I remember the day I drew that eagle, which became the Emporio logo," he said, recalling that he was on the phone with then associate and partner Sergio Galeotti. Gigi Hadid to Irina Shayk: Stars rock sassy looks at Rihanna's Savage X Fenty red carpet He "said to me 'we have to make our own Lacoste'. I asked myself: what flies high, above everything? The eagle". The result was a success story that has lasted for 40 years and that Armani continues to write, playing on a repertoire that has become its trademark. At the time, the house shocked the fashion world by adding denim to its collections. Today, denim patchworks opened the show. Billy Porter to Anya Taylor-Joy: Glamour returns to Emmys red carpet The collection included fluid sarouel trousers evoking the desert, shirts with Mao collars and bright exotic colours. The Milanese designer says he continues to innovate "by looking around and not doing what is proposed to you. This is my way of thinking and I will never give up". Supermodel Linda Evangelista says cosmetic procedure left her 'disfigured'

Audience back as Armani celebrates Emporio's 40th

The luxury group said consolidated net sales had fallen 25 percent last year to 1.6 billion euros ($1.9 billion), with most of the decline occurring in the first half of 2020.

Armani sees return to Pre-Pandemic level sales

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