A silk shoe that once belonged to Marie Antoinette, the last Queen of France who was guillotined as part of the French Revolution, will be auctioned in Versailles this weekend with an estimated starting price of 10,000 euros ($11,832).

Marie Antoinette's silk shoe goes up for sale in Versailles

Judit Polgar might be the one woman in the world who knows how Beth, the heroine of the hit Netflix series 'The Queen’s Gambit,' really feels. Like Beth, Polgar, who is from Hungary, stood out during her career because she regularly beat the world’s top players, including Garry Kasparov, in 2002, when he was ranked No&nbsp;1.

Polgar, the only woman to ever be ranked in the Top 10 or to play for the overall world championship, retired from competitive chess in 2014. Watching the series, which she described as an “incredible performance,” gave her a sense of déjà vu, particularly in the later episodes.

But there was one respect in which she could not identify with Beth’s experience: how the male competitors treated her.

“They were too nice to her,” Polgar said. When Polgar was proving herself and rising in the world rankings, the men often made disparaging comments about her ability and sometimes jokes, which they thought were funny but were actually hurtful, she said.

And no one ever resigned to her, as Shapkin did to Beth in Episode 7 by gallantly holding her hand near his lips.

“There were opponents who refused to shake hands,” she recalled. “There was one who hit his head on the board after he lost.”

Not every woman has had negative experiences. Irina Krush, who won her eighth US&nbsp;Women’s Championship last month, said she felt as if the chess community and men in particular were supportive of her when she was an up-and-coming player. She said of the series, “The spirit of what they are showing conforms to my experience.”

Whether what happens to Beth is typical or not, the popularity of 'The Queen’s Gambit' has inspired anew a debate about inequality and sexism in chess and what, if anything, can be done about them.

Though chess would seem like one area where men and women should be able to compete on equal footing, historically, few women have been able to do so. Among the more than 1,700 regular grandmasters worldwide, only 37, including Polgar and Krush, are women. Currently, only one woman, Hou Yifan of China, ranks in the Top 100, at No&nbsp;88, and she has been playing infrequently, even before the pandemic.

The superiority of men in the game is so well established that the best female players have freely acknowledged it. In a recent issue of Mint, in an article titled 'Why Women Lose at Chess,' Koneru Humpy, an Indian player currently ranked No&nbsp;3 among women, said men are just better players. “It’s proven,” she said. “You have to accept it.”

The dearth of women at the top of the game is one reason that there are separate tournaments for women, including a world championship; the World Chess Federation even created titles for women, such as women grandmaster.

Having such institutionalized, second-class status might seem like a bad idea, but not according to Anastasiya Karlovich, a grandmaster who was the press officer for the World Chess Federation for several years. She said the women’s titles permit more female players to earn a living as professionals, thereby increasing their participation in the game.

Karlovich said the Netflix show has helped her indirectly: It has made the parents of her chess students look at her differently.

“They have more respect for me. They understand better the life of a player,” she said.

While some men have speculated that the reason there are so few top female players is because they are not wired for it — Kasparov once said that it is not in their nature — women think the overriding reason is cultural expectations and bias.

Krush said the cultural cleaving between boys and girls happens at a young age. Scrolling through lists of the top players in the United States who are 7, 8 and 9, Krush pointed out that there are only a handful of girls in the Top 10.

That creates and reinforces another problem that discourages women’s participation: too few social contacts. Jennifer Shahade, a two-time U.S. women’s champion who has written two books about women in chess ('Chess Bitch' and 'Play Like a Girl!') and is the women’s program director at the US Chess Federation, said teenage girls tend to stop playing chess because there are so few of them and they want the social support. That Beth is a loner is likely an important reason she does not quit playing in tournaments.

Of 74,000 members in total, the US Chess Federation said it has about 10,500 female members. Shahade wants to increase that number, as well as their participation. To that end, she and the federation started an online chess club in April to keep female players engaged during the pandemic. In the last few weeks, there have been between 80 and 140 participants, with quite a few older players. The last meeting also had a special guest: Kasparov, who has become a big booster of women’s chess since his retirement from competition in 2005. He was also a consultant on the Netflix series.

To keep the momentum going, Shahade is launching a new online group called the “Madwoman’s Book Club.” The title refers to a pejorative name used for the queen in the 15th and 16th centuries after it became the most powerful piece on the board. The first meeting, this Friday, already has 100 people signed up.

The subject of the discussion should come as no surprise: 'The Queen’s Gambit'&nbsp;by Walter Tevis, the book on which the Netflix series is based. 
&nbsp;

Judit Polgar might be the one woman in the world who knows how Beth, the heroine of the hit Netflix series 'The Queen’s Gambit,' really feels. Like Beth, Polgar, who is from Hungary, stood out during her career because she regularly beat the world’s top players, including Garry Kasparov, in 2002, when he was ranked No 1.

Judit Polgar might be the one woman in the world who knows how Beth, the heroine of the hit Netflix series 'The Queen’s Gambit,' really feels. Like Beth, Polgar, who is from Hungary, stood out during her career because she regularly beat the world’s top players, including Garry Kasparov, in 2002, when he was ranked No 1. Polgar, the only woman to ever be ranked in the Top 10 or to play for the overall world championship, retired from competitive chess in 2014. Watching the series, which she described as an “incredible performance,” gave her a sense of déjà vu, particularly in the later episodes. But there was one respect in which she could not identify with Beth’s experience: how the male competitors treated her. “They were too nice to her,” Polgar said. When Polgar was proving herself and rising in the world rankings, the men often made disparaging comments about her ability and sometimes jokes, which they thought were funny but were actually hurtful, she said. And no one ever resigned to her, as Shapkin did to Beth in Episode 7 by gallantly holding her hand near his lips. “There were opponents who refused to shake hands,” she recalled. “There was one who hit his head on the board after he lost.” Not every woman has had negative experiences. Irina Krush, who won her eighth US Women’s Championship last month, said she felt as if the chess community and men in particular were supportive of her when she was an up-and-coming player. She said of the series, “The spirit of what they are showing conforms to my experience.” Whether what happens to Beth is typical or not, the popularity of 'The Queen’s Gambit' has inspired anew a debate about inequality and sexism in chess and what, if anything, can be done about them. Though chess would seem like one area where men and women should be able to compete on equal footing, historically, few women have been able to do so. Among the more than 1,700 regular grandmasters worldwide, only 37, including Polgar and Krush, are women. Currently, only one woman, Hou Yifan of China, ranks in the Top 100, at No 88, and she has been playing infrequently, even before the pandemic. The superiority of men in the game is so well established that the best female players have freely acknowledged it. In a recent issue of Mint, in an article titled 'Why Women Lose at Chess,' Koneru Humpy, an Indian player currently ranked No 3 among women, said men are just better players. “It’s proven,” she said. “You have to accept it.” The dearth of women at the top of the game is one reason that there are separate tournaments for women, including a world championship; the World Chess Federation even created titles for women, such as women grandmaster. Having such institutionalized, second-class status might seem like a bad idea, but not according to Anastasiya Karlovich, a grandmaster who was the press officer for the World Chess Federation for several years. She said the women’s titles permit more female players to earn a living as professionals, thereby increasing their participation in the game. Karlovich said the Netflix show has helped her indirectly: It has made the parents of her chess students look at her differently. “They have more respect for me. They understand better the life of a player,” she said. While some men have speculated that the reason there are so few top female players is because they are not wired for it — Kasparov once said that it is not in their nature — women think the overriding reason is cultural expectations and bias. Krush said the cultural cleaving between boys and girls happens at a young age. Scrolling through lists of the top players in the United States who are 7, 8 and 9, Krush pointed out that there are only a handful of girls in the Top 10. That creates and reinforces another problem that discourages women’s participation: too few social contacts. Jennifer Shahade, a two-time U.S. women’s champion who has written two books about women in chess ('Chess Bitch' and 'Play Like a Girl!') and is the women’s program director at the US Chess Federation, said teenage girls tend to stop playing chess because there are so few of them and they want the social support. That Beth is a loner is likely an important reason she does not quit playing in tournaments. Of 74,000 members in total, the US Chess Federation said it has about 10,500 female members. Shahade wants to increase that number, as well as their participation. To that end, she and the federation started an online chess club in April to keep female players engaged during the pandemic. In the last few weeks, there have been between 80 and 140 participants, with quite a few older players. The last meeting also had a special guest: Kasparov, who has become a big booster of women’s chess since his retirement from competition in 2005. He was also a consultant on the Netflix series. To keep the momentum going, Shahade is launching a new online group called the “Madwoman’s Book Club.” The title refers to a pejorative name used for the queen in the 15th and 16th centuries after it became the most powerful piece on the board. The first meeting, this Friday, already has 100 people signed up. The subject of the discussion should come as no surprise: 'The Queen’s Gambit' by Walter Tevis, the book on which the Netflix series is based.

How 'The Queen's Gambit' started a new debate about sexism in chess

The accessory of 2020 - the face mask - was combined with 1920s themed fineries by guests forming a socially distanced queue for the relaunch of the London show "The Great Gatsby" on Thursday (October 22) evening.

'The Great Gatsby' back on stage in London

The Royal Opera House sold a painting by British artist David Hockney for 12.8 million pounds at an auction in London on Thursday (October 22) amid efforts to survive the coronavirus crisis.

Royal Opera House sells Hockney for £12.8 million amid crisis

A few days after the terrorist attacks of Sept. 11, 2001, David Letterman sat behind his desk at CBS’s “Late Show” and shared the story of a rally in Choteau, Montana, to raise money for New York. Getting choked up, he told his viewers, “If that doesn’t tell you everything you need to know about the spirit of the United States, then I can’t help you.”

Nineteen years later, with the country in the midst of a monthslong pandemic, Letterman found it difficult to conjure up any similarly inspiring anecdotes. One morning last week, this veteran late-night host, broadcaster and comedian, now 73, was sitting in a park here, contemplating the Hudson River and cracking wise about the Governor Mario M. Cuomo Bridge.

“It looks kind of unfinished,” he said through a fabric mask that barely held back his unruly beard. “Doesn’t it look like the new kid got to design it?”

But truth be told, Letterman was in a more melancholy than mirthful frame of mind. Though he, his wife, Regina, and their son, Harry, have remained safe, he knows several people who were stricken by the coronavirus, some of whom died from it. And he is deeply frustrated by what he feels have been inconsistent, nationwide efforts to inform people about the pandemic and mitigate its spread.

While hardly its most devastating casualty, Letterman’s Netflix interview show, “My Next Guest Needs No Introduction,” returns Wednesday but nearly came to a halt. He had recorded two episodes, with Kim Kardashian West and with Robert Downey Jr., before the pandemic, and believed the season — if not the series — was finished.

Instead, he was able to produce two more episodes over the summer, under substantially different circumstances: one with Dave Chappelle, which was recorded at an outdoor pavilion in Yellow Springs, Ohio; and one with Lizzo, at her home studio in Los Angeles, which had no audience at all.

For Letterman, each of these episodes offered him a further education in the evolution of entertainment and deeper insights as an interviewer and observer of human nature. Even so, he found himself yearning for what he called “the carefree days of nonsense” when he could “bring people into a theater and talk to them for an hour, and when we were done I would go out into the crowd and shake hands, and everybody would want to tongue-kiss me.”

“We don’t do that anymore,” he added.

Letterman spoke further about his pandemic experience, the making of his Netflix series and what he hopes the future might hold for him. These are edited excerpts from that conversation.

Q: How has the pandemic been for you? What is it like for you now?

A: Like everybody else, you forget about it. Six, eight months into it, you go on talking as though things are normal, and then it’s, oh, no, we can’t do that because of the pandemic. In the beginning, it was more than ghastly. The husband of a woman that worked at (“Late Show”), he died. A teacher at Harry’s school died. Paul Shaffer and his wife both had it. Cathy, his wife, was hospitalized. Barbara Gaines, who was a producer on the show, she and her wife both had it. And on and on and on.

Q: How do you feel when you come into contact with people elsewhere in the country who don’t seem to be taking the pandemic as seriously?

A: That makes me very sad. Because we learned a lesson that these other people are dismissing. I was talking to a friend of mine, and he was furious at the mayor of his city for keeping it closed, and he said, “Well, that guy will never be reelected.” And I just thought, do I tell him what this really can be? We’re looking at a quarter of a million people dead soon. But I just didn’t want to have that fight. 
 
Q: After the 9/11 attacks, you gave several “Late Show” monologues where you tried to rally your viewers’ spirits and bring them together. Do you ever feel like saying anything similar now?

A: Something applicable to these times? I wish I had the wherewithal to say something meaningful. But all of these people who are resisting the idea of prevention, I just keep thinking: What about the families of the 220,000 people who are dead? I wonder how they’re feeling. I don’t get it. I have no solution other than to do what is told: Take care of yourself and your family.

Q: How did the pandemic affect your work on your Netflix series?

A: I thought we were done for good. Really. In the beginning, it really seemed like, holy God, they’re coming over the wall, we’re all going to die. People keep reminding me that, at my age, I’m particularly vulnerable. Which I don’t appreciate at all. “Dad, you know you’re close to 100, you’d better not go out.”

Q: How did you decide to continue with your season?

A: We had two more episodes (with Lizzo and Dave Chappelle) in preproduction, and we were eager to do something. We did them within a very short period of time, and then we came home. By that point, there were protocols in place from the production company and from Netflix that we had to observe, gladly, and we got through it OK.

Q: Kim Kardashian West, who is now a prized guest on your Netflix series, was a frequent target of mockery in your “Late Show” days.

A: Oh, I was at the head of that list. I can remember when she would be booked on the show, it was like, I don’t know anything about her, and I’ve never seen her show. And then when we went to talk to Kanye, I thought, oh, I’ve misjudged this woman.

Q: What changed your mind about her?

A: After we met with Kanye West (for the previous season of the Netflix series), I had a long talk with her at their home, and I started to think about how I had used her as a joke and regarded her as someone not to be taken seriously. I found that that impression was not the end of the story. She had a family. She has her prison reform program. I won’t comment on the ease of being married to Kanye West. And if she can keep a show like that on the air for all those years, that’s an accomplishment. If you can stay in business on television that long, good for you.

Q: You went to Yellow Springs, Ohio, to interview Dave Chappelle. Did you perform at his outdoor comedy show there?

A: Yes. I think I did it. (To his publicist) Did I do it? (Publicist answers: “You did it.”) I’m being told I did it (laughs). It was grand. The setting is unique. It’s outdoors. Everybody’s tested, everybody social distanced. He had three or four comics on and each comic made my heart sink deeper. Because when I was doing comedy, a lot of it was (weakly) “Hey, where you from?” But these men and women, whoa — the level of it, the intellect of it, the presentation of it is so much more than it was when me and my little buddies were, “Hey, how ya doin’, I just got in from Indiana.” Really? No one cares. Get outta here.

Q: Do you ever have moments in these interviews where you feel as if you don’t have a shared frame of reference to talk to some of these guests?

A: Yes. Because the experience is barely parallel. We’re all in show business, but that’s as close a comparison as you can make, culturally. I did feel like, is this going to look stupid? An old guy here, trying to talk to people who are thriving and alive and dominating the world through social media? I felt like it was a wreck. That’s the inner dialogue.

Q: How do you get past this?

A: Like anybody else that you talk to, every human being, there are situations that helped develop into what they are. So you’re going to get a story out of anybody. It may not happen in the first five minutes, but in every one of these experiences, there’s always a conduit for mutual experience. “Oh yeah? You think that’s something? Well, one time I choked on a peanut-butter sandwich and nearly died.” You have to make everybody a good interview.

Q: Do you think that late-night television, a genre that you helped to pioneer, has been diminished in recent years — that so much of it has become political comedy that doesn’t really move the needle and crowds out everything else?

A: I know that people have been hugely successful with it. Stephen (Colbert) has done a great job with my old show — his show now. In my day, the goal was just anything to make the audience laugh. That may be part of the dynamic now. People have this hunger to see the current administration being assailed and embarrassing itself. So I think that’s what (late-night shows) worked toward. I don’t fault them for that. After a while, it wears thin, but the appetite for it has not worn thin. I think they still do enough business to keep people happy.

Q: Do you ever find yourself fearing for the future of this country?

A: I really did, until recently. And now I am confident — or more confident than I’ve been in the last four years — that we’re changing presidents in a couple of weeks. And it will be a huge victory. Not just for our culture and our government, but the simple act of voting will have been the reason that the rest of our country is put back together and, in many ways, saved from what appears to be tyranny, certainly jeopardy. I think it will be a huge victory on many fronts, not the least of which is calling attention to the valuable freedom of voting.

Q: Please don’t mistake this for a suggestion, but do you ever think about packing it in as a broadcaster entirely?

A: First of all, you can’t hurt my feelings because I’m dead inside. But the Netflix people put me back in business in a way that has been, for me, really, really fun. On the other hand, I recognize my own shelf life. I’m way overdue. When it happens, I still will enjoy little things here and there, and that’ll be enough. But there’s other people more capable. I got no problem with that. If there is any kind of schedule, it would be when my son is finished with high school. But if it’s tomorrow, that’s fine.

Q: Your son, Harry, is 16 now. Are you worried about how the pandemic is going to affect his life?

A: I think it’s every parent’s concern, regardless of the age of their kids. But for Harry and his buddies, the junior year of high school is a crucial experience. Now they’re starting to look beyond high school, and it’s not good. For guys Harry’s age and older, it might be a setback. Time takes care of everything, and one hopes that that’s the case here.

Q: How do you talk about these feelings with him?

A: I had a conversation with my son the other night that went this way. Because of the pandemic and the fact that he’s getting older, I said, Harry, your mother and I have two responsibilities. One is to keep you safe. And other than the time that your mother let you roll off the bed and land on your head, we have kept you safe. The other responsibility is your happiness. And he said, “Have you been drinking?” So that’s how that works at my house.

&nbsp;

A few days after the terrorist attacks of Sept. 11, 2001, David Letterman sat behind his desk at CBS’s “Late Show” and shared the story of a rally in Choteau, Montana, to raise money for New York.

A few days after the terrorist attacks of Sept. 11, 2001, David Letterman sat behind his desk at CBS’s “Late Show” and shared the story of a rally in Choteau, Montana, to raise money for New York. Getting choked up, he told his viewers, “If that doesn’t tell you everything you need to know about the spirit of the United States, then I can’t help you.” Nineteen years later, with the country in the midst of a monthslong pandemic, Letterman found it difficult to conjure up any similarly inspiring anecdotes. One morning last week, this veteran late-night host, broadcaster and comedian, now 73, was sitting in a park here, contemplating the Hudson River and cracking wise about the Governor Mario M. Cuomo Bridge. “It looks kind of unfinished,” he said through a fabric mask that barely held back his unruly beard. “Doesn’t it look like the new kid got to design it?” But truth be told, Letterman was in a more melancholy than mirthful frame of mind. Though he, his wife, Regina, and their son, Harry, have remained safe, he knows several people who were stricken by the coronavirus, some of whom died from it. And he is deeply frustrated by what he feels have been inconsistent, nationwide efforts to inform people about the pandemic and mitigate its spread. While hardly its most devastating casualty, Letterman’s Netflix interview show, “My Next Guest Needs No Introduction,” returns Wednesday but nearly came to a halt. He had recorded two episodes, with Kim Kardashian West and with Robert Downey Jr., before the pandemic, and believed the season — if not the series — was finished. Instead, he was able to produce two more episodes over the summer, under substantially different circumstances: one with Dave Chappelle, which was recorded at an outdoor pavilion in Yellow Springs, Ohio; and one with Lizzo, at her home studio in Los Angeles, which had no audience at all. For Letterman, each of these episodes offered him a further education in the evolution of entertainment and deeper insights as an interviewer and observer of human nature. Even so, he found himself yearning for what he called “the carefree days of nonsense” when he could “bring people into a theater and talk to them for an hour, and when we were done I would go out into the crowd and shake hands, and everybody would want to tongue-kiss me.” “We don’t do that anymore,” he added. Letterman spoke further about his pandemic experience, the making of his Netflix series and what he hopes the future might hold for him. These are edited excerpts from that conversation. Q: How has the pandemic been for you? What is it like for you now? A: Like everybody else, you forget about it. Six, eight months into it, you go on talking as though things are normal, and then it’s, oh, no, we can’t do that because of the pandemic. In the beginning, it was more than ghastly. The husband of a woman that worked at (“Late Show”), he died. A teacher at Harry’s school died. Paul Shaffer and his wife both had it. Cathy, his wife, was hospitalized. Barbara Gaines, who was a producer on the show, she and her wife both had it. And on and on and on. Q: How do you feel when you come into contact with people elsewhere in the country who don’t seem to be taking the pandemic as seriously? A: That makes me very sad. Because we learned a lesson that these other people are dismissing. I was talking to a friend of mine, and he was furious at the mayor of his city for keeping it closed, and he said, “Well, that guy will never be reelected.” And I just thought, do I tell him what this really can be? We’re looking at a quarter of a million people dead soon. But I just didn’t want to have that fight. Q: After the 9/11 attacks, you gave several “Late Show” monologues where you tried to rally your viewers’ spirits and bring them together. Do you ever feel like saying anything similar now? A: Something applicable to these times? I wish I had the wherewithal to say something meaningful. But all of these people who are resisting the idea of prevention, I just keep thinking: What about the families of the 220,000 people who are dead? I wonder how they’re feeling. I don’t get it. I have no solution other than to do what is told: Take care of yourself and your family. Q: How did the pandemic affect your work on your Netflix series? A: I thought we were done for good. Really. In the beginning, it really seemed like, holy God, they’re coming over the wall, we’re all going to die. People keep reminding me that, at my age, I’m particularly vulnerable. Which I don’t appreciate at all. “Dad, you know you’re close to 100, you’d better not go out.” Q: How did you decide to continue with your season? A: We had two more episodes (with Lizzo and Dave Chappelle) in preproduction, and we were eager to do something. We did them within a very short period of time, and then we came home. By that point, there were protocols in place from the production company and from Netflix that we had to observe, gladly, and we got through it OK. Q: Kim Kardashian West, who is now a prized guest on your Netflix series, was a frequent target of mockery in your “Late Show” days. A: Oh, I was at the head of that list. I can remember when she would be booked on the show, it was like, I don’t know anything about her, and I’ve never seen her show. And then when we went to talk to Kanye, I thought, oh, I’ve misjudged this woman. Q: What changed your mind about her? A: After we met with Kanye West (for the previous season of the Netflix series), I had a long talk with her at their home, and I started to think about how I had used her as a joke and regarded her as someone not to be taken seriously. I found that that impression was not the end of the story. She had a family. She has her prison reform program. I won’t comment on the ease of being married to Kanye West. And if she can keep a show like that on the air for all those years, that’s an accomplishment. If you can stay in business on television that long, good for you. Q: You went to Yellow Springs, Ohio, to interview Dave Chappelle. Did you perform at his outdoor comedy show there? A: Yes. I think I did it. (To his publicist) Did I do it? (Publicist answers: “You did it.”) I’m being told I did it (laughs). It was grand. The setting is unique. It’s outdoors. Everybody’s tested, everybody social distanced. He had three or four comics on and each comic made my heart sink deeper. Because when I was doing comedy, a lot of it was (weakly) “Hey, where you from?” But these men and women, whoa — the level of it, the intellect of it, the presentation of it is so much more than it was when me and my little buddies were, “Hey, how ya doin’, I just got in from Indiana.” Really? No one cares. Get outta here. Q: Do you ever have moments in these interviews where you feel as if you don’t have a shared frame of reference to talk to some of these guests? A: Yes. Because the experience is barely parallel. We’re all in show business, but that’s as close a comparison as you can make, culturally. I did feel like, is this going to look stupid? An old guy here, trying to talk to people who are thriving and alive and dominating the world through social media? I felt like it was a wreck. That’s the inner dialogue. Q: How do you get past this? A: Like anybody else that you talk to, every human being, there are situations that helped develop into what they are. So you’re going to get a story out of anybody. It may not happen in the first five minutes, but in every one of these experiences, there’s always a conduit for mutual experience. “Oh yeah? You think that’s something? Well, one time I choked on a peanut-butter sandwich and nearly died.” You have to make everybody a good interview. Q: Do you think that late-night television, a genre that you helped to pioneer, has been diminished in recent years — that so much of it has become political comedy that doesn’t really move the needle and crowds out everything else? A: I know that people have been hugely successful with it. Stephen (Colbert) has done a great job with my old show — his show now. In my day, the goal was just anything to make the audience laugh. That may be part of the dynamic now. People have this hunger to see the current administration being assailed and embarrassing itself. So I think that’s what (late-night shows) worked toward. I don’t fault them for that. After a while, it wears thin, but the appetite for it has not worn thin. I think they still do enough business to keep people happy. Q: Do you ever find yourself fearing for the future of this country? A: I really did, until recently. And now I am confident — or more confident than I’ve been in the last four years — that we’re changing presidents in a couple of weeks. And it will be a huge victory. Not just for our culture and our government, but the simple act of voting will have been the reason that the rest of our country is put back together and, in many ways, saved from what appears to be tyranny, certainly jeopardy. I think it will be a huge victory on many fronts, not the least of which is calling attention to the valuable freedom of voting. Q: Please don’t mistake this for a suggestion, but do you ever think about packing it in as a broadcaster entirely? A: First of all, you can’t hurt my feelings because I’m dead inside. But the Netflix people put me back in business in a way that has been, for me, really, really fun. On the other hand, I recognize my own shelf life. I’m way overdue. When it happens, I still will enjoy little things here and there, and that’ll be enough. But there’s other people more capable. I got no problem with that. If there is any kind of schedule, it would be when my son is finished with high school. But if it’s tomorrow, that’s fine. Q: Your son, Harry, is 16 now. Are you worried about how the pandemic is going to affect his life? A: I think it’s every parent’s concern, regardless of the age of their kids. But for Harry and his buddies, the junior year of high school is a crucial experience. Now they’re starting to look beyond high school, and it’s not good. For guys Harry’s age and older, it might be a setback. Time takes care of everything, and one hopes that that’s the case here. Q: How do you talk about these feelings with him? A: I had a conversation with my son the other night that went this way. Because of the pandemic and the fact that he’s getting older, I said, Harry, your mother and I have two responsibilities. One is to keep you safe. And other than the time that your mother let you roll off the bed and land on your head, we have kept you safe. The other responsibility is your happiness. And he said, “Have you been drinking?” So that’s how that works at my house.

David Letterman isn’t here to cheer you up this time

Paintings, photographs, films and poetry by children and young people across England are now being displayed alongside world famous works of art as part of a new online exhibition on lockdown life.

Young people create art to reflect lockdown life

A group of LGBT activists opened a cultural center called "Eucalyptus 20" a few months ago in an old house in the Mexican capital's downtown where they show LGBT art without prejudice.

LGBT activists open culture center to show art without prejudice

The Royal Ballet, Britain's largest ballet company, leaps back into action on Friday (October 9) after seven months of COVID-19 gloom with an extravaganza that mixes classics such as Romeo and Juliet and Don Quixote with playful modern dance.

Royal Ballet leaps out of lockdown with online extravaganza

Self-employed musicians staged a performance in London's Parliament Square on Tuesday (October 6) to publicise the need for support for those in the performing arts sector.

Musicians call for UK government support over loss of work

Banksy's contemporary take on Claude Monet's iconic water lily pond will be sold for an estimated £3-5 million in Sotheby's online auction on October 21.

Banksy's contemporary take on Monet up for online auction at Sotheby's

Dozens of mask-wearing music enthusiasts in a church in an eastern German town on Saturday (September 5) witnessed the first note change in seven years in the world's longest lasting pipe organ performance.

As slow as possible: German organ changes note for first time in years

Moscow's famous Bolshoi theatre on Friday (September 5) rehearsed Don Carlo for the final time, preparing for the new season opening following the global pandemic.

Russia's Bolshoi Theatre opens 245th season with a socially-distanced 'Don Carlo'

Mexico City residents and visitors will once again be able to admire the world-famous artworks at two of the city's top museums as a gradual reopening of cultural institutions proceeds after five months of lockdown during the coronavirus pandemic.

Mexico City museums reopen to art admirers after pandemic lockdown

Stars of "The World to Come" lit up the Venice Film Festival red carpet on Sunday (September 6) evening as they attended the highly anticipated movie's world premiere.

'The World to Come' cast, Oliver Stone and Iran's Majid Majidi walk Venice red carpet

The show must go on, and that was certainly the case for the World Tango Championship in Buenos Aires as it moved online on Wednesday (August 26) in keeping with social distancing norms.

Dancing cheek to cheek? World Tango Championship moves online

Fearing their creations may violate a national security law imposed by Beijing, some of Hong Kong's artists are turning to self-censorship while others are moving their works abroad or are planning to leave the city themselves.

Hong Kong's new security law inhibits anxious artists

As the world struggles to contain the coronavirus pandemic, Latin music superstar Gloria Estefan hopes her new album will help fans escape the daily onslaught of bad news.

Latin superstar Gloria Estefan hopes new album brings joy amid pandemic

South Korea's popular boy band BTS' management label, Big Hit Entertainment, on Thursday (August 13) released an online presentation video and said it saw a 27% jump in half-year profits as its online concert and merchandise sales more than offset event cancellations during the COVID-19 pandemic.

K-Pop group BTS' label Big Hit posts profit jump as it prepares for IPO 

Renaissance master Raphael probably did not like his nose. So the painter, who sought perfection in everything, may have done a nose job in his self-portrait and other works where he inserted himself among persons.

Raphael did a nose-job in self-portrait, face 3D reconstruction suggests

Thousands of paddle boarders rode down the canals of St Petersburg at the annual Fontanka-SUP festival on Saturday (August 8).

Thousands of paddle boarders ride thorugh St Petersburg canals

Some 1,500 youngsters, ages 6 to 19, from low-income areas participate in the 22-year-old music program. When the pandemic hit, teachers had to reinvent their classes to deal with slow internet and getting the children to play together online.

Can't stop the music: Argentine child orchestras play on amid lockdown

In a rap scene dominated by men, women's voices are starting to make waves in Morocco. Houda Abouz, a 24-year-old who majors in film studies at a university in the northern city of Tetouan, has long been fascinated by hip-hop, and, encouraged by friends, she picked up a mic and began to perform.

Moroccan woman breaks into male dominated rap scene 

A century-old postcard showing a French country lane has helped researchers paint a picture of the final hours before Vincent van Gogh committed suicide 130 years ago.

Tree roots tell story of Van Gogh's final hours after lockdown discovery

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Marie Antoinette's silk shoe goes up for sale in Versailles

How 'The Queen's Gambit' started a new debate about sexism in chess

'The Great Gatsby' back on stage in London

'The Great Gatsby' back on stage in London

Royal Opera House sells Hockney for £12.8 million amid crisis

David Letterman isn’t here to cheer you up this time

Young people create art to reflect lockdown life

LGBT activists open culture center to show art without prejudice

Royal Ballet leaps out of lockdown with online extravaganza

Musicians call for UK government support over loss of work

Banksy's contemporary take on Monet up for online auction at Sotheby's

As slow as possible: German organ changes note for first time in years

Russia's Bolshoi Theatre opens 245th season with a socially-distanced 'Don Carlo'

Mexico City museums reopen to art admirers after pandemic lockdown

'The World to Come' cast, Oliver Stone and Iran's Majid Majidi walk Venice red carpet

Dancing cheek to cheek? World Tango Championship moves online

Hong Kong's new security law inhibits anxious artists

Latin superstar Gloria Estefan hopes new album brings joy amid pandemic

K-Pop group BTS' label Big Hit posts profit jump as it prepares for IPO

Raphael did a nose-job in self-portrait, face 3D reconstruction suggests

Thousands of paddle boarders ride thorugh St Petersburg canals

Can't stop the music: Argentine child orchestras play on amid lockdown

Moroccan woman breaks into male dominated rap scene

Tree roots tell story of Van Gogh's final hours after lockdown discovery