Clinking of silverware in an expansive ranch, thudding of cowboy boots and an overbearing presence of a hyper-macho Phil (Benedict Cumberbatch) casts a foreboding shadow on the Burbank household. The setting is 1925 and the mood, perpetually, of forbidden desires and suppressed emotions. In Phil's complex world, a man exhibiting even a shred of vulnerability gets labelled as 'half-cooked Miss Nancy'. Perhaps, this is why his brother George (Jesse Plemons) despises his tough, foul mouthed elder brother so much so that he doesn't pass up on the chance to marry the 'cheap schemer' widow, Rose (Kirsten Dunst), Phil ungracefully loathes.&nbsp;

<img alt="Benedict Cumberbatch is a menacing presence in 'The Power of the Dog'" data-entity-type="file" data-entity-uuid="a279b438-4624-4c0e-90cf-11ebf9fd397a" src="//cdn.wionews.com/sites/default/files/inline-images/pjimage%20-%202021-12-02T151530.262.jpg" /> 
For the world outside, Phil embodies 1920s machismo typical of the Western stretch during that era: where pianists tremble with fear upon his single glare, maids hurdle up in one corner on&nbsp;his arrival and nobody, not even the 'fatso' younger brother he seems to love, challenges his rugged and hillbilly habits.&nbsp;

Also read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-tick-tick-boom-review-andrew-garfields-ode-to-musical-genius-is-heart-wrenching-430496" hreflang="en">'Tick, Tick... Boom!' review: Andrew Garfield's ode to musical genius is heart-wrenching</a>

 
Through mere body language, Jane Campion (director) makes the demarcation clear to her viewers: Phil is the epitome&nbsp;of masculinity and George, a prop for Phil to impose his twisted ideologies on. The ones&nbsp;that were introduced to him at a tender age by 'friend and greatest cowboy of all time', Bronco Henry: a character we never meet in person but know of his grip over the brothers--for various reasons--only through dialogues.&nbsp;

 
Jane Campion's slowburner is a house of secrets, with heightened drama rendered by a stupendous Jonny Greenwood's background score.

However, Phil's authority is questioned by a lanky, sensitive sissy Peter (Kodi Smit-McPhee, Rose's son) who is everything he&nbsp;is not: kind, artistic and a visionary of sorts.&nbsp;

<img alt="A revelation: Kodi Smit-McPhee as kind and sensitive Peter" data-entity-type="file" data-entity-uuid="eb0b0773-d70c-46bb-87c5-60b88e7b43d4" src="//cdn.wionews.com/sites/default/files/inline-images/pjimage%20-%202021-12-02T151640.725.jpg" /> 
Campion, who has always&nbsp;been pro-female protagonist, makes an exception with this namesake adaptation of Thomas Savage’s 1967 novel: instead of a female character learning to find her feet in a male-dominated world, Campion lets Cumberbatch sweep us all with his toxic bravado while the layers of sentimentality are saved up for his most private moments. Campion juxtaposes Phil's persona against Peter's, with sexual tension galore and emotional baggage serving as the common component for them to bond over. 'The Power of the Dog' personifies unrealized dreams: Phil, like Bronco, wanted to be a mentor to a rather disappointing George. In Peter, he sees a glimmer of hope for the revival of that mentor-mentee relationship that he has always hankered after. Little did he know, Peter would crack open an array of emotions within him.

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'The Power of the Dog' is 2021's visual masterpiece--with Campion winning the Venice Film Festival's Silver Lion for Best Director--as&nbsp;cinematographer Ari Wegner captures the anger, loneliness and complexity of the characters in her camera that leaves one gasping for breath. The ranch life, too, never looked so glamourous and tempting: every flip of a horse's tail is a story in itself.&nbsp;

<img alt="Kirsten Dunst evokes empathy as troubled Rose" data-entity-type="file" data-entity-uuid="40f3e6c1-7644-4318-b901-00da1dd43198" src="//cdn.wionews.com/sites/default/files/inline-images/pjimage%20-%202021-12-02T151605.090.jpg" /> 
Kirsten Dunst, as Rose, is drowning in alcoholism and unresolved issues and the actor internalizes her trauma with mastery. Her on-as-well-as-off-screen partner Jesse Plemons displays a plethora of emotions solely through his expressions: a quality Plemons has forever been appreciated for. The secret weapon in this sinister Western saga, however, is Kodi Smit-McPhee. You don't know what hits you once he is on frame. Like Phil, Kodi&nbsp;wraps his audience around his finger and there one stays till the very end.

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Dark, desolate, disturbing and ominous are some of the apt adjectives for delineating Jane Campion's comeback film--yes, this is her first directorial venture after a hiatus of 12 years--and she unleashes ruthlessness of the central figure through an actor we did not know could do mean so exquisitely: Benedict 'marvelous' Cumberbatch.&nbsp; 
&nbsp;

'The Power of the Dog' is now streaming on Netflix.

&nbsp;

<iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/ELvKuuXdfCU" title="YouTube video player" width="560"></iframe>

Clinking of silverware in an expansive ranch, thudding of cowboy boots and an overbearing presence of a hyper-macho Phil (Benedict Cumberbatch) casts a foreboding shadow on the Burbank household.

Clinking of silverware in an expansive ranch, thudding of cowboy boots and an overbearing presence of a hyper-macho Phil (Benedict Cumberbatch) casts a foreboding shadow on the Burbank household. The setting is 1925 and the mood, perpetually, of forbidden desires and suppressed emotions. In Phil's complex world, a man exhibiting even a shred of vulnerability gets labelled as 'half-cooked Miss Nancy'. Perhaps, this is why his brother George (Jesse Plemons) despises his tough, foul mouthed elder brother so much so that he doesn't pass up on the chance to marry the 'cheap schemer' widow, Rose (Kirsten Dunst), Phil ungracefully loathes. For the world outside, Phil embodies 1920s machismo typical of the Western stretch during that era: where pianists tremble with fear upon his single glare, maids hurdle up in one corner on his arrival and nobody, not even the 'fatso' younger brother he seems to love, challenges his rugged and hillbilly habits. Also read: 'Tick, Tick... Boom!' review: Andrew Garfield's ode to musical genius is heart-wrenching Through mere body language, Jane Campion (director) makes the demarcation clear to her viewers: Phil is the epitome of masculinity and George, a prop for Phil to impose his twisted ideologies on. The ones that were introduced to him at a tender age by 'friend and greatest cowboy of all time', Bronco Henry: a character we never meet in person but know of his grip over the brothers--for various reasons--only through dialogues. Jane Campion's slowburner is a house of secrets, with heightened drama rendered by a stupendous Jonny Greenwood's background score. However, Phil's authority is questioned by a lanky, sensitive sissy Peter (Kodi Smit-McPhee, Rose's son) who is everything he is not: kind, artistic and a visionary of sorts. Campion, who has always been pro-female protagonist, makes an exception with this namesake adaptation of Thomas Savage’s 1967 novel: instead of a female character learning to find her feet in a male-dominated world, Campion lets Cumberbatch sweep us all with his toxic bravado while the layers of sentimentality are saved up for his most private moments. Campion juxtaposes Phil's persona against Peter's, with sexual tension galore and emotional baggage serving as the common component for them to bond over. 'The Power of the Dog' personifies unrealized dreams: Phil, like Bronco, wanted to be a mentor to a rather disappointing George. In Peter, he sees a glimmer of hope for the revival of that mentor-mentee relationship that he has always hankered after. Little did he know, Peter would crack open an array of emotions within him. Also read: 'Chhorii' review: Nushrratt Bharuccha takes one for the team 'The Power of the Dog' is 2021's visual masterpiece--with Campion winning the Venice Film Festival's Silver Lion for Best Director--as cinematographer Ari Wegner captures the anger, loneliness and complexity of the characters in her camera that leaves one gasping for breath. The ranch life, too, never looked so glamourous and tempting: every flip of a horse's tail is a story in itself. Kirsten Dunst, as Rose, is drowning in alcoholism and unresolved issues and the actor internalizes her trauma with mastery. Her on-as-well-as-off-screen partner Jesse Plemons displays a plethora of emotions solely through his expressions: a quality Plemons has forever been appreciated for. The secret weapon in this sinister Western saga, however, is Kodi Smit-McPhee. You don't know what hits you once he is on frame. Like Phil, Kodi wraps his audience around his finger and there one stays till the very end. Also read: 'Tiger King 2' review: Joe Exotic's life is now a reality show with more drama than the Kardashians Dark, desolate, disturbing and ominous are some of the apt adjectives for delineating Jane Campion's comeback film--yes, this is her first directorial venture after a hiatus of 12 years--and she unleashes ruthlessness of the central figure through an actor we did not know could do mean so exquisitely: Benedict 'marvelous' Cumberbatch. 'The Power of the Dog' is now streaming on Netflix.

The Power of the Dog review: Benedict Cumberbatch's a marvelous old, lonely ranch man

British actor Benedict Cumberbatch fully immersed himself as a 1920s rancher while filming 'The Power of the Dog', staying in character for the whole shoot and learning how to manage cattle, ironmongery and roping. 
 
Based on the 1967 novel by Thomas Savage, the critically-acclaimed movie marks the return of Oscar-winning director Jane Campion to feature films since 2009's 'Bright Star'. The new drama won her the Silver Lion for best director at September`s Venice Film Festival. 
 
Cumberbatch, known for his roles in 'Sherlock', 'The Imitation Game'&nbsp;and 'Doctor Strange', plays the domineering Phil Burbank whose world is turned upside down when his brother George brings home a new wife and her teenage son.

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Burbank immediately sets out to bully and torment the two newcomers. "There is just so much to understand about Phil and he`s very far from me. It was a very immersive experience. I was allowed to be him for the whole shoot," Cumberbatch told Reuters in an interview. 
 
"(Campion) introduced me as Phil and said `you`ll meet Benedict afterwards. He`s nice, but you`ll meet him on wrap`, which was great. It just meant I could go there and she gave me permission to be him."

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To prepare for the role, Cumberbatch spent time on a ranch learning all sorts of skills. 
 
"I ... learned about braiding and roping and managing cattle and how modern ranching works, not the old school which is pretty, pretty brutal as is depicted in the film," he said. 
 
"(I also learned) banjo playing ... I went to a taxidermist, I made a horse shoe for Jane with an iron monger. I whittled all the way through the job. I kept practising my whistling ... So, yeah, a lot to encompass." 
 
The movie, shot in Campion's native New Zealand, stars real-life couple Jesse Plemons and Kirsten Dunst, who met on the set of the series 'Fargo', as George and his new wife Rose.

Also read:&nbsp;<a href="https://www.wionews.com/entertainment/lifestyle/news-say-what-christopher-walken-painted--over-a-real-banksy-piece-for-a-tv-show-428641" hreflang="en">Say what? Christopher Walken painted over a real Banksy piece for a TV show</a> 
 
"It was great to be there as a family ... That`s how we first bonded," Dunst said. "I love that Jane wasn`t afraid of putting us together in a film." 
 
'The Power of the Dog'&nbsp;hits cinemas from next week and streaming platform Netflix on Dec. 1.

British actor Benedict Cumberbatch fully immersed himself as a 1920s rancher while filming 'The Power of the Dog', staying in character for the whole shoot and learning how to manage cattle, ironmongery and roping.

British actor Benedict Cumberbatch fully immersed himself as a 1920s rancher while filming 'The Power of the Dog', staying in character for the whole shoot and learning how to manage cattle, ironmongery and roping. Based on the 1967 novel by Thomas Savage, the critically-acclaimed movie marks the return of Oscar-winning director Jane Campion to feature films since 2009's 'Bright Star'. The new drama won her the Silver Lion for best director at September`s Venice Film Festival. Cumberbatch, known for his roles in 'Sherlock', 'The Imitation Game' and 'Doctor Strange', plays the domineering Phil Burbank whose world is turned upside down when his brother George brings home a new wife and her teenage son. In pics: Superman to Captain America: DC, Marvel and their new LGBTQ superheroes Burbank immediately sets out to bully and torment the two newcomers. "There is just so much to understand about Phil and he`s very far from me. It was a very immersive experience. I was allowed to be him for the whole shoot," Cumberbatch told Reuters in an interview. "(Campion) introduced me as Phil and said `you`ll meet Benedict afterwards. He`s nice, but you`ll meet him on wrap`, which was great. It just meant I could go there and she gave me permission to be him." Also read: Adele says friends Nicole Richie and Jennifer Lawrence 'humanised' her To prepare for the role, Cumberbatch spent time on a ranch learning all sorts of skills. "I ... learned about braiding and roping and managing cattle and how modern ranching works, not the old school which is pretty, pretty brutal as is depicted in the film," he said. "(I also learned) banjo playing ... I went to a taxidermist, I made a horse shoe for Jane with an iron monger. I whittled all the way through the job. I kept practising my whistling ... So, yeah, a lot to encompass." The movie, shot in Campion's native New Zealand, stars real-life couple Jesse Plemons and Kirsten Dunst, who met on the set of the series 'Fargo', as George and his new wife Rose. Also read: Say what? Christopher Walken painted over a real Banksy piece for a TV show "It was great to be there as a family ... That`s how we first bonded," Dunst said. "I love that Jane wasn`t afraid of putting us together in a film." 'The Power of the Dog' hits cinemas from next week and streaming platform Netflix on Dec. 1.

'You'll meet Benedict after': Cumberbatch on immersive western role

Benedict Cumberbatch&nbsp;starrer&nbsp;'The Power Of The Dog' recently premiered at the Venice Film Festival and the audience hooted and cheered with a four-minute standing ovation.&nbsp; 
 
Now Benedict opened up about his role during the Telluride Film Festival and discussed the straight actors playing gay roles&nbsp;in the movie.&nbsp; 
 
The 45-year-old actor played the character of rancher Phil Burbank, who strikes up a relationship with Peter (Kodi Smit-McPhee).

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&nbsp; 
“I feel very sensitive about representation, diversity, and inclusion,” Cumberbatch said at the Telluride Film Festival, as per reports. “One of the appeals of the job was the idea that in this world, with this specific character, there was a lot that was private, hidden from view.” 
 
“It wasn’t done without thought,” he said. “I also feel slightly like, is this a thing where our dance card has to be public? Do we have to explain all our private moments in our sexual history? I don’t think so.” He added.&nbsp; 
 
Further talking, Benedict added, “Jane (director) chose us as actors to play those roles. That’s her question to answer.” 
 
This is not the first time when Marvel star is playing a queer character, before this, the actor has played a gay man --&nbsp;portraying Alan Turing in 'The Imitation Game.

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The 25-year-old McPhee is also a straight man, said that there's a lot he relates with the role of Peter, and added, “I would say that there’s a lot in Peter that I relate to,” Smit-McPhee said. “Sure, I’m a straight man, but I’m extremely in touch with my feminine side. I was raised by my mother and my sister. Of course, my dad has a huge masculine influence on my life but he could never really take me away from the feminine side that I just intrinsically have in myself. It was just a matter of bringing it out… and letting it be in the world. It was a really experimental but beautiful thing to do.” 
 
The movie will be released in theatres on Nov. 17 and then hits Netflix on Dec. 1.

Benedict Cumberbatch starrer 'The Power Of The Dog' recently premiered at the Venice Film Festival and the audience hooted and cheered with a four-minute standing ovation.

Benedict Cumberbatch starrer 'The Power Of The Dog' recently premiered at the Venice Film Festival and the audience hooted and cheered with a four-minute standing ovation. Now Benedict opened up about his role during the Telluride Film Festival and discussed the straight actors playing gay roles in the movie. The 45-year-old actor played the character of rancher Phil Burbank, who strikes up a relationship with Peter (Kodi Smit-McPhee). Harvey Weinstein slams Angelina Jolie for 'clickbait publicity', denies assaulting her “I feel very sensitive about representation, diversity, and inclusion,” Cumberbatch said at the Telluride Film Festival, as per reports. “One of the appeals of the job was the idea that in this world, with this specific character, there was a lot that was private, hidden from view.” “It wasn’t done without thought,” he said. “I also feel slightly like, is this a thing where our dance card has to be public? Do we have to explain all our private moments in our sexual history? I don’t think so.” He added. Further talking, Benedict added, “Jane (director) chose us as actors to play those roles. That’s her question to answer.” This is not the first time when Marvel star is playing a queer character, before this, the actor has played a gay man -- portraying Alan Turing in 'The Imitation Game. From 'Spencer' to 'The Power of the Dog': Films chasing top prize at Venice Film Festival The 25-year-old McPhee is also a straight man, said that there's a lot he relates with the role of Peter, and added, “I would say that there’s a lot in Peter that I relate to,” Smit-McPhee said. “Sure, I’m a straight man, but I’m extremely in touch with my feminine side. I was raised by my mother and my sister. Of course, my dad has a huge masculine influence on my life but he could never really take me away from the feminine side that I just intrinsically have in myself. It was just a matter of bringing it out… and letting it be in the world. It was a really experimental but beautiful thing to do.” The movie will be released in theatres on Nov. 17 and then hits Netflix on Dec. 1.

Benedict Cumberbatch opens up about straight actors playing gay roles