You have already seen them on the big screen, now there's a chance to get up close and personal with some of the costumes from the biggest Oscar nominated movies at Los Angeles's ASU Museum. The work of five Oscar nominated costume designers including the likes of Barbie, Oppenheimer and poor things are showcased at a new exhibition. The museum allows visitors to learn about the craftsmanship that went into making each garment. Watch to know more!

Oscars 2024: Iconic 'Barbie' 'Oppenheimer' & 'Napoleon' costumes on display

Dozens of iconic Hollywood costumes are set to go under the hammer in London. Watch in the report to know more about Lights Camera Auction event on March 5.

Over 60 popular Hollywood film costumes are up for auction in UK

From19th century opera singers to today's pop-stars, some of the most iconic costumes worn by celebrities are now on display under one roof at London's Victoria and the Albert Museum.

Major V&A Exhibition in London celebrates divas from Hollywood's golden age

A herd of elephants in Santa Claus costumes brought gifts of face masks and hand sanitiser to primary school students in central Thailand on Christmas Eve.

Santas on elephants brings Thai school kids face masks, hand sanitiser

One year ago, the grim news that Broadway was shutting down was sweeping through the theater district. Performers were packing up their things and heading home; theater staff members were stationed in lobbies to intercept ticket holders and explain to them that the show was canceled.

As a return date was pushed further and further, performers and theater staff resigned themselves to finding work elsewhere.

But on Friday, the anniversary of the day their beloved industry shut its doors, Broadway singers, dancers, actors and front-of-house staffers gathered in Times Square, just across from the TKTS discount ticket booth, to perform live for a small audience of industry insiders and passersby.

The pop-up show was part concert, part rally. Broadway legend Chita Rivera spoke about the power of theater to heal a beleaguered society, and then André De Shields, decked out in a glittering gold suit and a transparent face shield, sang the opening song from “Pippin” along with an array of Broadway stars, backup singers and dancers.

“I’m just happy that we’re all trying to remind the world that we’re still here, and we will be back,” said Bre Jackson, a singer who belted out a solo in the “Pippin” number.

One year ago, Jackson, 29, was returning to New York from a national tour of “The Book of Mormon” and preparing for five auditions. Within 12 hours, she said, the auditions were all canceled, and suddenly she was thrust into a job market without much need for professional singers and actors. Jackson eventually found work as an office manager for a therapy practice, finding performing gigs every so often.

One of the main purposes of these pop-up performances — of which there have been dozens across the city — is to provide paying gigs for people in the industry who have lost their entire incomes during the pandemic, said Blake Ross, one of the event’s producers. The performance was funded by a collection of organizations, including nonprofits Broadway Cares/Equity Fights AIDS and NYCNext.

Although perform inside theaters are unlikely until after Labor Day, the message of the show was that the end of the industry’s nightmare seemed to be getting closer. Last night, President Joe Biden asked states to make all adults eligible to be vaccinated by May 1, a hopeful sign that shows might be able to start rehearsals over the summer.

The performance landed on one of the first warm, springlike days of the year in New York City, adding a jolt of excitement. It felt like a reunion of sorts: After a long time working from home, some people shrieked when they saw each other, keeping their distance but air-hugging or elbow-bumping. To make sure that crowds didn’t form in Father Duffy Square, event planners made no public announcement of the performance, but passersby gathered on the edges of the makeshift stage and stood on elevated surfaces to get better views.

The cast started with a topical classic, George Benson’s “On Broadway,” with a group of high-energy, sneaker-clad and masked backup dancers. (There had been barely any time to rehearse beforehand, so just before showtime, the dancers ran through their choreography just offstage on the concrete.) Next, singers Lillias White, Nikki M. James, Peppermint and Solea Pfeiffer joined in “Home” from “The Wiz.” And a choir sang an original song written about the pandemic hiatus, “We Will Be Back,” by Allen René Louis. Costumes from shows like “Wicked” and “Phantom of the Opera” lined the stage edges, glittering and gleaming on mannequins.

During the pandemic, two musicals, “Mean Girls” and “Frozen,” announced that they would not be returning to Broadway, as well as two plays that were in previews, Martin McDonagh’s “Hangmen” and a revival of Edward Albee’s “Who’s Afraid of Virginia Woolf?” On Friday, several shows promised that they would indeed be back, including “Mrs. Doubtfire,” which got through three performances before it was forced to close, and “Six,” which had been scheduled to open March 12, 2020.

That day, Judi Wilfore, house manager for the Imperial Theater, remembers standing in the lobby before the scheduled evening performance of “Ain’t Too Proud” and breaking the news to ticket holders. Even though Broadway shut down on a Thursday, Wilfore came to work that weekend, too, in case any audience members showed up.

Over the summer, Wilfore decided that she needed to find work elsewhere, so she took an online course at Health Education Services, to get certified as a COVID compliance officer. At Friday’s event in Times Square, it was her job to make sure people were following safety guidelines and to manage a team of front-of-house theater staffers who were hired to help run the event.

Wilfore has been a compliance officer for gigs here and there — including the load-out of the “Beetlejuice” set from the Winter Garden Theater — but like many in the industry, she yearns for the eventual return to indoor theater, where she oversaw the bustling movements of staffers and audience members.

“We love what we do,” she said, “and the fact that we haven’t been able to do it in a year is unfathomable.”

One year ago, the grim news that Broadway was shutting down was sweeping through the theater district. Performers were packing up their things and heading home; theater staff members were stationed in lobbies to intercept ticket holders and explain to them that the show was canceled.

One year ago, the grim news that Broadway was shutting down was sweeping through the theater district. Performers were packing up their things and heading home; theater staff members were stationed in lobbies to intercept ticket holders and explain to them that the show was canceled. As a return date was pushed further and further, performers and theater staff resigned themselves to finding work elsewhere. But on Friday, the anniversary of the day their beloved industry shut its doors, Broadway singers, dancers, actors and front-of-house staffers gathered in Times Square, just across from the TKTS discount ticket booth, to perform live for a small audience of industry insiders and passersby. The pop-up show was part concert, part rally. Broadway legend Chita Rivera spoke about the power of theater to heal a beleaguered society, and then André De Shields, decked out in a glittering gold suit and a transparent face shield, sang the opening song from “Pippin” along with an array of Broadway stars, backup singers and dancers. “I’m just happy that we’re all trying to remind the world that we’re still here, and we will be back,” said Bre Jackson, a singer who belted out a solo in the “Pippin” number. One year ago, Jackson, 29, was returning to New York from a national tour of “The Book of Mormon” and preparing for five auditions. Within 12 hours, she said, the auditions were all canceled, and suddenly she was thrust into a job market without much need for professional singers and actors. Jackson eventually found work as an office manager for a therapy practice, finding performing gigs every so often. One of the main purposes of these pop-up performances — of which there have been dozens across the city — is to provide paying gigs for people in the industry who have lost their entire incomes during the pandemic, said Blake Ross, one of the event’s producers. The performance was funded by a collection of organizations, including nonprofits Broadway Cares/Equity Fights AIDS and NYCNext. Although perform inside theaters are unlikely until after Labor Day, the message of the show was that the end of the industry’s nightmare seemed to be getting closer. Last night, President Joe Biden asked states to make all adults eligible to be vaccinated by May 1, a hopeful sign that shows might be able to start rehearsals over the summer. The performance landed on one of the first warm, springlike days of the year in New York City, adding a jolt of excitement. It felt like a reunion of sorts: After a long time working from home, some people shrieked when they saw each other, keeping their distance but air-hugging or elbow-bumping. To make sure that crowds didn’t form in Father Duffy Square, event planners made no public announcement of the performance, but passersby gathered on the edges of the makeshift stage and stood on elevated surfaces to get better views. The cast started with a topical classic, George Benson’s “On Broadway,” with a group of high-energy, sneaker-clad and masked backup dancers. (There had been barely any time to rehearse beforehand, so just before showtime, the dancers ran through their choreography just offstage on the concrete.) Next, singers Lillias White, Nikki M. James, Peppermint and Solea Pfeiffer joined in “Home” from “The Wiz.” And a choir sang an original song written about the pandemic hiatus, “We Will Be Back,” by Allen René Louis. Costumes from shows like “Wicked” and “Phantom of the Opera” lined the stage edges, glittering and gleaming on mannequins. During the pandemic, two musicals, “Mean Girls” and “Frozen,” announced that they would not be returning to Broadway, as well as two plays that were in previews, Martin McDonagh’s “Hangmen” and a revival of Edward Albee’s “Who’s Afraid of Virginia Woolf?” On Friday, several shows promised that they would indeed be back, including “Mrs. Doubtfire,” which got through three performances before it was forced to close, and “Six,” which had been scheduled to open March 12, 2020. That day, Judi Wilfore, house manager for the Imperial Theater, remembers standing in the lobby before the scheduled evening performance of “Ain’t Too Proud” and breaking the news to ticket holders. Even though Broadway shut down on a Thursday, Wilfore came to work that weekend, too, in case any audience members showed up. Over the summer, Wilfore decided that she needed to find work elsewhere, so she took an online course at Health Education Services, to get certified as a COVID compliance officer. At Friday’s event in Times Square, it was her job to make sure people were following safety guidelines and to manage a team of front-of-house theater staffers who were hired to help run the event. Wilfore has been a compliance officer for gigs here and there — including the load-out of the “Beetlejuice” set from the Winter Garden Theater — but like many in the industry, she yearns for the eventual return to indoor theater, where she oversaw the bustling movements of staffers and audience members. “We love what we do,” she said, “and the fact that we haven’t been able to do it in a year is unfathomable.”

‘We’ll be back,’ broadway says, on shutdown anniversary

Forget red and blue (states). The theme of the Biden inauguration was “America United,” and the colour of the day seemed to be purple — the shade that bridges the divide by bringing both colours together (not to mention one of the original signature colours of the suffragists, whose dreams are now being realized with the first female vice president).

“Purple is the colour of loyalty, constancy to purpose, unswerving steadfastness to a cause,” the National Woman’s Party wrote in a newsletter in 1913.

Though Jill Biden coordinated her blue Markarian coat with her husband’s blue Ralph Lauren tie, Vice President Kamala Harris served up a bipartisan message in a bright single-breasted coat and dress from Christopher John Rodgers, as did former Secretary of State Hillary Clinton in a grape Ralph Lauren pantsuit. And Michelle Obama, the former first lady, wore wine trousers with a coordinated turtleneck and long coat from Sergio Hudson, a young Black designer.

Masks were also part of the material culture of this inauguration. Jill Biden wore a sky blue mask that appeared custom-made to match her coat, and other members of her family chose a similar monochromatic theme. Harris opted for a shiny black number that complimented her purple outfit, one of her signature mask looks.

Many men opted for paper medical masks, but a few went for solid shades or face coverings that featured insignia. Former President George W. Bush sported a mask made by Rhoback, a company that was started by former Capitol Hill staffers.

Despite the very high fashion content of President Joe Biden’s swearing-in, which included Lady Gaga in a veritable ballgown from Schiaparelli, Ella Emhoff in a crystal-dusted tweed Miu Miu coat with a big white collar; and Jennifer Lopez in winter white Chanel, it was Sen. Bernie Sanders, not normally known for his style statements, whose choice of accessories may have had the widest effect. Specifically, Sanders’ woolly mittens, in a sort of brown and cream Himalayan sweater pattern, seemed to have charmed practically half the social media world, with commenters asking where they could buy a pair.

The mittens quickly got their own hashtag: #Berniesmittens. Even Vogue took note. Jen Ellis, a Vermont schoolteacher, claimed ownership in a tweet.

“I made Bernie’s mittens as a gift a couple of years ago,” she wrote, posting a photo of other similar creations. “They are made from repurposed wool sweaters and lined with fleece (made from recycled plastic bottles).”

In response a friend noted, “you better buy some titanium knitting-needles lol, you’ll need them, you just became the world’s most famous ‘mitten knitter’.” And thus the new administration appears to be keeping its vow to jump-start small businesses already.

Forget red and blue (states). The theme of the Biden inauguration was “America United,” and the colour of the day seemed to be purple — the shade that bridges the divide by bringing both colours together (not to mention one of the original signature colours of the suffragists, whose dreams are now being realized with the first female vice president).

Forget red and blue (states). The theme of the Biden inauguration was “America United,” and the colour of the day seemed to be purple — the shade that bridges the divide by bringing both colours together (not to mention one of the original signature colours of the suffragists, whose dreams are now being realized with the first female vice president). “Purple is the colour of loyalty, constancy to purpose, unswerving steadfastness to a cause,” the National Woman’s Party wrote in a newsletter in 1913. Though Jill Biden coordinated her blue Markarian coat with her husband’s blue Ralph Lauren tie, Vice President Kamala Harris served up a bipartisan message in a bright single-breasted coat and dress from Christopher John Rodgers, as did former Secretary of State Hillary Clinton in a grape Ralph Lauren pantsuit. And Michelle Obama, the former first lady, wore wine trousers with a coordinated turtleneck and long coat from Sergio Hudson, a young Black designer. Masks were also part of the material culture of this inauguration. Jill Biden wore a sky blue mask that appeared custom-made to match her coat, and other members of her family chose a similar monochromatic theme. Harris opted for a shiny black number that complimented her purple outfit, one of her signature mask looks. Many men opted for paper medical masks, but a few went for solid shades or face coverings that featured insignia. Former President George W. Bush sported a mask made by Rhoback, a company that was started by former Capitol Hill staffers. Despite the very high fashion content of President Joe Biden’s swearing-in, which included Lady Gaga in a veritable ballgown from Schiaparelli, Ella Emhoff in a crystal-dusted tweed Miu Miu coat with a big white collar; and Jennifer Lopez in winter white Chanel, it was Sen. Bernie Sanders, not normally known for his style statements, whose choice of accessories may have had the widest effect. Specifically, Sanders’ woolly mittens, in a sort of brown and cream Himalayan sweater pattern, seemed to have charmed practically half the social media world, with commenters asking where they could buy a pair. The mittens quickly got their own hashtag: #Berniesmittens. Even Vogue took note. Jen Ellis, a Vermont schoolteacher, claimed ownership in a tweet. “I made Bernie’s mittens as a gift a couple of years ago,” she wrote, posting a photo of other similar creations. “They are made from repurposed wool sweaters and lined with fleece (made from recycled plastic bottles).” In response a friend noted, “you better buy some titanium knitting-needles lol, you’ll need them, you just became the world’s most famous ‘mitten knitter’.” And thus the new administration appears to be keeping its vow to jump-start small businesses already.

From Kamala Harris to Michelle Obama: Purple was a popular colour at the inauguration

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