The Jio MAMI Mumbai Film Festival concluded with a grand closing ceremony, celebrating outstanding cinematic achievements in a star-studded event. The 10-day film gala marked its triumphant return with an on-ground edition after a three-year hiatus. The festivities began with a star-studded opening ceremony on October 27 at the Nita Mukesh Ambani Cultural Centre (NMACC).

The South Asia Competition awards were a highlight of the closing ceremony and were presented by the esteemed jury headed by director Mira Nair. The jury included Australian writer and filmmaker David Michod, Filipino filmmaker and actor Isabel Sandoval, and French film critic and festival director Edouard Waintrop.

The Golden Gateway award was bestowed upon Against the Tide, the Silver Gateway award went to Bahadur – The Brave, and the Special Jury Award was presented to Agra, which was directed by Kanu Behl.

Highlighting the importance of gender sensitivity in cinema, the Film Critics Guild honoured Barir Naam Shahana&nbsp;(A House Named Shahana) by Leesa Gazi with the gender sensitivity award. Film critic Aditya Shrikrishna and RJ Stutee Ghosh presented this award.

Shahrukhkhan Chavada's Kayo Kayo Colour? (Which Colour) received an award under the Rashid Irani Young Critics Lab special programme, established by MAMI to nurture young writers in the realm of cinema. The honour was presented by Christian Jeune, director of the film department and deputy general delegate of the Festival de Cannes.

This year, the festival introduced a new award category in collaboration with Civic Studios, the Light Camera Impact Award. This award recognised two non-feature films focusing on subjects like climate, sexuality, and caste, with the aim of igniting conversations on socially relevant topics. The awards were presented by Civic Studios founder Anushka Shah and filmmaker Kiran Rao to the winners, Blackhole&nbsp;by Pradyumna Patil and Praan Pratishthana&nbsp;(Consecration) by Pankaj Sonawane. Flowering Man&nbsp;by Soumyajit Ghosh Dastidar received a special mention in this category.

The MAMI Select—Filmed on iPhone initiative, in collaboration with Apple, showcased short films created by emerging filmmakers using the iPhone 15 Pro Max and edited on the MacBook Pro. Filmmakers Archana Atul Phadke, Faraz Ali, Prateek Vats, Saurav Rai, and Saumyananda Sahi, representing the latest wave of Indian cinema, were selected and will be mentored by acclaimed filmmakers Vishal Bhardwaj, Vikramaditya Motwane, and Rohan Sippy.

Also read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-sag-aftra-strike-new-hollywood-studio-proposal-raises-hopes-negotiations-set-to-continue-this-weekend-655032">SAG-AFTRA strike: New Hollywood studio proposal raises hopes, negotiations set to continue this weekend</a>

A highlight of the evening was the IMDb audience choice award, which was given to the most popular film at the festival, as selected by festival attendees. IMDb India head Yaminie Patodia and festival director MAMI, Anupama Chopra, presented the award to The Monk and the Gun&nbsp;by Pawo Choyning Dorji.

The closing ceremony was followed by the screening of Sofia Coppola's Priscilla, a film based on Priscilla Presley's 1985 biography, Elvis and Me, with production support from Sandra Harmon. The movie stars Cailee Spaeny, Jacob Elordi, and Dagmara Dominczyk and is produced by Sofia Coppola, Lorenzo Mieli, and Youree Henley.

The festival's closing ceremony was graced by Janhvi Kapoor, Vishal Bhardwaj, Manushi Chillar, Kiran Rao, and Mira Nair among others.

This year's festival featured over 300 films in 70 languages from 70 different countries, with approximately 70 of them directed by female filmmakers, according to the organisers. The festival will continue to screen some of the most popular titles on November 4 and 5.

The Jio MAMI Mumbai Film Festival concluded with a grand closing ceremony, celebrating outstanding cinematic achievements in a star-studded event. The 10-day film gala marked its triumphant return with an on-ground edition after a three-year hiatus.

The Jio MAMI Mumbai Film Festival concluded with a grand closing ceremony, celebrating outstanding cinematic achievements in a star-studded event. The 10-day film gala marked its triumphant return with an on-ground edition after a three-year hiatus. The festivities began with a star-studded opening ceremony on October 27 at the Nita Mukesh Ambani Cultural Centre (NMACC). The South Asia Competition awards were a highlight of the closing ceremony and were presented by the esteemed jury headed by director Mira Nair. The jury included Australian writer and filmmaker David Michod, Filipino filmmaker and actor Isabel Sandoval, and French film critic and festival director Edouard Waintrop. The Golden Gateway award was bestowed upon Against the Tide, the Silver Gateway award went to Bahadur – The Brave, and the Special Jury Award was presented to Agra, which was directed by Kanu Behl. Highlighting the importance of gender sensitivity in cinema, the Film Critics Guild honoured Barir Naam Shahana (A House Named Shahana) by Leesa Gazi with the gender sensitivity award. Film critic Aditya Shrikrishna and RJ Stutee Ghosh presented this award. Shahrukhkhan Chavada's Kayo Kayo Colour? (Which Colour) received an award under the Rashid Irani Young Critics Lab special programme, established by MAMI to nurture young writers in the realm of cinema. The honour was presented by Christian Jeune, director of the film department and deputy general delegate of the Festival de Cannes. This year, the festival introduced a new award category in collaboration with Civic Studios, the Light Camera Impact Award. This award recognised two non-feature films focusing on subjects like climate, sexuality, and caste, with the aim of igniting conversations on socially relevant topics. The awards were presented by Civic Studios founder Anushka Shah and filmmaker Kiran Rao to the winners, Blackhole by Pradyumna Patil and Praan Pratishthana (Consecration) by Pankaj Sonawane. Flowering Man by Soumyajit Ghosh Dastidar received a special mention in this category. The MAMI Select—Filmed on iPhone initiative, in collaboration with Apple, showcased short films created by emerging filmmakers using the iPhone 15 Pro Max and edited on the MacBook Pro. Filmmakers Archana Atul Phadke, Faraz Ali, Prateek Vats, Saurav Rai, and Saumyananda Sahi, representing the latest wave of Indian cinema, were selected and will be mentored by acclaimed filmmakers Vishal Bhardwaj, Vikramaditya Motwane, and Rohan Sippy. Also read: SAG-AFTRA strike: New Hollywood studio proposal raises hopes, negotiations set to continue this weekend A highlight of the evening was the IMDb audience choice award, which was given to the most popular film at the festival, as selected by festival attendees. IMDb India head Yaminie Patodia and festival director MAMI, Anupama Chopra, presented the award to The Monk and the Gun by Pawo Choyning Dorji. The closing ceremony was followed by the screening of Sofia Coppola's Priscilla, a film based on Priscilla Presley's 1985 biography, Elvis and Me, with production support from Sandra Harmon. The movie stars Cailee Spaeny, Jacob Elordi, and Dagmara Dominczyk and is produced by Sofia Coppola, Lorenzo Mieli, and Youree Henley. The festival's closing ceremony was graced by Janhvi Kapoor, Vishal Bhardwaj, Manushi Chillar, Kiran Rao, and Mira Nair among others. This year's festival featured over 300 films in 70 languages from 70 different countries, with approximately 70 of them directed by female filmmakers, according to the organisers. The festival will continue to screen some of the most popular titles on November 4 and 5.

MAMI Mumbai Film Festival closing ceremony: Against the Tide, Bahadur – The Brave, Agra win big

Against the Tide, the heartfelt documentary film directed by Sarvnik Kaur, explores the lives of two Bombay fishermen from the Koli community, Rakesh and Ganesh, who grapple with the changing world around them. Their story serves as a poignant reflection on the intersection of climate change, capitalism, and the preservation of age-old traditions within a rapidly modernising society.

Rakesh, a humble and tradition-bound fisherman, is the embodiment of the Koli community's ancestral fishing knowledge. He places his faith in the wisdom of his forebears and adheres to traditional methods of fishing, closely following the moon and tides. The film introduces him as a proud new father, eking out a living in the shallow bay waters using the methods passed down from his father and his ancestors. His modest boat and content family life stand in stark contrast to the modern world.

On the other side of this compelling narrative is Ganesh, Rakesh's close friend and a self-proclaimed modernist. Ganesh has wholeheartedly embraced technology in his pursuit of success as a fisherman. He operates a power boat equipped with the latest gadgets and even resorts to using illicit technologies like LED lights for deep-sea fishing. His life exudes the trappings of modernity — a fancy apartment, a trendy Instagram presence, and a sense of ambition that drives him to venture into uncharted waters, both figuratively and literally.

Kaur's storytelling takes us beyond the surface of this dichotomy, delving into the profound ideological differences that simmer beneath the surface. In their late-night conversations over snacks and booze, the cultural and economic chasm between Rakesh and Ganesh is palpable. Ganesh encourages his friend to embrace change, expand his horizons, and adapt to the demands of a rapidly evolving world at one point. In response, Rakesh , although morose and dissatisfied about his financial situations, remains resolute in his adherence to tradition, a stoic defender of his cultural heritage and an advocate for preserving the environment.

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Against the Tide avoids casting either Rakesh or Ganesh as a clear hero or villain in this narrative. Instead, it highlights that both are at the mercy of the same capitalistic and ecological forces. While Rakesh's simplicity and moral fortitude paint him as the more resilient of the two, Ganesh's &nbsp;far more extravagant lifestyle is marred by debt, proving that, if proof is needed, no one is immune to the consequences of rampant capitalism.

The documentary's visual composition, courtesy of cinematographer Ashok Meena, is nothing short of breathtaking. Meena's camera gracefully captures the dynamic and diverse backdrop of Mumbai and its coastline, offering viewers vivid glimpses into the lives of these two fishermen. The contrast between Rakesh's humble existence and Ganesh's flashier lifestyle is starkly portrayed through striking imagery and evocative scenes that linger in the mind.

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In a world affected by climate change and the relentless march of capitalism, Against the Tide compels one to reflect on the enduring clash between tradition and progress. It raises thought-provoking questions about our role in preserving the environment and the delicate balance between age-old customs and the relentless pursuit of ambition. As capitalism looms as the unspoken antagonist, the film prompts viewers to explore the possibility of maintaining values and ethics even within a system that frequently challenges them.

Kaur's documentary is a triumph, inviting viewers to join Rakesh and Ganesh on their journey of friendship, struggle, and resilience. The absence of narration allows the story and characters to speak for themselves. It's a touching and insightful study of the interplay between humanity and the environment in an ever-changing world, leaving a lasting impression.

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Against the Tide, the heartfelt documentary film directed by Sarvnik Kaur, explores the lives of two Bombay fishermen from the Koli community, Rakesh and Ganesh, who grapple with the changing world around them.

Against the Tide, the heartfelt documentary film directed by Sarvnik Kaur, explores the lives of two Bombay fishermen from the Koli community, Rakesh and Ganesh, who grapple with the changing world around them. Their story serves as a poignant reflection on the intersection of climate change, capitalism, and the preservation of age-old traditions within a rapidly modernising society. Rakesh, a humble and tradition-bound fisherman, is the embodiment of the Koli community's ancestral fishing knowledge. He places his faith in the wisdom of his forebears and adheres to traditional methods of fishing, closely following the moon and tides. The film introduces him as a proud new father, eking out a living in the shallow bay waters using the methods passed down from his father and his ancestors. His modest boat and content family life stand in stark contrast to the modern world. On the other side of this compelling narrative is Ganesh, Rakesh's close friend and a self-proclaimed modernist. Ganesh has wholeheartedly embraced technology in his pursuit of success as a fisherman. He operates a power boat equipped with the latest gadgets and even resorts to using illicit technologies like LED lights for deep-sea fishing. His life exudes the trappings of modernity — a fancy apartment, a trendy Instagram presence, and a sense of ambition that drives him to venture into uncharted waters, both figuratively and literally. Kaur's storytelling takes us beyond the surface of this dichotomy, delving into the profound ideological differences that simmer beneath the surface. In their late-night conversations over snacks and booze, the cultural and economic chasm between Rakesh and Ganesh is palpable. Ganesh encourages his friend to embrace change, expand his horizons, and adapt to the demands of a rapidly evolving world at one point. In response, Rakesh , although morose and dissatisfied about his financial situations, remains resolute in his adherence to tradition, a stoic defender of his cultural heritage and an advocate for preserving the environment. Against the Tide avoids casting either Rakesh or Ganesh as a clear hero or villain in this narrative. Instead, it highlights that both are at the mercy of the same capitalistic and ecological forces. While Rakesh's simplicity and moral fortitude paint him as the more resilient of the two, Ganesh's far more extravagant lifestyle is marred by debt, proving that, if proof is needed, no one is immune to the consequences of rampant capitalism. The documentary's visual composition, courtesy of cinematographer Ashok Meena, is nothing short of breathtaking. Meena's camera gracefully captures the dynamic and diverse backdrop of Mumbai and its coastline, offering viewers vivid glimpses into the lives of these two fishermen. The contrast between Rakesh's humble existence and Ganesh's flashier lifestyle is starkly portrayed through striking imagery and evocative scenes that linger in the mind. In a world affected by climate change and the relentless march of capitalism, Against the Tide compels one to reflect on the enduring clash between tradition and progress. It raises thought-provoking questions about our role in preserving the environment and the delicate balance between age-old customs and the relentless pursuit of ambition. As capitalism looms as the unspoken antagonist, the film prompts viewers to explore the possibility of maintaining values and ethics even within a system that frequently challenges them. Kaur's documentary is a triumph, inviting viewers to join Rakesh and Ganesh on their journey of friendship, struggle, and resilience. The absence of narration allows the story and characters to speak for themselves. It's a touching and insightful study of the interplay between humanity and the environment in an ever-changing world, leaving a lasting impression. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Against the Tide review: A poignant, well-made documentary about tradition and capitalism

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MAMI Mumbai Film Festival closing ceremony: Against the Tide, Bahadur – The Brave, Agra win big

Against the Tide review: A poignant, well-made documentary about tradition and capitalism