While Kashmir Valley is counted among the most creative regions of the world,&nbsp;women artisans from the valley have not been appreciated as much as their male counterparts. For the first time, a group of women has&nbsp;decided to publicly recognise the female artisans of the Kashmir Valley.&nbsp;

A group called 'Fearless Collective' has collaborated with the local artist Zoya Khan, an architect by profession, to lead this project in the Kashmir Valley. Zoya has started painting a four-storey building in the heart of Srinagar to celebrate and appreciate the women artisans of the Kashmir Valley. The mural being made by these artists is of the female artisans who work with crafts like namda, sozni, pashmina, silk and copperware.&nbsp;

Also read |&nbsp;<a href="https://www.wionews.com/india-news/indian-supreme-court-orders-authorities-to-ensure-no-hate-speech-happens-at-protests-against-nuh-violence-621673">Indian Supreme Court orders authorities to ensure no hate speech happens at protests against Nuh violence</a>

''It's for the first time in Kashmir Valley that women artisans are being appreciated. As you can see, the mural has Kashmiri women artisans making namda, copperware and sozni embroidery and pashmina. Our motive was to send across a message by making this mural on a four-storey building so that people know about the history of our crafts and also focus on Kashmiri craft getting more recognition, '' said Zoya Khan, architect and artisan.&nbsp;

The group has worked across various countries in the world, and it is for the first time that it is working in the Kashmir Valley.&nbsp;Zoya is training other local artists who will&nbsp;be taking forward this project. The group of these women say that it's very important to represent women karigars (artisans) of Kashmir by this art intervention in a public space. The female artisans in the valley have never been at the forefront and been a silent force for making sure the craft survives.

Also read |&nbsp;<a href="https://www.wionews.com/south-asia/india-a-darling-of-west-says-pak-minister-hina-rabbani-khar-mocks-ties-with-us-621507">‘India a darling of West’, says Pak minister Hina Rabbani Khar, mocks ties with US</a>

''The work of the fearless collective is to turn up public spaces across the world and work with the local communities to create these huge monuments. While we have worked in over 15 countries and painted over 50 walls with 100's of different community members including indigenous communities in Brazil, refugees in Beirut, domestic workers from Syria and this is of course the first time ever that we have worked in Kashmir and we are working with a Kashmiri artist Zoya khan who is leading this project,'' said Shilo Shiv Sulaiman, founder, Fearless Collective.&nbsp;

"We are working with the women artisans of Kashmir, and we have given them the dignity as the creators of Kashmir. Very often we think about the outstanding craft and the hands that are making them. We wanted to honour those hands,'' she added.&nbsp;

These women in the future want to create many such places where the work of the women artisans of the Kashmir Valley can be put out-front for the public to see.

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While Kashmir Valley is counted among the most creative regions of the world, women artisans from the valley have not been appreciated as much as their male counterparts.

While Kashmir Valley is counted among the most creative regions of the world, women artisans from the valley have not been appreciated as much as their male counterparts. For the first time, a group of women has decided to publicly recognise the female artisans of the Kashmir Valley. A group called 'Fearless Collective' has collaborated with the local artist Zoya Khan, an architect by profession, to lead this project in the Kashmir Valley. Zoya has started painting a four-storey building in the heart of Srinagar to celebrate and appreciate the women artisans of the Kashmir Valley. The mural being made by these artists is of the female artisans who work with crafts like namda, sozni, pashmina, silk and copperware. Also read | Indian Supreme Court orders authorities to ensure no hate speech happens at protests against Nuh violence ''It's for the first time in Kashmir Valley that women artisans are being appreciated. As you can see, the mural has Kashmiri women artisans making namda, copperware and sozni embroidery and pashmina. Our motive was to send across a message by making this mural on a four-storey building so that people know about the history of our crafts and also focus on Kashmiri craft getting more recognition, '' said Zoya Khan, architect and artisan. The group has worked across various countries in the world, and it is for the first time that it is working in the Kashmir Valley. Zoya is training other local artists who will be taking forward this project. The group of these women say that it's very important to represent women karigars (artisans) of Kashmir by this art intervention in a public space. The female artisans in the valley have never been at the forefront and been a silent force for making sure the craft survives. Also read | ‘India a darling of West’, says Pak minister Hina Rabbani Khar, mocks ties with US ''The work of the fearless collective is to turn up public spaces across the world and work with the local communities to create these huge monuments. While we have worked in over 15 countries and painted over 50 walls with 100's of different community members including indigenous communities in Brazil, refugees in Beirut, domestic workers from Syria and this is of course the first time ever that we have worked in Kashmir and we are working with a Kashmiri artist Zoya khan who is leading this project,'' said Shilo Shiv Sulaiman, founder, Fearless Collective. "We are working with the women artisans of Kashmir, and we have given them the dignity as the creators of Kashmir. Very often we think about the outstanding craft and the hands that are making them. We wanted to honour those hands,'' she added. These women in the future want to create many such places where the work of the women artisans of the Kashmir Valley can be put out-front for the public to see. WATCH WION LIVE HERE You can now write for wionews.com and be a part of the community. Share your stories and opinions with us here.

Kashmir's women artisans get long-overdue recognition through murals

As Madame Tussaud is for wax modelling, Kumartuli is for clay modelling. As Durga Puja came to be celebrated as &#39;sarbojanin&#39; neighbourhood festival in Bengal, Kumartoli emerged as the most significant center of making clay models of Hindu deities. Situated in North Kolkata, Kumartoli, for decades, has been extremely dominated by men. The interference of women was strictly avoided. Possibly, such a prohibition could be derivative of Hindu Shastraic injunction against women reading religious texts. For long Hindu religion worshipped women but kept them at bay from playing a decisive role in the performance of religious rites.&nbsp; 
Fortunately, times are changing. Slowly but definitely. Clay modelling is a profession in which men are the leading actors but women of Kumartuli are also showing off their brilliance.

Few women in Kumartuli are setting the example for others. China Pal, Mala Pal, Kanchi Pal and Kakoli Pal. They are not only breaking the stereotypes but also doing a good business in Kumartuli among male artisans.

Miniature foldable idols

Mala Pal has been single-handedly taking care of her family studio for the last 3 decades. Mala&#39;s brother gave up and did not join the family business. At the age of 15, she had to quit school and started making Durga idols. Despite all hardships and financial problems, Mala emerged as the unvanquished fighter. She has won several state award for her work. Especially, her miniature foldable idols are very famous, and even get exported to UK, Germany and Canada. She is also training young girls to join the profession.

Transgender Durga

China Pal was trained by her father Hemant Pal. Her father died in 1994 since then, it is China who has taken sole responsibility of her father&#39;s studio. She said, &ldquo;After father&#39;s death, his regular customer came to me and that was very motivating&rdquo;. She is now a very famous artisan in Kumartuli. She also mentioned that this business requires a lot of investment at the initial stage. In 2015, she made an androgynous sculpture for a transgender community named Pratyay Gender Trust.

For the first time in the history of the public celebration of Durga Puja, &ldquo;Ardhanarishvara&rdquo; idol was worshipped that was crafted by China.

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Androgynous sculpture of goddess Durga (Others)
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An artist without a studio

Archana Pal took care of the studio when her husband Nrisimha Pal died. She then trained her daughter Kanchi Pal, and now Kanchi is standing neck to neck with other male artisans. She is giving definitely a stiff competition to others. Kanchi advocates the participation of a larger number of women idol-maker in the Kumartoli workforce.

Narrow and congested lanes of Kumartuli is a workplace for another women clay modeller Kakoli Pal. Kakoli doesn&#39;t have a studio. &ldquo;I have appealed to local authorities to provide me with a studio on rent&rdquo;, she said. She went through a lot of difficult time when her husband died and left her alone with two other children. She doesn&#39;t have any training in idol-making. She was just married off to a male artisan of Kumartuli. Pushed by misfortune, Kakoli just took a plunge in the profession of idol-making for her survival as well as that of her two daughters. And she pulled it off.

Kakoli also said, &ldquo;I cannot go to remote places to fetch material that is required for idol-making because of safety issues.&rdquo;

Mala, China, Kakoli and Kanchi, these women are making it really big in the eccentric and male-dominated profession and walking a path-less-taken and, thus, slowly removing the gender gap that exists in the craft and business of clay modelling.

Women of Kumartoli are taking to clay modelling and, thereby, changing the stronghold of gender prejudices that marked the profession

As Madame Tussaud is for wax modelling, Kumartuli is for clay modelling. As Durga Puja came to be celebrated as 'sarbojanin' neighbourhood festival in Bengal, Kumartoli emerged as the most significant center of making clay models of Hindu deities. Situated in North Kolkata, Kumartoli, for decades, has been extremely dominated by men. The interference of women was strictly avoided. Possibly, such a prohibition could be derivative of Hindu Shastraic injunction against women reading religious texts. For long Hindu religion worshipped women but kept them at bay from playing a decisive role in the performance of religious rites. Fortunately, times are changing. Slowly but definitely. Clay modelling is a profession in which men are the leading actors but women of Kumartuli are also showing off their brilliance. Few women in Kumartuli are setting the example for others. China Pal, Mala Pal, Kanchi Pal and Kakoli Pal. They are not only breaking the stereotypes but also doing a good business in Kumartuli among male artisans. Miniature foldable idols Mala Pal has been single-handedly taking care of her family studio for the last 3 decades. Mala's brother gave up and did not join the family business. At the age of 15, she had to quit school and started making Durga idols. Despite all hardships and financial problems, Mala emerged as the unvanquished fighter. She has won several state award for her work. Especially, her miniature foldable idols are very famous, and even get exported to UK, Germany and Canada. She is also training young girls to join the profession. Transgender Durga China Pal was trained by her father Hemant Pal. Her father died in 1994 since then, it is China who has taken sole responsibility of her father's studio. She said, “After father's death, his regular customer came to me and that was very motivating”. She is now a very famous artisan in Kumartuli. She also mentioned that this business requires a lot of investment at the initial stage. In 2015, she made an androgynous sculpture for a transgender community named Pratyay Gender Trust. For the first time in the history of the public celebration of Durga Puja, “Ardhanarishvara” idol was worshipped that was crafted by China. Androgynous sculpture of goddess Durga (Others) × An artist without a studio Archana Pal took care of the studio when her husband Nrisimha Pal died. She then trained her daughter Kanchi Pal, and now Kanchi is standing neck to neck with other male artisans. She is giving definitely a stiff competition to others. Kanchi advocates the participation of a larger number of women idol-maker in the Kumartoli workforce. Narrow and congested lanes of Kumartuli is a workplace for another women clay modeller Kakoli Pal. Kakoli doesn't have a studio. “I have appealed to local authorities to provide me with a studio on rent”, she said. She went through a lot of difficult time when her husband died and left her alone with two other children. She doesn't have any training in idol-making. She was just married off to a male artisan of Kumartuli. Pushed by misfortune, Kakoli just took a plunge in the profession of idol-making for her survival as well as that of her two daughters. And she pulled it off. Kakoli also said, “I cannot go to remote places to fetch material that is required for idol-making because of safety issues.” Mala, China, Kakoli and Kanchi, these women are making it really big in the eccentric and male-dominated profession and walking a path-less-taken and, thus, slowly removing the gender gap that exists in the craft and business of clay modelling.

Breaking tradition, women clay modellers are making Durga idol in Bengal

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