Yoik master John Andre Eira vocalises sounds, which would make little sense in isolation, but put together create melodies powerful enough to transport the listeners to the northern reaches of Norway, its people and their stories.

Coming from thousands of miles away from the frozen environs of northern Norway to the heat of India, Norwegian yoik band Gabba performed at Jodhpur RIFF at the historic Mehrangarh fort.

Yoik is not unlike the sargam in Hindustani classical music, or the konnakol in Carnatic music, where a string of sounds makes a melody each time they are put together. For the indigenous Sami people in the northern regions of Norway, Finland, Sweden, and Russia, Yoik is a way of life.

Eira, who is also the lead or the ‘Yoik master’ of the band, said the unique singing tradition is devoid of words but is full of emotions.

“A yoik is a melody without lyrics, first and foremost. There are only sounds such as slo, la, lye, and so on, and the melody is supposed to describe or depict something or someone,” Eira told PTI.

Traditionally performed without instruments, a Yoik (also spelled Joik or Jojk) is often “given to a person”.

“And then the yoik is describing or painting a picture of that person. So we say about Yoik that it is not about a person, it is a person’s yoik,” he said.

The six-member band, led by Eira, performed yoik’s of his grandfather, his great grandfather, his mother, and his sister’s daughter’s daughter to the accompaniment of guitar, banjo, drums, trumpet, and bass.

Gabba, meaning “ivory-coated reindeer”, won the Spellemannprisen award in 2022 that is equivalent to a Norwegian Grammy for weaving traditional and modern yoik singing style into a vibrant musical tapestry influenced by Norwegian folk, Americana, and world music.

Eira, who was born without vision in his eyes, started “yoiking” at the age of two – “before I could speak, I could yoik” – and would catch on the yoiks by his family members.

“There was no one in particular who taught me. I used to listen to my family members, my uncle’s and aunts, and my father, they were yoikers and I just picked up the melody and started to yoik them and experiment with them,” he said.

However, the art of yoiking goes beyond stringing together words with a melody, as each yoik is different from the other, and the learning process for Eira involved long hours visiting old archives.

“When I got older I also visited many archives, Sami archives and found many old yoik recordings. So it’s a lot of researching with a learning process. You have to find those recordings and listen to them over and over again,” Eira added.

Growing up in a world that was different from the people around him, Eira found company in listening to and creating music and the belief that “there’s not much difference between being blind and being able to see”.

“So in a simple way, you could say that I don’t really know what I am missing out on. But from an early age, I was interested in other stuff that the kids of the same age didn’t do. Like I was really into music, reggae, and all kinds of music that the rest of the kids didn’t listen to.

“So I realised that there was something going on, but other than that, I don’t think it’s that much different being blind and being able to see. It’s more like how you choose to cope with that, cope with the world,” he said.

On his debut visit to India, Eira found Yoik’s resemblance in some Indian traditional music forms.

“I don’t know what the vocal styles are called, but there are some vocal styles&nbsp;especially that are reminiscent of yoik, and there are also some indigenous groups from India who have their traditional music styles that are really reminiscent of yoik,” the 32-year-old said.

Apart from Eira as the yoik master, the band includes Idar Eliassen Pedersen on trumpet, Christoffer Mietle Furuheim on guitar, Ola Brandsnes Vårtun on banjo, Espen Bakke on bass and Marius Troan Hansen on drums.

Celebrated roots musicians from France, Norway, South Korea, Zimbabwe, Mauritius, Azerbaijan, Canada and Estonia are performing with legends and masters from across India at the ongoing 17th edition of Jodhpur RIFF.

The grand celebration of roots music is hosting over 280 musicians from across the world and India, including French electronica artist Eric Mouquet, Estonian folk stars Puuluup along with Indian composer-singer Sona Mohapatra, Warsi Brothers from Hyderabad, legendary Rajasthani musician Meherdeen Khan Langa and Koodiyattam maestro Kapila Venu.

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Disclaimer: This story has been published from a news agency feed with minimal edits to adhere to WION's style guide. The headline may have been changed to better reflect the content of the story or to make it more suitable for WION audience.

Yoik master John Andre Eira vocalises sounds, which would make little sense in isolation, but put together create melodies powerful enough to transport the listeners to the northern reaches of Norway, its people and their stories.

Yoik master John Andre Eira vocalises sounds, which would make little sense in isolation, but put together create melodies powerful enough to transport the listeners to the northern reaches of Norway, its people and their stories. Coming from thousands of miles away from the frozen environs of northern Norway to the heat of India, Norwegian yoik band Gabba performed at Jodhpur RIFF at the historic Mehrangarh fort. Yoik is not unlike the sargam in Hindustani classical music, or the konnakol in Carnatic music, where a string of sounds makes a melody each time they are put together. For the indigenous Sami people in the northern regions of Norway, Finland, Sweden, and Russia, Yoik is a way of life. Eira, who is also the lead or the ‘Yoik master’ of the band, said the unique singing tradition is devoid of words but is full of emotions. “A yoik is a melody without lyrics, first and foremost. There are only sounds such as slo, la, lye, and so on, and the melody is supposed to describe or depict something or someone,” Eira told PTI. Traditionally performed without instruments, a Yoik (also spelled Joik or Jojk) is often “given to a person”. “And then the yoik is describing or painting a picture of that person. So we say about Yoik that it is not about a person, it is a person’s yoik,” he said. The six-member band, led by Eira, performed yoik’s of his grandfather, his great grandfather, his mother, and his sister’s daughter’s daughter to the accompaniment of guitar, banjo, drums, trumpet, and bass. Gabba, meaning “ivory-coated reindeer”, won the Spellemannprisen award in 2022 that is equivalent to a Norwegian Grammy for weaving traditional and modern yoik singing style into a vibrant musical tapestry influenced by Norwegian folk, Americana, and world music. Eira, who was born without vision in his eyes, started “yoiking” at the age of two – “before I could speak, I could yoik” – and would catch on the yoiks by his family members. “There was no one in particular who taught me. I used to listen to my family members, my uncle’s and aunts, and my father, they were yoikers and I just picked up the melody and started to yoik them and experiment with them,” he said. However, the art of yoiking goes beyond stringing together words with a melody, as each yoik is different from the other, and the learning process for Eira involved long hours visiting old archives. “When I got older I also visited many archives, Sami archives and found many old yoik recordings. So it’s a lot of researching with a learning process. You have to find those recordings and listen to them over and over again,” Eira added. Growing up in a world that was different from the people around him, Eira found company in listening to and creating music and the belief that “there’s not much difference between being blind and being able to see”. “So in a simple way, you could say that I don’t really know what I am missing out on. But from an early age, I was interested in other stuff that the kids of the same age didn’t do. Like I was really into music, reggae, and all kinds of music that the rest of the kids didn’t listen to. “So I realised that there was something going on, but other than that, I don’t think it’s that much different being blind and being able to see. It’s more like how you choose to cope with that, cope with the world,” he said. On his debut visit to India, Eira found Yoik’s resemblance in some Indian traditional music forms. “I don’t know what the vocal styles are called, but there are some vocal styles especially that are reminiscent of yoik, and there are also some indigenous groups from India who have their traditional music styles that are really reminiscent of yoik,” the 32-year-old said. Apart from Eira as the yoik master, the band includes Idar Eliassen Pedersen on trumpet, Christoffer Mietle Furuheim on guitar, Ola Brandsnes Vårtun on banjo, Espen Bakke on bass and Marius Troan Hansen on drums. Celebrated roots musicians from France, Norway, South Korea, Zimbabwe, Mauritius, Azerbaijan, Canada and Estonia are performing with legends and masters from across India at the ongoing 17th edition of Jodhpur RIFF. The grand celebration of roots music is hosting over 280 musicians from across the world and India, including French electronica artist Eric Mouquet, Estonian folk stars Puuluup along with Indian composer-singer Sona Mohapatra, Warsi Brothers from Hyderabad, legendary Rajasthani musician Meherdeen Khan Langa and Koodiyattam maestro Kapila Venu. Disclaimer: This story has been published from a news agency feed with minimal edits to adhere to WION's style guide. The headline may have been changed to better reflect the content of the story or to make it more suitable for WION audience.

Norwegian band Gabba brings the tales of a Yoiker to Jodhpur RIFF

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Norwegian band Gabba brings the tales of a Yoiker to Jodhpur RIFF