An NFT (non-fungible token) artwork by NSA whistleblower Edward Snowden has been sold for more than $5.4 million.&nbsp;

The artwork titled, Stay Free combines the entirety of a landmark US court decision ruling the National Security Agency's (NSA) mass surveillance violated the law, with the iconic portrait of the whistleblower.&nbsp;

The funds will benefit the Freedom of the Press Foundation, where Snowden is the president. &nbsp;

"FIVE POINT FIVE MILLION from @PleasrDAO. It feels like the whole staff of @FreedomOfPress is watching live, and we`ve never seen anything like this. This is more than a spectacle," Snowden tweeted.&nbsp;

"Emerging applications of cryptography can play an important role in supporting our rights. This auction will drive the development of valuable and privacy-protecting uses of encryption, to safeguard press freedom and serve the public," he added.&nbsp;

In 2013, Snowden leaked information on US intelligence's methods of electronic surveillance, including illegally eavesdropping on foreign leaders.&nbsp;

Fleeing punitive consequences from US federal authorities, Snowden sent requests for asylum to some countries, including Russia.&nbsp;

On August 1, 2014, he received a Russian residence permit valid for three years, which was later extended for another three years.&nbsp;

In the US, Snowden faces two counts of violating the Espionage Act.&nbsp;

He may risk up to 10 years in prison on each of the counts.&nbsp;

The US authorities have repeatedly stated that they consider Snowden to have caused grave damage to national security.&nbsp;

"We have a winner, internet friends. I want to extend a very special thanks to everyone who followed this over the last 24 hours, and the deepest gratitude from EVERYONE at our @FreedomofPress to those who bid on our charity event. You help us make a better world. Stay free!," Snowden said in a tweet.&nbsp;

NFTs allow people to buy and sell ownership of unique digital items and keep track of who owns them using the Blockchain. NFT stands for 'non-fungible token’, and it can technically contain anything digital, including drawings, artwork, tweets, animated GIFs, songs or even video games.&nbsp;

An NFT (non-fungible token) artwork by NSA whistleblower Edward Snowden has been sold for more than $5.4 million. The artwork titled, Stay Free combines the entirety of a landmark US court decision ruling the National Security Agency's (NSA) mass surveillance violated the law, with the iconic portrait of the whistleblower.

An NFT (non-fungible token) artwork by NSA whistleblower Edward Snowden has been sold for more than $5.4 million. The artwork titled, Stay Free combines the entirety of a landmark US court decision ruling the National Security Agency's (NSA) mass surveillance violated the law, with the iconic portrait of the whistleblower. The funds will benefit the Freedom of the Press Foundation, where Snowden is the president. "FIVE POINT FIVE MILLION from @PleasrDAO. It feels like the whole staff of @FreedomOfPress is watching live, and we`ve never seen anything like this. This is more than a spectacle," Snowden tweeted. "Emerging applications of cryptography can play an important role in supporting our rights. This auction will drive the development of valuable and privacy-protecting uses of encryption, to safeguard press freedom and serve the public," he added. In 2013, Snowden leaked information on US intelligence's methods of electronic surveillance, including illegally eavesdropping on foreign leaders. Fleeing punitive consequences from US federal authorities, Snowden sent requests for asylum to some countries, including Russia. On August 1, 2014, he received a Russian residence permit valid for three years, which was later extended for another three years. In the US, Snowden faces two counts of violating the Espionage Act. He may risk up to 10 years in prison on each of the counts. The US authorities have repeatedly stated that they consider Snowden to have caused grave damage to national security. "We have a winner, internet friends. I want to extend a very special thanks to everyone who followed this over the last 24 hours, and the deepest gratitude from EVERYONE at our @FreedomofPress to those who bid on our charity event. You help us make a better world. Stay free!," Snowden said in a tweet. NFTs allow people to buy and sell ownership of unique digital items and keep track of who owns them using the Blockchain. NFT stands for 'non-fungible token’, and it can technically contain anything digital, including drawings, artwork, tweets, animated GIFs, songs or even video games.

Edward Snowden's NFT artwork sells for over $5.4 mn 

One year ago, the grim news that Broadway was shutting down was sweeping through the theater district. Performers were packing up their things and heading home; theater staff members were stationed in lobbies to intercept ticket holders and explain to them that the show was canceled.

As a return date was pushed further and further, performers and theater staff resigned themselves to finding work elsewhere.

But on Friday, the anniversary of the day their beloved industry shut its doors, Broadway singers, dancers, actors and front-of-house staffers gathered in Times Square, just across from the TKTS discount ticket booth, to perform live for a small audience of industry insiders and passersby.

The pop-up show was part concert, part rally. Broadway legend Chita Rivera spoke about the power of theater to heal a beleaguered society, and then André De Shields, decked out in a glittering gold suit and a transparent face shield, sang the opening song from “Pippin” along with an array of Broadway stars, backup singers and dancers.

“I’m just happy that we’re all trying to remind the world that we’re still here, and we will be back,” said Bre Jackson, a singer who belted out a solo in the “Pippin” number.

One year ago, Jackson, 29, was returning to New York from a national tour of “The Book of Mormon” and preparing for five auditions. Within 12 hours, she said, the auditions were all canceled, and suddenly she was thrust into a job market without much need for professional singers and actors. Jackson eventually found work as an office manager for a therapy practice, finding performing gigs every so often.

One of the main purposes of these pop-up performances — of which there have been dozens across the city — is to provide paying gigs for people in the industry who have lost their entire incomes during the pandemic, said Blake Ross, one of the event’s producers. The performance was funded by a collection of organizations, including nonprofits Broadway Cares/Equity Fights AIDS and NYCNext.

Although perform inside theaters are unlikely until after Labor Day, the message of the show was that the end of the industry’s nightmare seemed to be getting closer. Last night, President Joe Biden asked states to make all adults eligible to be vaccinated by May 1, a hopeful sign that shows might be able to start rehearsals over the summer.

The performance landed on one of the first warm, springlike days of the year in New York City, adding a jolt of excitement. It felt like a reunion of sorts: After a long time working from home, some people shrieked when they saw each other, keeping their distance but air-hugging or elbow-bumping. To make sure that crowds didn’t form in Father Duffy Square, event planners made no public announcement of the performance, but passersby gathered on the edges of the makeshift stage and stood on elevated surfaces to get better views.

The cast started with a topical classic, George Benson’s “On Broadway,” with a group of high-energy, sneaker-clad and masked backup dancers. (There had been barely any time to rehearse beforehand, so just before showtime, the dancers ran through their choreography just offstage on the concrete.) Next, singers Lillias White, Nikki M. James, Peppermint and Solea Pfeiffer joined in “Home” from “The Wiz.” And a choir sang an original song written about the pandemic hiatus, “We Will Be Back,” by Allen René Louis. Costumes from shows like “Wicked” and “Phantom of the Opera” lined the stage edges, glittering and gleaming on mannequins.

During the pandemic, two musicals, “Mean Girls” and “Frozen,” announced that they would not be returning to Broadway, as well as two plays that were in previews, Martin McDonagh’s “Hangmen” and a revival of Edward Albee’s “Who’s Afraid of Virginia Woolf?” On Friday, several shows promised that they would indeed be back, including “Mrs. Doubtfire,” which got through three performances before it was forced to close, and “Six,” which had been scheduled to open March 12, 2020.

That day, Judi Wilfore, house manager for the Imperial Theater, remembers standing in the lobby before the scheduled evening performance of “Ain’t Too Proud” and breaking the news to ticket holders. Even though Broadway shut down on a Thursday, Wilfore came to work that weekend, too, in case any audience members showed up.

Over the summer, Wilfore decided that she needed to find work elsewhere, so she took an online course at Health Education Services, to get certified as a COVID compliance officer. At Friday’s event in Times Square, it was her job to make sure people were following safety guidelines and to manage a team of front-of-house theater staffers who were hired to help run the event.

Wilfore has been a compliance officer for gigs here and there — including the load-out of the “Beetlejuice” set from the Winter Garden Theater — but like many in the industry, she yearns for the eventual return to indoor theater, where she oversaw the bustling movements of staffers and audience members.

“We love what we do,” she said, “and the fact that we haven’t been able to do it in a year is unfathomable.”

One year ago, the grim news that Broadway was shutting down was sweeping through the theater district. Performers were packing up their things and heading home; theater staff members were stationed in lobbies to intercept ticket holders and explain to them that the show was canceled.

One year ago, the grim news that Broadway was shutting down was sweeping through the theater district. Performers were packing up their things and heading home; theater staff members were stationed in lobbies to intercept ticket holders and explain to them that the show was canceled. As a return date was pushed further and further, performers and theater staff resigned themselves to finding work elsewhere. But on Friday, the anniversary of the day their beloved industry shut its doors, Broadway singers, dancers, actors and front-of-house staffers gathered in Times Square, just across from the TKTS discount ticket booth, to perform live for a small audience of industry insiders and passersby. The pop-up show was part concert, part rally. Broadway legend Chita Rivera spoke about the power of theater to heal a beleaguered society, and then André De Shields, decked out in a glittering gold suit and a transparent face shield, sang the opening song from “Pippin” along with an array of Broadway stars, backup singers and dancers. “I’m just happy that we’re all trying to remind the world that we’re still here, and we will be back,” said Bre Jackson, a singer who belted out a solo in the “Pippin” number. One year ago, Jackson, 29, was returning to New York from a national tour of “The Book of Mormon” and preparing for five auditions. Within 12 hours, she said, the auditions were all canceled, and suddenly she was thrust into a job market without much need for professional singers and actors. Jackson eventually found work as an office manager for a therapy practice, finding performing gigs every so often. One of the main purposes of these pop-up performances — of which there have been dozens across the city — is to provide paying gigs for people in the industry who have lost their entire incomes during the pandemic, said Blake Ross, one of the event’s producers. The performance was funded by a collection of organizations, including nonprofits Broadway Cares/Equity Fights AIDS and NYCNext. Although perform inside theaters are unlikely until after Labor Day, the message of the show was that the end of the industry’s nightmare seemed to be getting closer. Last night, President Joe Biden asked states to make all adults eligible to be vaccinated by May 1, a hopeful sign that shows might be able to start rehearsals over the summer. The performance landed on one of the first warm, springlike days of the year in New York City, adding a jolt of excitement. It felt like a reunion of sorts: After a long time working from home, some people shrieked when they saw each other, keeping their distance but air-hugging or elbow-bumping. To make sure that crowds didn’t form in Father Duffy Square, event planners made no public announcement of the performance, but passersby gathered on the edges of the makeshift stage and stood on elevated surfaces to get better views. The cast started with a topical classic, George Benson’s “On Broadway,” with a group of high-energy, sneaker-clad and masked backup dancers. (There had been barely any time to rehearse beforehand, so just before showtime, the dancers ran through their choreography just offstage on the concrete.) Next, singers Lillias White, Nikki M. James, Peppermint and Solea Pfeiffer joined in “Home” from “The Wiz.” And a choir sang an original song written about the pandemic hiatus, “We Will Be Back,” by Allen René Louis. Costumes from shows like “Wicked” and “Phantom of the Opera” lined the stage edges, glittering and gleaming on mannequins. During the pandemic, two musicals, “Mean Girls” and “Frozen,” announced that they would not be returning to Broadway, as well as two plays that were in previews, Martin McDonagh’s “Hangmen” and a revival of Edward Albee’s “Who’s Afraid of Virginia Woolf?” On Friday, several shows promised that they would indeed be back, including “Mrs. Doubtfire,” which got through three performances before it was forced to close, and “Six,” which had been scheduled to open March 12, 2020. That day, Judi Wilfore, house manager for the Imperial Theater, remembers standing in the lobby before the scheduled evening performance of “Ain’t Too Proud” and breaking the news to ticket holders. Even though Broadway shut down on a Thursday, Wilfore came to work that weekend, too, in case any audience members showed up. Over the summer, Wilfore decided that she needed to find work elsewhere, so she took an online course at Health Education Services, to get certified as a COVID compliance officer. At Friday’s event in Times Square, it was her job to make sure people were following safety guidelines and to manage a team of front-of-house theater staffers who were hired to help run the event. Wilfore has been a compliance officer for gigs here and there — including the load-out of the “Beetlejuice” set from the Winter Garden Theater — but like many in the industry, she yearns for the eventual return to indoor theater, where she oversaw the bustling movements of staffers and audience members. “We love what we do,” she said, “and the fact that we haven’t been able to do it in a year is unfathomable.”

‘We’ll be back,’ broadway says, on shutdown anniversary

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