<p>Police in the southern Indian state of Andhra Pradesh have lodged a case against a dancer who allegedly killed a hen by biting off its head during a performance. The incident took place in the&nbsp;Anakapalli district of the state prompting animal's rights organisation,&nbsp;the People for the Ethical Treatment of Animals (PETA) India to step up.&nbsp;</p>

<p>The disturbing act was performed even when children were present in the audience. The video clip of the incident was posted on social media to garner cheap clicks.&nbsp;</p>

<p>After the video reached PETA officials, they approached the police in the district and managed to register the First Information Complaint (FIR).&nbsp;&nbsp;</p>

<p>“After a disturbing video surfaced on social media showing a man barbarically killing a hen by biting off the bird's head during a dance performance, PETA India worked with Anakapalli district police officials to register an FIR against the performer and organisers,” read a statement by PETA.&nbsp;</p>

<p>"This disturbing incident, witnessed by children in the audience, was filmed and posted on social media under the guise of entertainment,” it added.<br />
<br />
<a href="https://www.wionews.com/videos/gravitas-indias-stray-dog-menace-who-is-the-villain-694136"><strong>Watch |&nbsp;Gravitas | India's stray dog menace: Who is the villain?</strong></a></p>

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<h2><strong>Complaint lodged</strong></h2>

<p>The police stated that the FIR has been registered&nbsp;under sections 429 and 34 of the Indian Penal Code (IPC) and section 11(1) of the Prevention of Cruelty of Animals (PCA) Act.</p>

<p>PETA India cruelty response coordinator, Sinchana&nbsp;Subramanyan&nbsp;commended Anakapalli Superintendent of Police KV Murali Krishna for filing the FIR and swift action against the perpetrator.&nbsp;</p>

<p>"Those who abuse animals are often shown to have no regard for human life, either. For the sake of everyone's safety, it is imperative that members of the public report cases of cruelty to animals such as this," said&nbsp;Subramanyan.&nbsp;</p>

<p><a href="https://www.wionews.com/trending/video-pet-groomers-arrested-after-video-of-them-beating-pet-dog-goes-viral-690332"><strong>Also read |&nbsp;India: Pet groomers arrested after video of them beating a dog goes viral</strong></a></p>

<h2><strong>Previous incidents</strong></h2>

<p>Earlier this year,&nbsp;distressing footage that went viral on social media, showed a pet grooming clinic in Mumbai, abusing the animals.</p>

<p>The incident took place at the&nbsp;Vetic Pet Clinic in Thane where a three-year-old Chow Chow was kicked and slammed by the workers.&nbsp;</p>

<p>At the time,&nbsp;Nilesh Bhange, a representative of the animal rights organisation PAWS, along with others, lodged a formal complaint with the authorities in response to the disturbing incident.</p>

<p><em>(With inputs from agencies)</em></p>


Police in the southern Indian state of Andhra Pradesh have lodged a case against a dancer who allegedly killed a hen by biting off its head during a performance.

Police in the southern Indian state of Andhra Pradesh have lodged a case against a dancer who allegedly killed a hen by biting off its head during a performance. The incident took place in the Anakapalli district of the state prompting animal's rights organisation, the People for the Ethical Treatment of Animals (PETA) India to step up. The disturbing act was performed even when children were present in the audience. The video clip of the incident was posted on social media to garner cheap clicks. After the video reached PETA officials, they approached the police in the district and managed to register the First Information Complaint (FIR). “After a disturbing video surfaced on social media showing a man barbarically killing a hen by biting off the bird's head during a dance performance, PETA India worked with Anakapalli district police officials to register an FIR against the performer and organisers,” read a statement by PETA. "This disturbing incident, witnessed by children in the audience, was filmed and posted on social media under the guise of entertainment,” it added. Watch | Gravitas | India's stray dog menace: Who is the villain? × Complaint lodged The police stated that the FIR has been registered under sections 429 and 34 of the Indian Penal Code (IPC) and section 11(1) of the Prevention of Cruelty of Animals (PCA) Act. PETA India cruelty response coordinator, Sinchana Subramanyan commended Anakapalli Superintendent of Police KV Murali Krishna for filing the FIR and swift action against the perpetrator. "Those who abuse animals are often shown to have no regard for human life, either. For the sake of everyone's safety, it is imperative that members of the public report cases of cruelty to animals such as this," said Subramanyan. Also read | India: Pet groomers arrested after video of them beating a dog goes viral Previous incidents Earlier this year, distressing footage that went viral on social media, showed a pet grooming clinic in Mumbai, abusing the animals. The incident took place at the Vetic Pet Clinic in Thane where a three-year-old Chow Chow was kicked and slammed by the workers. At the time, Nilesh Bhange, a representative of the animal rights organisation PAWS, along with others, lodged a formal complaint with the authorities in response to the disturbing incident. (With inputs from agencies)

India: Dancer kills hen by biting off its head during performance in Andhra Pradesh, PETA intervenes

<p>Millions of Chinese have turned&nbsp;to a popular Bollywood song from the 1980s to voice their frustration at Beijing’s draconian zero-Covid policy.</p>

<p>“Jimmy, Jimmy, Aaja Aaja”, a hit Hindi song from the 1982 film 'Disco Dancer' is being widely used by the people on short video app Douyin —the Chinese name for TikTok—to mock the regime.</p>

<p>The 'Jimmy, Jimmy' song—composed by the late Bappi Lahiri and sung by Parvati Khan—is sung in Mandarin "Jie mi, jie mi", which translates into "Give me rice, give me rice", highlighting how people have been unable to purchase even essential items during the lockdown. The Hindi song is itself inspired by Ottawan’s 'T’es OK, T’es Bath.'</p>

<p>In the social media videos, users are shown wearing a “bindi” and makeshift saree—a traditional attire of Indian women—and carrying an empty vessel while dancing and lip-syncing to the popular Hindi song.</p>

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<p dir="ltr" lang="zh">《借米》火了！一切信号都告诉你 <a href="https://twitter.com/hashtag/%E7%B2%AE%E9%A3%9F%E5%8D%B1%E6%9C%BA?src=hash&amp;ref_src=twsrc%5Etfw">#粮食危机</a> <a href="https://t.co/HXHScw1cP4">pic.twitter.com/HXHScw1cP4</a></p>
— 历史铭记（澳喜特战旅.第6号） (@guozhanshi) <a href="https://twitter.com/guozhanshi/status/1586675715290042369?ref_src=twsrc%5Etfw">October 30, 2022</a></blockquote>
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<p><strong>Watch | Gravitas: Chinese workers jump fences to escape lockdown</strong></p>

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<p>Surprisingly, the act has managed to avert the watchful gaze of Chinese censors who are quick to take down anything that they perceive to be critical of President Xi Jinping and his policies.</p>

<p><strong>Also read |&nbsp;</strong><a href="https://www.wionews.com/world/50-countries-at-un-condemn-china-for-xinjiang-human-rights-violations-530081">50 countries at UN condemn China for Xinjiang human rights violations</a></p>

<p>The zero-Covid strategy, which is a combination of lockdowns, vaccinations and contact tracing, is being used by the local governments to clamp down on sporadic outbreaks.</p>

<p>The strict policy has left the public fuming due to restrictions on freedom of movement, food shortages and lack of access to essential medical services.</p>

<p><strong>Also read |&nbsp;</strong><a href="https://www.wionews.com/world/chinas-xi-asks-communist-vietnam-to-never-let-anyone-interfere-530061" hreflang="en">China's Xi asks communist Vietnam to 'never let anyone interfere'</a></p>

<p>Recently, people working at Apple's iPhone manufacturing facility in Zhengzhou city in central Henan province were seen deserting the place en masse after the authorities imposed strict lockdown in wake of rising Covid cases.</p>

<p>Visuals shared on Twitter showed people walking on the streets with luggage on their shoulders, seemingly in the absence of public transportation.</p>

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<p dir="ltr" lang="en">Hundreds of Foxconn employees are believed to have fled the factory in China's central province of Henan. It comes after workers raised concerns about insufficient medical care and under-reported COVID infections put them at high risk.<a href="https://t.co/8XBZa4eGc3">pic.twitter.com/8XBZa4eGc3</a></p>
— Bang Xiao 萧邦 (@BangXiao_) <a href="https://twitter.com/BangXiao_/status/1586560712553697280?ref_src=twsrc%5Etfw">October 30, 2022</a></blockquote>
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<p>According to local reports, the mass exodus was triggered by a lack of food supplies inside the Foxconn factory.</p>

<p><strong>WATCH WION LIVE HERE: </strong></p>

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Millions of Chinese have turned to a popular Bollywood song from the 1980s to voice their frustration at Beijing’s draconian zero-Covid policy. “Jimmy, Jimmy, Aaja Aaja”, a hit Hindi song from the 1982 film 'Disco Dancer' is being widely used by the people on short video app Douyin —the Chinese name for TikTok—to mock the regime.

Millions of Chinese have turned to a popular Bollywood song from the 1980s to voice their frustration at Beijing’s draconian zero-Covid policy. “Jimmy, Jimmy, Aaja Aaja”, a hit Hindi song from the 1982 film 'Disco Dancer' is being widely used by the people on short video app Douyin —the Chinese name for TikTok—to mock the regime. The 'Jimmy, Jimmy' song—composed by the late Bappi Lahiri and sung by Parvati Khan—is sung in Mandarin "Jie mi, jie mi", which translates into "Give me rice, give me rice", highlighting how people have been unable to purchase even essential items during the lockdown. The Hindi song is itself inspired by Ottawan’s 'T’es OK, T’es Bath.' In the social media videos, users are shown wearing a “bindi” and makeshift saree—a traditional attire of Indian women—and carrying an empty vessel while dancing and lip-syncing to the popular Hindi song. 《借米》火了！一切信号都告诉你 #粮食危机 pic.twitter.com/HXHScw1cP4 — 历史铭记（澳喜特战旅.第6号） (@guozhanshi) October 30, 2022 × × × Watch | Gravitas: Chinese workers jump fences to escape lockdown Surprisingly, the act has managed to avert the watchful gaze of Chinese censors who are quick to take down anything that they perceive to be critical of President Xi Jinping and his policies. Also read | 50 countries at UN condemn China for Xinjiang human rights violations The zero-Covid strategy, which is a combination of lockdowns, vaccinations and contact tracing, is being used by the local governments to clamp down on sporadic outbreaks. The strict policy has left the public fuming due to restrictions on freedom of movement, food shortages and lack of access to essential medical services. Also read | China's Xi asks communist Vietnam to 'never let anyone interfere' Recently, people working at Apple's iPhone manufacturing facility in Zhengzhou city in central Henan province were seen deserting the place en masse after the authorities imposed strict lockdown in wake of rising Covid cases. Visuals shared on Twitter showed people walking on the streets with luggage on their shoulders, seemingly in the absence of public transportation. Hundreds of Foxconn employees are believed to have fled the factory in China's central province of Henan. It comes after workers raised concerns about insufficient medical care and under-reported COVID infections put them at high risk.pic.twitter.com/8XBZa4eGc3 — Bang Xiao 萧邦 (@BangXiao_) October 30, 2022 × According to local reports, the mass exodus was triggered by a lack of food supplies inside the Foxconn factory. WATCH WION LIVE HERE:

'Jimmy Jimmy': Chinese turn to popular Indian song to mock zero-Covid policy

Jainil Mehta, became widely popular after sharing a video of himself dancing and twirling in the streets of New York City while wearing a skirt.

WION speaks to Jainil Mehta, a Dancer on how one man in skirt can shatter gender stereotypes

<p>Indian Bharatanatyam dancer Savitha Sastry along with husband AK Srikanth recently released a short dance film ‘Colors: White’ that premiered on YouTube as part of a trilogy series. Named after the colours of the Indian National Flag -- Green, White and Saffron -- the second part of the trilogy features the Bharatanatyam exponent extensively as she uses dance as a form of narrative.</p>

<p>In a chat with WION, the classical dancer cum choreographer spoke about her passion for dance and using it to tell different stories based on novels written incidentally by partner AK Srikanth.&nbsp;</p>

<p><strong>Thematic Interpretation of ‘Colors: White’</strong></p>

<p>“Colors White is a part of a trilogy of which White and Green have been released and Saffron is the next project. Colors’ refers to the three colours of our national flag. The question my partner and author wanted to ask was about the ideals that our forefathers conceptualised for each color. For instance green was chosen for representing prosperity. He chose to examine prosperity from the perspective of ‘Is it equal between the males and the females of this country?’ and not in terms of the bank balance but in terms of the mind, the freedom of choice. So each of these values we are taking up and juxtaposing between the males and females of this country,” said Savitha explaining the thought behind the trilogy.</p>

<p>She added, “Colors White examines truth and peace and it is my belief that you can achieve peace, when you are able to come face-to-face with your own truth. So how do you get there? Most of us and especially women, live inside a box. In the case of Colors White's protagonist, that box could be that of traditional dance. It can be whatever role the society expects you to play. When I learned classical Bharatanatyam, I was expected to confirm to a set piece presentation that spoke of mythology, of Gods, and was made to be sacrosanct. I soon realised that performing dance in traditional style was not something that resonated with me.”</p>

<p>She explained, “Colors White traces what happens when that box becomes suffocating. That breaking away landing at a place where we are making dance films, did not happen overnight. It’s become a reality after years of struggle, emotionally and financially.”</p>

<p>She describes Colors: White as “a poetry of a film and is written to be a real film.” Savitha believes there is an allegory of Gandhari, the Queen mother from Mahabharat who blindfolds herself as a sacrifice for husband Dhritrashtra who is visually impaired. The allegory is of society heaping praises on Gandhari for giving up on vision and sacrificing for husband. In this dance film, the protagonist removes the manifested blindfold. &nbsp;</p>

<p><strong>Are Traditional Dance Forms Sacrosanct?</strong></p>

<p>“The question here is when does it change from Bharatanatyam to something else?” asks Savitha in reply to whether traditional dance forms are sacrosanct. She added, “I have preserved the form, structure, movement but have added what those movements are used to convey in my take. Originally, they were used to tell stories of mythology, of gods and goddesses with a set style of presentation. What I have done is take it out of the context of religion. Now I am using it as a medium to tell new stories.”</p>

<p>It took an effort to break the mould but Savitha did it anyhow.&nbsp;</p>

<p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="530" src="https://www.youtube.com/embed/Gkw9LE7l9OI" title="YouTube video player" width="946"></iframe></p>

<p><strong>International Recognition</strong></p>

<p>‘Colors: White’ has travelled to various film awards.&nbsp;</p>

<p>Savitha believes that the recognition has been “most revealing” to her in how “transparent and how deep our Indian artforms are.” ‘Colors: White has travelled to many countries in the world including Germany, Paris, UK, America among many others.&nbsp;</p>

<p>The dance exponent said, “In various countries of the world, Colors White was being looked at from the perspective of storytelling. It supports my conviction that Bharatanatyam is a storytelling medium and surpasses other dance forms that are now taking over in India like the Latin Dance and Hip Hop -- as the Indian dance has much more depth.”</p>

<p>On how to lure the youngsters to the traditional dance forms of India vs the contemporary forms that are easier to pick up because of pop culture influence, she said, “It is my vision to make Bharatanatyam mainstream and the next generation plays an important role in that. I feel we are not just competing with other dance forms but streamers like Netflix, Amazon or mobile phones for that matter.&nbsp;I feel, we must start with going&nbsp;digital and finding a way of using the technology to connect with the younger lot. It has to be entertaining enough for them to pick it.”&nbsp;<br />
&nbsp;</p>


Indian Bharatanatyam dancer Savitha Sastry along with husband AK Srikanth recently released a short dance film ‘Colors: White’ that premiered on YouTube as part of a trilogy series.

Indian Bharatanatyam dancer Savitha Sastry along with husband AK Srikanth recently released a short dance film ‘Colors: White’ that premiered on YouTube as part of a trilogy series. Named after the colours of the Indian National Flag -- Green, White and Saffron -- the second part of the trilogy features the Bharatanatyam exponent extensively as she uses dance as a form of narrative. In a chat with WION, the classical dancer cum choreographer spoke about her passion for dance and using it to tell different stories based on novels written incidentally by partner AK Srikanth. Thematic Interpretation of ‘Colors: White’ “Colors White is a part of a trilogy of which White and Green have been released and Saffron is the next project. Colors’ refers to the three colours of our national flag. The question my partner and author wanted to ask was about the ideals that our forefathers conceptualised for each color. For instance green was chosen for representing prosperity. He chose to examine prosperity from the perspective of ‘Is it equal between the males and the females of this country?’ and not in terms of the bank balance but in terms of the mind, the freedom of choice. So each of these values we are taking up and juxtaposing between the males and females of this country,” said Savitha explaining the thought behind the trilogy. She added, “Colors White examines truth and peace and it is my belief that you can achieve peace, when you are able to come face-to-face with your own truth. So how do you get there? Most of us and especially women, live inside a box. In the case of Colors White's protagonist, that box could be that of traditional dance. It can be whatever role the society expects you to play. When I learned classical Bharatanatyam, I was expected to confirm to a set piece presentation that spoke of mythology, of Gods, and was made to be sacrosanct. I soon realised that performing dance in traditional style was not something that resonated with me.” She explained, “Colors White traces what happens when that box becomes suffocating. That breaking away landing at a place where we are making dance films, did not happen overnight. It’s become a reality after years of struggle, emotionally and financially.” She describes Colors: White as “a poetry of a film and is written to be a real film.” Savitha believes there is an allegory of Gandhari, the Queen mother from Mahabharat who blindfolds herself as a sacrifice for husband Dhritrashtra who is visually impaired. The allegory is of society heaping praises on Gandhari for giving up on vision and sacrificing for husband. In this dance film, the protagonist removes the manifested blindfold. Are Traditional Dance Forms Sacrosanct? “The question here is when does it change from Bharatanatyam to something else?” asks Savitha in reply to whether traditional dance forms are sacrosanct. She added, “I have preserved the form, structure, movement but have added what those movements are used to convey in my take. Originally, they were used to tell stories of mythology, of gods and goddesses with a set style of presentation. What I have done is take it out of the context of religion. Now I am using it as a medium to tell new stories.” It took an effort to break the mould but Savitha did it anyhow. International Recognition ‘Colors: White’ has travelled to various film awards. Savitha believes that the recognition has been “most revealing” to her in how “transparent and how deep our Indian artforms are.” ‘Colors: White has travelled to many countries in the world including Germany, Paris, UK, America among many others. The dance exponent said, “In various countries of the world, Colors White was being looked at from the perspective of storytelling. It supports my conviction that Bharatanatyam is a storytelling medium and surpasses other dance forms that are now taking over in India like the Latin Dance and Hip Hop -- as the Indian dance has much more depth.” On how to lure the youngsters to the traditional dance forms of India vs the contemporary forms that are easier to pick up because of pop culture influence, she said, “It is my vision to make Bharatanatyam mainstream and the next generation plays an important role in that. I feel we are not just competing with other dance forms but streamers like Netflix, Amazon or mobile phones for that matter. I feel, we must start with going digital and finding a way of using the technology to connect with the younger lot. It has to be entertaining enough for them to pick it.”

Indian Bharatanatyam dancer Savitha Sastry on dance film 'Colors: White' & more

The Silva twins were supposed to be on an international tour with their dance company last week, performing for large crowds to cheers and applause. Instead, they found themselves on their terrace, practising to the sound of the ocean in the light of the sunset, occasionally interrupted by their two rambunctious dogs.

Dance on rooftops, seaside sunsets: Cuban artists find inspiration in coronavirus quarantine

<p>A molestation case has been filed against popular dancer&nbsp;Salman Yusuff Khan on January 30 at the Oshiwara Police Station.</p>

<p>The victim, a dancer herself, alleged that Salman, along with his brother, tried to behave inappropriately with her on two separate occasions.</p>

<p>According to the FIR filed, the victim was approached by the dancer`s manager while she was in London for work in August 2018.&nbsp;</p>

<p>Subsequently, she met Salman at a coffee shop in Oshiwara Andheri, where he offered her an opportunity to perform in Bollywood Park, Dubai with him.</p>

<p>The victim claimed that Salman "touched her inappropriately" on the day she was offered the opportunity after he offered to drop her home.&nbsp;</p>

<p>When she objected to Salman`s behaviour, the dancer, she said, claimed that such things happened in Bollywood.</p>

<p>The FIR filed by the victim further goes on to add that following the incident, she got a call from the dancer`s manager regarding the work and left for Dubai on August 20, along with her dance group.</p>

<p>The victim alleges that, while in Dubai, Salman asked her, on August 30, to accompany him to Bollywood park resort in Bahrain, for another show.</p>

<p>As soon as they reached the airport, Salman allegedly introduced her to his cousin brother, who, along with Salman, allegedly touched her inappropriately on their journey back to Dubai via car on November 3.</p>

<p>The victim alleged that Salman and his team harassed her and her troupe for days after the incident, and even threatened her with dire consequences.&nbsp;</p>

<p>He allegedly forcefully made them terminate their contracts and on November 10 sent her and her troupe flight tickets back to Mumbai when they refused to budge.</p>

<p>These incidents of harassment prompted the victim to file a case against the dancer and his brother.</p>

<p>Notably, Salman, who rose to fame for his participation in popular reality shows, has also had subsequent stints in Bollywood. &nbsp;</p>


A molestation case has been filed against popular dancer Salman Yusuff Khan on January 30 at the Oshiwara Police Station. The victim, a dancer herself, alleged that Salman, along with his brother, tried to behave inappropriately with her on two separate occasions.

A molestation case has been filed against popular dancer Salman Yusuff Khan on January 30 at the Oshiwara Police Station. The victim, a dancer herself, alleged that Salman, along with his brother, tried to behave inappropriately with her on two separate occasions. According to the FIR filed, the victim was approached by the dancer`s manager while she was in London for work in August 2018. Subsequently, she met Salman at a coffee shop in Oshiwara Andheri, where he offered her an opportunity to perform in Bollywood Park, Dubai with him. The victim claimed that Salman "touched her inappropriately" on the day she was offered the opportunity after he offered to drop her home. When she objected to Salman`s behaviour, the dancer, she said, claimed that such things happened in Bollywood. The FIR filed by the victim further goes on to add that following the incident, she got a call from the dancer`s manager regarding the work and left for Dubai on August 20, along with her dance group. The victim alleges that, while in Dubai, Salman asked her, on August 30, to accompany him to Bollywood park resort in Bahrain, for another show. As soon as they reached the airport, Salman allegedly introduced her to his cousin brother, who, along with Salman, allegedly touched her inappropriately on their journey back to Dubai via car on November 3. The victim alleged that Salman and his team harassed her and her troupe for days after the incident, and even threatened her with dire consequences. He allegedly forcefully made them terminate their contracts and on November 10 sent her and her troupe flight tickets back to Mumbai when they refused to budge. These incidents of harassment prompted the victim to file a case against the dancer and his brother. Notably, Salman, who rose to fame for his participation in popular reality shows, has also had subsequent stints in Bollywood.

Molestation case filed against dancer Salman Yusuff Khan

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