A heavily pregnant Sakshi (Nushrratt Bharuccha) and her husband, Hemant (Saurabh Goyal), are all excited about the impending arrival of their baby and seem like a couple that is truly comfortable in one another's company. However, loan sharks have forced Hemant and his partner to move to a secluded place after he fails to repay the money despite repeated threats to his life and that of his loved ones.

 
Little did they know that the house they choose as their safe haven (in a remote hamlet) has witnessed far more cynicism and malign than the two of them could collectively handle: a history so dark that it involves illusions and delusions, and ghosts alike.&nbsp;

Also read:&nbsp;<a href="https://www.wionews.com/entertainment/broadway-actor-james-d-beeks-arrested-in-connection-with-capitol-hill-siege-431935" hreflang="en">Broadway actor James D Beeks arrested in connection with Capitol Hill siege</a>

 
Much like its OTT rival's 2020 offering, Netflix's 'Kaali Khuhi', 'Chhorii' takes a straight-cut approach to the evil practise of female infanticide and female feticide in India, with hardcore facts to back their case. The social drama's bold, unabashed narrative technique leaves a lasting impression on its audience solely because of its audacity to pick a topic that has been tucked under the carpet for centuries.

 
Director Vishal Furia's tale is troubling yet topical and sans any preachy overtones, with a rock-solid story of its own, independent of the social cause it attempts to bring attention to. 'Chhorii' works for the sole reason that its actors act, and not overreact to the social injustices prevalent in our unfair, unforgiving society. 
The film seldom gives in to the allure of introducing numerous characters just to make the plot justifiable or worth watching to its viewers: a pregnant woman, her debt-ridden spouse, children that may or may not exist in real life and the occasional yet effective jumpscares and deathly silences. Furia doesn't do melodrama to render gravitas to the script, instead, he incorporates rare chilly moments that heighten the cinematic experience of its viewers and not make it yet another tedious-Bollywood-horror watch. If you know, you know!

Also read:&nbsp;<a href="https://www.wionews.com/entertainment/korean-war-movie-set-to-become-chinas-highest-grossing-film-431746">Korean war movie set to become China's highest-grossing film</a>

 
The rustic setting of the film delivers a raw and real feel to the film, with crisp cinematography only making it intriguing for the audience. But, that does not mean the film is free from gore and ghastly depiction of human tragedies: dead children imagery crops up more than one is comfortable with.

 
Nushrratt Bharuccha as a heavily pregnant Sakshi avoids confrontation--both with herself and the world outside--in order to protect her unborn child by seeking refuge in a home that has seen it all. Bharuccha literally undergoes a drastic on-screen makeover with this social-horror drama and her commitment to the role is commendable to say the least. As a woman, she is many things: lover, scared, protective and submissive at times, on deeper levels. Saurabh Goyal as Hemant glides into the role with ease but something is amiss with this casting. Is it him? Or, the lack of depth to his role, who's to say?

 
If recommendations matter, then 'Chhorii' isn't for the faint hearted: a scary film that is more frightening for its depiction of the earthly world than the paranormal. But, it is also a story that deserves to be told and heard--for those who couldn't make it out alive owing to dated, disturbing patriarchal norms that, sadly, a section of the society still subscribes to.&nbsp;

Also read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-after-ben-affleck-his-oscar-winning-brother-casey-affleck-finds-love-again-431921" hreflang="en">After Ben Affleck, his Oscar winner brother Casey Affleck finds love... again!</a>

'Chhorii' is now streaming on Amazon Prime Video.&nbsp;

A heavily pregnant Sakshi (Nushrratt Bharuccha) and her husband, Hemant (Saurabh Goyal), are all excited about the impending arrival of their baby and seem like a couple that is truly comfortable in one another's company.

A heavily pregnant Sakshi (Nushrratt Bharuccha) and her husband, Hemant (Saurabh Goyal), are all excited about the impending arrival of their baby and seem like a couple that is truly comfortable in one another's company. However, loan sharks have forced Hemant and his partner to move to a secluded place after he fails to repay the money despite repeated threats to his life and that of his loved ones. Little did they know that the house they choose as their safe haven (in a remote hamlet) has witnessed far more cynicism and malign than the two of them could collectively handle: a history so dark that it involves illusions and delusions, and ghosts alike. Also read: Broadway actor James D Beeks arrested in connection with Capitol Hill siege Much like its OTT rival's 2020 offering, Netflix's 'Kaali Khuhi', 'Chhorii' takes a straight-cut approach to the evil practise of female infanticide and female feticide in India, with hardcore facts to back their case. The social drama's bold, unabashed narrative technique leaves a lasting impression on its audience solely because of its audacity to pick a topic that has been tucked under the carpet for centuries. Director Vishal Furia's tale is troubling yet topical and sans any preachy overtones, with a rock-solid story of its own, independent of the social cause it attempts to bring attention to. 'Chhorii' works for the sole reason that its actors act, and not overreact to the social injustices prevalent in our unfair, unforgiving society. The film seldom gives in to the allure of introducing numerous characters just to make the plot justifiable or worth watching to its viewers: a pregnant woman, her debt-ridden spouse, children that may or may not exist in real life and the occasional yet effective jumpscares and deathly silences. Furia doesn't do melodrama to render gravitas to the script, instead, he incorporates rare chilly moments that heighten the cinematic experience of its viewers and not make it yet another tedious-Bollywood-horror watch. If you know, you know! Also read: Korean war movie set to become China's highest-grossing film The rustic setting of the film delivers a raw and real feel to the film, with crisp cinematography only making it intriguing for the audience. But, that does not mean the film is free from gore and ghastly depiction of human tragedies: dead children imagery crops up more than one is comfortable with. Nushrratt Bharuccha as a heavily pregnant Sakshi avoids confrontation--both with herself and the world outside--in order to protect her unborn child by seeking refuge in a home that has seen it all. Bharuccha literally undergoes a drastic on-screen makeover with this social-horror drama and her commitment to the role is commendable to say the least. As a woman, she is many things: lover, scared, protective and submissive at times, on deeper levels. Saurabh Goyal as Hemant glides into the role with ease but something is amiss with this casting. Is it him? Or, the lack of depth to his role, who's to say? If recommendations matter, then 'Chhorii' isn't for the faint hearted: a scary film that is more frightening for its depiction of the earthly world than the paranormal. But, it is also a story that deserves to be told and heard--for those who couldn't make it out alive owing to dated, disturbing patriarchal norms that, sadly, a section of the society still subscribes to. Also read: After Ben Affleck, his Oscar winner brother Casey Affleck finds love... again! 'Chhorii' is now streaming on Amazon Prime Video.

'Chhorii' review: Nushrratt Bharuccha takes one for the team

Parents across the world run on similar kind of emotions. They worry unnecessarily, overact and overprotect and love unconditionally and sometimes even illogically. But can love and being protective stifle a child’s freedom? Most parents tread a thin line where at some point in time, they need to let go off their control over children- a decision that is perhaps the toughest to deal with. Director Homi Adajania’s film ‘Angrezi Medium’ deals with the same emotion, of a father grappling to the idea of an empty nest even as he goes out of the way to make his daughter’s dreams come true.

A sequel of sorts to ‘Hindi Medium’, the story has Irrfan playing Champak Bansal, a single-parent to Tarika&nbsp;(Radhika Bansal) who aspires to go abroad to do her graduation. Based in Udaipur, Champak’s world revolves around Tarika. The owner of a legacy sweet shop, his greater part of the day goes in squabbling with cousin Gasetamal Bansal (Deepak Dobriyal) and fussing over this daughter. When Tarika announces she wants to study in one of the most prestigious colleges in London, Champak- in a haste- promises to make her dream come true but things start spiralling down soon after as Champak and his brother set out on a very difficult journey to make Tarika’s dream come true.

The story is well-intended and shows how unconditionally parents love their children and go to greater lengths to fulfil their wishes. But the screenplay often loses grip over the plot making the narrative appear clumsy and long. The story is not very original- and certain situations seem illogical and irrelevant- forced into the story to make it funny. 
 
While the story doesn’t always add up- it is the performances by the two leading men-Irrfan and Deepak Dobriyal- which lift the film up to a great extent. It's always a delight to watch Irrfan on screen. Its a well-known fact that the actor was undergoing treatment while shooting for this film- but on-screen Irrfan lights up every single frame with sheer talent. Give the man any kind of role and he always delivers. In ‘Angrezi Medium’, as the simpleton Champak Bansal, Irrfan takes on a weak screenplay and turns it endearing with his performance. The man is pitch-perfect.

<iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/rzlfeocUVhI" width="560"></iframe> 
 
Complementing him in every scene is actor Deepak Dobriyal. The actor who made people sit up and take notice of his talent in ‘Tanu Weds Manu’ is in his elements in this film and shines in every frame. Irrfan’s superstardom doesn’t overshadow Dorbiyal anywhere- the two are a delight to watch much like they were in the prequel of this film ‘Hindi Medium’. In ‘Angrezi Medium’&nbsp; they play cousin who share a love-hate relationship and along with their childhood buddy played by the talented Kiku Sharda, deliver the best scenes in the film. 
 
The film may not have a very strong script but it is salvaged thanks to a great set of actors. Radhika Madan is quite convincing as Tarika. She brings in the right sort of innocence to her character- a stark contrast from her previous roles in ‘Patakha’&nbsp; and ‘Mard Ko Dard Nahi Hota’. As the young girl who despite having big dreams struggles internally as she has to stay away from her father, Madan is perfect. So are actors Ranvir Shorey, Dimple Kapadia and Kareena Kapoor Khan (in an extended cameo). Pankaj Tripathi in a small cameo gets the best scene of the film and leaves a lasting impression. So does actor Manu Rishi who plays the competitor of the Gasitamal business. Rishi has barely two scenes in the film, and four lines but still is so good in the limited screen time just like Tripathi. 
 
Adajania also indulges a bit with dialogues. The actors speak a mix of Rajasthani and Hindi and often the accents make it difficult to comprehend what the lines are. The first half is far more engaging, in the second half the film introduces too many subplots and makes its dragging. 
 
Shot beautifully in Udaipur and London, the film has beautiful music by Sachin –Jigar. 
 
Does ‘Angrezi Medium’ work? Yes, because the relationship between a parent and a child is very relatable and despite the glaring flaws in the story, the film gives us Irrfan and Deepak Dobriyal in top form. 
 
Ultimately, ‘Angrezi Medium’ has got its heart at the right place and that’s all that matters.

Parents across the world run on similar kind of emotions. They worry unnecessarily, overact and overprotect and love unconditionally and sometimes even illogically.

Parents across the world run on similar kind of emotions. They worry unnecessarily, overact and overprotect and love unconditionally and sometimes even illogically. But can love and being protective stifle a child’s freedom? Most parents tread a thin line where at some point in time, they need to let go off their control over children- a decision that is perhaps the toughest to deal with. Director Homi Adajania’s film ‘Angrezi Medium’ deals with the same emotion, of a father grappling to the idea of an empty nest even as he goes out of the way to make his daughter’s dreams come true. A sequel of sorts to ‘Hindi Medium’, the story has Irrfan playing Champak Bansal, a single-parent to Tarika (Radhika Bansal) who aspires to go abroad to do her graduation. Based in Udaipur, Champak’s world revolves around Tarika. The owner of a legacy sweet shop, his greater part of the day goes in squabbling with cousin Gasetamal Bansal (Deepak Dobriyal) and fussing over this daughter. When Tarika announces she wants to study in one of the most prestigious colleges in London, Champak- in a haste- promises to make her dream come true but things start spiralling down soon after as Champak and his brother set out on a very difficult journey to make Tarika’s dream come true. The story is well-intended and shows how unconditionally parents love their children and go to greater lengths to fulfil their wishes. But the screenplay often loses grip over the plot making the narrative appear clumsy and long. The story is not very original- and certain situations seem illogical and irrelevant- forced into the story to make it funny. While the story doesn’t always add up- it is the performances by the two leading men-Irrfan and Deepak Dobriyal- which lift the film up to a great extent. It's always a delight to watch Irrfan on screen. Its a well-known fact that the actor was undergoing treatment while shooting for this film- but on-screen Irrfan lights up every single frame with sheer talent. Give the man any kind of role and he always delivers. In ‘Angrezi Medium’, as the simpleton Champak Bansal, Irrfan takes on a weak screenplay and turns it endearing with his performance. The man is pitch-perfect. Complementing him in every scene is actor Deepak Dobriyal. The actor who made people sit up and take notice of his talent in ‘Tanu Weds Manu’ is in his elements in this film and shines in every frame. Irrfan’s superstardom doesn’t overshadow Dorbiyal anywhere- the two are a delight to watch much like they were in the prequel of this film ‘Hindi Medium’. In ‘Angrezi Medium’ they play cousin who share a love-hate relationship and along with their childhood buddy played by the talented Kiku Sharda, deliver the best scenes in the film. The film may not have a very strong script but it is salvaged thanks to a great set of actors. Radhika Madan is quite convincing as Tarika. She brings in the right sort of innocence to her character- a stark contrast from her previous roles in ‘Patakha’ and ‘Mard Ko Dard Nahi Hota’. As the young girl who despite having big dreams struggles internally as she has to stay away from her father, Madan is perfect. So are actors Ranvir Shorey, Dimple Kapadia and Kareena Kapoor Khan (in an extended cameo). Pankaj Tripathi in a small cameo gets the best scene of the film and leaves a lasting impression. So does actor Manu Rishi who plays the competitor of the Gasitamal business. Rishi has barely two scenes in the film, and four lines but still is so good in the limited screen time just like Tripathi. Adajania also indulges a bit with dialogues. The actors speak a mix of Rajasthani and Hindi and often the accents make it difficult to comprehend what the lines are. The first half is far more engaging, in the second half the film introduces too many subplots and makes its dragging. Shot beautifully in Udaipur and London, the film has beautiful music by Sachin –Jigar. Does ‘Angrezi Medium’ work? Yes, because the relationship between a parent and a child is very relatable and despite the glaring flaws in the story, the film gives us Irrfan and Deepak Dobriyal in top form. Ultimately, ‘Angrezi Medium’ has got its heart at the right place and that’s all that matters.

‘Angrezi Medium’ review: Irrfan and Deepak Dobriyal elevate a predictable, incoherent script

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'Chhorii' review: Nushrratt Bharuccha takes one for the team

‘Angrezi Medium’ review: Irrfan and Deepak Dobriyal elevate a predictable, incoherent script