Actor Daniel Bruehl called on some of his more "humiliating" Hollywood experiences for the black comedy 'Next Door', his directorial debut premiering in competition at this week's Berlinale film festival.

The German-Spanish Bruehl, who shot to fame aged 25 with the bittersweet Berlinale contender 'Good Bye, Lenin!', is now himself up for the Golden Bear top prize Friday at an event that has gone all-virtual due to the pandemic.

Since his early success, Bruehl, now 42, has starred in hits including 'Rush', TV series 'The Alienist' and the 'Captain America'&nbsp;franchise.

'Next Door'&nbsp;(Nebenan) tells the story of Daniel, a preening German-Spanish actor played by Bruehl who like the director himself lives in a gentrified district of Berlin and is up for a role in a major superhero movie.

On his way to the airport, he stops in at one of the German capital's traditional corner pubs to rehearse his lines.

- 'Vain and narcissistic' -

 
Trying to understand his character's "motivation", Daniel frantically calls Marvel executives begging them for more pages of the top-secret screenplay so he can better prepare.

Daniel practises the ridiculous dialogue with a familiar Marvel comics growl while watched by Bruno, a mysterious local sitting at the bar who soon reveals he knows more about Daniel's life than he should.

Bruno is a native East Berliner who doesn't take kindly to the wealthy newcomers who have moved into the area and driven up prices, and he's immune to Daniel's attempts to charm him.

Their small talk turns combative, then sinister as Bruno shows the unctuous Daniel who actually has the upper hand.

Despite the obvious parallels, Bruehl joked, "I'm a vain and narcissistic man but I'm not as horrible as the guy we see in the movie".

He told AFP he wanted "Next Door" to tackle both the transformation of Berlin, where rents have increased more than 75 percent over the last decade, and the occasional silliness of the entertainment industry.

"I'm making fun of all the (movie) projects, all the ones that I really loved doing. But I also had some experiences in which I felt ridiculous and humiliated," he said.&nbsp;

"I mean being sent a page where everything is watermarked and blurred and then you have three lines and don't have any context and people expect you to pull off some magic performance and you think like 'what the fuck, what is this?'"&nbsp;

- 'Ich bin kein Berliner' - 
 
Bruehl called it "a very purging, cleansing experience for me to show this humiliating aspect finally in a movie".&nbsp;

But he admitted to being a little afraid of biting the hand that feeds him with his savage satire.

"Someone like (Marvel president) Kevin Feige -- he has a great sense of humour. That's something I like about Marvel. So I hope that when these guys see the movie they understand the joke," he said.

He sought inspiration from the Coen brothers and fellow actor-turned-director Julie Delpy for the wild shifts in mood in the movie, which was written by bestselling German author Daniel Kehlmann.

Bruehl, who grew up in the western German city of Cologne but whose parents live in Barcelona, has called Berlin's now upscale Prenzlauer Berg district home since the early 2000s.

He said he wanted to take on the ongoing friction between rich and poor in Berlin as well as easterners and westerners three decades after the Wall fell.

"I was privileged to be rather successful as a young man being an actor," he said.&nbsp;

"But no matter where I went, I always felt like an invader, be it in Prenzlauer Berg or in Barcelona where I found an apartment in 2010."

He said that even today, Berlin can still give him that fish-out-of-water feeling.

"Even after 20 years, there's certain encounters that I have where I truly feel, 'Ich bin kein Berliner' (I'm not a Berliner)."

Actor Daniel Bruehl called on some of his more "humiliating" Hollywood experiences for the black comedy 'Next Door', his directorial debut premiering in competition at this week's Berlinale film festival.

Actor Daniel Bruehl called on some of his more "humiliating" Hollywood experiences for the black comedy 'Next Door', his directorial debut premiering in competition at this week's Berlinale film festival. The German-Spanish Bruehl, who shot to fame aged 25 with the bittersweet Berlinale contender 'Good Bye, Lenin!', is now himself up for the Golden Bear top prize Friday at an event that has gone all-virtual due to the pandemic. Since his early success, Bruehl, now 42, has starred in hits including 'Rush', TV series 'The Alienist' and the 'Captain America' franchise. 'Next Door' (Nebenan) tells the story of Daniel, a preening German-Spanish actor played by Bruehl who like the director himself lives in a gentrified district of Berlin and is up for a role in a major superhero movie. On his way to the airport, he stops in at one of the German capital's traditional corner pubs to rehearse his lines. - 'Vain and narcissistic' - Trying to understand his character's "motivation", Daniel frantically calls Marvel executives begging them for more pages of the top-secret screenplay so he can better prepare. Daniel practises the ridiculous dialogue with a familiar Marvel comics growl while watched by Bruno, a mysterious local sitting at the bar who soon reveals he knows more about Daniel's life than he should. Bruno is a native East Berliner who doesn't take kindly to the wealthy newcomers who have moved into the area and driven up prices, and he's immune to Daniel's attempts to charm him. Their small talk turns combative, then sinister as Bruno shows the unctuous Daniel who actually has the upper hand. Despite the obvious parallels, Bruehl joked, "I'm a vain and narcissistic man but I'm not as horrible as the guy we see in the movie". He told AFP he wanted "Next Door" to tackle both the transformation of Berlin, where rents have increased more than 75 percent over the last decade, and the occasional silliness of the entertainment industry. "I'm making fun of all the (movie) projects, all the ones that I really loved doing. But I also had some experiences in which I felt ridiculous and humiliated," he said. "I mean being sent a page where everything is watermarked and blurred and then you have three lines and don't have any context and people expect you to pull off some magic performance and you think like 'what the fuck, what is this?'" - 'Ich bin kein Berliner' - Bruehl called it "a very purging, cleansing experience for me to show this humiliating aspect finally in a movie". But he admitted to being a little afraid of biting the hand that feeds him with his savage satire. "Someone like (Marvel president) Kevin Feige -- he has a great sense of humour. That's something I like about Marvel. So I hope that when these guys see the movie they understand the joke," he said. He sought inspiration from the Coen brothers and fellow actor-turned-director Julie Delpy for the wild shifts in mood in the movie, which was written by bestselling German author Daniel Kehlmann. Bruehl, who grew up in the western German city of Cologne but whose parents live in Barcelona, has called Berlin's now upscale Prenzlauer Berg district home since the early 2000s. He said he wanted to take on the ongoing friction between rich and poor in Berlin as well as easterners and westerners three decades after the Wall fell. "I was privileged to be rather successful as a young man being an actor," he said. "But no matter where I went, I always felt like an invader, be it in Prenzlauer Berg or in Barcelona where I found an apartment in 2010." He said that even today, Berlin can still give him that fish-out-of-water feeling. "Even after 20 years, there's certain encounters that I have where I truly feel, 'Ich bin kein Berliner' (I'm not a Berliner)."

Daniel Bruehl skewers superhero stardom in gentrifying Berlin

The Berlinale, one of the world`s most open and public film festivals, begins on Monday in a decidedly low-key, private fashion, being streamed to a select audience of journalists and industry professionals rather than playing to packed cinemas. 
 
The organisers of the Berlinale, or Berlin Film Festival, now in its 71st year, have always prided themselves on running screenings that are open to an enthusiastic public, unlike Venice and Cannes, its main rivals in the festival calendar. 
 
This year, because of the COVID-19 pandemic, is different. 
 
"It`s a huge blow," said Scott Roxborough, Hollywood Reporter`s Europe bureau chief and a Berlinale veteran. 
 
"Berlin is the biggest public festival in the world and it lives from its audience, the thousands of people in Berlin who go to watch the movies." 
Despite that, organisers hope they can stay true to the Berlinale`s roots as the home, especially, of independent art house cinema with a political bent, as befits an institution born in a divided city on the front lines of the Cold War.

"The disruption brought on by the events of 2020 has led filmmakers to make the most of this situation and create deeply personal films," said Artistic Director Carlo Chatrian. 
 
Last year`s festival ran as normal, coming just before the pandemic hit Europe, forcing cinemas along with most other public venues to shut. 
 
FILMING UNDER LOCKDOWN 
 
The public will be invited to screenings from this year`s festival in June, when authorities hope that vaccinations will have allowed cinemas to reopen. 
Most of the 15 films competing for the Golden Bear were made either under lockdown or between lockdowns, by filmmakers who Roxborough said had shown "incredible ingenuity". 
 
But the pandemic meant there were no big-ticket U.S. films this year since studios there had chosen to hold back films until the cinemas reopen. 
Among the competitors is German actor Daniel Bruehl`s directorial debut "Next Door", a comedy about travel, city life and fame. 
 
Another is "I`m Your Man", in which Downton Abbey`s Dan Stevens plays a robot built to be a perfect match for museum custodian Alma. It is directed by Maria Schrader, who was also behind hit Netflix series "Unorthodox". 
 
In keeping with Berlin`s political roots, the festival will also premier its first Belarussian movie, Aliaksei Paluyan`s documentary "Courage", about the protests that have swept Belarus since August`s contested presidential election.

The Berlinale, one of the world`s most open and public film festivals, begins on Monday in a decidedly low-key, private fashion, being streamed to a select audience of journalists and industry professionals rather than playing to packed cinemas.

The Berlinale, one of the world`s most open and public film festivals, begins on Monday in a decidedly low-key, private fashion, being streamed to a select audience of journalists and industry professionals rather than playing to packed cinemas. The organisers of the Berlinale, or Berlin Film Festival, now in its 71st year, have always prided themselves on running screenings that are open to an enthusiastic public, unlike Venice and Cannes, its main rivals in the festival calendar. This year, because of the COVID-19 pandemic, is different. "It`s a huge blow," said Scott Roxborough, Hollywood Reporter`s Europe bureau chief and a Berlinale veteran. "Berlin is the biggest public festival in the world and it lives from its audience, the thousands of people in Berlin who go to watch the movies." Despite that, organisers hope they can stay true to the Berlinale`s roots as the home, especially, of independent art house cinema with a political bent, as befits an institution born in a divided city on the front lines of the Cold War. "The disruption brought on by the events of 2020 has led filmmakers to make the most of this situation and create deeply personal films," said Artistic Director Carlo Chatrian. Last year`s festival ran as normal, coming just before the pandemic hit Europe, forcing cinemas along with most other public venues to shut. FILMING UNDER LOCKDOWN The public will be invited to screenings from this year`s festival in June, when authorities hope that vaccinations will have allowed cinemas to reopen. Most of the 15 films competing for the Golden Bear were made either under lockdown or between lockdowns, by filmmakers who Roxborough said had shown "incredible ingenuity". But the pandemic meant there were no big-ticket U.S. films this year since studios there had chosen to hold back films until the cinemas reopen. Among the competitors is German actor Daniel Bruehl`s directorial debut "Next Door", a comedy about travel, city life and fame. Another is "I`m Your Man", in which Downton Abbey`s Dan Stevens plays a robot built to be a perfect match for museum custodian Alma. It is directed by Maria Schrader, who was also behind hit Netflix series "Unorthodox". In keeping with Berlin`s political roots, the festival will also premier its first Belarussian movie, Aliaksei Paluyan`s documentary "Courage", about the protests that have swept Belarus since August`s contested presidential election.

Pandemic forces Berlin Film Festival to go online

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Daniel Bruehl skewers superhero stardom in gentrifying Berlin

Pandemic forces Berlin Film Festival to go online