In this series earlier, I have underscored that while Martin Scorsese may be irrevocably associated with the cinematic realm of organised crime, violence, and the seedy underbelly of urban existence, he has consistently demonstrated that he’s far from a one-trick pony. Even in these thematic departures — I call them Scorsese’s cinematic wanderings—his unique touch is unmistakable.

Also Read |&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-martin-scorseses-the-age-of-innocence-a-departure-from-the-gritty-to-the-genteel-645908">Martin Scorsese's The Age of Innocence: A departure from the gritty to the genteel</a>

In 1997, he took another of those artistic detours with Kundun, a film that explored the life of the 14th Dalai Lama, the spiritual leader of Tibetan Buddhism. It’s as if Scorsese temporarily shelved the brass knuckles and chose to wield prayer beads instead. However, before we get lost in this unexpected spiritual pilgrimage, let’s not forget that Scorsese has a history of grappling with religious subjects.

Also Read |&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-martin-scorseses-goodfellas-the-king-of-mob-movies-that-still-packs-a-punch-645541">Martin Scorsese's Goodfellas: The king of mob movies that still packs a punch</a>

The Last Temptation of Christ (1988), a film where he dared to offer a controversial and unique perspective on the life of Jesus Christ, set the stage for his exploration of spirituality in Kundun. Here, Scorsese delved into the complexities of faith and the human condition, offering a glimpse of his fascination with the intersection of religion and humanity.

Also Read |&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-martin-scorseses-raging-bull-a-cinematic-knockout-that-redefined-filmmaking-644857">Martin Scorsese's Raging Bull: A cinematic knockout that redefined filmmaking</a>

At the heart of Kundun is the story of the young Tenzin Gyatso, portrayed with unparalleled authenticity by Tenzin Thuthob Tsarong. Tsarong’s performance, marked by nuanced facial expressions and demeanor, infuses the character with a profound sense of vulnerability. This allows us to witness the inner turmoil and spiritual awakening of a young boy thrust into the role of the Dalai Lama.

Also Read |&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-whos-that-knocking-at-my-door-martin-scorseses-raw-and-personal-directorial-debut-642399">Who's That Knocking at My Door: Martin Scorsese's raw and personal directorial debut</a>

Philip Glass’ minimalist and reflective score is integral to the film’s thematic resonance. It harmonises with the spiritual tone of the narrative, acting as a character in its own right. It&nbsp;enhances the sense of transcendence and contemplation throughout the story.

<iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/UePpB9Qatnw?si=kEs8GxrZ8i9mftwd" title="YouTube video player" width="560"></iframe>

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Kundun is, in essence, a testament to Scorsese’s visual storytelling prowess. In addition to the music, the film’s breathtaking cinematography creates an immersive experience that transports the audience deep into the heart of Tibetan culture. Scorsese appears to meditate with the camera, capturing every nuance of the Dalai Lama’s life and spiritual journey in his inimitable, intimate&nbsp;style.

Also Read |&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-martin-scorseses-mean-streets-where-mobsters-meet-mayhem-642823">Martin Scorsese's Mean Streets: Where mobsters meet mayhem</a>

Scorsese, who is never in pursuit of Oscar glory or attempts to rewrite the cinematic playbook, achieves something profoundly moving here. He paints a cinematic portrait of spiritual resilience, unwavering devotion, and the relentless pursuit of inner peace.&nbsp;

Also Read |&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-explained--osage-indian-murders-that-inspired-martin-scorseses-killers-of-the-flower-moon-592892">Explained | Osage Indian Murders that inspired Martin Scorsese's Killers of the Flower Moon</a>

In a career chock-full of iconic films, Kundun often stands as an overlooked Scorsese masterpiece. Whether exploring the criminal psyche or the path to enlightenment, Scorsese, as Kundun reveals, is a director who is always up for the challenge, capable of artfully engaging with a wide spectrum of human experiences and stories.

In this series earlier, I have underscored that while Martin Scorsese may be irrevocably associated with the cinematic realm of organised crime, violence, and the seedy underbelly of urban existence, he has consistently demonstrated that he’s far from a one-trick pony.

In this series earlier, I have underscored that while Martin Scorsese may be irrevocably associated with the cinematic realm of organised crime, violence, and the seedy underbelly of urban existence, he has consistently demonstrated that he’s far from a one-trick pony. Even in these thematic departures — I call them Scorsese’s cinematic wanderings—his unique touch is unmistakable. Also Read | Martin Scorsese's The Age of Innocence: A departure from the gritty to the genteel In 1997, he took another of those artistic detours with Kundun, a film that explored the life of the 14th Dalai Lama, the spiritual leader of Tibetan Buddhism. It’s as if Scorsese temporarily shelved the brass knuckles and chose to wield prayer beads instead. However, before we get lost in this unexpected spiritual pilgrimage, let’s not forget that Scorsese has a history of grappling with religious subjects. Also Read | Martin Scorsese's Goodfellas: The king of mob movies that still packs a punch The Last Temptation of Christ (1988), a film where he dared to offer a controversial and unique perspective on the life of Jesus Christ, set the stage for his exploration of spirituality in Kundun. Here, Scorsese delved into the complexities of faith and the human condition, offering a glimpse of his fascination with the intersection of religion and humanity. Also Read | Martin Scorsese's Raging Bull: A cinematic knockout that redefined filmmaking At the heart of Kundun is the story of the young Tenzin Gyatso, portrayed with unparalleled authenticity by Tenzin Thuthob Tsarong. Tsarong’s performance, marked by nuanced facial expressions and demeanor, infuses the character with a profound sense of vulnerability. This allows us to witness the inner turmoil and spiritual awakening of a young boy thrust into the role of the Dalai Lama. Also Read | Who's That Knocking at My Door: Martin Scorsese's raw and personal directorial debut Philip Glass’ minimalist and reflective score is integral to the film’s thematic resonance. It harmonises with the spiritual tone of the narrative, acting as a character in its own right. It enhances the sense of transcendence and contemplation throughout the story. Also Read | Martin Scorsese's Taxi Driver: A haunting journey into the dark side of the human psyche Kundun is, in essence, a testament to Scorsese’s visual storytelling prowess. In addition to the music, the film’s breathtaking cinematography creates an immersive experience that transports the audience deep into the heart of Tibetan culture. Scorsese appears to meditate with the camera, capturing every nuance of the Dalai Lama’s life and spiritual journey in his inimitable, intimate style. Also Read | Martin Scorsese's Mean Streets: Where mobsters meet mayhem Scorsese, who is never in pursuit of Oscar glory or attempts to rewrite the cinematic playbook, achieves something profoundly moving here. He paints a cinematic portrait of spiritual resilience, unwavering devotion, and the relentless pursuit of inner peace. Also Read | Explained | Osage Indian Murders that inspired Martin Scorsese's Killers of the Flower Moon In a career chock-full of iconic films, Kundun often stands as an overlooked Scorsese masterpiece. Whether exploring the criminal psyche or the path to enlightenment, Scorsese, as Kundun reveals, is a director who is always up for the challenge, capable of artfully engaging with a wide spectrum of human experiences and stories.

Martin Scorsese’s Kundun: A meditative spiritual odyssey

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Martin Scorsese’s Kundun: A meditative spiritual odyssey