<p>'The Walking Dead'&nbsp;star Steven Yeun toplines 'Minari',&nbsp;Lee Isaac Chung`s drama that is in contention for six Oscars including one for Yeun in the Best Actor category. He says was blown away by the story`s simplicity and truthfulness.<br />
<br />
'Minari'&nbsp;is the story tale of an immigrant family`s struggle with cultural identity when they move to the raw and rugged terrain of Arkansas. It talks of what happens when an outsider`s Great American dream collides with reality, and is set in the US of the early eighties.<br />
<br />
While receiving accolades for his brilliant portrayal of an ambitious and hopeful man, Yeun shares that he initially didn`t think he would fancy the script.<br />
<br />
"I`ve read some other things in this vein and most just touch on the surface, so I honestly didn`t expect I`d be that interested", he said.<br />
<br />
He added,&nbsp;"But I was blown away by the story`s simplicity and truthfulness. Reading Minari, I realized what was missing from other things on this topic: the feeling that the story is coming from an intrinsic, relatable humanity rather than a narrow identity."<br />
<br />
The actor went down a whirlwind of trepidations while preparing for his character.<br />
<br />
He said: "For one thing, Korean is something that I can speak, but not necessarily in the right vernacular for Jacob (his character), so I knew that would take some real study and work. Even more worrisome was taking on playing a father in Jacob`s generation -- as a minority, playing this kind of role felt very large to me and weighty."<br />
<br />
The actor added: "People often idealise or romanticise the first generation who came to this country, but that`s not what I was looking to do. I was trying to get to the bottom of this very human man, flaws and all."<br />
<br />
'Minari'&nbsp;will be released in India on April 16 by PVR Pictures.</p>


'The Walking Dead' star Steven Yeun toplines 'Minari', Lee Isaac Chung`s drama that is in contention for six Oscars including one for Yeun in the Best Actor category.

'The Walking Dead' star Steven Yeun toplines 'Minari', Lee Isaac Chung`s drama that is in contention for six Oscars including one for Yeun in the Best Actor category. He says was blown away by the story`s simplicity and truthfulness. 'Minari' is the story tale of an immigrant family`s struggle with cultural identity when they move to the raw and rugged terrain of Arkansas. It talks of what happens when an outsider`s Great American dream collides with reality, and is set in the US of the early eighties. While receiving accolades for his brilliant portrayal of an ambitious and hopeful man, Yeun shares that he initially didn`t think he would fancy the script. "I`ve read some other things in this vein and most just touch on the surface, so I honestly didn`t expect I`d be that interested", he said. He added, "But I was blown away by the story`s simplicity and truthfulness. Reading Minari, I realized what was missing from other things on this topic: the feeling that the story is coming from an intrinsic, relatable humanity rather than a narrow identity." The actor went down a whirlwind of trepidations while preparing for his character. He said: "For one thing, Korean is something that I can speak, but not necessarily in the right vernacular for Jacob (his character), so I knew that would take some real study and work. Even more worrisome was taking on playing a father in Jacob`s generation -- as a minority, playing this kind of role felt very large to me and weighty." The actor added: "People often idealise or romanticise the first generation who came to this country, but that`s not what I was looking to do. I was trying to get to the bottom of this very human man, flaws and all." 'Minari' will be released in India on April 16 by PVR Pictures.

'Minari' actor Steven Yeun: Was blown away by story's simplicity

<p>Filmmaker Lee Isaac Chung's Korean-American film 'Minari' picked up the best foreign-language film on Sunday at the Golden Globes 2021 but it was Chung's young daughter who stole the limelight with her adorable antics.&nbsp;<br />
<br />
As actress Gal Gadot announced the winner of best foreign film category, the show cut directly to Chung's living room where his young daughter hugged him hard and said, "I prayed, I prayed, I prayed," as she sat on her father's lap.&nbsp;<strong><a href="https://www.wionews.com/entertainment/hollywood/news-golden-globe-awards-2021-complete-list-of-winners-366951" hreflang="en">Golden Globe Awards 2021: Complete list of winners</a></strong></p>

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<p dir="ltr" lang="en">Minari wins Best Foreign Language Film and you can hear me cheer but not without mixed feelings. I love Lee Isaac Chung’s acceptance speech about how the language of Minari is from “the heart.” And his daughter! 😍 <a href="https://twitter.com/hashtag/GoldenGlobes?src=hash&amp;ref_src=twsrc%5Etfw">#GoldenGlobes</a> <a href="https://t.co/9EoPcsjHOZ">pic.twitter.com/9EoPcsjHOZ</a></p>
— Nancy Wang Yuen (@nancywyuen) <a href="https://twitter.com/nancywyuen/status/1366220091650494465?ref_src=twsrc%5Etfw">March 1, 2021</a></blockquote>
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<p>Chung mentioned that he had made the film for her and added, "'Minari' is about a family—it’s a family trying to learn how to speak a language of their own. It goes deeper than any American language, and any foreign language. It’s the language of the heart. I’m trying to learn it myself and pass it on, and I hope we’ll all learn how to speak this language of love to each other, especially this year."<br />
<br />
Later, as Chung sat down to speak to reporters via Zoom, he was asked if he had expected to win the award and his daughter chimed in, "I prayed that he would win!".&nbsp;<a href="https://www.wionews.com/entertainment/golden-globe-awards-2021-sacha-baron-cohen-takes-dig-at-hfpa-donald-trump-during-his-acceptance-speech-367066" hreflang="en">Golden Globes 2021: Sacha Baron Cohen takes dig at HFPA, Trump in his speech</a><br />
<br />
Chung mentioned how she had picked out a dress especially for the occasion and how excited she was for the ceremony.&nbsp;<br />
<br />
The 7-minute long interaction between Chung and a reporter was shared by the official Golden Globes handle and has the filmmaker's daughter walking in between - each time bringing along a new accessory with her as she heard her father address the questions.&nbsp;</p>

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<p dir="ltr" lang="en">Lee Isaac Chung’s <a href="https://twitter.com/MinariMovie?ref_src=twsrc%5Etfw">@MinariMovie</a> might have won Best Motion Picture-Foreign Language at the <a href="https://twitter.com/hashtag/GoldenGlobes?src=hash&amp;ref_src=twsrc%5Etfw">#GoldenGlobes</a>, but his daughter is winning our heart in his first post-win interview with the HFPA! <a href="https://t.co/KhxjRF5FSX">pic.twitter.com/KhxjRF5FSX</a></p>
— Golden Globe Awards (@goldenglobes) <a href="https://twitter.com/goldenglobes/status/1366258224794656768?ref_src=twsrc%5Etfw">March 1, 2021</a></blockquote>
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<p>Her cuteness obviously stole everyone's heart and the internet could not stop gushing over her.&nbsp;</p>

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<p dir="ltr" lang="en">I can't. The adorableness of it all. <a href="https://t.co/JvzYhVMuMU">https://t.co/JvzYhVMuMU</a></p>
— Anne Beaulac (@annebeaulac) <a href="https://twitter.com/annebeaulac/status/1366229324215500807?ref_src=twsrc%5Etfw">March 1, 2021</a></blockquote>
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<p dir="ltr" lang="en">Lee Isaac Chung says his daughter is the reason he made Minari and makes a super endearing speech just in time for Oscar Nomination voting <a href="https://t.co/bFN8sVnmwN">pic.twitter.com/bFN8sVnmwN</a></p>
— Will Mavity (@mavericksmovies) <a href="https://twitter.com/mavericksmovies/status/1366219484395040771?ref_src=twsrc%5Etfw">March 1, 2021</a></blockquote>
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<p dir="ltr" lang="en">lee isaac chung for minari 🥺 <a href="https://t.co/AcRJosYRKD">pic.twitter.com/AcRJosYRKD</a></p>
— gold elle woods (@kelechi_ai) <a href="https://twitter.com/kelechi_ai/status/1366219549209747458?ref_src=twsrc%5Etfw">March 1, 2021</a></blockquote>
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<p dir="ltr" lang="en">LEE ISAAC CHUNG'S KID ... I'M CRYING</p>
— karen han (@karenyhan) <a href="https://twitter.com/karenyhan/status/1366218943778721796?ref_src=twsrc%5Etfw">March 1, 2021</a></blockquote>
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<p dir="ltr" lang="en">I believe his daughter said twice ''I prayed'', while hugging her dad. What a beautiful moment.</p>
— Miguel (@zaratestra) <a href="https://twitter.com/zaratestra/status/1366220174144245764?ref_src=twsrc%5Etfw">March 1, 2021</a></blockquote>
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<p>Chung- an American filmmaker of Korean descent- made the Korean-American film 'Minari' in the English language.&nbsp;<a href="https://www.wionews.com/entertainment/tracy-morgan-apologises-for-announcing-soul-as-sal-at-golden-globes-2021-367075" hreflang="en">Tracy Morgan apologises for announcing 'Soul' as 'Sal' at Golden Globes 2021</a></p>

<p>The film though did not find a mention in the best picture category and instead won in the best foreign-language film- a move that was frowned upon by many. The film narrates the story of a Korean immigrant family who arrives in America to pursue the American dream and the hardships they face along the way.&nbsp;</p>

<p>Also read:&nbsp;<a href="https://www.wionews.com/entertainment/hollywood/news-golden-globes-2021-celebs-slam-hollywood-foreign-press-association-for-having-zero-black-voters-367070" hreflang="en">Golden Globes 2021: Celebs slam HFPA for having zero Black voters</a></p>

<p>&nbsp;</p>


Filmmaker Lee Isaac Chung's Korean-American film 'Minari' picked up the best foreign-language film on Sunday at the Golden Globes 2021 but it was Chung's young daughter who stole the limelight with her adorable antics.

Filmmaker Lee Isaac Chung's Korean-American film 'Minari' picked up the best foreign-language film on Sunday at the Golden Globes 2021 but it was Chung's young daughter who stole the limelight with her adorable antics. As actress Gal Gadot announced the winner of best foreign film category, the show cut directly to Chung's living room where his young daughter hugged him hard and said, "I prayed, I prayed, I prayed," as she sat on her father's lap. Golden Globe Awards 2021: Complete list of winners Minari wins Best Foreign Language Film and you can hear me cheer but not without mixed feelings. I love Lee Isaac Chung’s acceptance speech about how the language of Minari is from “the heart.” And his daughter! 😍 #GoldenGlobes pic.twitter.com/9EoPcsjHOZ — Nancy Wang Yuen (@nancywyuen) March 1, 2021 × Chung mentioned that he had made the film for her and added, "'Minari' is about a family—it’s a family trying to learn how to speak a language of their own. It goes deeper than any American language, and any foreign language. It’s the language of the heart. I’m trying to learn it myself and pass it on, and I hope we’ll all learn how to speak this language of love to each other, especially this year." Later, as Chung sat down to speak to reporters via Zoom, he was asked if he had expected to win the award and his daughter chimed in, "I prayed that he would win!". Golden Globes 2021: Sacha Baron Cohen takes dig at HFPA, Trump in his speech Chung mentioned how she had picked out a dress especially for the occasion and how excited she was for the ceremony. The 7-minute long interaction between Chung and a reporter was shared by the official Golden Globes handle and has the filmmaker's daughter walking in between - each time bringing along a new accessory with her as she heard her father address the questions. Lee Isaac Chung’s @MinariMovie might have won Best Motion Picture-Foreign Language at the #GoldenGlobes, but his daughter is winning our heart in his first post-win interview with the HFPA! pic.twitter.com/KhxjRF5FSX — Golden Globe Awards (@goldenglobes) March 1, 2021 × Her cuteness obviously stole everyone's heart and the internet could not stop gushing over her. I can't. The adorableness of it all. https://t.co/JvzYhVMuMU — Anne Beaulac (@annebeaulac) March 1, 2021 × Lee Isaac Chung says his daughter is the reason he made Minari and makes a super endearing speech just in time for Oscar Nomination voting pic.twitter.com/bFN8sVnmwN — Will Mavity (@mavericksmovies) March 1, 2021 × lee isaac chung for minari 🥺 pic.twitter.com/AcRJosYRKD — gold elle woods (@kelechi_ai) March 1, 2021 × LEE ISAAC CHUNG'S KID ... I'M CRYING — karen han (@karenyhan) March 1, 2021 × I believe his daughter said twice ''I prayed'', while hugging her dad. What a beautiful moment. — Miguel (@zaratestra) March 1, 2021 × Chung- an American filmmaker of Korean descent- made the Korean-American film 'Minari' in the English language. Tracy Morgan apologises for announcing 'Soul' as 'Sal' at Golden Globes 2021 The film though did not find a mention in the best picture category and instead won in the best foreign-language film- a move that was frowned upon by many. The film narrates the story of a Korean immigrant family who arrives in America to pursue the American dream and the hardships they face along the way. Also read: Golden Globes 2021: Celebs slam HFPA for having zero Black voters

Watch: Filmmaker Lee Isaac Chung’s daughter steals hearts as 'Minari' wins best foreign language Golden Globe

<p>Three years ago, Natalie Portman presented the best director category at the Golden Globes with a sting in her voice.</p>

<p>“Here are the all-male nominees,” she said.</p>

<p>This year, for the very first time, a majority of the directors in that category are women. It was announced last week that Chloé Zhao ('Nomadland'), Regina King ('One Night in Miami') and Emerald Fennell ('Promising Young Woman') will vie for the best director Globe alongside David Fincher ('Mank') and Aaron Sorkin ('The Trial of the Chicago 7'), and those same filmmakers may well hear their names again when the Oscar nominations are read March 15.</p>

<p>In a category that has historically overlooked female directors, this feels like progress. After all, only five women have ever been nominated for the best director Oscar, and if Zhao, King and Fennell all make it in, that number would nearly double in a single year.</p>

<p>But look a little closer, and there’s still a pernicious double standard at play: Fincher and Sorkin were given tens of millions to make their films, while the women had to make do with much less. 'Nomadland'&nbsp;cost under $5 million, 'One Night in Miami'&nbsp;was budgeted at $16.9 million and “Promising Young Woman” fell somewhere in between.</p>

<p>None of the five women previously nominated for the best director Oscar have had it any better: Jane Campion (“The Piano”), Sofia Coppola (“Lost in Translation”) and Greta Gerwig (“Lady Bird”) made their movies for $10 million or less, and Kathryn Bigelow’s budget for “The Hurt Locker” — a scant $15 million — is the most that a female nominee in this category has ever been given.</p>

<p>I don’t point this out to sound like a sad trombone in the Oscars’ orchestra pit, because when history is made during awards season, I believe it’s worth celebrating. This particular year could produce the most diverse lineup of Oscar nominees ever, as women and people of color are projected to make up the majority in several top races.</p>

<p>But I know it will be tempting for Hollywood to give out those laurels and then rest on them. For example, in a year that is almost certain to see nominated actors like Riz Ahmed (“Sound of Metal”), Viola Davis and Chadwick Boseman (“Ma Rainey’s Black Bottom”), Daniel Kaluuya (“Judas and the Black Messiah”) and Leslie Odom, Jr. (“One Night in Miami”), academy members may crow that #OscarsSoWhite is a thing of the past.</p>

<p>It isn’t that simple, and even this potentially landmark awards season still offers ample proof.</p>

<p>Just look at the Golden Globes’ most prestigious category, best drama, where none of the year’s major Black-led films were nominated. Not “One Night in Miami,” not “Ma Rainey’s Black Bottom,” not “Judas and the Black Messiah” and not “Da 5 Bloods.”</p>

<p>Or look to BAFTA, considered the British equivalent of the Oscars, and the group’s “longlists” for each category, released last week. Spike Lee’s Vietnam-vet drama “Da 5 Bloods” landed on nine of those longlists — including best film, screenplay, and editing — but Lee was pointedly left out of the group of 20 filmmakers nominated for best director. (If BAFTA voters were trying to send a message to Lee, did they realize the rest of the world was BCC’d?)</p>

<p>You could even look to last year, when “Parasite” made Oscar history as the first film not in the English language to win best picture but couldn’t earn a single nomination in the acting categories. Awkwafina and Zhao Shuzhen, hailing from a critics’ favorite, “The Farewell,” were similarly snubbed by the academy, and those exclusions led Vulture’s E. Alex Jung to write about “an old prejudice at work here that sees Asian people as technical workers.”</p>

<p>That’s why Jung felt that filmmakers like Bong Joon Ho and Ang Lee could win Oscars while the actors from their films were wholly overlooked, and it’s why I wonder about the ultimate fate of the forthcoming “Minari,” Lee Isaac Chung’s moving family drama starring Steven Yeun, Yeri Han and Yuh-Jung Youn. Even though a Korean movie has now won best picture at the Oscars, no Korean or Korean American actor has ever so much as been nominated. Can the actors of “Minari” break through those long-held biases?</p>

<p>Things look more promising at the Independent Spirit Awards, where “Minari” scored three acting nominations and was recognized in the screenplay, director and best feature categories, too. At this ceremony, which will be held days before the Oscars in April, the feature and director categories are exclusively made up of nominated movies directed by women and people of color.</p>

<p>But is that a road map for the academy to follow as it enacts new diversity guidelines, or is it a reminder of the limits that have already plagued this industry for far too long? To be eligible for the Independent Spirit Awards, a movie must be made for less than $22.5 million. During awards season, directors from underrepresented groups are rarely working with much more.</p>

<p>Zhao, King and Fennell may still make this year’s Oscar lineup, but what will happen next year, when even more expensive movies like Steven Spielberg’s “West Side Story” reenter the fray? Those films had the luxury of waiting out the pandemic for a more advantageous theatrical release, and the best director category could easily tilt back toward the sort of auteur-driven spectacle that men dominate and nominate.</p>

<p>No matter what happens this awards season or the next, voters should remember that progress isn’t simply secured — it’s something you have to keep reaching for. Back in 2014, there were people of color in most of the acting categories, Alfonso Cuarón (“Gravity”) won the directing Oscar, and Steve McQueen’s “12 Years a Slave” took best picture.</p>

<p>The very next year kicked off #OscarsSoWhite.</p>


Three years ago, Natalie Portman presented the best director category at the Golden Globes with a sting in her voice. “Here are the all-male nominees,” she said.

Three years ago, Natalie Portman presented the best director category at the Golden Globes with a sting in her voice. “Here are the all-male nominees,” she said. This year, for the very first time, a majority of the directors in that category are women. It was announced last week that Chloé Zhao ('Nomadland'), Regina King ('One Night in Miami') and Emerald Fennell ('Promising Young Woman') will vie for the best director Globe alongside David Fincher ('Mank') and Aaron Sorkin ('The Trial of the Chicago 7'), and those same filmmakers may well hear their names again when the Oscar nominations are read March 15. In a category that has historically overlooked female directors, this feels like progress. After all, only five women have ever been nominated for the best director Oscar, and if Zhao, King and Fennell all make it in, that number would nearly double in a single year. But look a little closer, and there’s still a pernicious double standard at play: Fincher and Sorkin were given tens of millions to make their films, while the women had to make do with much less. 'Nomadland' cost under $5 million, 'One Night in Miami' was budgeted at $16.9 million and “Promising Young Woman” fell somewhere in between. None of the five women previously nominated for the best director Oscar have had it any better: Jane Campion (“The Piano”), Sofia Coppola (“Lost in Translation”) and Greta Gerwig (“Lady Bird”) made their movies for $10 million or less, and Kathryn Bigelow’s budget for “The Hurt Locker” — a scant $15 million — is the most that a female nominee in this category has ever been given. I don’t point this out to sound like a sad trombone in the Oscars’ orchestra pit, because when history is made during awards season, I believe it’s worth celebrating. This particular year could produce the most diverse lineup of Oscar nominees ever, as women and people of color are projected to make up the majority in several top races. But I know it will be tempting for Hollywood to give out those laurels and then rest on them. For example, in a year that is almost certain to see nominated actors like Riz Ahmed (“Sound of Metal”), Viola Davis and Chadwick Boseman (“Ma Rainey’s Black Bottom”), Daniel Kaluuya (“Judas and the Black Messiah”) and Leslie Odom, Jr. (“One Night in Miami”), academy members may crow that #OscarsSoWhite is a thing of the past. It isn’t that simple, and even this potentially landmark awards season still offers ample proof. Just look at the Golden Globes’ most prestigious category, best drama, where none of the year’s major Black-led films were nominated. Not “One Night in Miami,” not “Ma Rainey’s Black Bottom,” not “Judas and the Black Messiah” and not “Da 5 Bloods.” Or look to BAFTA, considered the British equivalent of the Oscars, and the group’s “longlists” for each category, released last week. Spike Lee’s Vietnam-vet drama “Da 5 Bloods” landed on nine of those longlists — including best film, screenplay, and editing — but Lee was pointedly left out of the group of 20 filmmakers nominated for best director. (If BAFTA voters were trying to send a message to Lee, did they realize the rest of the world was BCC’d?) You could even look to last year, when “Parasite” made Oscar history as the first film not in the English language to win best picture but couldn’t earn a single nomination in the acting categories. Awkwafina and Zhao Shuzhen, hailing from a critics’ favorite, “The Farewell,” were similarly snubbed by the academy, and those exclusions led Vulture’s E. Alex Jung to write about “an old prejudice at work here that sees Asian people as technical workers.” That’s why Jung felt that filmmakers like Bong Joon Ho and Ang Lee could win Oscars while the actors from their films were wholly overlooked, and it’s why I wonder about the ultimate fate of the forthcoming “Minari,” Lee Isaac Chung’s moving family drama starring Steven Yeun, Yeri Han and Yuh-Jung Youn. Even though a Korean movie has now won best picture at the Oscars, no Korean or Korean American actor has ever so much as been nominated. Can the actors of “Minari” break through those long-held biases? Things look more promising at the Independent Spirit Awards, where “Minari” scored three acting nominations and was recognized in the screenplay, director and best feature categories, too. At this ceremony, which will be held days before the Oscars in April, the feature and director categories are exclusively made up of nominated movies directed by women and people of color. But is that a road map for the academy to follow as it enacts new diversity guidelines, or is it a reminder of the limits that have already plagued this industry for far too long? To be eligible for the Independent Spirit Awards, a movie must be made for less than $22.5 million. During awards season, directors from underrepresented groups are rarely working with much more. Zhao, King and Fennell may still make this year’s Oscar lineup, but what will happen next year, when even more expensive movies like Steven Spielberg’s “West Side Story” reenter the fray? Those films had the luxury of waiting out the pandemic for a more advantageous theatrical release, and the best director category could easily tilt back toward the sort of auteur-driven spectacle that men dominate and nominate. No matter what happens this awards season or the next, voters should remember that progress isn’t simply secured — it’s something you have to keep reaching for. Back in 2014, there were people of color in most of the acting categories, Alfonso Cuarón (“Gravity”) won the directing Oscar, and Steve McQueen’s “12 Years a Slave” took best picture. The very next year kicked off #OscarsSoWhite.

It could be the most diverse Oscars ever, but the problem isn’t solved

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'Minari' actor Steven Yeun: Was blown away by story's simplicity

Watch: Filmmaker Lee Isaac Chung’s daughter steals hearts as 'Minari' wins best foreign language Golden Globe

It could be the most diverse Oscars ever, but the problem isn’t solved