Sung by a pack of slithering paparazzi amid an explosion of flashbulbs, so begins “Diana, the Musical,” which seems to exist to answer the question. Digging deep into the celebrity-bio-musical barrel, there to squabble for preeminence with pop divas and Jersey boys, it may well win the prize as the tawdriest and least excusable wholesaling of a supposedly true story ever to belt its way to Broadway.

‘Diana, the Musical’ review: Exploiting the people’s princess

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‘Diana, the Musical’ review: Exploiting the people’s princess